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Day: 18 October 2016

Review: Lemons, Lemons, Lemons, Lemons, Lemons

In the current political climate, such a show has never been more relevant. Living under a law they didn’t vote for, a result they campaigned against, young couple Oliver and Bernadette struggle to stay in love. It’s a beautifully simple set, with just two microphones and two actors to fill the stage, and therefore the whole experience is very intimate. Perhaps, for the setting at HOME, one may argue too intimate, as the audience are encouraged to fill a ring of seats around the back and sides of the stage. It’s a well-developed script, with neatly navigated time jumps and consideration for modern relationships that should be effective, but is difficult to connect with.

Beth Holmes and Euan Kitsom have an incredible onstage relationship, as a lawyer and a musician who fall in love under odd circumstances and continue to love under worse. This close relationship, as they explain, is compounded by touring the country together as part of their new company Walrus, with writer Sam Steiner and director Ed Madden completing further study at different institutions across the country. It is a recognisable relationship, with recognisable arguments that young couples can relate to, yet the reality of their portrayal feels exclusive to the audience. Perhaps this would have benefitted from either a more inclusive atmosphere, or a more traditional seating set up.

The concept of the show largely outshines the production itself, as it’s a daring idea to suggest that the public would vote for censorship. It is without doubt contentious whilst touring, but unfortunately the concept is what is discussed in the bar, not the production itself.

As described by Time Out, this show is about “as promising as it can get”, and promising is the word. It is the first tour for the company, and is wildly successful on an unprecedented scale, but it is evidently the first tour. At Edinburgh Fringe, and the shows premiere location, it is easy to imagine that the intimate round-theatre seating was very effective. But perhaps here, on Manchester soil, it would have benefitted from a more traditional set up, to allow the talent of the two actors to shine and avoid any uncomfortable exclusion for the audience.
A fascinating concept, but maybe the performance could have a little more… zest?

Review: Burning Doors

“Burning Doors” is performance art that explores, recreates, and brutally displays the hideous cruelty being unjustly dealt out to Russian and Ukrainian artists who are declared enemies of the state. Belarus Free Theatre is an independent theatre company that describes itself as an “executive arm” of the “Ministry of Counterculture”, and for eleven years have been produced challenging theatre, both physically and culturally.

This piece tells the stories of three persecuted artists; “artsivist” Petr Pavlensky, Pussy Riot’s Maria Alyokhina and Ukrainian born Crimean filmmaker Oleg Sentsov. Even without a well-presented set, lighting, excellent choreography and well-interspersed literature from Russian greats, this story would be powerful. But the cast do not rely on the shock of the crimes committed against the artists to draw the audience in. The company moves as one, breathes as one and are so clearly devoted to conveying this story. This is without doubt largely down to the passion shown by co-choreographic director and ensemble member Maryia Sazonava in the choreography and physical side of the performance.

This is indeed a horrifically physical performance that does not shy away from showing the audience everything about suffering. The audience is dragged down into the Russian detention system with the company, many of whom have suffered these tortures first-hand and are willingly reliving them night after night in order to prevent the same happening to other artists. Of course, the show is well put together, and impressive in terms of its physical feats of wonder, but the truly affective part is the question and answer portion with Maria Alyokhina.

Before the audience sits a woman whose story is appalling, and whose imprisonment has just been relived before her eyes. When asked what the greatest threat to Russian freedom of speech was, she replied “self-censorship”. When complemented on her strength of conviction and spirit, she replied that other women suffer worse and that she was “nothing special”. For a woman who suffered so much to be so humble was the most moving and memorable moment of the whole performance.

The piece was of course biographical, but also incorporated fiction in the form of excerpts from Dostoyevsky and Bulgakov. This seemed to extend the work further into the past, lending weight to the historical mayhem which the company portrayed. Despite how oppressive the subject material should have been, the cast, by some miracle, managed to integrate flashes of lightness and wit, with two ridiculously mindless government officials. Chips were made in the fourth wall, with reference to the audience keeping up with subtitles and a long look at the front row, which produced a genuine laugh from the stalls whilst witnessing an interrogation. It is uncomfortable, enlightening and yet still entertaining, which is entirely unexpected.

At the end of the show, the audience are asked to send postcards to those prisoners still being held illegally in Russia and Russian-occupied Crimea, and I would like to take this opportunity to invite the Mancunion readers to do also. Please search Belarus Free Theatre I’m With The Banned for further details.

Back to basics: Untailoured, unprinted and unrestricted

Coveted brands such as Stella Mccartney and Yves Saint Laurent are driving down the route of utility chic—and we all are infatuated. Designers are divided in their approach of to how to dress fashion frenzy individuals. The crux of the world of high fashion is to be able to channel a unique personality through eccentric garments whilst relying on staple pieces that can be utilised from day to night. It is easy to lose yourself with the upcoming trends of next season, whether it be the Miu Miu sea shell wedges, to the ostrich-feather lined coats of Prada (which can be deemed as fashionably ugly).

