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Day: 8 March 2017

Review: Trof NQ

For no particular reason, or without much thought, I have decided to embark on Meat-Free March. For anybody who knows me, I am sure they would bet on me failing spectacularly. However, I’m now over a week in and I can honestly say, not only have I not failed so far, but I’m thoroughly enjoying it. Seeing as after March, I will probably never purposefully choose a vegan-only restaurant, I thought now was the appropriate time to test one out. My in-depth googling led me to head to V-Rev Vegan Diner. Here, they pride themselves on their American style burgers but in an all plant fashion. Their menu, which includes, chicken and beef burgers and hotdogs, made me uncomfortable as I’ve never fully understood the whole meat alternative thing. However, it did lead me to be intrigued. So, with a willing housemate, I headed into town. Frustratingly, when we arrived, the door was locked and we were told that on that day they had decided to embark on a ‘deep-clean’. All my psyching up was for nothing. Feeling deflated we helplessly wondered around the Northern Quarter in search of a vegetarian-friendly menu.

Recognising the name, we approached Trof and browsed their outside menu. Due to seeing a few vegetarian options, us being absolutely starving, and it seeming fairly busy inside, we decided to take the plunge. We grabbed a few beers from the bar, found a table by some classic Northern Quarter exposed brickwork, and sat down to properly inspect the veggie options (my housemate had kindly decided to steer clear of the meat options tonight too). We decided to get two different vegetarian burgers and share them half and half each —something I love doing — as I hate getting food jealously over the other person’s meal. The menu stated the burgers came with fries, which was a nice surprise as restaurants are increasingly labelling chips as a separate side dish, not included in the main; a ludicrous thought especially when ordering something like a burger. Each plate cost around £9, a welcome change to some of the overpriced meals that can easily be found in the nearby vicinity, so we decided to treat ourselves and order a side of ‘green bean chips’ (only later to find out they had sold out).

We popped to the bar to order and the chatty waitress followed us back with cutlery and our beloved condiments. When the food arrived, we were pleased by the size of the burgers; not too intimidating, like the ones where you just can’t work out which angel is best to attack, and not too small, no one likes a small burger. First I started with my half of the ‘beef and white bean burger’ which actually included: beetroot, a cashew and white bean patty, harissa, coleslaw, and guacamole all encased in a generous focaccia bun. The flavours worked well and we especially enjoyed the thick lathering of avocado and the slight hint of spice the harissa brought.

Impressed with our first choice half, we simultaneously moved on to try other choice of burger. This time it was the ‘halloumi shroomy burger’, a mix of marinated halloumi, Portobello mushroom, red pepper, lettuce and aioli, all in a brioche bun. When I bit into the burger, the rich aioli oozed out causing multiple stains on my white shirt, but I didn’t mind because it all added to the experience. The combination of halloumi, sweet red pepper, and Portobello mushroom worked particularly well, and it left me feeling like I would definitely combine the three flavours again in future. My mind remains unsure of brioche burger buns, but as my housemate quite rightly told me, that’s entirely down to my personal preference. We scoffed and dipped our fries to our hearts’ content, and once we had finished, we both slipped back into our chairs, happy and full.

Despite, not planning on heading to Trof, I’m glad we did. It left me believing that the rest of my three weeks as a vegetarian is do-able, and I might even continue enjoying it.

Interview: Cahal Moran, Post-Crash Economics Society

It’s often debated as to whether economics is a “real” science. Economics has its basis in the social sciences but has moved into utilising complex mathematical modelling and making highly specific predictions about spending, taxation, growth and wealth. Governments love to talk about “the economy”, using it as a proxy for success in every area of its administration, as well as bashing their opponents with it. Most, if not all, of the most influential institutions — governmental and private — in the Western world are filled with economists passing judgements, producing analyses, and making predictions.

However, in 2008, the global economic system was brought to its knees by a crisis that next to nobody saw coming. Organisations were bankrupted and governments were suddenly scrambling to save themselves and their closest allies. The consequences of the financial crisis are still felt today, almost 10 years later. When Cahal Moran and fellow students started their economics educations in 2011, they hoped to find economists telling them how things had gone wrong, what should have been done, and how to avoid it ever happening again. Instead, the biggest crisis in economics wasn’t mentioned. They continued to be taught just one school of thought, the neo-classical one, despite the existence of many others which offered differing angles on how the economy worked.

Because of this, they set up the Post-Crash Economics Society, which pressures the university into providing a more pluralist economics education to students, as well as offering some voluntary classes of their own to economics students who worry about the narrowness of their education. Their campaign has become one of the best-known in the world, with The Guardian continuing to support and highlight their work, and influencing the beginning of many other like-minded societies around the world.

