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Day: 20 February 2017

Review: Hidden Figures

Coming two years after the overly sentimental St.Vincent, Theodore Melfi returns to the directors chair for Hidden Figures. The inspiring true story of how three African-American women fought against gender and race discrimination to assist in arguably the greatest human accomplishment of the time, launching astronaut John Glenn into orbit. An event which turned the tide of the space race and united America in it’s desire to reach the moon.

The three women depicted in Hidden Figures begin as ‘computers’, someone who performs long and often tedious mathematical calculations prior to the invention of electronic computers. They all aspire for greater things but due to the societal hurdle of skin colour find great difficulty in getting acknowledged, let alone respected. Katherine Johnson’s talent (Taraji Henson) has incredible mathematic ability, Dorothy Vaughan (Octavia Spencer) has natural leadership skills and Mary Jackson (Janelle Monáe) is a fantastic engineer. All three actresses are commanding in their roles, which isn’t entirely positive as the weaker performances are more noticeable with the weakest of all being Jim Parsons’ portrayal of head engineer Paul Stafford. A character whose only purpose in the film is to reinforce the fact that people of colour face discrimination. Melfi must have doubted the audience’s ability to denounce racism on its first appearance so decided to make Stafford repeatedly, and to no additional story benefit, belittle Katherine.

Parsons’ character is not the only story element that if removed would have made the film less forgettable. Another example of this is the needless romantic subplot involving Katherine and Army Officer Jim Johnson. Romance for the sake of romance is usually for one of two reasons, either the scriptwriters needed an extra 15 minutes runtime and got lazy, or the film needed to be more accessible for the general public (to bring in those box office returns). Mahershala Ali (Moonlight) who plays Johnson is a great actor and it is a shame that his talent is wasted in this role.

Whilst there were many scenes showing discrimination against the women of the West Computing wing, and people of colour as a whole, one particular example was overplayed. After Katherine is assigned to the Space Task Group, a collection of the greatest scientific and engineering minds in America, she is constantly on the receiving end of racial prejudice. This occurs to such an extent that they are made to seem villainous to fit with the generic Hollywood narrative: character faces adversity, almost succumbs as a result but is eventually victorious. There is nothing new or original here. Just another underwhelming “based on a true story” film that seems to hit the cinema screens every few weeks.

In years to come it will be the films that took risks that will be remembered and sadly Hidden Figures took none. The outcome is an ordinary film about the extraordinary. One that uses the leads to push an agenda rather than treat them like the pioneers they were. Yet another addition to the pile of potential classics.

Costa vs. Lewandowski

Diego Costa has arguably been the standout player in the Premier League this season: he has been the catalyst in Chelsea’s surge to the summit of the table. Costa has scored 15 league goals, which gives him a goal on average every 136 minutes. He has also registered five assists, as he continues to impress following a disappointing campaign last season.

There is no denying Costa’s quality, but many football fans will be quick to point out his below par performances last term when Chelsea finished 10th. Understandably, this could lead to questions about the Spaniard’s consistency, but one striker who can’t be criticised for his consistency is Robert Lewandowski – the Bayern Munich and Poland star is on fire once again this season.

In Saturday’s 1-1 draw away to Hertha Berlin, Lewandowski scored a stoppage time equaliser – his 25th goal of the season so far – which means he has now scored a quarter of a century of goals for six seasons running at Borussia Dortmund and Bayern Munich. The Pole is a goal machine who epitomises the ultimate modern day number nine.

The former Dortmund man is two footed, excellent in the air and can hold the ball up and go in behind. Costa shares similar traits to his striking counterpart, both forward’s characteristics make a defender’s task an absolute nightmare. As he did two seasons ago and in his time with Atletico Madrid in Spain, Costa is terrifying centre-backs week in week out, just as Lewandowski has done for the last half a decade.

The statistics appear to swing in favour of the Bayern striker this season, but the club’s talisman has only scored one more goal than Costa in the league. He has a further nine in German cup competitions and the UEFA Champions League combined, while Costa has not played in Europe due to the Blues failing to qualify last term, and has one goal in one FA Cup appearance, which came on Saturday at Wolverhampton.

When examining a striker’s statistics, most people tend to look solely in the goals scored column, but there is much more to the game of a centre-forward than just goals. After an era of tiki-taka and false number nine’s, the traditional number nine is firmly back in fashion, and the front men form the fulcrum of their teams – including Costa and Lewandowski.

With possession now less influential, many of the game’s elite managers base their style of play around swift, fast, direct, expansive, counter-attacking football. Two prime examples are Italian duo Antonio Conte and Carlo Ancelotti, who like most football fans across the world, enjoy the fast-paced, high-energy side of the game as opposed to insipid solely possession based football.

Conte and Ancelotti represent not just successful, winning managers, but also managers who want their teams to play the right way. A huge part of this depends on the performance of the striker, who as well as scoring goals, is tasked with bringing their teammates into play and creating chances.

Both Costa and Lewandowski demonstrate this. They embody traits of an old-fashioned number nine, engaging in bloody battles with defenders. But they also have shrewdness and striking nous about them, running off defenders intelligently, getting in the right places at the right time to both score and create goals for their teams.

Aside of their striking sensations, however, Chelsea and Bayern are teams notoriously filled with pace and power. This undoubtedly helps Costa and Lewandowski, but their expert hold up play and their ability to link up play proficiently means that it equally works the other way, giving the players behind them more space and freedom to operate.

It combines to make a good recipe for excitement and success, and the key ingredient is a world-class striker who connects everything together. There are many reasons why Chelsea and Bayern are England and Germany’s premier clubs this season, but having a world-class centre-forward boosts any team’s chances of winning silverware immensely.

Who is the better player?
As we have seen, both Costa and Lewandowski are supremely talented footballers, two of the best in the world in their position. Lewandowski may have scored more goals this season, and been recognised as one of the best for a longer period than Costa, but the fact Costa is in a tougher league where it is harder to score goals just about gives the Spaniard the nod. His all-round play, tireless work rate and determination mean that Costa’s exemplary attitude rubs off on all his team-mates – he is a centre-forward who ticks all the boxes.

Why are England’s top Referees going abroad?

On first inspection, the reason may seem obvious: money, money, money! With the likes of China offering some premier league players ridiculous salaries of over £400,000 a week, referees are treated no differently. What’s the point in having some of the best players in the world in your league if you don’t have the best officials? However the enticement of money only scratches the surface of the reasons behind this and we need to dig deeper to fully understand why big name referees are deciding to swap the green shores of Britain, for the deserts of Saudi Arabia and big cities of the USA, to name but a few of the destinations referees are heading to.

This story was sparked by the shock reports that Mark Clattenburg, argued by some to be one the best referees in the Premier League, and possibly the world, was resigning from his position in the Premier League to take up a new post as head of referees in Saudi Arabia, replacing Howard Webb (another memorable refereeing face from the Premier league) who recently resigned from the position. You could be forgiven for thinking this as rather odd; Saudi Arabia are not exactly renowned for their prowess in world football or for the quality of their national league. The furthest they have reached in the World Cup is the last 16 in 1994 and since then the furthest they’ve reached is the group stage. However oil has made countries such as this vastly wealthy, and with some spare cash to splash around, Saudi officials have deemed improving the country’s football image on a global stage as a top priority.

Clattenburg’s move is of course partially motivated by the large wage increase he is likely to receive, but it is also reported that he has become disillusioned with the lack of support referees receive from the Referees Chief Mike Riley, and the burdensome politics associated with the Professional Game Match Officials Limited (PGMOL). It is true that in England particularly, referees do come under intense scrutiny with every big decision they make, often becoming subject to intense media attention. Referees are human, like everyone else and so are capable of occasionally making mistakes, yet in England they are expected to be almost super human in that every performance should be perfect without any mistakes being made. Referees who do make mistakes receive a torrent of abuse from the media and fans alike, making an already difficult job even more unpleasant. Therefore it’s not hard to understand why a referee like Clattenburg would want to get away from all of it to places where he’s likely to receive a much greater level of respect.

