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Day: 30 October 2014

Club: RBMA presents DJ Harvey

24th October

Gorilla

9/10

Following a 10 year exile, DJ Harvey’s return to his homeland in 2012 has seen the selector quickly reaffirm his legendary status with a series of enthralling sets. It was RBMA who brought him back, and tonight they have once again enlisted his skills for a 3 hour set in Gorilla.

I’d greeted the late venue change from The Albert Hall with disappointment due to the system in Gorilla lacking vigour on my previous visits, but my concerns are quickly dismissed as I enter the club for the first time in months and experience the wall of sound pumping out the considerably beefed up speakers.

The second noticeable change from my last visit is the average age. “What are you doing here?” quizzes an almost incredulous 50 year old to my friend, a strange role reversal from usual clubbing scenarios – I now realise how all the teenage classic rock fans in my secondary school must have felt attending AC/DC gigs. There’s a simple answer: DJ Harvey’s seamless blends of the finest cuts of disco, funk, house and even prog rock are universally appealing.

The night is a master class in DJing. Funky guitar licks, euphoric piano chords, fanfaring trumpets and staccato bass lines feature in abundance as Harvey keeps the room truly dancing all night with first-rate music. Ambience is provided by two large disco balls that reflect beams of light jaggedly across the room.

It’s one of the most enjoyable and captivating DJ sets I’ve ever seen. Harvey takes the crowd on the journey through the lighter side of disco with tracks such as JV’s ‘EditChannel XXX’ to the harder side, epitomized by Andre Bratten’s ‘Trommer OG Bass’ thumping through the room inciting fist pumps at 3am.

If anything can illustrate the brilliance of DJ Harvey it’s that the notoriously intrusive and moody bouncers of Gorilla jig along gleefully with the crowd throughout.

You can read our feature on RBMA here.

 

Club: Sounds Of The Near Future @ WHP

25th October

Store Street, Warehouse Project

8/10

Sounds Of The Near Future is the premier night for forward thinking music in the Warehouse Project calendar. This is typified in the booking of Rustie and Hudson Mohawke with their futuristic, no-holds-barred production style.

The former has Room 1 bouncing already as I arrive. Rustie holds a special place in my heart with his debut Glass Swords being seminal to my developing of an interest in dance music; it’s always a delight to hear these songs out, with the likes of ‘Hover Traps’ and ‘After Light’ stirring emotions beyond just the desire to dance. Whilst I didn’t connect with follow up Green Language as much, the tracks go off in a club setting – and hearing a crowd scream along to Danny Brown’s rasping “I don’t give a shit, tell your bitch suck my dick” refrain on ‘Attak’ is a pretty special moment. The airing of PC Music honcho AG Cook’s ‘Beautiful’ is also fitting to the theme of sounds of the near future, with the divisive label spearheading an evolution in dance music of late.

Kaytranada is up next, opening on Kendrick’s ‘Bitch Don’t Kill My Vibe’, perhaps in recognition of the tough task he has in maintaining the energy Rustie instigated in the room. Ironically however, he does exactly what the song warns against with a set of slower hip hop beats.

Rustie. Photo: Flickr user Super 45

If I had to place my faith in anyone to get things going again then it would be Hudson Mohakwe. Taking the baton from Kaytranada he opens atmospherically on fellow Warp Records signee Clark’s ‘Skyward Bruise/Descent’ before unleashing a set dominated by his own ferocious productions. ‘Thunder Bay’ and ‘Goooo’ incite a frenzy; ‘Cbat’ still sounds amazingly fresh; and those horns from ‘Chimes’ nearly blow the roof off Store Street.

That his set is only an hour long is the only blight – I find myself desperately hoping he’ll be able to manipulate the circumstance of daylight saving and play through his 1am-2am slot twice but, alas. There is time to fit in a number of tracks from collaborator Kanye West however which is greatly welcome, even if he doesn’t allow ‘Bound 2’ to play fully.

Moving into Room 2, Stones Throw Records boss Peanut Butter Wolf is showcasing the older side of hip hop, providing a highlight of the night by selecting Souls Of Mischief’s ‘93 ‘til Infinity’. Things get emotional when the visuals display images of the late DJ Rashad and MCs shout commemorations down the mic.

Finally, it’s up to Jackmaster and Oneman aka Can U Dance to close the night. The room is absolutely rammed, a stark contrast to the 5 people I joined to watch Jackmaster in here at 7pm on opening night, and they delight the crowd with a string of bangers. At risk of sounding like a killjoy, the set is a bit crowded with these sort of tracks. When you’re expecting classics the hype generated by hearing them is diminished, with greater effect coming when they’re tucked into a set as a curveball. That said, mixes such as ‘Erotic Discourse’ into ‘Pulse X’ are undeniably good fun, and Fix’s ‘Flash’ never fails to thrill.