Last year Cahal, along with fellow co-founders Joe Earle and Zach Ward-Perkins, released their first book, The Econocracy: The perils of leaving economics to the experts, which explains the goals of the Post-Crash movement as well as highlighting how dangerous the current situation is, in which vastly important decisions are taken in back rooms by economists with such a limited conception of the economy.

I talked to Cahal about the society, the book, and the university.

Tell me about the beginnings of the Post Crash Economics Society.

“So the society began around 2012 when a lot of us were in our second year of economics education, and naturally, having just experienced the financial crisis, a lot of us wanted to study economics to try and make sense of it all, to make sense of the chaos and confusion that was in the news, as people talked about the crash but didn’t really seem to understand it.

“But on entering our economics education, what we found was that rather than discussions of the financial crisis, or of really any issues that you hear about in the news like immigration, or inequality, what we instead saw was just a focus on very abstract mathematical models, large numbers of multiple choice tests, especially in first and second year, and you were essentially being asked to regurgitate these theories over and over again for exams and to solve mathematics that was related to them.

“But we were puzzled really by the complete absence of the issues which seemed to be so central to economics. While our classes were going on, the Eurozone crisis was reaching its apex, but it was scarcely mentioned, if at all, in macroeconomics. And so some of us decided that we would form the group, the Post-Crash Economics Society, to try and question what we were taught and ask ‘why is it that despite all of these important economic events going on around us, we don’t see any of it in the classroom?'”

When the crisis happened what was happening inside economics departments? They must have recognised that it had happened and they hadn’t foreseen it, so did they just stick their heads in the sand or did the questioning begin?

“It’s a really interesting question because I think there’s been a strange combination of recognition and soul-searching and sticking their heads in the sand. So when it first happened I think there was a lot of humility and soul-searching, around 2009, this was before I even came to university. You saw people like Paul Krugman in the New York Times admitting that economists had got it wrong, and you even saw Robert Lucas, who’s a sort of die-hard Chicago free-market guy, admitting that we are all “Keynesians in the foxhole” now.

“But then, after the dust had cleared, I think the profession has been quite quick to reassert itself in many ways. And this isn’t to say that there’s been no reaction, because I think there has been a reaction, and there have been changes, but the essential line that the profession has adopted is ‘OK, we missed it but, we just need to make some tweaks, we have the tools, actually there are many aspects of economics that can explain the crisis, we maybe just need to teach them a bit better, and there is not necessarily the need for fundamental change of the kind that Post-Crash Economics are calling for.'”

Might it be economics itself that’s the problem? Do we overstate our possible ability to see crashes coming or predict what’s coming next, and possibly we should be scaling that back slightly?

“Yes, it’s not like the economy and economics as a discipline are independent. In the run up to the crash, huge institutions and important institutions like central banks used economics very heavily and they were convinced that by using the policy of inflation targeting to manage unemployment and inflation, they would essentially eliminate the problem of the business cycle. Then you had people like Gordon Brown declaring the end of boom and bust; Ben Bernanke, then head of the Federal Reserve, praising the great moderation of low inflation and high growth; people like Robert Lucas saying that the central problem of depression prevention had been solved. So this blindness to the possibility of a crash is really in many ways was stemmed from economics itself.

“So in that sense, I think we do have to rethink questions like can we prevent crashes? Is it possible to prevent them? What can we do about them? And to really never again be seduced by models and ideas which say we have forever solved the problem.”

So why has the economics elite settled on the one neo-classical school of thought at the expense of others?

“I think there’s been two main things. One is the internal drive within the discipline to appear scientific. Previously, in the 18th and 19th century, economics was called Political Economy and it was quite an eclectic subject that took some of politics, some of what we would now call sociology, it was largely qualitative, economists wrote huge tomes instead of mathematical models. This by its nature was quite vague, but with the development of sort of modern mathematical methods, and the application of those to economics in the late 19th century, the subject acquired a sort of scientific-seeming nature, and a precision which meant that very clear predictions about the system and about policies could be made.

“So there was that internal drive within the discipline to appear scientific, and then there’s been the external events, the history of the 20th century — a landmark really was World War 2 — where governments needed to know how many resources they had to fund the war effort, and they wanted to make clear-cut economic decisions, and then so they employed economists, to create the first estimates of things like GDP systematically, and to really produce theories on how to direct resources optimally.

“So this meant that economists acquired positions of great power during the war, and the fact that they could do that relied on these theories which had quite clear-cut, right-or-wrong answers. And so, after World War 2, economists stuck around, and a lot of major international institutions like the IMF and the World Bank were founded shortly after World War 2, and you saw that there were things like the Council of Economic Advisors, created in 1946 to advise the White House.