Being fashion forward is a labyrinth whereby one craves mouth-watering pieces whilst owning items which are never archaic when a new season approaches. We witness the basic black blazer to the simple stiletto being reintroduced, without infestations of floral print or Sicilian lemons that appeared to be picked from a warm Italian fruit field. “Basic” garments are multifaceted; they span from sportswear luxe to simple block colouring.

THOSE TRACKSUIT BOTTOMS

Rihanna and Puma signed a fashion deal creating luxe sportswear which every woman would lust for. Bringing back a straightforward pair of tracksuit bottoms and teaming it with bondage inspired evening wear, displays the importance of sportswear and making it ubiquitous.

THE JUMPSUIT

Whether it be worn with a slick sandal for a classy dinner to a pair of white sneakers for workwear, the jumpsuit is as versatile as it is stylish. Stella Mccartney paraded an array of oversized khaki jumpsuits—no fixed silhouette with just one block colour. It is not just about the figure but rather the fashion that one wants to flaunt. Some had waists clinched with oversized bottoms and others seemed like a scrunched crisp packet. Yes, the pieces may appear relaxed and sludgy seeming that the Stella customer is too casual, but effortless translates to exquisite.

THE SLICK STILETTO

Anthony Vacarello at Saint Laurent had the option to dive into incorporating leopard print with crystals to create provocative sandals which would be deemed a must-have by outlandish young women. Instead, he delivered a sleek black stiletto which could be worn with various forms of day and night looks. What makes us hungry for this upcoming pair? The YSL logo heel which adds a snapshot of someone who lusts for displaying a logo and oozing sex appeal.

BLOCK COLOUR

Sure, it must be enjoyable wearing polka dots of multitudes of different colours. Being conspicuous out of a crowd is what one may hunger for. But sometimes it is the minimalism that fuels strangers throwing complements. Celine, normally known for paint striped blouses and sphere, orb shaped heels have now demonstrated block colouring. Simple, white, minimalistic dresses paired with distressed black trousers created the image of a woman ready for a yoga fuelled, detox getaway. Relaxed seems to be in and body-con confinement seems to be taking a backseat.

 

Top 5: Mancunian authors

www.chrisboland.com

Manchester has produced some of the greatest authors to be found in the UK. With this in mind, I have attempted the impossible and created a list of the most influential Mancunian writers to have graced the city.

5. Mike Harding

First up is Mike Harding, an author who has created some of the funniest writings to have ever come from Manchester. This includes his rib-tickling Killer Budgies, which features not only a host of maniacal birds but also a policeman who thinks he is a cup, and a naked Pope, with this giving you a sense of Harding’s twisted imagination. Through becoming the author of so many equally funny books like this, Harding has come to cement Manchester’s reputation as a city of comedy.

4. Jeff Nuttall

As the number one writer of the underground literature of Manchester, how could the anti-establishment Jeff Nuttall not make it onto our list? With his self-published My Own Mag, Nuttall set the scene for Manchester to become a city of counter-culture that was not interested in the social norm or living up to society’s expectations. If you would like to find out more about Jeff Nuttall, then I highly recommend visiting the John Rylands Library’s exhibition on his works in which you will be able to see some original copies of his magazines.

3. Lemn Sissay 

Currently acting as the Chancellor of the University of Manchester, our very own Lemn Sissay is next up on the list. While it may be the wonderfully worded poem on the side of the Hardy’s Well pub that first springs to mind when Sissay is mentioned, he has produced a wealth of beautiful poetry to be explored. From the often brutally honest Rebel Without Applause to the inner-city drama of his Listener poetry collection, there is almost certainly something to engage you within his writings.

2. Elizabeth Gaskell

One of the first writers to turn an inquiring eye towards the suffering of the working classes in Manchester, Elizabeth Gaskell was a must for this list. Through her work Mary Barton, Gaskell delved into the cramped houses of the workers in order to convey the level of their suffering in the industrial conditions of 19th century Manchester. With the worker bee still acting as a potent symbol of Manchester’s status as a working class city, it is a small wonder that Gaskell has remained such a permanent fixture in the collective memory of Manchester.

1. Carol Ann Duffy

At first place, perhaps unsurprisingly, we have Carol Ann Duffy. Acting as our Poet Laureate, and a lecturer in poetry at Manchester Metropolitan University, Duffy has produced some of the greatest works of feminist poetry to ever be conceived. This includes her poetry collection The World’s Wife, in which Duffy systematically gives voice to all of the otherwise silenced women of history, myth and legend. As such, Duffy’s presence in Manchester has reinforced it as a city playing a key role in the ever-growing feminist movement.