Initially it appeared as though Clattenburg’s move would be immediate, however he is scheduled to officiate in Saturday’s match between West Brom and Bournemouth, and it has now been confirmed by the Premier league that he will remain until the end of the season.

Clattenburg’s departure has been followed by speculation about Michael Oliver’s future as he is linked with a move to the USA to officiate in the MLS. This is coming just days after Clattenburg’s shock revelation about his upcoming move to Saudi Arabia.

Some commentators have described this as the beginning of a ‘refereeing crisis’. Morale amongst top Premier league referees is certainly low at the moment, though it arguably has not reached this tipping point yet. However if we continue down this path of losing our best match officials to foreign leagues, this crisis risks coming to fruition.

So what’s the solution to all of this? It is very difficult, yet small steps could be taken in the right direction to encourage our current top referees to stay and promote the development of future homegrown referees. Greater protection for referees from the PGMOL, and particularly from Mike Riley, would go a long way to helping referees feel more confident that they will be supported both on and off the pitch. New video technologies will help referees correctly make decisions in tricky circumstances and ensure that there can be no debate as to whether, for example, a player has deliberately dived or whether a penalty should be given for a genuine foul. The culture of disrespect and abuse among fans in England towards match officials is now so deeply embedded, it may be unlikely to ever be eradicated. However greater education for the younger generation on respecting referees and their authority on the pitch, may make some headway towards alleviating this problem.

Mark Clattenburg and Michael Oliver are not the first referees to move abroad for greener pastures and if more is not done to combat this issue, they certainly will not be the last.

Club Profile: Athletic Club Bilbao

In some far-flung areas of the world, football equals life. The sport boils down to its tribal best where football is not just a healthy competition, but a clash of cultures and beliefs. South America is renowned for their passionate addiction to club football, most famously with the Superclásico, played between Boca Juniors and River Plate; the fiercest domestic rivalry in the world. In the more civilised or commercialised Europe, such clubs are hard to find. There are a few, however, still kicking about and causing a fuss, despite the evolution into modern football.

San Mamés (Photo: WikimediaCommons)

The most successful institution of this type is Athletic Club Bilbao. Part of the Basque Country, located in the Western Pyrenees that spans the border between France and Spain, Athletic Bilbao are unique when it comes to unity. The club have a cantera (‘quarrying’) policy of playing only Basque-born (or Basque-related) players which has been the case since their foundation in 1898. Originally that was the case with the majority of football clubs, but instead of developing with the globalisation of football, Athletic, out of stubbornness or pride, have stayed true to their origins.

Similar to Barcelona, Athletic are in a part of Spain who have historically opposed Madrid as a city of arrogance and oppression who hold control over the Catalonian and Basque regions despite their want for independence. In the 13th century AD, the Kingdom of Navarre (Basque) peacefully merged with the Castilian Kingdom (Madrid) because of their superior power and trade goods. The alliance has been fractured over time however, with numerous unsuccessful campaigns for independence taking place in the past century.

San Mamés (Photo: WikimediaCommons)

All clubs have history, but not many cling to their history as lovingly as Athletic. The club’s stadium is named San Mamés, after the semi-legendary figure, Saint Mammes. Mammes was an early Christian thrown to the lions by the Romans out of punishment for his religion in the 3rd Century AD. According to tradition, Mammes pacified the lions and was subsequently made a Saint. Athletic Bilbao’s most commonly referred to nickname is Los Liones, and I am sure you do not need a translation to figure that one out. The very fact that San Mamés is nicknamed “La Catedral” confirms the religiosity surrounding the club.

It is not just the unity of Athletic which makes the club so special; their footballing history stands on its own two feet. Bilbao is one of three founding members of the Primera División that have never been relegated from the top flight, the other two being Real Madrid and Barcelona. Likewise, that trio of Spanish historical gold are also the only three clubs in La Liga that are not sports corporations, instead being owned and operated by its club members.

In terms of silverware, Los Liones are up there with the most established clubs in the division. Having won La Liga on eight separate occasions, Bilbao are fourth for titles won in the history of the league. More surprisingly, only Barcelona have managed to win more Copa del Rey trophies than Athletic’s 24. In fact, Bilbao picked up plenty of trophies in the first few decades of their professional existence, and, until Madrid came to power in the 1950’s, Athletic was the most successful club in Spain.

San Mamés (Photo: WikimediaCommons)

Real Madrid are the Basque club’s fiercest rivals because of their footballing history and political differences, however neighbours Real Sociedad offer a more sportingly competitive rivalry and a fairer competition with the resources on offer. Sociedad, like Athletic, used to only enrol Basque-born footballers until they signed Irish striker John Aldridge in 1989. Since then, ‘The Royals’ have moved with the rest of modern football and invested in foreign players to keep up with the growing quality in the European leagues.

Athletic, on the other hand, invest in infrastructure. With their ‘cantera’ policy, Athletic build and lift local talent to the heights of the top division. Eighty percent of Bilbao’s players came through their academy, with the others signed from different regions of the Basque country. The continual stability of the club proves that proper investment into grass-roots can reap rewards. While critics can accuse Athletic of being short-sighted, the club have actually globalised, but in a different way to the rest of the pack.

Iñaki Williams (Photo: WikimediaCommons)

Iñaki Williams, son of a Ghanaian father and Liberian mother who escaped difficult circumstances in Africa, was born in the Basque country and, when he scored against Torino on the 15th of February 2015, became the first black goal-scorer in the history of the club.

With this sort of environment, narratives seem to appear out of nowhere. The same has been true of this season. Yeray Álvarez, at 21 years of age, was called up to the first team during the pre-season for the 2016/17 season. He became an integral member of the first team squad at the beginning of the season, starting 17 out of a possible 20 matches before being diagnosed with testicular cancer on December 23rd. 46 days later, Álvarez played a full 90 minutes in a 0-3 loss to Barcelona at the Nou Camp. Five days after that fixture, Álvarez extended his contract until 2022.

There are very few clubs in the world like Athletic. Mexican club Chivas de Guadalajara are famous for producing home-grown talent with the likes of Javier Hernandez and Carlos Vela graduating from their youth academy. Parallel with Bilbao, Chivas only field Mexican-born players and are one of the most decorated football clubs in the country. The two Milan clubs, Internazionale and AC, came into existence because of a row between footballing ideologies. Have you ever wondered why AC Milan are known as ‘Milan’ whereas Inter Milan are known as ‘Inter’? AC had a policy of only investing in Italian talent while Inter, hence ‘Internazionale’, only promoted foreign talent. Almost all of the clubs similar to Athletic Bilbao have died out with the globalisation of football, so, instead of criticising the Basque-based club, fans should laud the institution for believing in more than just the money.

Top 5: Tracks by LGBT+ Artists

Ever since the ancient Roman festival of Lupercalia, which we now call Valentine’s Day, February has been associated with love and romance. Thousands of years later in 2005, February became the UK’s LGBT History Month to celebrate love of every kind and to pay tribute to LGBT historical icons who both fought for the rights and representation of the community. Throughout history, we have been blessed with a plethora of talented LGBT artists, so here are just a handful for you to enjoy.

1.“Standing in the Way of Control” – The Gossip

Never one to mince words, lead singer of Gossip, Beth Ditto, has been known to describe herself as a “fat, feminist lesbian from Arkansas”. Ditto has a powerful voice which she uses not only to belt out indie hits like this but also to advocate for feminism and LGBT rights.

2.“Spooky” – Dusty Springfield

Dusty Springfield was a Sixties icon and lent her sultry, sensual voice to classics such as “Son of a Preacher Man” and “I Only Want to Be with You”. Despite many of her biggest hits being about men, Springfield was reportedly never in a relationship with one, stating “I know I’m perfectly as capable of being swayed by a girl as by a boy. More and more people feel that way and I don’t see why I shouldn’t.”