“So politicians’ urge to have a scientific-seeming theory with which to manage society, and which they could point to GDP and say “we’re doing a good job, [it’s] increasing”, combined with the inner workings of the discipline to create this dominance that we see of economics today and in politics. We call that an Econocracy.”

And it’s correct that no winning manifesto before the 1950s even mentioned the economy?

“That’s correct, and then in the most recent 2015 Conservative manifesto it was used 59 times.”

So because people enjoy simplicity in terms of theory and people enjoy collecting things together to find one answer, it’s become the root of the problem itself.

“Exactly. And it appeals to everyone, from politicians to citizens, because it’s simple to see ‘GDP’s going up, that means the government’s doing well’.”

In your ideal world, what would you like to see happening instead of what we have at the moment?

“So I think so there are a few key problems that we identify with economics education. The first is that it only teaches what’s called the neo-classical school of thought, which is based on a certain type of sort of optimising mathematics, which looks at individuals and how they make decisions and how these fit together, co-ordinated by market prices.

“And that’s really all that’s taught; and not only is it all that’s taught, it’s taught as if that is all there is to economics. You could go through an entire economics degree without even being alerted to the possibility that there’s any other type of economics out there.

“So what we advocate is what is called pluralism, which is a multitude of perspectives, and there are different things like post-Keynesian economics, institutional, feminist economics, all of which have very different approaches, some mathematical, some not, but which highlight different parts of the economic system.

“The second point is the lack of real-world application and real-world events, and often evidence from economics classes. I mean, you can go through microeconomics at Manchester without referencing empirical evidence once, it’s just about axioms and proofs and things like that. So we really are calling for much more engagement with the real world, and testing of theories as well, instead of just stating and regurgitating them.

“And the final main, major change I think we would advocate is critical thinking. So this goes hand-in-hand with having many perspectives, it’s taking the facts, the theory, your values, and your own assumptions, and putting them together to come to your own conclusion about an issue, you know, [like] what was the cause of the 2008 financial crisis? Was it central bank policy, was it financial institutions, was it global imbalances, there’s lots of different valid answers to this question, it’s not as simple as a multiple choice test — that kind of broader thinking is really what we think would be crucial to improving economics education and therefore the economic experts of the future.”

Is there a problem with the University of Manchester’s economics teaching?

“Yes, I think there is. The multiple choice tests, in a curriculum review we did for the book, we reviewed seven Russell Group universities, and Exeter and Manchester stood out as having a large amount of multiple choice tests, to the extent that it’s the sole method used to evaluate a lot of first year courses in economics.

“On the one hand it is a problem, on the other hand we accept that it’s not just because of the university’s laziness or anything, economics at Manchester is one of the biggest courses in the country. You have lectures of 600 students, it’s quite difficult to expect lecturers to mark a multitude of essays which all have different answers to what caused the 2008 crisis, in classes like this, but we think there are some methods which you could use maybe to have a little bit more variation in the type of assessment.”

The university’s now doing the Understanding the Financial Crisis module, isn’t it? Is it doing any more than that?

“There’s the Economics for Public Policy course, which is quite new, with Diane Coyle, which I’ve actually tutored for now, so maybe I have a vested interest, but that’s definitely a step in the right direction. They’re also currently petitioning to have an inequality module, Economics of Inequality module put on by the department, and we’ve got a lecturer who says he’s willing to teach it.

“But while you can persuade the department and economists more generally that they should use more empirical evidence and have more applications, once you get into the realm of pluralism, and of teaching other things than neo-classical economics, they are either very dismissive of it, and just believe it’s as alchemy is to modern chemistry, or they simply say they don’t know anything about it so they can’t teach it, which is a huge institutional problem that goes beyond the department itself.”

Your society was started after the seminar Are Economics Graduates Fit For Purpose? So is it a risk that if every student is coming out with a subpar economics education, all of them are going into powerful economic and financial institutions with such a low level of readiness for it?

“Absolutely, I think that’s shown by the 2008 financial crisis. The Bank of England employs 200 economists in total, and there was evidence of this narrow thinking prior to the crisis, and the influence of economics is actually very direct and pervasive throughout lots of different areas of government. You’ve got things like cost-benefit analysis, which is really quite widely used, essentially a method that reduces everything to money values, from environment to health, and says if the benefits in money are bigger than the costs, then it’s a good policy.

“But there’s obviously a lot of shortcomings of this approach, and yet it’s the only approach that’s used at places like the government economic service to evaluate policy. I think a much broader education would really help to solve policy problems in ways that can’t be anticipated by neo-classical economics.

“There’s actually an interesting project going at the government economic service as well, with a couple of graduates who were in Post-Crash at Manchester, [who] are designing a pluralist training programme to give employees there a broader idea of the way they can approach policy problems.”