Review: Lemn Sissay at the 8th Black and Asian Writers Conference

Listening to a writer recite their work is simply unbeatable. To hear how it how it was meant to be, words dripping from their mouths, and seeping into your mind.  As I opened Lemn Sissay’s new book, I wondered how reading a poem would compare to the well-documented energy of a Lemn Sissay performance.

Gold from the Stone is Lemn Sissay’s 9th book, the publication features new work and poems selected from some of his earlier publications—Perceptions of the Pen, Tender Fingers in a Clenched Fist, Rebel Without Applause, Morning Breaks in the Elevator and Listener.

The collection of poems depict the experiences of the Lancashire-born poet, who was left in the care of local authority and grew up in foster homes and care homes.  His work has featured at the Royal Academy and British Film Institute, and in 2010 he was appointed a Member of the Order of the British Empire (MBE). The recently elected Chancellor of the University of Manchester started his career at Manchester-based writing development organisation, Commonword.

The book brandishes Lemn Sissay’s way with words, whilst the poems sing tales that too often go unspoken. One of two poems commissioned for the 2013 Manchester Literature Festival appear in the book.

‘Belong’ is a rich mixture of rhetorical questions, allusions, personifications and symbolisms, all which tell the tale of someone fighting society to reclaim their identity.

Ironically this piece was commissioned to be performed at Manchester Town Hall in 2013, but with no official publication this was a must to feature in Gold from the Stone. The book was launched at Edinburgh Book Festival on the 21st of August 2016 and has since begun a book tour. If you visit Lemn Sissay’s website, you can hear readings of selected poems.

The 2016 Manchester Literature Festival offered a stage for Lemn Sissay to perform poems from his new book on the 8th of October 2016. The 8th Black and Asian Writers Conference was a celebration of diversity in writing with Lemn Sissay headlining the event at the Contact Theatre. He was supported by competition-winning writers from Cultureword performing a series of short monologues about family and adoption.

Sat in the front row in the Contact Theatre’s Space 1, the large and diverse crowd was bubbling with anticipation, and were more than forthcoming for the artist who literally demands applause.  His energetic presence contrasted to the earlier solemnly delivered monologues of Lucy Sheen, Christina Fonthes, Clair Hynes and Seni Senirend—that is not a criticism—I felt they both balanced and complimented the tone of the event.

The time between reading poems from his new book was used to engage the audience in a theatrical performance riddled with jokes and rambles, that I thought seemed to go off topic, though I soon realised that the only topic up for discussion was Lemn Sissay himself.

The brutal honesty in which he divulges the details of his early life was a sobering contrast to his animated and intoxicating performance. I felt this helped to humanise the poet, at one point he seemed to struggle with the orientation of the sheet-holder his book sat on, this of course became a 5 minute comedy sketch on its own.

Although, I was left wondering if this was a manifestation of his true emotions, to be stood on stage in front of hundreds of people as he spoke about the most painful parts of his life. I often felt I was being told an embarrassing secret—adoption, identity, family, change—these can be difficult subjects to tackle. Lemn Sissay does not just do this well, he proves that it is possible and he takes pleasure from doing so. I felt honoured to read and to hear Lemn Sissay’s words, for here, a troubled soul shares and bares all with the rhythm and skill of a Jimmy Hendrix ballad.

The champion quality of Gold From the Stone is the way it brings you into the author’s life. Gold From the Stone is a tribute to the fighting spirit one strives for, confronting you with a lost and confused child, making you laugh at the saddest of scenes. Lemn Sissay’s book covers a range of issues and whether it be a love interest, friend, foe, or city, his words are humbling and humorous.

 

That Feline Flick Feelin’

Call me stereotypical but since I was twelve I have felt a deep love for Audrey Hepburn in Breakfast at Tiffany’s. I thought I had seen female perfection; when I first laid eyes on her sleek frame stood in front of the window of Tiffany & Co, coffee in hand, in the ultimate Givenchy little black dress—the dress that launched the LBD. Then she pulls down her sunglasses, reveals those long black eyelashes and, best of all, elegant black eyeliner flicks.

Twelve year old me knew exactly what to do. Pocket money in hand, I headed to Boots to purchase a kohl eye pencil and subsequently created a horrific mess on my face. A mess I proceeded to wear to school—for years. Over time however, I was introduced to new forms of eyeliner. I dabbled in liquid eyeliner, although I swiftly realised it was too harsh a shade of black compared to my fair skin and ginger hair. Next was gel eyeliner, with which I had much more success, thankfully by this time I had a steadier hand. Before landing on my current eyeliner of choice, L’Oreal Superliner Perfect Slim, an easy application felt tip.

