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Day: 12 September 2016

Review: Fringe’s Epic Love and Pop Songs

It looks as though Epic Love and Pop Songs is set up to be a festival favourite; try not to be deceived by its ambiguous flyer that will trick many into thinking it is simply a musical theatre performance. Alternatively, this gem is an honest snapshot of what happens when the youthful innocence of telling white lies takes a turn for the worst. It is simultaneously a playful beacon for a young noughties generation that nowadays just seem to be growing up far too quickly.

We quickly learn the lengths that two platonic friends, Doll and Ted, are willing to go to in order to take a secret one step too far. That is, the familiar trope of feigning teen pregnancy until the third trimester. Upon meeting Doll (played by Norah Lopez Holden), the audience is told that this is ultimately her story, and any interjection from her doting companion is brutally interrupted in a ‘speak-when-spoken-to’, kind of manner. Lopez-Holden succeeds in winning us over as we quickly realise her attention-seeking antics are a true cry for help; she reveals the hurt and frustration of a troubled young girl trying to find her way. This is Éclair-Powell’s melancholy-tinged triumph in releasing her inner child, and showing us that it is ok to do so ourselves.

Instead of shying away from the bumps and bruises that come with the task of transitioning from adolescent to adult, this play bears all. We are handed a hilarious triptych between the likes of Juno, The Perks of a Wallflower and an archetypal day at British secondary school, as Éclair-Powell dips her pen into the ink of several romantic comedies. Although this might seem like a performance for teenage girls, it is probably better suited for the Tracy Beaker-ites of our generation who are nostalgic for their recently departed adolescent years, and should be marketed for a slightly older audience.

The set is spangled and delightfully confused to match Doll’s fantasies; falling nothing short of a sixteen-year-old girl’s sleepover. Scored by the likes of Rihanna and Beyoncé, the soundtrack makes for a perfect antidote to a mid-afternoon slump, and is sure to provide good fun.  Upon first impressions this performance may feel a little childish, but Epic Love is laced with tender scenes that are a definite cause for revaluation; we are reminded of our awkward playground efforts in trying to look cool.

To be commended is the well-crafted script, one that is sharp in its ability to narrate a bountiful tale despite there being just two characters on stage. In particular, George Caple does a remarkable job of recounting Doll’s mother’s mid-life-crisis as she attempts to ride the waves of her divorce and support her daughter’s faux-pregnancy. Adorned in a magenta dressing gown and motioning deep inhales on an imaginary cigarette, Caple exhibits his RADA graduate status as he flickers from one persona into the other. Within the explosion of lights, music and dance moves in front of the bedroom mirror is a safe space for the two characters to heartwarmingly confide in the audience.

As always, Edinburgh Fringe lends itself to the power of word-of-mouth, and the reputation of this performance is sure to catch on.

The Manchester Derby: United Player Ratings

The hype around big football matches can often be nauseating. Never before has a Manchester Derby been talked up so much, but, to be fair, people had good reason to this time. The clash of Mourinho and Guardiola is always a tasty one, especially given their less than friendly encounters in the El Classicos.

The purchases of Ibrahimović, Pogba and Mkhitaryan add real class to United whereas City’s acquisition of Stones and Bravo added depth to their already immensely talented squad. The players made up the most expensive football match of all time. This, combined with the fact that both teams had won all three of their opening games, was the reason why this Manchester Derby was bigger than most.

These types of games often do not live up to the hype around them, normally due to the in-depth pragmatic tactics adopted by both managers. Fortunately, this was not the case. Both managers went for the win, leading to the most exciting Premier League game of the season so far.

City sprinted out of the blocks while United were still putting their shoes on. The Reds were lucky to only be 2-0 down in the first 35. De Bruyne got on the end of a Guardiola-esque long ball and tucked away the opening goal coolly while an unfortunate rebound allowed Iheanacho to tap in for a second. A handling error from debutant Bravo let United back into the match which led to the second half being ridiculously tense affair. United chased the game while City tried to contain the threat and hit United on the counter. No one was sleeping through this one.

