Skip to main content

Day: 25 April 2013

Manchester students to run 24 hour gaming event

On the 27th, the Manchester Gaming Society will be having a charity event in the kilburn building. Over the past year, we’ve attempted to bring video games out of the artificial light of our screens, blinking into the sun of society, and this weekend we plan to return to our artificial lights in the collab rooms for a full 24 hours from 2pm on the Saturday. Everyone is free to attend, with donations being voluntary. However, please register with us quickly so the porters know you’re coming.

We plan to cater to as many interests as possible, so let us know if there’s anything you want to see. At the moment we’re going to have league of legends, starcraft, fighting games, a variety of consoles and a stream, anyone who wants to bring their own equipment to play is free to do so, including PCs should they be able to transport them! The University has graciously allowed us to use their WiFi, so laptops are possibly a better option if one doesn’t have a wireless adapter or card.

For those who want to stay for the full 24 hours, there will be areas to eat, and other events of this type have found that dominos will indeed deliver to the kilburn building – computer scientists apparently needing pizza too.

The event can be found here: https://www.facebook.com/events/188273877988870/?ref=14

Review: Sarfraz Manzoor – How Bruce Springsteen changed my life

Obsessions often come with negative connotations; some deem them unhealthy or in fact detrimental to every day life. Personally, I would say that over the last few years I have developed a slight obsession with the working class hero Bruce Springsteen, but my perceived obsession has been downgraded to ‘interest’ after being trumped by broadcaster and journalist, Sarfraz Manzoor.

Describing the show as a comedy seems slightly unjust as this is far more than a ‘set’, this is basically a man’s life story – warts and all. Although Sarfraz dismisses the notion of being a comedian early on, there is no doubt that his whit and grand tales of fanaticism are humorous within themselves and bring his story to life.

A second generation immigrant from Pakistan, Manzoor grew up in Luton – a place that its own residents voted ‘Britain’s worst town’. Despite being anything but a promise land, Luton provided him with a reason to dream and it was only when he met young Springsteen aficionado Amolak that this dream began. Initially dismissing Amolak and The Boss, his first exposure to the symphony that is Born to Run changed everything.

A huge part of Bruce’s appeal was the escapism he offered Sarfraz, epitomised most famously in Thunder Road “It’s a town full of losers, and we’re pulling out of here to win”. Springsteen’s songs provided more than just inspiration; they provided layouts and plans on how to do it.

Being a well respected broadcaster and journalist it’s bewildering to hear the turn Manzoor’s life took as a teenager. His first encounter with The Boss was in 1988 on the Tunnel of Love Express tour, and although his strict parents allowed him to go they couldn’t have envisaged the effect it would have on him. Sarfraz describes how his devotion was born out of necessity, as if he were almost in need of the man’s direct wisdom, and only after Bruce himself pointed out “what are you doing in Pittsburgh?” did he realise quite how consumed he had become.

As I say comedy doesn’t cover all aspects of this show, Manzoor’s moving account of meeting and marrying his white wife Bridget, against strong apposition from his family brought a tear to the eye of many, even him, confessing “it’s still hard, no matter how many times you do it”. But joy was found when he revealed his family did attend the wedding, after yet another intervention from Springsteen. Manzoor’s account of love is enthralling, and although Springsteen wrote many beautiful ballads he also presented somewhat of a challenge – to love someone“with all the madness in my soul”was something that intimidated the young Sarfraz.

The show is a rollercoaster of emotions as we trace Manzoor’s very footsteps from child, to troubled teenager, obsessed globe trotter and now the happy family man and successful journalist. For Boss fans it’s a treat to meet someone with such passion, but liking Bruce is not a pre-requisite for this show, in fact Bruce is just a catalyst for the developments in Sarfraz’s enchanting story.  The experience is an altogether inspiring one and has the power within itself to change the outlook we take on life, something I’m sure The Boss would approve of.