Throughout all my changes of success and product, the end goal with my eyeliner has always been the same. A feline flick. I may not be as doe eyed as Audrey, but with that beautiful black line I can pretend to be somewhere close.

 

Audrey. Photo: jupiesco @ Flickr

The feline flick is a make-up look that never goes out of fashion. Black eyeliner did exist long before Audrey Hepburn; early images of Cleopatra show her eyes adorned with black lines; Amy Winehouse rocked eyeliner up, making it thicker, more extreme, messie—perennially cool. Eyeliner is consistently reinvented, redefined and reformed. It may be smudged out and smoky, neat and delicate or in full Instagram “fleek” mode, but it’s a flick none the less.

I am forever on the receiving end of questions (mainly from family members) of why do I feel the need to put so much black around my eyes? And the answer is simple. With that one touch of make-up I am me, not the me that for some unknown reason can’t function between 3pm and 5pm, I am the me that goes and gets their dream university job, the me that can rise above bitchy comments and the me that can give the best side-eye.

For some make-up is an obsession, I could never claim to feel this level of intense affiliation with cosmetics. But I will defend the feline flick ‘til the end of time. As far as I am concerned it is the ultimate in feminine, sexy, sophisticated, elegant glamour. Youtube has over 26,000 search results for the feline flick if you’re in need of some advice.

I can accept that I am unlikely to eat croissants in haute couture outside jewellery shops, but everyday I can be Holly Golightly with a flick of my eyeliner.

Let’s get back to basics with skincare

Be honest, are you guilty of doing this? Watching your favourite YouTube beauty guru or reading a beauty mag that recommends a skincare product that you just have to have, and then running out in a mad frenzy to buy the latest product?  Or adding a newly ‘must have’ skincare item to an already never-ending wish list? Yet deep down you know, and I’m sure your bank account does too, that you simply don’t need all the countless skincare products you lust after. So let’s breakdown what you really need to stock up on to get that glowing skin vs what you’ve been told you need.

They say you need: Day Creams. What you actually need: Just a night cream

Note to self: your skin has no idea what time of day it is. Day creams are nearly always just a lighter, less moisturizing and less hydrating version of a night cream. Companies typically take out the more emollient ingredients and add an SPF  in order to make their day creams. I suggest finding a high quality night cream you love and stick to using that all day without making that extra splurge on a day cream. And if your main reasoning for buying day creams is for the SPF element then look for a facial sunscreen, they will be much more effective against sun protection.

They say you need: Skin oils. What you actually need:  A serum

2016 has been the year of the facial oil, never have they ever received such publicity. And to be fair the hysteria surrounding facial oils is not completely misplaced as generally they do provide your skin with the nutrients that our daily moisturising creams typically neglect. However, when compared to serums, facial oils are fundamentally less effective. Serums, unlike facial oils, typically contain very high concentrations of active ingredients of antioxidants which work to brighten the skin, fight against lines and wrinkles and tighten the skin. Serums are water based which mean they have smaller molecules compared to facial oils: this allows them to penetrate the skin at a deeper level.

They say you need: Toners. What you actually need: Not a toner

Do you have large pores? If the answer is no, then stop looking for a toner because you DO NOT need one. Trust me on this one, toners typically contain relatively harsh ingredients because their main purpose really is to dry out your skin and shrink your pores in prep for moisturising and make-up. Unless you have large pores or oily skin, give this whole step a miss. Instead invest in a cleanser to do the main bulk of work in terms of prepping your skin for your moisturiser.

They say you need: A Clarisonic. What actually you need: A Clarisonic

The Clarisonic is one of the few products that deserves the hype it receives. These bad boys are expensive and require the heads to be change every 3 months. There are cheaper knockoffs out there, but trust me nothing beats a Clarisonic. It’s the one product that is a complete staple in my routine; pimples, heat rashes and blackheads are old skincare issues that I don’t have to worry about anymore. It provides deep cleansing that gets rid of makeup and dirt like no other product (and I have tried the various Clarisonic knockoffs). Whilst I was in Kenya my Clarisonic didn’t come along with me and wow did I suffer! My skin completely changed for the worst!

Denim – a clothing necessity?

For men and women, denim wear is a prominent fashion trend.  Whether it is a pair of jeans, a jacket, or a pair of shorts, denim is undoubtedly in many people’s wardrobe. The fabric first came into play in the 1800s in America; the cheap and sturdy nature of the material made it popular for fashioning the “work pant” for the lower working class.

This “hard-working” material was later improved by Jacob Davis in 1873 who added copper rivets to the jeans in areas where they were likely to split, thus enhancing their practicality even more.