3.“Ivy” – Frank Ocean

The name Frank Ocean will doubtless be one you are familiar with. In July 2012, the singer/songwriter posted an open letter on his Tumblr account describing his first taste of true love when he fell for a young man at the age of 19. The letter appeared just days before the release of his debut album, Channel Orange. Whilst the feelings were unrequited, Ocean thanks the man for his influence.

4.“Downhearted Blues” – Bessie Smith

Bessie Smith was a blues legend during the 1920s and 1930s and openly celebrated her identity as a black, bisexual woman during an era where one could be shunned for any one of those things, let alone all three. Nevertheless, Smith became the highest-paid black entertainer of that time, and was accompanied by greats such as Louis Armstrong and Fletcher Henderson.

5. “Russian Dance (Trepak)” – Pyotr Ilyich Tchaikovsky

Being gay in Russia isn’t easy even now in 2017, let alone in 1860. Arguably one of the best ballet composers ever (and, I’ll admit, a personal favourite), Tchaikovsky was the man behind famous scores such as The Nutcracker, Romeo and Juliet and Swan Lake. He lived as a bachelor for most of his life, keeping his homosexuality a secret but spoke of it in his letters which were censored by the Soviet Union.

BAFTA Awards 2017

The award ceremony was hosted by Stephen Fry for the 12th time and kept proceedings without any comments that would land him in hot water like last year. ‘La La Land’ has continued its exceptional run of bagging awards here, there, and everywhere and the BAFTAS were no exception.

The film won a total of five awards, the most of the night, but was still expected to have won more having been nominated for eleven. The film ended up winning awards for Best Film, Best Actress for Emma Stone, Best Director for Damien Chazelle, Best Cinematography and Original Music.

A total of fifteen different movies bagged an award across the evening. ‘Manchester by the Sea’ managed to beat ‘La La Land’ for Best Original Screenplay and Casey Affleck won Best Actor. Dev Patel won Best Supporting Actor for Lion, having come a long way since his Skin days, 10 years since its first release.

Just like any other award show it wasn’t just about the glitz and glamour and many used the platform to voice their political concerns. Ken Loach used his speech for winning the Outstanding British Film award for ‘I, Daniel Blake’ to reprimand the government for treating the poorest of society with contempt. Trump was called a blithering idiot by Stephen Fry for not recognising Meryl Streep as one of the best actresses of all time. Viola Davis — who won Best Supporting Actress for ‘Fences’ — also supported Streep’s stand at the Golden Globes and highlighted that more roles needed to be available for black actors in the coming years.

The BAFTAS most prestigious honour, a fellowship, was awarded to Mel Brooks. Brooks made the films ‘The Producers’, ‘Spaceballs’, and ‘Blazing saddles’ amongst numerous others. He joins the ranks of Alfred Hitchcock, Charlie Chaplin, Sidney Poitier, Judi Dench and Helen Mirren who have all been awarded a fellowship.

The next award ceremony will be the Oscars being held in Hollywood on the 26th of February.

Best film

La La Land

Outstanding British film

I, Daniel Blake

Director

Damien Chazelle – La La Land

Leading actress

Emma Stone – La La Land

Leading actor

Casey Affleck – Manchester by the Sea

Supporting actress

Viola Davis – Fences

Supporting actor

Dev Patel – Lion

Original screenplay

Manchester by the Sea – Kenneth Lonergan

Adapted screenplay

Lion – Luke Davies

Outstanding debut by a British writer, director or producer

Under the Shadow – Babak Anvari (writer/director), Emily Leo, Oliver Roskill, Lucan Toh (producers)

Film not in the English language

Son of Saul – Laszlo Nemes, Gabor Sipos

Documentary

13th

Animated film

Kubo and the Two Strings

Original music

La La Land – Justin Hurwitz

Cinematography

La La Land – Linus Sandgren

Editing

Hacksaw Ridge – John Gilbert

Production design

Fantastic Beasts and Where to Find Them – Stuart Craig, Anna Pinnock

Costume design

Jackie – Madeline Fontaine

Make-up and hair

Florence Foster Jenkins – J Roy Helland, Daniel Phillips

Sound

Arrival – Claude La Haye, Bernard Gariepy Strobl, Sylvain Bellemare

Special visual effects

The Jungle Book – Robert Legato, Dan Lemmon, Andrew R. Jones, Adam Valdez

British short animation

A Love Story – Khaled Gad, Anushka Kishani Naanayakkara, Elena Ruscombe-King

British short film

Home – Shpat Deda, Afolabi Kuti, Daniel Mulloy, Scott O’Donnell

EE Rising Star award (voted for by the public)

Tom Holland

 

Review: Was it good for you?

One night stands are a strange, post-modern phenomenon.

The idea of becoming entirely intimate with a total stranger for a few hazy hours only to depart their lives often forever seems at odds with any notion of forging emotional, fulfilling relationships which- in this increasingly lonely world- seems to be the end goal for a lot of people.

Thankfully then, directors Rosie Harris and Luke Smith along with the wonderful cast of ‘Was it good for you?’ are here to guide us through the joys and anxieties of the one night stand. The play is hilarious in large parts and touching when it needs to be, and is ultimately an uncomfortably honest look at the great embarrassing anecdote of our time.

The play begins in medias res in the bedroom scene. The two leads, a boy named Isaac and an apparently unnamed girl are already back (post-pub foundation laying) to the site of the bedroom- the locus for so many unsaid worries about what is going to happen next.

The play is built around a series of interior monologues from the two leads as they anxiously project their worries about the upcoming and apparently inevitable sex that is to follow. The monologues are impeccably written, unflinchingly discussing sexual pitfalls such as worries over out of control pubic hair or sexual virility (can I get it up? A problem as old as sex itself).

Chris Pope and Izzy Lewis are brilliant, candidly discussing taboo subjects with the audience in a way which is uncomfortable yet reassuring; these are just two normal people with the same worries about sex as anybody who hasn’t been trained in the Hugh Heffner school of sexual prowess.

The direction of the play is great; these two characters never voice their concerns to one another, only second guessing each other in brilliant comic fashion (where does this go? Shall I put this here? Etc.). As an audience member, you are left thinking ‘just TALK to each other’, yet that of course is the point the play drives home; the lack of communication due to embarrassment underpins so many of these true to life situations.

The play progresses through various ‘stages’ of intercourse, and wryly portrays the often-mechanical motions people go through when becoming intimate with a stranger. The leads worry that they are being too adventurous while the other wonders if their partner could maybe be doing more. If an audience member is made uncomfortable during this play, it is only because it is so unnervingly accurate for anyone who has been in this situation before.

The play must also be commended for its daring nature; this is not a PG-13 comedy. All the sex acts are performed as to be one step away from pornographic. There is no interpretive dance to signal the erotic union of two beings, or an explosion of petals to emulate an orgasm. The play opts for realism over ‘high art’ and it is extremely effective.

As I have mentioned, any discomfort felt by the audience is just an honest reflection of how these real-life scenarios play out; they are nature awkwardness. Of course, nudity (or partial nudity) in theatre is nothing new, but it still exhibits a complete shedding of self-consciousness on the actor’s part and is a very impressive artistic choice.

In order to flesh the monologues out, a series of muses appear to guide our leads through the night; fully fledged Casanovas our heroes are not (who is?). Fergus Macphee’s turn as a kind of high-camp, transvestite figure is uproariously funny, confidently guiding the bemused Isaac (and the audience) through the oft-challenging process of donning a prophylactic (condom to the layman).

Clint Eastwood, Simone de Beauvoir and assorted others also make bizarre and hilarious cameos, further emphasising the crazy and random thoughts that invade our brains in these apparently most intimate moments. These two characters may be physically interacting with each other, but their minds are off on their own journey, desperately seeking help from these fictional characters.