With Rustie and Hudson Mohawke the standout acts and Jackmaster performing a strong set, Manchester hasn’t seen Glaswegian dominance like this since Celtic Park in November ‘06.

The Hateriarchy

Men, especially young men, are bad people. We are constantly being told how crass, sexist and misogynist male behaviour is. But if this is true, what has made men behave like this? I suggest to you that it is the anti-male cultural milieu that feminism has created since the 1980s in all areas of society.

If the rhetoric routinely thrown at men were directed at any of our ‘minority’ victim groups—women, black people, ethnic minorities, gays—British society would be condemned for its prejudice, bigotry and even persecution.

We teach children to be kind to one another, to be thoughtful and caring to other people, and then when they reach a certain age, the feminism fairy comes along and sprinkles boys and all things male with poo dust. This poo dust is the patriarchal perspective, the ‘good women/bad men script’ to which all areas of society now conform—our culture, schools, universities, the legal system, the media and the political system. It is well documented that this patriarchal perspective is taught in our schools and universities.

For three decades there has been widespread misandry in Britain, a widespread contempt for men and masculinity. Men are belittled and ridiculed in sitcoms and advertisements. Feminist comediennes and celebrities have license to constantly rubbish men.

The incidence of suicide is four times greater for men than women.

Nine out of ten homeless and those living rough are men.

The men’s health forum has found that eight times more money is spent on women’s than on men’s health.

There is no screening for male cancers.

When it comes to education boys are failing compared to girls and in real terms, fewer men than women are now entering university.

There is no anonymity for men who have only been accused of rape—the innocent having their lives destroyed by unjustified publicity.

Male victims of domestic violence, 40 per cent of all victims, are ignored.

70000 divorced fathers every year, regardless of their capability to care and provide, have difficulty seeing their own children—half lose complete contact.

Financial maintenance settlements are swingeing and unjust. Four out of five divorces are petitioned for by the wife.

Do a gender-switch on the above; if these discriminations were experienced by women would they be tolerated? If they are wrong for women then they are also wrong for men and boys. Anti-male prejudice, the ‘good women/bad men script’, is entrenched in our individual and collective mindset and has created cultural and institutional bias against men and masculinity. One that is never questioned.

At the same time young men are seeing their female contemporaries enjoying preferential treatment in the form of shortlists, tokenism, quotas, and fast-tracking. Every university has a student’s women’s officer yet a men’s officer is not permitted; women at London Metropolitan University are given a £19000 inducement to study engineering, male students are not. With such special privileges and policy-favouritism it is hardly surprising that young men become resentful. There hasn’t been one piece of specifically male-friendly legislation in living memory.

Misandry, demonizing and dehumanising men has devalued men’s worth compared to that of a women. Both men and women fail to see misandry as a problem. This is because sexism has been defined exclusively in terms of misogyny.

Nobody has been looking for sexism against men; we are so conditioned that we are blind to the daily examples of it in media reporting, on radio and television, in news programmes, in our schools and universities, and throughout policy-making, and if we do happen to notice it we are silenced by the fear of being labelled politically incorrect.

I suggest that the cultural and institutional misandry that has been experienced by men has been a driving force behind much of Britain’s present social ills. If men are told over and over again that they are society’s ‘bad people’ they are likely to say, “so be it.”

Ignoring men’s issues will inevitably lead to resentment. Our governments should consider the danger of this self-fulfilling prophecy; the more badly behaved young men are, the louder the sisterhood bellows how awful masculinity is—an upward spiral of constant blaming, shaming and crass behaviour.

Psychologists tell us that if we treat people badly, with contempt and distain, then they will react in kind. Social order—including in our universities—is not in good condition right now. If boys and men continue to be disrespected, discriminated against, demonised, told, and shown that they have little value and worth, disposable as husbands as father and as people, then it might be understandable if they respond by treating society—including women—in the same manner. They who spawn a squall shall conjure a whirlwind.

The patriarchal perspective has encouraged society to treat men and boys badly, so we should not be surprised that they morph into muscle-bound weaklings who seek solace in the hyper-masculine rituals of violence and aggression in our universities, with an ugly undercurrent of homophobia and misogyny.

Feminism’s creation of a widespread and deep-rooted misandry is rebounding against ordinary women. We ought to be educating young men and women to question this perspective, to rise up against this mutually destructive feminist culture and encouraging them to engage in genuine equality and respect between the sexes.