It was only halfway through the 1900s when denim became a cultural icon of American history; the Wild West films gave denim jeans a certain sex appeal, and jeans became a fashion epidemic. With Levi Strauss dominating the market and even creating styles for women, denim was a very sought after look.

It did not take long for other companies to follow suit; Calvin Klein and Tommy Hilfiger were soon putting their stamp on this cash cow product, and to add to their existing cultural appeal, denim jeans were being worn on the big screen by the likes of Brad Pitt in Thelma and Louise, Marlon Brando and John Wayne.

Calvin Klein held a campaign with Brooke Shields seductively stating that nothing comes between her and her Calvins (the jeans) and Britney Spears with her then boyfriend, Justin Timberlake, were photographed covering their entire bodies with denim.

The unisex cut and practicality of jeans are what propelled them into the wardrobes of many, and the transcendent versatility of denim made it such a fashion industry obsession. Denim’s prevailing quality and adaptability means that it will continue to be a clothing necessity for many more years.

Federer and Nadal both outside world’s top 4

As two of the most famous faces in tennis, we are regularly used to seeing Rafael Nadal and Roger Federer winning grand slams and competing for the top spot in the rankings. However, the rankings released this week show that both players are now ranked outside the top fours spots for men’s tennis for the first time in over 13 years. The Spaniard Nadal is ranked fifth and Swiss Federer is in the lower position of seventh. Is this the beginning of the end for the careers of arguably two of the best players to have ever played the sport?

Probably not! Nadal has won titles in Monte Carlo and Barcelona already this year while Federer has been suffering with a knee injury which has kept him out of competing for more recent titles. They have both have had stellar careers with an astounding 31 grand slam titles between them. However, for Nadal aged 30, and Federer 35, it would be understandable to for them to have slowed down slightly as both of them are past the prime of their playing career.

Though as the saying goes its not over till the fat lady sings and neither of these players got to where they are today without gritty determination to keep on winning and are unlikely to let something like age stand in their way. If you ask either player, they would most likely say they still have at least couple more grand slams left in them. They won’t be making plans for retirement any time soon.

However they are no longer the top dogs in town, with Serbian Novak Djokovic and Briton Andy Murray occupying the first and second spots in the rankings respectively. Andy Murray in particular has had a good year so far with his most recent victory coming last week in the China Open final. This was his fifth singles title this year and his 40th in his whole career and portrays precisely why he is one of the best in the world right now. If this form continues, he is on course to overtake Djokovic as world number one which is a position the Serb has held for four of the past five years. Murray is currently competing in the Shanghai Masters so will try and continue his recent run of good form to achieve yet another title for this year and move ever closer to clinching the number one spot in the rankings.

Andy Murray is not the only British tennis player to have seen action this week. Johanna Konta reached the final of the China Open where she was beaten in straight sets 6-4 6-2 by Agnieszka Radwanska of Poland. A disappointing result but after reaching the final she has moved into the top 10 in the rankings. She is the first British woman to reach the top 10 for over 32 years. Konta and fellow Brit Heather Watson are now back in action in the Hong Kong Open and will both be hoping for further success in this tournament. British tennis has had a good year, and with any luck, this momentum will be carried along into next year.

An ode to Coco Chanel

From Christian Dior to Burberry and Louis Vuitton, some fashion houses have the “je ne sais quoi” that has allowed them to remain ever present forces within the fashion industry. Their longevity and versatility have proved them to be constant influences from the time of their inception right up to present day when they are still continuing to make waves in fashion. Whilst there are many brands to commend, it is the luxurious brand Chanel that we are celebrating this week.

Despite launching her brand over a century ago, Coco Chanel created timeless pieces that are still much sought after today. Chanel revolutionised fashion at the time. Taking inspiration from the tailoring of menswear and creating pieces that were not only comfortable, but also a world away from the restrictive corset that was a wardrobe staple for women at the time. With this in mind, Chanel designed the classic black fitted skirt and dress, complete with the iconic boucle tweed jacket. It is this that launched black clothing as a fashion statement, particularly the LBD, the ultimate wardrobe staple. Yes ladies, it is Coco Chanel that we have to thank for making black chic and allowing us to hide a multitude of sins while still looking fabulous of course.

Even today it would be nigh on impossible to walk into a high street store and not find something that has been inspired by Chanel. Each season sees a whole new host of revamped boucle jackets appear, as well as a constant never-ending supply of the 2.55 quilted bag which are brought back season after season. This only emphasises the classic and timeless appeal of the houses signature pieces. Even in 2016, for us mere mortals who are still desperate to get our hands on Chanel inspired pieces and don’t have a spare few grand lying about, thankfully there is an abundance of replicas that we can find on the high street.