As the play reaches its climax (sorry) it entails a brilliant departure from the mostly comic scenes that have occurred prior to this final act. Both characters begin to address their past, and wonder what it is that is stopping them from fully enjoying this moment. One moving scene involves Lewis’s character confronting past demons and attempting to exorcise them in a show of autonomy that the play gets right, never wandering in to the realms of cliché or forced sadness. In a brilliantly acted scene, the audience is privy to the trauma that Lewis’ character has experienced and is a brutally honest moment that elevates the play from raunchy comedy into a deeper exploration of the sexual psyche.

Overall then the play is pure comic gold, almost every joke landing and sharp pop-culture references abound. The fact that it deals with the concept of the ‘one night stand’ in a nuanced and honest manner is a bonus. The score is also great, a series of jazz standards helping the play along as our leads bumble through their sexual odyssey.

The setting is also brilliant, a classic messy ‘uni’ bedroom being the site of the play, and a kind of lewd shadow show helping the play’s action to proceed while our leads talk to the audience. If you want to see some honest, no holds-barred theatre about sex in all its baggage-ridden glory from the University of Manchester Drama Society then go and see ‘Was it good for you?’. Who knows, you may even learn a trick or two.

‘Was it goof for you?’ is part of the MIFTAS season and is playing at the Martin Harris Building from the 15th to the 17th February.

Three must read books from Orange 4

Orange 4 in the Main library is home to the Near East Collection of books, holding books from different countries across the Middle East and North Africa. It is a relatively small but rich collection, with widely circulated names such as Nagib Mahfouz and Tawfiq Al Hakim.

The following are three modern works that revolve around the Arab world that can serve as an introduction to modern Arabic literature. They are all available in English, two being translated from Arabic and one originally written in English.

Year of the Elephant by Leila Abouzeid [Orange 4 (843.09 A46 )]

This novel by Moroccan author Leila Abouzeid follows a woman after Morocco gained independence from France. The heroine finds herself in a new world after being left by her husband despite her sacrifices alongside loosing her standing in society despite the role she played in the political battle for independence.
The main themes of the novel can be found in the title, ‘Year of the Elephant’, which has significance in Islamic culture. It refers to a failed invasion of Mecca, pre-Islamic period.

This novel is considered a feminist text, but is unique from other feminist texts in that it remains local and therefore loyal to the culture and independent from Western values. The plot manages to reflect the conflict between tradition and modernity. This is seen in the depiction of traditions as having deprived her of her marital rights, and in the way modern standards of life do not align with her moral compass.

In the original Arabic version, the language used in Leila’s debut novel is beautiful and balanced with the regional dialect ‘derja’, native to Morocco. This is perhaps an intentional pull between the traditional standard Arabic and the ever evolving Moroccan dialect to parallel the main theme. It follows through in the English translation found in the NE collection in Orange 4, leaving you equally as confused… much like the heroine herself.

The honest yet unconventional approach of storytelling is what makes this an interesting read.

The Journey of Ibn Fattouma by Nagib Mahfouz [Orange 4 (892.73 M156 )]

In this philosophical novella by Nobel Prize winner Nagib Mahfouz, political ideologies are examined and applied to society in an attempt to identify what the best ideal to strive for in society should be. The story follows the fictional Ibn Fattouma, parodying the journey of the famous traveller and scholar Ibn Battuta.

Just like Ibn Battuta travels the world to explore it, Ibn Fattouma travels and experiences a culture shock in each “bilad” (land) he visits. The descriptions are vivid and detailed, taking us to what may be considered valid adaptations of what ideologies envisioned by political thinkers might look like in the real world.
Although this novella was written in a time where Egypt and the world was up against competing ideologies, it is still very relevant today with the question of ideologies still being one that is widely debated in the Arab world.

The Journey is from Mahfouz’s philosophical era, where he takes a break from his usual fiction on honest reflections of everyday Egyptian society, and moves towards big ideas without neglecting society as a whole.
For anyone wanting to explore Arabic literature, Mahfouz is a must read. The Journey of Ibn Fattouma is as an interesting starting point.

The Return: Fathers, Sons, and the Land in Between by Hisham Matar [Orange 4 (892.73 M212 )]

This autobiographical account of Matar’s return to his native country Libya in 2012, after a lifetime of exile, is his most recent after a number of novels that deal with the same themes of exile, coping with loss, and dictatorship. The nostalgic family memoir centres on his Father who was abducted by government officials in the 1990’s, and the way by which the absence affected him and those around him. Matar’s return to Libya is chronicled in a nostalgic manner – following from passages of his longing to return to Libya.
Matar explores his relationship with Libya as someone who grew up as a “third culture kid”. He also explores his relationship with other countries he resided in, including Egypt, referring to it as the Land in Between.

For many, the appeal of this memoir lays in the fact that it is a sentimental account of a little known about country… but later turns out to be about much more than just that.

Tracks of the Week: 20th February

‘Kinda Bonkers’ – Animal Collective

Recorded around the same time as Animal Collective’s 2016 album Painting With, the first single from their similarly named The Painters EP continues the themes of the previous LP’s dinosaur-laden recording sessions. With upbeat lyrics comparing life to French toast and promoting the unity of all kinds, this track, though childlike, is anything but innocent.

‘Cool Your Heart’ – Dirty Projectors

Dirty Projectors’ Dave Longstreth’s recent writing collaborations with the likes of Kanye West and Solange, who co-wrote this song, shine through on the latest single from the band’s upcoming eponymous album. While the previous singles dwell on the breakup of Dave Longstreth and former Dirty Projectors member Amber Coffman, ‘Cool Your Heart’ ceases mourning loves lost and says yes to new love.

‘Friend Zone’ – Thundercat

The latest single from Thundercat’s upcoming album Drunk is an anti-love song. It’s funky, it’s fun and it’s about a man who just wants to play Diablo. ‘Friend Zone’ is certainly not Thundercat at his most serious, but it may be him at his most relatable.

Chocolate Cake Recipe

Remember the mantra four, four, four, and two (4oz sugar, 4oz butter, 4oz self-raising flour and 2 eggs) and you’ll be good. Topping the cake with a simple ganache elevates a simple cake to a whole new level and will impress anyone. You’ll need an 8” round loose bottomed cake tin.

Ingredients

110g soft butter

110g caster sugar

2 eggs

Pinch of salt

100g self raising flour

25g cocoa powder

4tbsp double cream

150g milk chocolate

Preheat the oven to 170 degrees fan. Grease the cake tin. Cream (beat with a wooden or silicone spoon) the butter and sugar in a mixing bowl until pale and fluffy, then add the eggs one at a time, and beat into the butter and sugar mix, adding a tablespoon of flour to stop the eggs from curdling.

Sprinkle in the salt. Sift the rest of the flour and the cocoa powder into the bowl and gently stir everything together so that the mixture is smooth. Pour the batter into the prepared cake tin and bake for 20 minutes or until a skewer inserted into the middle comes out clean. Turn out onto a wire cooling-rack and leave to cool.

If the chocolate isn’t drops or buttons either chop it into small pieces or put into a sandwich bag and bash with a rolling pin or heavy based saucepan to break it up. Pour the double cream into a small saucepan and gently heat to just below boiling. Take off the heat and drop in the chocolate, stirring continuously until it’s smooth and all mixed together. Leave to cool and thicken a little.

Place the cake on its serving plate and pour over the ganache, spreading it evenly across the top of the cake and letting a little drip down the sides. Serve and enjoy.

Review: Deanna Petherbridge at the Whitworth

More than thirty years after her original residency in 1982, The Whitworth has welcomed back Deanna Petherbridge, CBE, curator and one of Britain’s most prolific artists. The seven month exhibition, finishing in June, showcases work from a career which has spanned 45 years. Working predominately in pen and ink, Petherbridge’s art reconciles mathematics and architecture with social observation and critique.