Peter Cooke: what is important is ‘an integral curiosity’

For our ‘Careers in the Arts’ feature I interviewed French lecturer Peter Cooke who specialises in nineteenth-century French art. Being fascinated by his brilliant modules over the years and soon to be graduating myself, I was intrigued to find out more about his career path. I wondered how the art world has changed since he embarked into the world of work and if he has any tips as we anxiously leave our student days behind us.

Graduating from Oxford with a degree in French and Spanish, Cooke always had an interest in art yet it was his thesis on Gustave Moreau that truly inspired his passion. Having no formal qualifications in History of Art I ask whether he considers himself self taught, he smiles and answers “we are all self taught”. Cooke’s fascination with Moreau stemmed from his year abroad in Paris with days spent in the ‘Musée Moreau’ of unsupervised hours in the archives and even in Moreau’s house itself, where he sat “encapsulated, surrounded by his paintings, reading his manuscripts”. He announces that his new 120,000 word book, a lavishly illustrated piece on the life and work of Gustave Moreau of course, is the highlight of his career thus far as he believes it’s an accumulation of 20 years of hard work. He admits he does not follow modern art with the same ardour yet he has noticed how tastes constantly change; “art has basically come off the painting and onto the floor. Traditionally art on the wall remains in its own space, but modern art has invaded our space as spectators”. I am impelled to ask if he has any tips for graduates who want to pursue a career in the arts, unfortunately there is no short-cut or easy answer as he tells me “the prerequisite is that you have to love art, it also helps to get to know the right people.” It seems not much has changed for humanities-based jobs as networking remains the only way to work your way up. Nevertheless, he acknowledges that these days a specialised training is expected and a “learn by doing” in the art world is not as easy to accomplish, yet above all what he believes most important is “an integral curiosity.”

Peter Cooke’s Top 3

‘La Salomé’ by Gustave Moreau – “I was very privileged to see it before it was opened to the public and the reproductions just do not do it justice. It is totally unique; I’d never seen anything like it and I was instantly captivated.”

‘The Woman Taken in Adultery’ by Rembrant – “Rembant’s work speaks of a deep humanity and compassion that comes across very strongly. His paintings are intensely human.”

“La Countesse d’Haussonville’ by Ingres – “I love Ingres’ portraits and this one in  particular is mesmerising; what a simply magnificent ice queen!”

Peter Cooke is co-curating an exhibition, ‘Picturing Stories: British and French Romantic Illustration’ in John Rylands Library which opens in August.

Interview: Shereen Perera, Islington Mill

What exactly is a Visual Arts Co-ordinator? 

Being a Visual Arts Co-ordinator at the Mill involves facilitating and producing the Mill’s exhibition and residency programme working closely with Rivca Burns, Events Co-ordinator to curate a cohesive visual arts and music programme.

 Why do you think Islington Mill is an important and unique arts venue in Manchester? 

Walking through the door of Islington Mill is an interactive experience not just an event. Many people think of the Mill as a venue that puts on gigs and club nights, but we also are home to over 50 artist studios, a self-organised art school (Islington Mill Art Academy), an artist led B&B, and an ongoing residency programme working with artists locally, nationally and from around the globe.

 What did you do before you had this job – degree? Previous projects? 

I  studied Drama and English [BA] at University of Manchester. As well as working at Islington Mill I work part-time at the Royal Exchange Theatre and am part of music/film collective Video Jam who put on experimental nights of  short films with a variety of live musical/sonic accompaniment.

 What qualities do you think are important in someone hoping to work in a similar role to yours and do you have any advice? 

Being entirely committed to the work of the artist whose residency/exhibition you are facilitating, building a relationship with the artists and forming lasting collaborative friendships. Never being too afraid to execute your own ideas no matter how crazy or mad they might be. Being a risk-taker, somethings work, somethings don’t, but I’m lucky enough to work in creative environment that encourages ‘trying things out’ and it’s ok if you do fail.