 

Joe Earle, Cahal Moran and Zach Ward-Perkins, with their book, The Econocracy. Photo: Post-Crash Economics Society

Tell me more about your book, The Econocracy.

“The book was intended to articulate the student movement to reform economics’ goals, and our case for reforming economics education because it should be said that Post-Crash Manchester is far from the only society like this. At a similar time, societies like Rethinking Economics, there was Better Economics at UCL, Cambridge Society for Economic Pluralism, as well as huge networks in Germany, and then one in France, as well, and even places like Uganda, Chile, I think, have had societies spring up, independently, which is really quite remarkable, all saying essentially the same thing.

“We didn’t come first, a lot of the London organisations and the German and French ones came before or at the same time as us, without our knowing about each other, so I think that was really remarkable, but we are attempting to express the argument of that student movement. Now, I should obviously say we don’t represent all of those students; everyone will have different views, we are hoping to put together the main case for economic pluralism and for reforming economics.

“So, what we want to show in the book is economics education is seriously flawed — it’s too abstract, it lacks critical thinking, it lacks history, and it lacks pluralism. But also what we wanted to show, and this is where the title of the book comes from, is why this matters to everybody, because I’m sure you could pick holes in Archeology degrees, or any subject, but none of these have the same level of political influence as economics.

“Economics is really, really commonly referenced by media pundits, by politicians, economists are really dominant in the government, and, if not economists themselves, then economic ideas are used by a wide range of government departments. And so, because of that, the education of economists is a matter of public interest. Actually, the current President of Ireland said that how economists are educated is one of the biggest political questions of our time.

“So in that sense it’s not just about improving economics education, because as the movement has progressed and as we wrote the book, we realised that there was a far bigger problem here, which was democratising economics, and the unaccountability of unelected experts deciding major policy decisions, things like quantitative easing — printing money — which the Bank of England has done massively since the financial crisis, and which it has itself admitted benefitted the top five per cent of households much more. If that increase in inequality was the result of a tax reform, it would be debated in the media, in Parliament, and by people on the street, but it hasn’t been because these decisions are taken behind closed doors by unaccountable experts, and that’s what we call the Econocracy.”

So it really goes beyond simply a change in education to a very political statement from a campaigning point of view, doesn’t it?

“Exactly, one of the things we’ve started to do as a movement is set Rethinking Economics up as a registered charity, so a lot of the people who were previously students now work there full-time, and it does public education courses. So, it’s trying to really move from being a student movement to being a social movement to reclaim economics.”

Why was yours the first movement to have a serious impact on the economic hegemony, where others have tried before?

“There have been a lot of similar-looking movements before. There was the perhaps unfortunately named Post-Autistic Economics Network in France, but I there was actually one in the 1960s, to reform economics at the height of the Vietnam War. But one of their problems was, especially the 60s one, it was very overtly Marxist, and it was intertwined with a critique of the Vietnam War and all of these standard radical causes, whereas what we’re doing is we’re not really adopting a partisan perspective. We’re not saying, you know, this is definitely for leftwing or rightwing economics, what we’re saying is we want a multitude of perspectives, and that our current education isn’t giving us that.

“As to why we have received media coverage, we have received a lot more than the other societies, The Guardian took an interest and there was an article in 2013 which was shared thousands and thousands of times, and it sort of took off from there. The media seems to have retained an interest, but it’s a testament to the students. It’s easy after student life finishes — because it’s so short — just to get on and go and work for a bank or something, and just forget about it, but the people who have been involved in this movement have really made an effort to keep it going, to keep the student societies renewing, and to set up new ones as well, which we’re still doing, and to establish that national network of Rethinking Economics, to keep things going, so it’s a multitude of factors that have explained why it’s had more attention than before, but I’m not sure exactly.”

Coming directly from students has had some effect in making the universities listen, hasn’t it?

“Especially, I think, at a time when you’ve had the rise in fees. And students are being treated more like consumers now. So you get things like the NSS [National Student Survey], which we’ve used quite a lot and we’ve given quite a lot of direct feedback and so there’s this increasing idea that we should have more of a say in what we’re taught.”

How have you used the National Student Survey?

“So, we’ve just basically tried to say to students, when you fill out the NSS, first to encourage them to fill it out, because it’s at the end of your third year and it’s obviously not going to affect you, so there’s every incentive not to, but we’ve tried to encourage people to fill it out, no matter what their views are.

“We’ve also said, look, just maybe take a second to think about what your education has brought you — is it what you expected, do you think there’s anything missing, and so forth. And so, we’ll encourage everyone to fill it out no matter what their views are, but insofar as there is an appetite for our reforms, which from speaking to people they almost always seem to say “yes, OK, that makes sense”, it’s very rare for somebody to outright disagree with what we’re calling for, but we think that there is an appetite for reform, and we just urge students if they hold those views to translate those into direct feedback, because the department does use NSS feedback and it does listen to it.”