United, unfortunately, failed to break through City’s sturdy defence and the game finished 2-1. Mourinho blamed the referee for not awarding two penalties to United, but that was classic Mourinho deflecting the blame. His comments only masked the fact that his side had been tactically outplayed by the Sky Blues from across town. His team selection was wrong, but his in-game management gave United a chance. Unfortunately, they did not take it.

 

Player Ratings

 

De Gea: 6

Faultless for both goals he conceded. Was left stranded by his defence for De Bruyne’s opener and was unlucky for the second goal. Was good at anticipating City’s low crosses into the box and claimed many of them with confidence, not something that could have been said about City’s number 1. Made a solid double save in the 70th minute after a succession of City corners.

Valencia: 5

Was under a lot of pressure in the first half as the majority of City’s attacks came down his side. Did not look like a natural right back when forced to deal with Nolito, who ran him in circles during the first 35. Was not helped by Mkhitaryan’s lack of defensive nous. Managed to get involved more in the second half, but his crosses did not threaten City enough.

Bailly: 6

If a striker tests Bailly for speed or strength, the Ivorian will, more often than not, be comfortable dealing with the threat. Today, Bailly was left dangerously unprotected by Fellaini and Pogba and was dazzled by the movement of De Bruyne, Nolito and Iheanacho. Failed to react quickly enough to De Bruyne’s rebounded shot, which Iheanacho poked home to double the scoring for the visitors. Made a couple of rash challenges, one of them which led to his first yellow card of the league season. All in all, Bailly kept his head and made some fine last ditch tackles in the final moments when he was consistently left in one-on-one situations.

Blind: 5

Left hopelessly flat-footed when he misjudged Iheanacho’s through ball to De Bruyne for the opening goal in the 14th minute. Was left dawdling and ball-watching as De Bruyne’s shot rebounded off the post for Iheanacho to tap in. If he was more awake, he could have stepped up and played the young Nigerian offside. Made some good recovering tackles in the second half but looked shaken by the scale of the match. Distribution not as effective as normal, partly due to the pressure he was put under by City’s attackers.

Shaw: 6

Did his job of nullifying Sterling so effectively that the rejuvenated Englishman was taken off for Leroy Sané on the 60th minute. The ‘German Messi’ did not have much more luck than Sterling did at getting past Shaw. Failed to help Lingard or Rashford in an attacking sense, which is so often his forte.

Fellaini: 5

It has been coming. The ginger Fellaini being a world class holding midfielder was never going to last. His screening of the United defence was nowhere near as effective as City’s Fernandinho. Won plenty of headers (seven), however the direction of his headers was consistently to the feet of the onrushing Silva and De Bruyne. Really struggled to pick up the two attacking midfielders, which is more Mourinho’s mistake than the Belgian’s as the Portuguese manager should have known that Fellaini was no match for two of the best midfielders in the league. Picked up a yellow card for (you guessed it) a high elbow in the 51st minute.

Pogba: 5

Looked really confident in the opening stages of the game, dribbling past his opponents with ease and lashing a powerful shot just over the bar. Unfortunately, that was one of very few highlights for the record signing. Mourinho made a big mistake in allowing Pogba to have a free roam as it left Fellaini as the only midfielder covering the centre backs, which he failed to do. If Pogba is going to be given the freedom of the pitch then he needs to work his magic to make up for his lack of defending. No magic show was on at the Theatre of Dreams this weekend from the Frenchman.

Mkhitaryan: 4

A really disappointing first start for the Armenian winger. Left Valencia to deal with City’s attacks and did not add enough creativity to United’s attacks. Was found numerous times in good positions on the right wing, but every single one of his crosses did not make it past the first man. When Ibrahimović is floating at the back post, aerial balls are key. Mkhitaryan, counterintuitively decided to try and fire the ball across the ground, which, unsurprisingly did not threaten City in any way. Was substituted at half time for Herrera.

Rooney: 6

Not one of the really poor performers. Looked like the most experienced United player on the pitch, geeing up his teammates and charging into tackles like the 2012 Rooney would have. Yet, like so many of his performances over the last three years, showed that his technical ability is waning. Failed to control some of the simplest passes and failed to pass to teammates when it seemed harder to find opponents. Should have probably won a penalty when fouled by Bravo, however Mark Clattenburg waved play on. Earned a silly yellow for a reckless challenge on Bravo later in the game.