WIN TICKETS! Mancunion Arts have collaborated with Sounds from the Other City to offer a two pairs of tickets to SFTOC exclusively to Mancunion readers! Sounds from the Other City returns to Chapel Street this May Day Bank Holiday, and with a line up featuring the likes of Divorce, Parenthetical Girls, Queer’d Science and Sea Pinks, this isn’t one to miss. To win, email [email protected] telling us which of these Manchester luminaries is still alive:

A) Anthony Burgess

B) Emmeline Pankhurst

C) Howard Jacobsen

Sounds from the Other City 2013

2 people will be chosen at random from all correct entries. Deadline: Thursday 2nd May

Architecture: ‘as pragmatic or as esoteric as you like’

We chatted with the Head of MSA, Professor Tom Jefferies, for our second UNI interview. We asked him how he got into architecture, how he then found himself in the thicket of architectural education, what makes a good school, and where he would like to see MSA going in the not too distant future.

 Education in the UK

“When architectural education is working well it sets up the landscape for you to ask very challanging questions and to come to some sort of resolution.” According to Tom, you can describe architecture as either a profession or a discipline, and if you describe it as a discipline it’s amazingly wide – “you can be as pragmatic or esoteric as you like.” He said that “the UK system allows for someone to enter the discipline, define where they sit, and then work out how they want to engage with the profession when they emerge out of it”.

Talking MSA

So where does he see MSA going? “The interesting thing about MSA is that it’s an ongoing project.” Tom, along with Eamonn Canniffe, was there at the very beginning when the joint school was formed in 1995. “Like anything new, it took a bit of time to bed in. The next phase is to get a fully joint school from BA to PhD, and then see how the school could engage with it’s professional and academic context in the most dynamic way possible.” Tom said that “the trajectory is to set the school up to become stronger and stronger by realising its interconnections within the two universities it is a part of, but also in the wider professional world.”

 

We’re two students aiming to bridge the gap between student and architect through film and interviews. Where are Mancunian architects taking the profession right now, and what kinds of challenges are they facing? What are the innovative solutions being explored in response to this? We want to document unique architectural ideas and the faces behind them. 

www.mies.org.uk

Confessions of a TV addict

My name’s Gwen and I’m addicted to TV. I watch anything and everything my laptop can stream. I like to think that I can stop at one episode but before I know it, its 3am and I’d gladly give up a limb just for another small screen hit.

Before I came to university I hadn’t encountered the joy of Putlocker and thought that Sockshare was a website on which people traded anecdotes about sock-puppets. Entering these sites can only be compared to entering another (dream) realm: I could now watch endless episodes – even whole series – of whatever I desired in the space of 24 hours and from the comfort of my bedroom. Dangerous.

Pilot episodes were much like first dates; there had to be a connection but I should be left yearning for more. If it didn’t fit the criteria or mood I was in, then I could just dump it and move on to the next. That’s right, I became a TV whore. This dreadful behaviour continued and soon enough I became entangled in a web of dramas and comedies. My evenings and weekends were spent in bed watching Mad Men, Desperate Housewives and Game of Thrones. Inevitably, I began sacking off lectures for the next fix. The thought of having to wait to find out whether or not Mike was actually dead was far more sickening than that of having to skip an hour of my degree (even though I knew that the attendance email was on its way).

It gets worse. My addiction started to spiral out of control and before long, I was even making excuses for not going out. Why should I torture myself at Sankey’s when all I truly needed was to find out how Ted met his wife? I reasoned.

I finally realised that I had a problem when I completed a Grey’s Anatomy marathon (for the third time) and looked in the mirror. What I saw was a greasy-haired, puffy, red eyed zombie. And it wasn’t just my appearance that was suffering; my room looked as though a tornado had just blown through it, scattering empty crisp packets and Pot Noodle cups all over the place. My personal relationships weren’t doing well either; I felt closer to the cast of 90210 than I did to my own friends, who were close to filing a missing person’s case.