So what do you say to the decision by the Students’ Union to call for a university-wide boycott of the NSS?

“We completely understand it and we sympathise with it, because it’s essentially a reaction against the Teaching Excellence Framework, and one of the things we do in the book is we talk about how the Research Excellence Framework has really created this sort of narrow criteria of what economics is, and really stifled the sort of creative environment in many ways.

“And there’s no reason to believe that the Teaching Excellence Framework would be any better, the Students’ Union has put out some information and some analysis which shows that it is based on some very flawed indicators, and it could have the effect of creating a two- or more-tiered university system, so we completely sympathise with that. Having said that, we do as I just said value the NSS as a form of feedback, so we don’t formally endorse the boycott.”

If people want to join the campaign, and get involved themselves, how would you recommend they did that?

“So there’s lots of ways. Number one, we are actually recruiting first year reps, so if you’d like a position in the committee to choose, there’s a wide variety of things you can do from social media and campaigning to events, then please email us at [email protected].

“We also host events, a few a term, so look out on our Facebook page and our Twitter page for those, and on posters around campus. And also if you’d like to submit a blog post then please just send us an email, we’re absolutely happy to take blog posts or submissions for even event ideas, or for campaign ideas, if you’d just like to perhaps not join the committee but get involved on some level, then we absolutely welcome your input on anything, or just your general impression of us, and what you think of our arguments, whether you agree with us or not we really welcome some input.”

The 1973 suffragettes of women’s football and the future of the sport

Ban

The suspension of male football league matches during the First World War allowed for women’s football to take its place as the nation’s sport, with Clubs forming up from the munition factories. After the war the sport still flourished, Boxing Day 1920 saw 53,000 spectators cram into Goodison Park to watch women in a charity football match.

Fast-forward a year to 1921, and the FA ban women from playing football. It became the man’s game. Women couldn’t play at most grounds and received no funding.

At the National Football Museum’s talk on ‘Suffragettes in Football’ on the 7th of March, Patricia Gregory talked of how she was one of those who pioneered women’s football and brought it back.

“My father wouldn’t take me to the football, because absolutely it wasn’t a place for girls” she says to an audience consisting mostly of school girls.

Patricia talked of how her local newspaper published her letter protesting that women should be able to play football. This resulted in her letterbox being flooded with letters from other young women wanting to play football, so she formed a Club just for girls.

Pioneering

Despite the ban, the Women’s FA was formed in 1969 with help from Patricia Gregory, but the English FA would not be affiliated with them until 1972 when the ban was lifted. The FA still gave the Women’s team no money.

“For the first 12 years of our existence we were run entirely by volunteers… running the club, the league and the association, putting big time constraint on people… when it came to setting up the England team… we couldn’t even get sets of kit.”

England goalkeeper Rachel Brown-Finnis, who retired in 2014, said of the pioneering women, “they set the standard as it was and set the foundation for my generation… it’s for the next generations to reap the rewards.”

Professionalism

The panel, hosted by BBC Sport’s Eilidh Barbour, had ex-England midfielder Liz Deigham present. She stated that she could not go to America on a scholarship because her employer would not guarantee her job when she returned. This was echoed by England’s second ever captain, Carol Thomas, who reminisced on how the England team all had jobs in the day, and met up at the weekend, travelling all over the country to train in the 70s and 80s.

Despite this, in 1984 the team managed to get to the European Championships Final, just missing out on penalties against Sweden.

Rachel Brown-Finnis on the other hand was of the next generation of footballers and was able to change her working life from full-time to part-time due to getting a professional contract. The added professionalism of women’s football in the 21st century has allowed for an increase in quality to the English game. It was under Finnis’ generation that Women’s football really started to take off, and now we can see it improving even further.

The Future

The FA had taken control from the Women’s FA in 1993, and brought more funding to the game. Since then there has been slow but steady improvement in the game. In 2015 England had their most successful World Cup, finishing third in Canada.

On the 4th of March this year, Ellen White’s 89th minute winner for England saw them beat Women’s Football powerhouse USA. Two days after this, the BBC announced that they had won the rights to showcase the 2019 Women’s World Cup, and BT Sport are continuing to show highlights for every Women’s Super League game.

2016 FIFA World Player of the Year Carli Lloyd has recently signed for Manchester City’s Women’s team too, as the English game is becoming more attractive to the world, and the money is being invested back into the game.

Sexism

The only way is up for women’s football now, but sexism is clearly still a problem in the game. Carol Thomas said of her 1974 playing days that, “some of the comments we got from the men in the game… I’ll leave that to your imagination”.