Ten years after Coco Chanel passed away, Karl Lagerfeld took over the fashion house in the 1980s and has ensured that it has remained one of the powerhouses in the industry. Lagerfeld has reinvented but also preserved the heritage of the iconic fashion house, with the classic pieces continuing to be a constant fixture on the runway. This season’s Spring Summer ’17 collection was revealed in Paris and incorporated the classic collarless jackets and shift dresses, but revamped them in keeping to the theme “Data Universe”. The collection featured bright colours, mainly a collaboration of electric blues and pinks that updated the tweed suit. A vibrant and futuristic spin on the universally revered Chanel classic that just keeps on giving.

The timeless collections are a testament to the true mastery of Coco Chanel. Whether you’re dressed head to toe in monochrome with a little black dress or rocking the revamped tweed inspired by this season’s new collection, Chanel is the mastermind behind your outfit choice. While new designers are appearing all the time, it is Chanel’s classic designs that have established the fashion house as the iconic and timeless brand that it is. Women everywhere owe their thanks to the ultimate fashion designer Coco Chanel.

 

On the move: Day trips around Manchester

York

York is a city founded by the Romans, located by the River Ouse. Its famous medieval city walls and history as the centre of major political events means it has no shortage of museums or selfie opportunities, such as Clifford’s Tower built by William the Conqueror. Also, it is only just over an hour away on the train, so is perfect for day trips!

York Minster, the largest Gothic cathedral in northern Europe, dominates the town’s skyline. Hymns are played in the evening on a baton keyboard connected to the cathedral’s bells, although people have reported that songs by the Beatles and Beethoven have also been played. For the fearless, there are also plenty of ghost walks—perfect for you and a friend to venture out into as Halloween is coming up.

Photo: Darren Flinders @Flickr

For Harry Potter fans, the place to be is the Shambles. Perhaps the best preserved medieval street in the world, the Shambles is flanked by a labyrinth of narrow lanes and streets, some so narrow that you can touch either side with arms outstretched. The Shambles is like Diagon Alley, filled with (semi)magical treasures available to Muggles: chocolate (not the enchanted frogs, I’m afraid), fudge, jewellery, handbags, teas, and souvenirs.

Pride and Prejudice Land (Chatsworth House)

Photo: michaelday_bath @Flickr

Fancy a bit of culture in your day trips? Chatsworth House is a stately home in Derbyshire by the River Derwent, and was originally a Tudor mansion built in the 1560s by Bess of Hardwick. It houses works of art that span all the way from ancient Egyptian sculptures to works by modern artists. Although you have to pay to get into Chatsworth House, you can visit the Stables’ souvenir shop, restaurant, and café for free.  The Estate also boasts some brilliant woodland walks and expansive gardens. If you are feeling particularly adventurous, you can even trek up to the Hunting Tower. Be sure not to nosey through the Tower’s windows as it is a holiday home, as I found out rather awkwardly!

Moving on, Chatsworth also has an exceedingly posh farm shop offsite with a deli counter that I still dream about to this day. Perhaps over your afternoon teas you can get embroiled in a heated argument over who is the best Mr Darcy: there are more of them than you think, and like all great philosophical questions there is only one right answer—and he stars with Keira Knightley.

Chester

Chester is a walled city originally built as a Roman fort. Originally named Deva Victrix in 79 AD, the city is a collage of cobbled streets and elevated walkways where Roman walls, medieval buildings, modern flats, and black and white Victorian restorations are clustered together. The city is a sweet shop of architecture with stunning surprises around every corner. You can visit the remains of the Roman amphitheatre, take river cruises, or go to Cheshire Oaks for some much-deserved retail therapy—an essential part of good day trips.

Photo: Smabs Sputzer @Flickr

A great feature is the Chester Rows, a two-storey high street with shops built above the ones at ground level on sheltered walkways. Some of the Rows have been converted further, creating stone ‘crypts,’ some of which have become quirky bars which you can recuperate in after your journey across the walls.

Interview: Iglooghost

Much mystery surrounds the musical entity that is Iglooghost (real name: Igloo Ghost). Is he an alien? Is he a figment of our imagination, prophesising the second fall of mankind? Or is he a twelve-year-old boy with those trainers that light up when you walk? Little can be said with complete certainty other than he is making some of the most exciting and creative electronic music out there today. This is something that renowned LA producer Flying Lotus must agree with, as he wasted no time in signing Iglooghost up to his label Brainfeeder last October. It was here that his stellar EP Chinese Nü Year was dropped some weeks later.

That Iglooghost was signed by one of his musical inspirations is not lost on him.

“I still feel like I need to prove to myself I deserve it though. There are so many wicked nasty talented soundcloud wizards out there and I wanna beat them all… it’s not a competition but you know what I mean.”