Knowing little about the artist when I entered the gallery, I was firstly struck by the quantity of the artwork that the exhibition room had on show, Petherbridge’s work is clearly defined by it’s bold, straight lines, and geometric patterns with sequences of shapes meticulously formed in accurate detail.  Upon entering the gallery, the viewer notices that the pictures are done almost exclusively in black and white and at first glance, lack the showiness and boldness of colour that would usually draw the eye. However, Petherbridge’s drawings both require and deserve more than just a cursory glance.

A surprising element in Petherbridge’s work is her attention to social, cultural and historical issues, particularly in regards to human conflict and suffering. In pieces such as Urbs Militans (1984) an interpretation of the Second World War, the harsh, angular lines effectively allow her to convey the callousness of war and the destruction of which humans are capable.

Similarly, drawings such as The Destruction of the City of Homs painted last year as a response to the war in Syria, Petherbridge’s work also seems to take on a photojournalistic quality, bringing together the tragedy of those destroyed home with her own artistic study of the lines and shapes.

This is a theme that runs throughout the exhibition, and Petherbridge does not let her chosen style prevent her from taking a political stance. Untitled (Turning Tables) (1989) is a drawing which the artist describes as ‘explor[ing] the symbolism of empty tables as the seat of patriarchal power’. The precision of her lines and patterns makes political statements like these all the more effective.

Overall, Deanna Petherbridge sees pattern and intricacy where others may not and whilst the detail and skill of her artwork is impressive, for me, the over-riding message of her work is that the existence and influence of people is what brings patterns, lines and shapes to life.

Which clubs will be relegated from the Premier League?

With thirteen games to go the Premier League title race looks all but over, with trophy seemingly on its way back to West London after a brief stop off in the East Midlands. This means that for the rest of the season the main excitement will be found at the bottom of the table, where the trio of teams that will depart the league is anything but certain. Just three points separate the bottom five, whilst Bournemouth in fourteenth are starting to look over their shoulder.

So, which sides depart the top flight come May? Let’s look at how each of the candidates are shaping up:

Sunderland: Perennial relegation battlers, Sunderland look the safest bet for relegation at this stage. David Moyes’ men have failed to inspire so far, spending most the season in the relegation zone, yet they find themselves just two points adrift of safety. Despite the exploits of fourteen-goal Jermain Defoe, Sunderland are the joint third lowest scorers in the league, a problem which they will need to address in the remaining thirteen fixtures. With three of their final four fixtures against fellow relegation battlers, it is not out of the question for Sunderland to embark on yet another great escape from relegation.

Crystal Palace: After appointing Sam Allardyce just before Christmas, Crystal Palace thought they had found the answer to their struggles. Unfortunately for them, Allardyce – who has never managed a side to top flight relegation –has struggled in South London. He has managed just one win in eight league matches, including a morale-crushing 0-4 home defeat to Sunderland. A warm winter training in Dubai has been rumoured to have been cancelled, the Eagles look like a side destined for the drop.

Swansea City: a common theme amongst the relegation candidates is a change of manager, with three of the seven candidates deciding a new man in the hot seat would lead them away from danger. Swansea made Paul Clement their third permanent manager of the season in early January, luring him away from assisting Carlo Ancelotti at Bayern Munich with the promise of a first chance of top flight management. The decision has paid off with Swansea rising from 20th to 15th in the table since. They are not safe yet, but a four-point gap over the final relegation spot means they can breathe a little easier.

Hull City: prior to the appointment of Marco Silva, the Tigers were sinking back down to the Championship without leaving much of a mark on the Premier League. January was a transformational month however, with numerous transfer deals enabling a fresh look to their starting XI for the relegation run-in. Promising results against Manchester United and Liverpool mean that Hull cannot be written off in the race for survival.

Middlesbrough: back in the Premier League for the first time in seven years, Middlesbrough have gone under the radar somewhat, in part down to their low scoring matches. They have conceded fewer goals than Manchester City and Arsenal, but are also the lowest scorers in the league. They are a point above Leicester City yet have a far superior goal difference, which may come in useful at the end of the season. It looks like Aitor Karanka’s team will be in the relegation fight until the end.

Leicester City: surely the Champions can’t go down? Claudio Ranieri’s miracle men look bereft of confidence, enthusiasm and most worryingly for Foxes fans, any discernible footballing ability. A dismal start to 2017 has seen them ship twelve goals in the league, with none in return. Players such as Jamie Vardy and Riyad Mahrez, who lit up the Premier League last season, have looked shadows of their former selves. Ranieri has cut an isolated figure on the sidelines in recent weeks, pursuing with an ageing defence and an ineffective attack. Unlike their relegation rivals Leicester have the distraction of European football, with a double legged fixture against Sevilla to come. Can the spirit of the great escape of 2014/15 be re-discovered? Or will the fairy tale have an unhappy ending?

Bournemouth: Eddie Howe’s team have avoided much of the hype around the relegation fight to date, but one win in nine games has forced them into the conversation. Despite being fairly prolific in front of goal – they are the highest scorers in the bottom half – their defence has been their weak point. Recently this become a major concern for the Cherries, conceding eighteen goals in the six league games since the turn of the year. Despite poor recent form they have a six-point cushion over the last relegation spot, which should mean they survive, although perhaps not without a scare.

With over a third of the season still to play and the close nature of the league table, there is likely to be plenty of twists and turns in the relegation battle before the three teams to drop down to the Championship are decided.

Relegation Prediction: Sunderland, Crystal Palace and Hull City.

Top 5: Youtube Film Channels

In an age where YouTube content producers can make just as much money through Patreon as a football player, their videos often range from the absurd to the thought provoking. The latter is more distinctly applicable to those interested in film. Varying from discussions to video essays, these five channels off the best in the business in their respective fields. Like a nice warm hot water bottle, these videos will soften to blow of a busy and stressful day.

5. VICE
In their series, VICE talks Film, the multi-media company chairs an in-depth interview with a specific film-maker. Differing from your normal interview surrounding the director’s latest release, their discussions transpire into filmography and influences. From the likes of Todd Haynes to Mike Leigh, their interviews are lengthy but are deserving of your time. Shot sometimes on location or in a high-end furnished room, they constantly have impressive scenery. Supporting their astute current affairs journalism, VICE has a YouTube film series to be proud of, even if they are owned 5 per cent by Rupert Murdoch.

4. Now You See It
With a funky twitter handle (@SwagThug4Lyfe), Now You See It offers an eloquent insight into specific thematic, visual and narrative themes and tropes throughout film’s history. Varying from Milk in Movies: Why Do Characters Drink It? And Phallic Symbolism in Film, his analysis is exemplary to those searching how to approach the medium of film. As he states himself in his about section, “it’s like a college film analysis class minus the lecture halls, essay assignments, and student loan debts”.
 
3. BFI
The godfather of British film, the British Film Institute are not only distributing film across the UK, they are also video and audio creating content on a plentiful scale. Focusing on the former, however, their channel works with critics like Mark Kermode, writers and film-makers to deliver video essays and Q&A recordings from the Southbank and other places. Currently, a standout feature is their Q&A with the Moonlight cast and director Barry Jenkins from the London Film Festival. Their video essays also explore the issues of every corner of cinema including the insightful Textiles on Film: Lancashire Hotpot, an early call for women in the workplace.

2. The Nerdwriter1
Evan Puschak aka The Nerdwriter creates possibly the best video essays on the internet. Visual, expressive, and sophisticated, these essays are not your average cup of tea. Film-makers, cinematography, and performance are all areas well versed by the channel. With colour vistas and sleek animation, Puschak has tapped into something. That something blends language with visual, just as film does. Recently passing 1 million subscribers, the channel is growing at a phenomenal rate. Join the hype train, I beg you.

1. Criterion Collection
Famed for their beautiful rendered blu-rays, Criterion is the bee’s knees when it comes to the medium of publishing defining films and world cinema. As part of these releases, they upload short and sweet clips of their interviews to wet your appetite for the Blu-ray release. On the side of this, their YouTube channel has the best film feature on the internet: Closest Picks. As film-makers, actors and writers walk into Criterion’s vast closet of blu-rays and collections, their faces are comparable to those of a child on Christmas Day. Exploring the old favourites, Eastern unknowns or recent releases, these fortunate human beings can take freely from the collection. Envious does not cover it. Inspiring you to search out these film, Closest Picks is untouchable in cyber space’s film hierarchy.