A 2016 study by Women in Football indicated that over 46 per cent of women in football have experienced sexism in football, and over 38 per cent of women in football have experienced sexist statements about their actual ability.

Sexism is still alive in football, as is evident from the high-profile cases of referee Sian Massey-Ellis’ when she entered the male game in 2011, and Eva Carneiro as the first team doctor at Chelsea in 2015. With a steady influx of women entering the game, they could be a force in changing the attitude of many.

Your festival guidelines

Festival season is right around the corner, and around about now you’re probably checking how far your overdraft goes and planning this summer’s festivals. Here’s a very rough guide of what to factor in whilst you’re going wild.

Baby wipes: These are an absolute must for any festival that you’re camping at. Showers are often either disgusting, have massive queues, or just simply unavailable. Nobody wants to be drowning in their own sweat for an entire weekend, so these are the solution. Portable, cheap, and coming in resealable packets, these are little gems of freshness that’ll help you remove the grimy traces of yesterday’s glitter, and leave you at least somewhat clean and ready to go for the next day.

Be careful around your drinks: Festivals can be nasty places  when it comes to spiking drinks, so try not to accept any from strangers in tents. You can always get alcohol elsewhere and if it’s water you need, security will normally provide some. Obviously not every drink will be spiked, but it’s not worth the risk if you end up being taken seriously ill because of some dodgy drinks. That being said, it is really important to keep hydrated at festivals, so make sure you do get hold of some water from time to time, especially in tents where it can get really hot and crowded.

Glitter: I absolutely love glitter, and personally think everyone should wear it to every event, but for festivals it can be seriously great. Even though everyone else will probably also be bathed in it, there is no such thing as too much glitter. It’s fun, it’s sparkly, and having a pot on you is guaranteed to make you friends. It also helps to cover up any eye bags that will certainly develop over the course of a weekend.

Plan your weekend: This is an absolute must, especially if you’re invested in the music and not just the atmosphere. It can get very stressful if you’re constantly running from one stage to the next and only catching bits of acts before they finish because you haven’t planned and prioritise who you want to see. Sit down and take some time before the festival to set out who’s playing at what stage at what time, and you’ll have a much less stressful weekend.

Review: Logan

In the year 2000 Hugh Jackman took on the role of Wolverine, an animalistic mutant with healing powers, and retractable claws within his hands, in the first instalment of the X-Men franchise. Seventeen years later this iconic role comes to an end, in what is easily the best film out of the Wolverine trilogy. Jackman is one of the very few actors that can embody a character to such a great extent that you can’t possibly imagine anyone else playing them. It is Wolverine’s laidback attitude, ferocity and inner depth, which make him the popular anti-hero, and no doubt audiences will be saddened that Hugh Jackman won’t reprise this role again. Additionally, Sir Patrick Stewart, who plays the older version of Charles Xavier, has also stated that he will no longer return to the franchise after seeing the film open at the Berlin Film Festival.

Logan takes place in 2029, where the titular hero is bruised, scruffy, and drunk. The opening scene sets out the much more mature tone of the film, with it’s graphic and bloody fight. A certificate of 15 has been given by the BBFC and it is clear why; Logan does not hold back as heads are ripped apart from bodies, eyes are slashed out, and violent deaths are suffered as a whole. This heightens the impact of the fights scenes, as audiences are able to see for the first time the power of the Wolverine. However, being set in the future Logan is not as strong as he used to be, his healing powers have diminished and his blades don’t pop out as swiftly. James Mangold provides a more intimate story focused Logan in what seems to be a dystopian western, making it unlike any other superhero film, but allowing Jackman to really take charge.

Logan hides out in Mexico with Charles, who now needs black market medicine in order to prevent brain seizures, which cause telekinetic earthquakes around him, paralysing everyone. It is believed there are no more mutants, that is until Logan encounters a mysterious young girl named Laura (Dafne Keen) who has familiar powers. With a shadowy agency after Laura and Logan, the pair along with Charles head to ‘Eden’, a refuge for mutants in North Dakota. This journey at the heart is about the relationship between Charles and Logan, and the conflict Logan has with himself. Mangold has not created a simple road film, as suspense is there and even some surprises reminiscent of the previous films. Unexpectedly Charles provides the comical aspects of the film, and Laura with her piercing eyes and few words comes across as a better version of Eleven from Stranger Things.

However, Logan does leave many questions unanswered. No context is given as to how Logan and Charles had ended up in the state they are in. You would expect there to be perhaps some flashbacks or an explanation alluding to the past, but this all too vague. Considering this is the last of Wolverine arguably the X-Men should have made an appearance at some point. Though ultimately, Logan provides a satisfying ending to the Wolverine trilogy. It is raw, personal, and thrilling. Hugh Jackman bids farewell to the franchise with success.