I came to the conclusion that the binge-watching had to stop, but like every addict, I have relapsed. There are still times (after every episode of The Vampire Diaries) that I’d give up a family member to not have to wait another week for a new episode of my favourite series. My problem isn’t as severe as it was, but I still have a long road to recovery. I hear that the first step to overcoming the problem is admitting that you have one: I am a TV addict and I need help.

Retro Corner: Ape Escape

To say that Ape Escape was a game changer would be a disservice to the game that introduced the world to the much-loved Dual Analog Controller.

Hailing from Japan, the story is suitably wacky; a monkey named Specter has donned a helmet which makes him super intelligent (and evil), conscripted a bunch of fellow apes and headed back in time to achieve world domination, kidnapping and brainwashing your best friend Buzz in the process. The player takes control of Spike, and is tasked with capturing said primates and stopping Specter before his Planet of the Apes dream is realised.

In order to catch these cheeky chimps, Spike must utilise a range of gadgets bestowed upon him during his adventure, including the Stun Baton, Monkey Net and Slingshot.

Ape Escape’s most praised feature is the control system, and rightly so due to its then innovative design. Movement was mapped to the left stick, and gadgets to the right, meaning every gadget was controlled differently; the Stun Baton was granted a 360° attack area, while gadgets such as the Dash Hoop required several rotations of the stick to charge up.

In keeping with the time travel theme, level locations varied from prehistoric times (complete with dinosaurs) to medieval Europe, feudal Japan, and finally a futuristic utopia ruled by Specter. With each new location came new monkey varieties; cave-monkeys, ninja monkeys, monkey knights and robo-monkeys were but a few of the enemy varieties Spike had to overcome.

Ape Escape received universal praise upon its release and is often listed among the best platformers on the Playstation One. The controls handle well, gameplay is challenging while remaining fun, and the story, though strange, is engaging.  It’s now available on the Playstation Store, and I strongly recommend you try it.

Zoology Society

The Zoology Society is aimed at anyone with a passion for animals and conservation, a place where budding zoologists can come together and participate in a vast range of activities. These range from light hearted socials to slightly more serious academic talks. I spoke to the social secretary Lauren James who told me about their latest social to the Blue Planet Aquarium in Chester. Famous for having the largest collection of sharks, the zoology society organised the trip for 22 members of the society.

“The aquarium was fantastic, with vibrant, colourful displays of exotic fish and other marine creatures, but they also had an interesting collection of amphibians and reptiles. The main attraction was of course the shark tank.  With a huge range of shark species including the stunning leopard shark and (my personal favourite) “Dotty” the zebra shark. Demonstrations took place throughout the day, involving divers in the main tank showing us how they looked after the sharks and hand-fed the stingrays. There was also a tunnel through the main shark tank, giving a 360° view of these majestic creatures, a definite highlight of the day. Overall it was a great day, with everyone thoroughly enjoying themselves, so in my view totally worth the three months it took to organise and we will definitely see if we can run it again next year.” This was their main trip of the year, however they have organised many other events  ranging from themed nights out to academic talks running the duration of last semester. Although the society is naturally very popular with zoology students, the society is open to everyone with an interest in zoology.

“I became part of the society as I was invited to the Zoology Society Facebook group when I joined the University last year and went along to their “post exams party.” I met so many fantastic people in one night and as soon as I received an email with the opportunity to be part of the committee for this academic year, I jumped at the chance to have a more active role in the society. These socials are a relaxed and fun way to get to meet people in the society, when you go once you will find yourself coming back time after time. I recommend anyone wanting to join the society to come along and get involved.”

If you want to find out more about what the zoology society simply visit the Manchester University Student Union website. There is a £2 membership fee which goes towards trips we organise. Visit their Facebook page: http://www.facebook.com/groups/220988784625859/