Iglooghost’s music undoubtedly has a striking intricacy in its multi-layered nature. It is clear that this comes from a lot of time spent at his craft. This attention to detail and general quality is something that Iglooghost suggests has increased recently in the bedroom producer scene: “I’m hesitant to say we’re at a golden era of Soundcloud just because everyone knows the actual site itself is fucking crap, but I genuinely think bedroom production is in super saiyan mode right now. It’s moving at an ever-increasing exponential speed but the quality of ‘sound design’, or whatever interchangeable term you wanna use instead, is mental.”

When Chinese Nü Year was released, it came with the explanation, in his words, that it “is a story about a gelatinous worm-shaped creature who wears a witch hat called xiāngjiāo.” This worm-shaped creature is everpresent in Iglooghost’s artwork. Integral to his project is a visual aesthetic combined with storylines that he creates himself and which conceptually underpin the music.

“I work the music around visuals/storylines that I would have already made. It’s been that way for as long as I can remember. I think I kinda find the visual aspects a bit more stimulating which is weird.”

The music and the concepts are practically one and the same. This means that the idea of collaboration becomes difficult as it requires bringing someone in from outside of his specific ‘igloo universe’.

“I really have to resist getting people to feature on my stuff just because it feels like breaking the fourth wall. I really don’t want anything in my music that refers to real life for example. I guess I’ll do the odd remix or rap song but they sort of exist outside the iglooghost canon or whatever.

“The only vocalist I can really 100 per cent trust is my good pal Mr Yote, because he has a thorough understanding of the igloo universe. This all sounds a bit picky, but when this album that I’m writing drops, the whole storyline/universe will probably be a lot clearer and it’ll be obvious why I’m being a li’l bitch about features.”

For someone so involved in artistic creations which extend beyond just the music, Iglooghost as you might expect has been working tirelessly on his new album, which he says should be dropping in early 2017.

“I mean I’d be lying if I said it’s been fun to write. For the past year I’ve just been working on it for all my waking hours unless I got a gig or something. It’s like army camp. Like easily 50 per cent of my time is spent writing it.”

The album process then has been at once painful and useful, as he says, “I’ve been figuring out what doesn’t work, which fucking sucks but I guess it’s necessary… put so many hours into what ended up to be trash… but it kind of functions as clearing all of the (what turned out to be) bad ideas out of your head.”

It seems however that the exploration of all ideas, whether eventually good or bad, is something which Iglooghost sees as expedient. Advising any aspiring creatives, he suggests “if you’re struggling to find your voice in whatever art you’re trying to do, just combine all the weirdly specific things you enjoy into a giant thing, because nobody will have the same combination of tastes/experiences as you so you can’t really go wrong. It’s way more satisfying that trying to create something to fit a pre-made mould.”

In this light you can understand that the Iglooghost project, although initially seeming abstract, is deeply personal; a multifaceted creature, a “giant thing” that has gathered up the energy from all the weirdly specific things from a specifically weird mind, and then put on a witch hat called xiāngjiāo.

Alternatives to the contraceptive pill

A new Danish study has hit our headlines recently, leaving some women asking, “How has this taken so long to happen?” and others wondering, “Is this really true?” The study links the use of the contraceptive pill—one of the most popular forms of contraception in the UK—to depression. The study does not show a causal link between the two, but rather a worrying association.

The pill changes the hormonal balance in a woman’s body to regulate menstrual cycles and prevent pregnancy, but the study shows that it could also be affecting the mental wellbeing of many women.

As students, we have access to various counselling services and support from the university, but there are also many contraceptive alternatives available that some of us may not have considered using before. It is important that we are aware that these contraceptives do not protect you from any STIs, and it is a good idea to speak to your doctor before making any changes to the contraception you’re using.

IUD coil: The coil is inserted into the womb to prevent fertilised eggs from implanting in the uterine wall. The procedure takes around fifteen minutes and lasts from five to ten years—once the device is removed, your fertility will return to normal immediately. For the first three to six months your period may become unsettled, but after this time, everything will be back to normal again.

The implant: The implant is a small device inserted into your upper arm which lasts for up to three years and can be taken out at any time if you are having any difficulties with it or should you wish to get pregnant. It is important to consider that for the first year or so, your periods could last much longer than usual or even stop completely. This is not harmful, but it is just your body’s way of getting used to the extra hormones. However, it could potentially be disruptive.

Contraceptive injection: Given as an injection in your arm, this form of contraception lasts for around three months and acts in a similar manner to the implant. Although it only lasts for a short period of time, it can be a good way of testing whether the implant would be a good fit for you and your body. When used for a prolonged period of time, the injection can disrupt periods; but again, your body will settle back into its normal rhythm soon.

These procedures are available at Bodey Medical Centre in Fallowfield, the Hathersage Centre on Upper Brook Street, and the Owens Park Surgery in Fallowfield if you would like to get the injection.