4/5

Case study: The ostrich feather jacket

The feather jacket has been making the rounds on Instagram for the past year or so now, thanks to celebrity endorsements from the likes of Jess Woodley of ‘Made in Chelsea’ and blogger Sarah Ashcroft. Mimi and Bow, the brand behind the jacket have proved to be a must-have on countless girls’ wish lists. Available in a huge range of colours from the classic black to wine red and emerald green, these jackets are perfect for throwing on with jeans or adding to your Saturday night outfit for an extra bit of fabulous. The feathers are soft, full, and luxurious and the jacket has a silk lining with a hook and eye fastening. The jackets come in two different lengths, either short or longer styles. I purchased my first Mimi and Bow jacket last January, opting for the navy blue, and at Christmas this year I added black to my (hopefully) growing collection.

Whilst it is on the pricey side, each jacket is handmade which means that whilst it can take a while to arrive, the quality is great.  The jackets are priced at £79.99 which is admittedly a steep price to pay, especially for students, but I like to look at it as an investment. I like to think of my jacket as an alternative to a winter coat which makes the cost of it seem entirely reasonable, winter coats are expensive after all. The ostrich feathers are great for insulation and you can barely feel the cold wind when you have it thrown over your shoulders. You may be wondering whether this jacket is really equipped to withstand the bitter torrential rain that frequently blasts Manchester. The answer is yes! Another reason to purchase this jacket. Whilst it is probably not recommended to wear the jacket when you know it is going to rain, if you find yourself stuck in an impromptu downpour then you can be safe in the knowledge that this will not ruin your jacket. Rather, in my experience, I have found that once you have dried off from the rain, your jacket looks as good as new, in fact, it looks as if it is fresh out of the hairdressing salon after having a blow dry and is as fluffy as ever.

The jackets are the ultimate wardrobe staple. They are unique, great quality and the colours are so rich and striking. The ostrich feather jacket is the perfect buy for any fashion conscious girl. You won’t regret it, your bank account might, but you definitely will not.

 

mimiandbow.com

A sympathetic view of Milo Yiannopoulos

In the summer of 2016, a friend and I thought it would be interesting to go and see Milo Yiannopoulos talk at an event in London. If you are familiar with Yiannopoulos, you would not have found it difficult to guess the contents of the talk: mockery of transsexuals, rage against feminists, and fawning over the man who was then only a candidate for President of the United States, Donald Trump.

Whilst the contents of the talk were jarring and uncomfortable for a metropolitan London liberal like me, more memorable were the attitudes of the audience. Despite their recent success in the EU referendum and the unexpected victory of Donald Trump in the Republican nomination process, not many of the people that I talked to seemed at all happy or optimistic. In fact, most seemed to be in despair. When the Q&A section of the talk began, most people who raised their hand to ask a question ended up fumbling out something that was more like a contribution to a group therapy session than a question.

After I left the talk, I came away feeling something that I had not expected to feel. I did not feel angry at these people for holding misogynistic or racist views. Rather, I felt sympathy for them. I saw parallels between these scared and angry teenage boys and the kinds of people who are attracted to radical Islam. I went to the talk under the impression that the views these people held were about attacking other people. Upon leaving, I had realised that they were part of a protective shell, a carapace that the attendees had used as a way of responding to the perceived threats of feminism and globalisation.

I concluded that these people do not necessarily hate feminism or anti-racist campaigns because they hate women or are racists, but because they feel that protections are being afforded to other groups that are not being afforded to them. And, like most extremist campaigns, the anger and hatred was at least partially based on legitimate grievances.

When one boy who looked about sixteen raised his hand and talked about how he had failed at his school and hadn’t felt adequately helped by his teachers, and that he felt his teachers had been more receptive to the problems of female students, my mind jumped to the studies that have shown that some teachers are likely to give male students worse marks for the same quality of work, and that white working class boys are the group in the UK that are the least likely to go to university. These boys and young men were not angry because of efforts to help women who suffer sexual violence or immigrants who struggle in their new country, but because they felt that no one had any interest in their experiences.

At the time of the talk, my sympathies only really extended to the people who were asking questions, rather than Yiannopoulos himself. He, I thought, was taking advantage of these young men to promote two things. Firstly, an extreme right-wing political package that offered hollow solutions for people who were facing real difficulties; and secondly, his own brand.

My opinion has changed in the last few days, since Yiannopoulos was forced to resign from his position at the far-right media group Breitbart. He has also been uninvited as a speaker at CPAC — a Republican conference in the United States that is so screwy that one of its talks was titled ‘If Heaven Has a Gate, a Wall, and Extreme Vetting, Why Can’t America?’ — and has had his book deal cancelled. All of this has been triggered by renewed interested in comments Yiannopoulos made last year in support of the idea that boys as young as thirteen ought to be able to have relationships with older men, and often that these boys can be just as coercive in these relationships as the older men.

