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Day: 30 December 2011

Oh, Marc!

Marc Jacobs has enough media savvy to know how to grab the public’s attention. Since he first exploded onto the runway with his controversial grunge collection for Perry Ellis, he has not been one to follow the crowd, whilst his ad campaigns have long courted controversy (stashing Victoria Beckham in a carrier bag certainly caused quite a stir). His latest campaign, however, has entirely surpassed whatever alarm he may have previously caused.

 

The ASA (Advertising Standards Authority) have pulled the advertisement for the new fragrance ‘Oh Lola!’ this month for being, ‘sexually provocative.’ The ad shows a wide- eyed looking Dakota Fanning, (Hollywood’s former go- to child actress) sat on the floor, wearing a demure polka dot dress that perhaps shows a tad too much thigh, with a large bottle of the perfume placed between her legs.

 

There is nothing overtly sexual in the ad. She’s fully clothed with her legs closed. Yet it is in her innocence that the offense lies; according to the regulatory body the “length of her dress, her leg and the position of the perfume bottle drew attention to her sexuality. Because of that, along with her appearance, we considered the ad could be seen to sexualise a child.”

 

Though yes, the ad does scream Lolita rather than Lola (which was surely the slant that Jacobs was trying to achieve), have the ASA gone slightly too far? I say this because, it seems a bit excessive to pull an entire ad campaign after only four complaints. That’s right, an astronomical four. What’s more, the arguably pedantic ASA banned the YvesSaintLaurent ad for its fragrance Belle D’Opium, due to the expressive contemporary dance performed by actress Melanie Thierry, who was photographed apparently  tripping out at Warehouse Project (an occurrence which incurred a paltry thirteen complaints). Should we perhaps take their judgment with a rather large pinch of salt?

 

It is a tricky one. Though Fanning will be eighteen in February next year, there is no denying that in the glossy image, she does like she has just hit puberty. Yet is there no artistic license in advertisement anymore? Jacobs described the little sister fragrance to the hugely popular ‘Lola’ as “sensual”, Fanning being “seductive yet sweet,” – a perfect muse to portray his new scent. Furthermore, Coty, makers of ‘Oh Lola!’ said the giant perfume bottle was, “provoking, but not indecent.” Surely there should be some allowance, as after all, we all know Dakota has grown up since her ‘Dr Seuss’ days?

 

I can’t help but feel that it is a bit ridiculous that Jacob’s creativity has been quashed due to a small minority reading into things a bit much. Advertisement is an art form; a platform for subjectivity. The whole ad is legit, Fanning would not have excitedly accepted the project if she knew she would be portrayed as preteen tease. In my opinion, I think the bottle is resting on her lap. No suggestion. She’s just holding it.

 

Celebrities Selling (Themselves)

The most obvious advertising campaign for a celebrity to get involved with is the perfume ad. Having a celebrity become a ‘spokes-model’ for your brand is a dream collaboration. It works as a two way thing. Usually said actress or singer has a new film or album coming out at the same time as them looking beautiful and, I’m sure, smelling lovely in perfume adverts. Beyoncé, for example, sang in the Giorgio Armani advert for ‘Diamonds’ around the same time as her album B’Day and film Dreamgirls were released. Thus publicity was ensured for the fragrance, film and album: genius. However it cannot be denied that some advertising campaigns are better than others. The pick of the bunch is, of course, Chanel.

Being one of the greatest fashion houses on the planet, under the guardianship of fashion god Karl Lagerfeld, Chanel obviously attracts a lot of gorgeous sophisticated women to star in their advertising campaigns. In recent years, Nicole Kidman, Audrey Tautou and Kiera Knightley have all graced our screens in the name of ‘Chanel No.5’ and ‘Coco Mademoiselle’. What works about these adverts is that Chanel brings in external directors who have worked with these actresses before to create a mini film. Baz Luhrmann worked with Nicole in Moulin Rouge prior to Chanel, and Joe Brown directed Kiera in Pride and Prejudice and Atonement. As a result the adverts have their own mini plots and are oozing with sexual tension and romantic hook-ups with mystery men. What may have been standard, ignorable television adverts become events. They suck you in to a romantic frothy world that, alas, we mere mortals can only dream of.

However, some celebrity-designer perfume adverts are just so, so wrong. Chanel is partial to a bit of tasteful nudity where nothing is actually on show. Calvin Klein’s advert for Secret Obsession starring Eva Mendes is another story. Rolling around on a bed starkers showing off your nipples and gasping ‘sexily’ is just so cheap. What is the point? A thirty second advert does not need to be X-rated in order to sell perfume- a ploy which holds little sway with the female populous.

Each to their own, of course, but personally I’ll be sticking with Karl’s adverts: glamazons, dashing men, couture gowns and gorgeous Parisian settings… sigh.