Doris Lessing said, “men seem so cowed they can’t fight back, and it’s time they did.” Men are fighting back, but their misguided target is society and ordinary women—not the political and cultural movement that created this unacceptable view of men and masculinity in the first place.

By appeasing feminism, and the grinding and constant bias that its perspective promotes, Britain has encouraged a stroppy male slouch towards Gommorah.

Swayne O’Pie is the author of ‘Why Britain Hates Men – Exposing Feminism’ and is available for lectures and debates. E-mail him at [email protected].

Warning – University will seriously damage your health!

According to a new YouGov survey, 81 per cent of students believe that their health is seriously influenced by their university accommodations.

YouGov Consumer Survey (2014) Air Quality reveals that full-time students are of the opinion that they are the most in danger of ‘Toxic Home Syndrome’.

Due to ‘Toxic Home Syndrome’, people that are living in houses with poor air quality due to harmful airborne pollutants are very likely to incur respiratory and dermatological diseases.

The most common pollutants that students should be aware of are biological pollutants, such as mould spores, volatile organic compounds (VOCs), gas and building materials.

It was reported by YouGov that 37 per cent of students respondents assert that they were afflicted by breathing problems such as asthma, with another 23 per cent said to have had eczema. Both of them can be caused by inadequate indoor air ventilation.

Allergy experts encourage students to be more aware that living in these conditions puts their health in danger, as, on average, 33 per cent of students have had mould growing in their bathrooms or bedrooms.

Peter Howarth, Professor of Allergy and Respiratory medicine at Southampton University, said: “It is imperative that students are alert to the gravity of household air pollution as they typically spend long periods of time in their university homes.

“As well as mould, other air pollutants found in the student home include everyday household items such as air fresheners, cleaning products and detergents. As students rarely have access to a garden and therefore dry their laundry indoors, they are at risk of unknowingly polluting the indoor environment with the harmful compounds released from the detergent.

“This indoor ‘pollutant soup’ can be particularly hazardous in the winter months when homes get little natural ventilation and are most prone to condensation and mould. I would urge students to take steps to significantly improve their home’s ventilation in winter to minimise their risk of Toxic Home Syndrome.”

Students from the University of Manchester believe that there is poor indoor air quality in halls. Speaking to The Mancunion, Kanae Koike, who lives in Whitworth Park, said ”I agree with the survey’s results. In university halls it’s easy to catch a cold and difficult to recover from it.

“As we share the kitchen and the living room, and due to a bad ventilation and lack of fresh air, if someone has a cold, it’s very likely that also the other flatmates get ill. Furthermore, sometimes I’ve found mould in my kitchen.”

She added, “my room has a window that can be opened, but other rooms that don’t have might have problems of stagnant air.”

In a statement to The Mancunion, a student who lives in Canterbury Court and asked to remain anonymous, commented, “I think that the accommodation is not worth the amount we pay for it considering the size of the room, the awful carpets, the ugly curtains and the brick walls make some flats feel like prison.

“I think this will have a negative impact on students’ life and how they view the city of Manchester and the university.”

More information about Toxic Home Syndrome can be found at www.myhealthmyhome.com.

Club: Matthew Herbert

17th October

Joshua Brooks

7/10

Joshua Brooks continued their stunning hot streak of bookings this year by bringing a true genius to their basement. Famed predominantly as a producer, Matthew Herbert has been consistently pushing the boundaries of electronic music with his experimentalist style for nearly two decades. The reasonably small but reverent crowd assembled – “Matthew Herbert at Joshua Brooks! I can’t believe it!” I overhear – perhaps shows he’s a figure who doesn’t procure wide appeal, but all those who appreciate him do so deeply.

Performing a DJ set tonight, I was excited to see whether his selection skills matched up to his production prowess. I was also slightly wary: with my only reference point of a Herbert DJ set being his Boiler Room in the British Library Sound Archive in which he used five million unique recordings of things as varied as woodworms to world war bombers. Not exactly club ready.

As it turned out, Herbert reigned in his experimentalist tendencies and span a very dancefloor focused set of house and techno. Drawing from his experience in these genres he pulled out classics such as ‘Erotic Discourse’ and ‘Feel My MF Bass’ – the latter establishing a theme of motherfucking in the set following the airing of Mike Dunn’s ‘Phreaky MF’.

His mixing was by no means flawless, but his selection was on point. DHS’s ‘House Of God’ drew a strong reaction, and closing on NY Stomp’s remix of ‘Child’ was an enjoyable surprise. Enough time had passed for the once overplayed song but undeniable anthem to round the set off in an unexpected and effective fashion.