Feature: Q&A with Barry Jenkins

“As you can see, I can talk” remarks Jenkins, concluding his answer to one of the night’s earlier questions. Jenkins can’t just talk, he has the entire audience hanging on his every word.

Jenkins’ boundless charisma has turned him into as much of a star as any of the actors from Moonlight. However exhausted he must be from his worldwide promotional tour, he isn’t showing it. Jenkins settled into his position at the front of the crowd with such ease and charm that the host almost seemed a little taken aback. As a relatively new commodity to film goers, Jenkins’ lively, funny and insightful engagement with the patrons of HOME was a refreshing change of pace from the grizzled industry vets who so often find themselves reluctantly asked to elaborate on their process.

It took a while for the audience to emerge from the stunned state that will be familiar to anyone who has had the chance to see the film but but after their awakening, the crowd had a wide range of questions for Jenkins. Some trod familiar ground, Jenkins responded to a recent viral video that highlighted the visual cues Moonlight took from Hong Kong auteur Wong-Kar Wei, though he also dismissed some of the perceived references joking that “there’s really only one way to shoot a guy on the phone”. One audience member asked Jenkins if he had any particular demographic that he hoped Moonlight would reach and Jenkins replied with an answer that would become a recurrent theme for the evening, emphasising the importance of trying to tell the story as authentically as possible and hoping that audiences respond to it.

Though he might seem like an overnight success, Jenkins spoke of his history not only as a director but his experience working at the Telluride Film Festival and his romance with foreign cinema during his period as an undergraduate at Florida State University. It is the influence of foreign cinema, specifically directors like Claire Denis, that Jenkins explained helped to elevate the more familiar story elements of Moonlight (such the crack addicted single mother played by Naomie Harris) from a social realist drama to the fever dream, art house masterpiece that it became.

As the host tried to wrap up proceedings, Jenkins insisted on taking a question about Moonlight’s sound design from a giddy Mike Leigh lookalike in the back row. “He called you “bruh!”” his wife could be heard gushing as they exited the cinema. Clearly this was a satisfied audience.

Meals Out with an Allergy

We all know meals out are brilliant, but for people with food allergies they can also be a huge pain. Depending on the severity, you can end up with discomfort, sickness, or even anaphylactic shock and possible death.

Before you even go into the restaurant you have to look at the menu carefully to gauge whether you can safely eat there, and there might even be whole cuisines you have to avoid  —  for instance, I have a nut allergy, which usually means curries and Chinese food are out of the question.

To make things even worse, the conversation you need to have when ordering with a severe allergy is usually an embarrassing, awkward affair. Servers are often blank-faced or confused as to why you are asking if, say, a margherita pizza has nuts in, when it obviously should not. A lot of the time they simply do not know, meaning you have to go elsewhere and go through the same frustrating process all over again.

Allergies are on the rise in the UK, with Allergy UK estimating that the number increases by five percent every year, and from 1992 to 2012 there was a 615% increase in reported cases of anaphylactic shock. According to YouGov, one in four households now have a member with an allergy or intolerance. It’s not known exactly why the number of allergy sufferers is on the rise, but theories include rising standards of hygiene, as well as our increasingly varied diets as cuisine from around the world becomes more popular.

With all this in mind, we thought it was important to look at five different restaurants and bars in Manchester, both to see how well Manchester deals with allergies, and to perhaps show how difficult it can be for those afflicted. My allergy is incredibly serious, which I believe is a strong test for restaurants, as if I have even a trace of a nut I will go into anaphylactic shock and possibly die.

In every place we went I was told that they could not completely guarantee that I would be alright — this is largely to protect themselves legally — but as this article exists and you are not reading an obituary, I clearly came through OK, and I had some brilliant food along the way. This is a good sign, and it shows that allergies in Manchester are being treated seriously, and if you suffer from one some places can be difficult and you still always need to be careful, but you can eat in a wide variety of places without having to worry too much.

The Students’ Union Bar:

Our first port of call was the SU — we fund it, so those of us with allergies should be able to eat there safely. Fortunately, the staff were accommodating, and although they made the usual claims that they could not be certain the food would be nut-free, they said they would tell the chef to take extra care. The menu is relatively standard pub fare, so is likely to be free from most allergens, apart from perhaps some of the desserts.

The food was nice too; the burger was thick and satisfying and the chips were the exact right level of crispiness, making it superior to the standard hyper-processed Wetherspoons equivalent. However, this is reflected in the price — a burger, chips and a pint cost around £9, which is certainly not bad, but not hugely cheap either. Despite this, the SU bar is definitely worth a visit, and if you have an allergy you will be in safe hands.

Tzatziki’s:

This relatively new Greek deli and takeaway is in the middle of Fallowfield, next to nightlife stalwart Venice Pizza. It is also the place where I thought I was most likely to die. The staff seemed confused by my questions, and it took a while for them to realise what I meant. Their desserts were also crammed with nuts and out on the counter, which is always a bit worrying. Despite these concerns, however, once they understood I had an allergy they clearly took a lot of care, and although I was a bit uncertain the whole time I was there, it was ultimately fine.

Whilst the process of ordering was awkward, the food itself was amazing. We each had a slice of spanakopita, which is a warm pastry filled with spinach and white cheese. The pastry itself was flaky and crispy, and the filling was just right — spinach can easily be overcooked, soggy and bland, but it mixed perfectly with the cheese to make a great side. For the main, I went for a pork gyros, which is a pitta bread stuffed with pork, salad and chips. The whole thing was lovely — the chips were covered in herbs, the pork was soft and the salad — aswell as the deli’s titular tzatziki —  gave it that vital extra touch. It was cheap too, at just £6 each. Overall then, Tzatziki’s is definitely worth going to, even if you have an allergy  —   the initial conversation may be a bit tricky, but the food is so good and so well priced it more than makes up for it.

Pancho’s Burritos:

Tucked away in Chester Street near MMU  — though there is also a branch in the Arndale —   Pancho’s is brilliant in just about every capacity. You choose exactly what you want in your burrito going from main filling to salsa and sauces. This is usually a massive pain if you have an allergy —  you need to ask about every single part. However, when I first asked, the manager was called over who immediately assured me that nothing had nuts in whatsoever. He quickly added that “you can never be completely sure” but it was definitely the most comfortable I felt in any of the places we visited. For other allergies, it may be more difficult, but for me it was perfect, and they did not seem to have any food that obviously contains any common allergens.

The burrito was also by far the nicest thing I ate at any of these restaurants. It was simple, unfussy and every element was prepared to perfection. I opted for slow-cooked beef, which was exactly right;  perfectly tender but still full of flavour. The guacamole was also great, and unlike many other similar establishments it was included with no extra cost. The salsa provided the right amount of kick without being overpowering, and the rice and beans filled the whole thing out without lessening the taste in any way. At six pounds for a large burrito, Pancho’s is not quite the cheapest, but it is still incredibly reasonably priced, and with the staff being so good about my allergy I cannot recommend it enough.

Al Bacio:

The obligatory high-end restaurant —  they had bottles of champagne going for up to £420, which was sadly slightly out of our budget —  Al Bacio is a decent Italian that sadly is not quite up there. They are, however, relatively good about allergies. I asked the waiter about the meal, and after he stood there for an uncomfortably long time he went and checked with the chef, before assuring me it was all fine. A bit awkward, but absolutely fine.