Lingard: 3

Photo: Wikimedia Commons

Really, really bad. Looked frightened by the occasion from the start, which is unusual as he was so audacious in his debut Manchester Derby last year when his chip in the dying moments came off the crossbar. Had less possession than anyone else on the pitch, mostly because every ball was miscontrolled and every pass was too conservative. Was subbed off at half time and Mourinho hinted that he would have taken both Lingard and Mkhitaryan off earlier if it had not been for wanting to protect their confidence.

Ibrahimović: 5

Took his goal well with the kind of impressive technique you would only expect from Zlatan. Apart from that, was very isolated and did not get into the game enough. In Ibra’s autobiography he states that he hated playing under Guardiola at Barcelona because the Spaniard made him quiet and follow orders. The Ibrahimović at United is uncharacteristically quiet in most of the games he has played so far, bar the odd outrageous back heel, which may be concerning. Was subdued again today for much of the match. That being said, the big Swede had more shots than anyone else on the pitch. Unfortunately they were erratic, often in areas where the better options may have been to pass rather than shoot. Missed a glorious opportunity to bring the game back level just before the half time whistle when Bravo, again, failed to intercept a cross.

 

Subs

Rashford: 6

Made an instant impact when he came on for Lingard at half time, running directly at Sagna, who did not know how to deal with the youngster. Despite looking positive, he failed when it came to end product and became more and more isolated when United started pumping the ball into the box from deep.

Herrera: 7

Came on for Mkhitaryan and was moved to an anchor midfield role. Not his speciality, but the Spaniard solidified midfield commendably and put United on the front foot in the second half, starting many of their attacks from deep. Should motivate Mourinho to play a three-man midfield in the future.

Martial: 5

Came on for the final ten minutes but failed to make any real impact. As soon as the clock ticked past the 80th minute, the Reds decided to launch long balls into the box which did not fit Martial or Rashford’s style of play.

Album: Angel Olsen – My Woman

2nd September 2016 via Jagjaguwar

9/10

Angel Olsen is someone who you would not have expected to be a chameleon. With her already producing two albums of introspective indie folk, any other artist would be pigeon-holed into making the same album over and over. So for Olsen to return with synth track, ‘Intern’, wearing a silver tinsel wig, you would be right to expect something different. Something extraordinary!

Olsen’s third album, MY WOMAN, is made up of two distinct halves. Side A is full of three-minute rock n’ roll singles—the 1960s pour out of these songs. ‘Never Be Mine’ has elements of Roy Orbison, as well as a Velvet Underground-style guitar solo thrown in for good measure. ‘Heart Shaped Face’ has the feel of a subtly sexy soul track. ‘Not Gonna Kill You’ has a guitar solo directly ripped from ‘While My Guitar Gently Weeps’.  The list goes on and on.

The highlight of MY WOMAN, ‘Shut Up Kiss Me’, exemplifies the sound and the style of the album. Whilst there is the classic 60s guitar sound throughout, the lyrics are emotional yet strident, giving the song enough detail to offer a different take with every listen. Sometimes it is hysterically funny, while it also makes you want to dance with a tear in your eye. Song of the year?

The other side, side B, is full of deeper cuts, replacing the single length tracks with seven-minute odysseys, ‘Sister’ and ‘Woman’. ‘Sister’ swiftly works it ways through light breezy guitar work, building to a climactic roar. ‘Woman’ starts of as another great 60s track, but quickly settles into a sad groove in the style of trip hop artists Portishead and Massive Attack. The album closer ‘Pops’ takes the sad piano of the previous track, ‘Woman’ and gives a throwback to Olsen’s older material— just her piano, vocals and feelings, all drenched in lo-fi. Beautiful!

Overall, the main thing about MY WOMAN is how ‘classic’ it feels, in every sense. Many of these songs feel like they have always existed. Aside from all the 60s aesthetics of this album, whilst ‘Pops’ may be a commanding song by Olsen, it also has the feel of a Judy Garland number. Yet, when this sound is combined with Olsen’s confident, almost cocky style, it elevates every song to new highs. To call this a masterpiece seems cliché, but what else is it? An instant classic.