Menswear essentials

Menswear style is one that can be easily characterised. From everyday office wear to lounge wear. The menswear market has exploded rapidly alongside the recent male grooming phenomenon.

The influences from womenswear has changed the category of menswear entirely but every man should own the staple pieces that pull his wardrobe together.

These selected pieces are classics that are never out of style. Keep it simple with your essentials ensuring the colours and tones are interchangeable. Focus on pastels and neutrals and if you love colour, then, go all out on your accessories. From your phone case to your socks if you have to.

It is not appropriate to wear ill-fitting clothing in 2016, in the age of social media this is a serious no-no. Ensure your pieces fit appropriately, not too oversized and not too tight either, try to find the perfect zen. Although opting for the right basics can revolutionize your style from slouchy to chic in no time.

Follow these simple rules and you will always be a well-dressed individual…I mean who wouldn’t want to be a well-dressed individual?! The seven super-easy must have essentials are as follows:

1) A gentleman cannot live without a well-tailored suit. Suitable for weddings, important interviews and days in the office.  Can be in Black, Grey or Navy.

2) A cotton smart White crisp shirt, a basic essential that can be re-worn with ease.

3) A leather jacket classic autumn-winter essential which can be thrown over anything.

4) Smart black or tan leather Chelsea boots for those uber-chic occasions and late night rendezvous.

 

Chelsea boot. Photo: Office

5) The perfect pair of jeans go a long way from the high end FRAME pair to a high-street favourite TOPMAN, a plain blue or black ripped can be dressed up and down.

6) The all-important trainer for informal occasions, everyday errands in white or black is a must have.

7) Keep it stylish with your coat the final essential, whether you opt for a regal pea wool coat or an urban winter-proof padded parka, find one that appeals to your personality and run with it.

 

Jeans. Photo: Topman

Pro-Wrestling from a Different Angle

WCPW (What Culture Pro-Wrestling) came to the Silver Blades arena in Altrincham on Saturday 8th of October with a huge headline main event featuring two legends of the industry—Cody Rhodes v Kurt angle. This was part of the National British Wrestling Festival and I had a VIP ticket for the entire day.

Not only that but there was a full three-hour card of wrestling including tag team matches, a women’s street fight and no disqualification title bouts. There was also meet and greet opportunities with Rhodes and Angle, and WWE legends Bret the ‘Hitman’ Hart and five time Women’s Champion, Melina. Fans also had the opportunity to meet What Culture YouTube personalities along with others from the independent scene of professional wrestling, including young British talent such as Martin Kirby, Gabriel Kidd and Joe Hendry.

A new indoor attendance record for the arena was set, with 2600 people cramming inside the ice hockey arena for the event. Before the actual action started however, hundreds of people turned out for the first ever What Culture Convention, that ran for most of the afternoon. This included autograph signings and professionally taken photographs with certain talent.

In regards to the results themselves, no championships changed hands, there was a surprise entrant when former WWE superstar Alberto Del Rio, now known as Alberto El Patron, rushed to the ring to prevent a 2-on-1 attack. Furthermore, there was a brutal 4-on-4 elimination tag team match that the heels (bad guys) won when Primate rolled up Rampage after a distraction from ringside. In the main event, with an absolutely electric atmosphere coming from the crowd, Kurt Angle narrowly defeated Cody Rhodes when the ‘Grandson of a plumber’ tapped out to the ‘American Hero’s’ world famous ankle lock.

This article is not too fussed with the actual results from this show. I am sure many of you reading this won’t know of half the people involved here. However, what is of key interest is the sudden emergence of professional wrestling in Britain, particularly in reference to the rise in numbers and quality of British talent.

Europe has had the occasional star make it in America (Sheamus and Cesaro today, and William Regal and Wade Barrett in the past to name just a few). But Europe has never had a company who can draw talent such as Del Rio, Angle or Rhodes and rival with the empire that is WWE.

Even Ring of Honour, TNA and New Japan Pro-Wrestling (NJPW) emanate from outside of Europe and are the next biggest wrestling companies. So it is fresh to have a company such as WCPW rise in such a short space of time. Less than two years ago, they were a YouTube channel doing lists and predictions. Now, they have nearly 900,000 subscribers at the time of writing, second in the wrestling world only to the WWE themselves.

Moreover, What Culture set up WCPW earlier this year, and are already getting famous faces in, have three championships and a iPPV scheme where they charge for special events. Not just that, but moving forward, Matt Hardy will be joining the already impressive list of wrestlers to compete, as has Damien Sandow—fresh off his release from WWE.

Wrestling in the UK is only on the rise, and will continue to develop and grow, and hopefully rival companies like WWE one day, although that is a long way off.