Absolutely fine is, however, also the most that can be said about the food. The garlic bread with mozzarella we had to start inexplicably alternated between being very nice and tasting of literally nothing with every bite. I had a calzone for my main, but they tried to put too many different things in – it had cheese, tomato, mushrooms, spinach and chicken, and all I could really taste was soggy, overcooked spinach  —  for over four times the price of a slice of spanakopita at Tzatziki’s. The most my friend could say about his penne al arrabbiata was that it was “sufficiently heated,” though he did insist it was nice. The food would have been good at a lower price, or in a less classy environment, but at such a high cost —  most mains are around the ten-pound mark —  at best  you hope for that bit extra, which sadly Al Bacio was lacking. To finish off a somewhat disappointing evening, both my friend and I felt incredibly ill after eating, and although it thankfully was not an allergic reaction, it was unpleasant.

Fuel Café:

Finally, we visited the Withington cultural mainstay Fuel, which puts on a wide variety of gigs upstairs, as well as serving great vegetarian and vegan food downstairs. Similar to the SU, they were great for allergies — immediately checking with the chef, and confirming that whilst there were nuts in the kitchen, there were no nuts in the food I had ordered, and the chef would take extra care.

The food at Fuel is always lovely. I went for the halloumi fish and chips, which was brilliant —  the halloumi was covered in delicious, crunchy batter and the cheese itself was incredibly soft:  just on the verge of melting but still keeping its shape and texture fantastically. The chips were nice and thick, cooked with the potato skins still on, and the salad had a great dressing. It was similar in price to the SU as well, with the food costing £6.20 each, and the cheapest pint   — their own, incredibly nice ‘Fuel lager’ —  is £3. However, Fuel is definitely the superior option, with the food being more unique and better tasting, better drinks available, and the café itself is just a great environment to be in. They clearly take a lot of care with allergies too, so I highly, unequivocally recommend it to anyone, no matter how much you like meat.

Album: SweetSexySavage – Kehlani

Released 27th January 2017 via Atlantic

7.5/10

After receiving a well-deserved Grammy nomination in 2016 for her mixtape You Should Be Here, there was a lot of anticipation for Kehlani’s debut album SweetSexySavage.

On the surface, the 21-year-old singer takes a similar stylistic approach towards her debut effort, employing the same R&B tones and feisty attitude to her work that she has used previously. Nevertheless, with the release of SweetSexySavage, Kehlani has seemingly proven herself as an artist that can hold her own next to her more-established female contemporaries in the music industry such as Tinashe and Jhené Aiko.

Throughout SweetSexySavage, Kehlani utilises her music as a form of therapy by expressing her darker, more sinister thoughts in various tracks. Not shy to controversy, Kehlani kicks off her album by addressing her mental health issues that lead to a well-documented suicide attempt earlier last year in the first track aptly named ‘Intro,’ where the singer offers “condolences to anyone who has ever lost me.”

Likewise, in ‘Piece of Mind,’ Kehlani reveals how, after a lot of soul-searching and support, she “can feel again, won’t be dumb again” – a clear reference to her demons and her success in overcoming them. Issues of mental health are clearly very sensitive and personal topics for the star, and Kehlani offers an insight into her life and thought process by talking about them, giving her debut album a more personal edge in the process.

Although her album does offer thoughtful and introspective lyricism, Kehlani still delivers a handful of pop-infused tracks to keep the club-goers happy. For example, the single ‘CRZY’ offers an incredibly infectious chorus as Kehlani repeats the words “crazy” over a heavy urban beat.

Similarly, ‘Distraction’ is another example of a radio-friendly single that sees the star ask her lover “Are you down to be a distraction, baby?” Kehlani hires her long-time producers Pop & Oak and Novawav on tracks such as these to add a pop influence to the mostly R&B-based tracks, which gives the singer her signature musical style.

Overall, Kehlani has managed to top her earlier musical projects with SweetSexySavage, as she seems to have matured into her own, self-established artist. In comparison to her peers, Kehlani applies R&B beats over her lyrics that often are delivered in a very candid manner, giving an edge to the singer that offers an alternative to her sweet yet sexy image.

Poet of the Week: Kayleigh Hicks

I am bright yellow
my face twisted into a grin
you’ll wince if you stare too long
sunshine dripping down my chin

none of this is never called into question.
A face without lines to chart my flaws,
openness shown on a vacant expression,
sustaining myself with bottled applause.

I welcome sleep
with open arms
and never injected ink nightmares into my skin,
I do not have scars
pressed into my palms
and never watched myself get thin.

My feet are planted
firmly in this world I live in.
I take life for granted
ignoring the suffering of others;
blinkers made of skin.

I only place importance on my own life.
I’d sell myself to avoid death’s list,
removing the gears, watching the clock unwind
as I press a knife to time’s wrist.

Because
I was never taught
how to be faithful,
silken selfish spun lies
were weaved into my hair,
now I spin my own webs
into the lines I speak.
I am solid steel on my surface
but beneath I am weak,
a pale imitation of a girl
stepping on stage
to whisper my dishonest prayer.

Top Five: Manchester libraries you must visit

Whether you’re a veritable library lover, or only use them when you’ve got an essay due in that you’ve barely even started yet, they’ve always got our back when it comes to helping us study or helping us wind down. But which libraries should you visit? Fear not, this article will tell all.

5. In at number five is the Working Class Movement Library in Salford Crescent. And yes, I hear your cries of “That’s not in Manchester!”, but it’s in Greater Manchester and that’s good enough for me. Anyway, at just a stone’s throw away from Salford Crescent station, it’s well worth visiting simply for its rich array of 18th and 19th century pamphlets, plays and poetry that wouldn’t half come in useful for any literature and history students when doing research. And it doesn’t stop there. There’s plenty of talks on at the library, with the International Women’s Day lecture on the 4th of March being a must-see (or must-hear, I suppose). If you’re interested in books, history, or feminism then why not give the library a visit?

4. Next up we have the Manchester Central Library which, being just a twenty minute walk away from the University, offers a nice spot for study or pleasure away from the hustle and bustle of campus. Get some work done in the reading room or check out some of the library’s collections! From reams of Elizabeth Gaskell’s original manuscripts, to first editions of Samuel Taylor Coleridge’s works, if you’re a literature fan then the Manchester Central Library is the right place to go. If that doesn’t take your fancy, why not visit the library’s Oasis DNA exhibition to see photos charting the history of Manchester’s greatest rock band. Not bad all for one library.

3. It’s a cold, grey Saturday and you think you can only find solace in spending a day looking around the shops of Piccadilly Gardens. But now there’s another choice! With the Portico Library only a mere five minute walk from Piccadilly, why not give it a go? Often featuring exhibitions which celebrate Britain’s greatest works of literature, including a recent 350th anniversary commemoration of John Milton’s Paradise Lost, this library is a must-visit for literature lovers. But it’s not all about the books; the library also hosts a gallery, which will soon be housing a ‘Contemporary Art in Britain’ exhibition which displays the works of some of the greatest artists from around the nation. So, whether you’re book lover or an art lover, this library will certainly have something to offer you!

2. Of course, how could I create a list of Manchester’s must visit libraries without mentioning the John Rylands Library? Being the largest academic library in the UK there’s bound to be something in there that can help with your studies; there’s also plenty to keep you entertained there as well! Why not take in the Jeff Nuttal exhibition, which allows visitors to explore the underground, counter-culture writings produced in Manchester during the 1960s? And for you fans of the Bard there’s an upcoming talk about Shakespeare on the 21st of February that’s definitely worth a look-in! Even if that doesn’t entice you, the library’s astounding reading room is in itself a reason to visit. So, what are you waiting for?

1. In first place we have the wonderful Chetham’s Library. ‘Never heard of it’, you might be saying. Well, despite it being relatively obscure, the significance of this library is unparalleled in it being the oldest library in the English-speaking world! Dating back to 1653, and housed in buildings that go back to the early 1400s, this library has a marvellous ‘old-world’ feel to it. But it’s the library’s range of books that really steals the show, which includes a first edition of Samuel Johnson’s Dictionary of the English Language and an original copy of Isaac Newton’s Pricipia Mathematica. However, if that isn’t enough, there are also guided tours every weekday where you can see the actual table where Karl Marx and Friedrich Engels met to discuss their socialist theories. Not bad, eh? Bringing together books, history and science Chetham’s Library is the must-see library in this glorious city of Manchester.

Six Nations: Two rounds down, three to go

As always, there were several questions posited leading into this year’s Six Nations. Would England’s unbeaten run continue? (They finished 2016 on a 14 game winning streak). Could Ireland build on recent success? (They beat New Zealand, amongst others). How would Wales fare after heavy criticism of their “sterile” play? Would Scotland, France or Italy make a statement in the tournament? Finally, how would the introduction of the bonus points system effect play?

While still in a nascent stage, the tournament narratives are beginning to unfurl. First, I will consider the action that has already taken place.

In the Autumn, England demonstrated their attacking capability in registering victories over South Africa, Fiji, Argentina and Australia. In the 6 Nations so far, they have exhibited another side of their character. This team is showing its sheer desire to win, at all costs; through all adversity, it is simply never beaten. So far, they have registered victories against France at home (19-16) and Wales away (21-16). In both games, England were largely the inferior team; in both games, moments of perfect English execution sealed victory.

At Twickenham, against the French, the goal was simple: win the game. England were blighted by first-game-of-the-tournament lethargy. They trailed past the 70 minute mark. It was power off the bench, particularly James Haskall and the game-winning try scorer Ben Te’o, which eventually secured the victory. The French, to their credit, were powerful and effective, overwhelming an English team lacking the brawn of the Vunipola brothers and George Kruis. It was Eddie Jones’ bench players, the “finishers” as he has termed them, that got them over the line.

The Wales game was different. While sporting fixtures often pale in comparison to the build-up, this was a monolithic clash, a true heavyweight bout. Like France, Wales upped their performance level massively. They had comfortably dispatched Italy 33-7 in their opening game, barely getting out of second gear. However, I would argue this was the most complete Welsh performance since the 2015 World Cup. They were almost perfect. Their tackling was ferocious, along with their ability to affect turnovers. The Welsh backrow, Sam Warburton, Ross Moriarty and Justin Tipuric, were gargantuan, completely overwhelming their English counterparts. Moriarity, particularly, was phenomenal; bringing him off after 50 odd minutes was a mistake. Moreover, Liam Williams’ try just before half time demonstrated all black-level ingenuity.

However, it was one fatal error, Jonathan Davies’ clearance kick that didn’t make touch, that gave England the opportunity to win the game. As with France, perfect execution put Elliot Daly into the corner for the game-winning try. It was sporting drama at its most raw. For the English, Joe Launchberry and Courtney Lawes had mammoth games, while Daly had his best game yet since becoming a starter. A critic will say that Wales should’ve killed England off, they had the opportunities to. Yet, England showed the pedigree of champions: they were never fully beaten. As a result, after two matches England are in pole position.

Photo: Toby Webb

Scotland vs Ireland was the match of the opening weekend. It presented Scotland playing to their fullest capability, with dynamism and pace. Stuart Hogg at fullback was magnificent; he has developed into a world-class player and must surely be a starter for the Lions in the summer. Scotland really hit Ireland hot, going into halftime 21-8 up, scoring 3 great tries. The Irish fight back was convincing and it seemed they would claw their way back to victory. However, a Scottish resurgence eventually secured a 27-22 victory. It was completely deserved. Ireland responded to their opening game defeat, hammering Italy 63-10 in Rome. While Italy were admittedly poor, Ireland were precise and clinical. CJ Stander was the exceptional player in game, scoring 3 tries: he is another who has stated his claim for a Lions starting place.

While Scotland demonstrated their full potential in round 1, their deficiencies were exhibited in round 2: they lost 22-16 to France in Paris. In a hugely physical contest, the French weight that gave England a real test was too much for a lightweight Scottish side missing prop WP Nel. Again, the Scots played with real ambition. Hogg dazzled with a lovely try, while the second try, finished off by Tim Swinson, arose from a positive kick-and-chase. Finn Russell missed a seemingly-simple conversion in front of the posts which would’ve made the game closer. The French try, finished off by Gael Fickou, came after an endless passage of phases. Ultimately, it was French strength, and Scottish indiscipline giving Camille Lopez penalty opportunities, that decided the tie. Despite the loss, Scotland are showing promising signs. A big blow for Scotland is that Greg Laidlaw, the instrumental captain and scrum-half, is out for the rest of the tournament with an ankle injury.

Wales face Scotland at BT Murrayfield in the next round of fixtures, Photo: Wikimedia Commons

Where does this leave us then? The tournament is delicately poised. England have a very favourable route to a Grand Slam decider in Dublin against Ireland, facing home games against Italy and Scotland. Potential banana skins no doubt, particularly the Scottish. However, two convincing victories are expected. England are a class above the rest currently and anything less than a second consecutive Grand Slam will be viewed as a disappointment.

For the rest, the bonus point system has resulted in the standings being incredibly tight. Scotland and Ireland will look to utilize home advantage in two of the remaining three games. There are several home-nation grudge matches still to play: Scotland vs Wales, Wales vs Ireland, England vs Scotland, and the big one, Ireland vs England, which will likely decide the tournament outcome. I expect England to finish the job, securing three more victories and a second consecutive Grand Slam, with Ireland finishing second and Wales third. With Lions places up for grabs, it’s still all to play for in the tournament.

Finding a job at university

Being a student is hard in many ways. There’s the constant stress, the bad eating habits, the nights out, and inevitable hangovers. It’s also expensive.

For probably the first time in your life, you’re living by yourself and having to spend money on things like food and public transport that you just took for granted when you were living at home. Only at uni have I truly realised how expensive cheese is (and how I can’t be without it). So, the solution to your money worries is to get a job, right?

Well, getting a job isn’t as easy as it sounds. Depending on your degree, you might not have that much free time in the week, at least not as much as you would need to appeal to an employer. If you’re only available for two hours on a Wednesday morning, is someone really going to want to hire you? Yes, you do have your weekends free — but if you’re busy with uni all week, do you really want to spend your only two days off at work? For some, however, they have no choice. They have to find a job.

Therefore, we’ve put together a couple of places to look for part-time jobs and internships, to make the job hunt that little bit easier.

CareersLink: This should be your first stop if you’re looking for a job. Run by the University Careers Service, it’s really easy to use and can be filtered depending on a number of preferences. You can choose between full-time or part-time jobs, graduate-level internships, student placements, or casual/seasonal work. You can also refine it by location — if you want to stay in Manchester, for example, you can filter it to only see jobs in the North West. The website is really well laid out and offers you details about over 1000 jobs. These are jobs that might not be advertised elsewhere, and so is a really good resource to use throughout your time at Manchester. Access via MyManchester or the Careers website.

Indeed: This is perfect for finding a part-time job to complete alongside your studies. It can be refined by area or job title, which is a great way to narrow down your results if you know that you want a job in retail, for example. You can also upload your CV to the website and apply to jobs directly from Indeed, saving you a lot of time if your schedule is packed. They feature a variety of jobs from healthcare to finance, and is definitely a website that you should use when searching for a job. Access here.

Milkround: Run by Totaljobs, Milkround is a website specifically for students and graduates looking for jobs. They feature internships, placements, graduate jobs, and graduate schemes, and cater to all careers. You can search within specific sectors of the job market, or if you’re not sure which sector you want to go into you can do a general search for student/graduate jobs. They also offer advice for people who don’t know what they want to do after they graduate, and articles on improving your CV. It’s indispensable for any student looking for jobs. Access here.

So, there you have it — three different places to search for jobs whilst at uni. There are many more ways to find jobs, but these are probably the best places to start!

If you’re really struggling with finding a job, why not go and visit the Careers Service? You can book 15 minute appointments where they will give you feedback on your CV or help with an application, or guidance appointments which can help you decide what to do after uni. Most of all — good luck!