The context of these comments has been largely ignored. Yiannopoulos was talking about these kinds of relationships from the perspective of somebody who was involved in a relationship as a young teenager with an older man. When I listen to Yiannopoulos talk about the issue, it comes across to me as though they are the comments of a young boy who has been sexually abused and has struggled to come to terms with the fact that it was abuse.

Because of my interpretation of these comments as both genuine and harrowing, I have found the response of many on the left to be unsavoury. There are moments to have your glee at the downfall of a hate figure (if Donald Trump loses in 2020, I will certainly be celebrating), but this does not seem to me to be such a moment. Many left-wing pundits have questioned whether Yiannopoulos is lying about the abuse, despite the fact that almost all of these people have in the past taken the view that the default position on a victim of abuse ought to be one of belief.

I can see why people get so angry about Yiannopoulos’ remarks, and, as someone in a group that Milo Yiannopoulos is very unlikely to offend, I appreciate that my own indignation about the response of the left may come across as the opinion of someone who hasn’t been hurt by the things that Yiannopoulos and his fans have said. But I still can’t help but feel sympathy for both the people who go to the events he holds, and the man himself.

Men must listen to feminists

On Thursday 23rd, 2500 students gathered outside Owens’ Park for the annual Reclaim The Night march, a demonstration organised by the Students’ Union to protest the continuation of violence against women.

In my own show of support for a cause that I, as a man, have strong feelings about, I donned glitter, neon paint, and my golden bomber jacket to stand against the gendered injustices of our day. One student I spoke to said she was surprised at how many men had turned out for the march.

From Owens’ Park, we trooped up Wilmslow Road chanting a variety of rhyming slogans. In a lull between the chants, a friend turned to me and said I should lead one of the rousing calls to reclaim the night. I said I was happy joining in, but didn’t think it would be right to lead one myself. Amongst the various pun-laden placards (“My dress is not a yes” and “She just wants the D-estruction of the patriarchy”) and the kaleidoscopic lights of the Curry Mile, I found myself wondering if I should be there at all.

The place of men in feminism has long been debated. There are those who outright reject the participation of men (more specifically, ‘all-privileged’ straight, white, middle-class man) and maintain that feminist spaces must be the reserve of women and other marginalised groups. Conversely, I would argue that men should be considered an acceptable, even necessary, part of emancipation movements.

Throughout history, in areas such as politics, governance, education, finance and commerce, the vast majority of positions of power have been held by men. Feminism seeks to redress this balance and get women (and other minorities) into power. From this perspective, it doesn’t seem right that I, a straight, white male, should enter into a politics with a central tenet.

Being a male feminist merits a fairly wide range of responses. It tends to excite other feminists, get the lads riled up, or attract a kind of double take, not to mention my housemate’s jokes that, I “only do it because girls lap that bollocks up.” Indeed, I often get asked why I am a male feminist, since the movement, as the name suggests, offers more to women.

For one, I think that feminism has something to offer men in the same way it has something to offer all people. We operate in a world of categorisations, with ‘male’ and ‘female’ being two of the most salient. The ideals and stereotypes associated with these categories can be damaging to men as well as women, not to mention those who identify with neither. In this way, feminist theories of gender can offer men a liberating alternative to the muscular, aggressive, and in no way effeminate image we are so often presented with.

However, I do not consider myself a feminist primarily because of what it has to offer men. Feminism, to a man, hinges on whether we are willing to listen to what women are saying or ignore their experiences. In fact, we all have something to learn from accepting the subjectivities of others.

I happily walk down the Curry Mile any time, day or night, wearing whatever I please, feeling perfectly safe in a public space full of people. Many of my female friends, on the other hand, know that if they walk there, they are likely to be catcalled and made to feel uncomfortable. When someone tells me this, I could either not believe it, simply because I have never personally experienced it, or I can stop thinking of statistics as to why it is not true, pay attention, and accept that a woman’s experience is vastly different to my own.

I am a feminist and an ally because I have heard stories from women and girls I care for and do not discredit. That is the place of men in feminism and the role of all privileged people in their engagement with the marginalised: to listen, above all else. I do not think it is my place to speak on behalf of women; men have been doing that for long enough. But, it is my place to tell other men that they should pay attention to what women are saying.

In the throng of wailing megaphones, flags of swearing vaginas and signs telling Donald Trump where to go, I was part of reclaiming the night, but not for myself. It was not about demanding that feminism gives me something, but it was a show of support for the women of Manchester, my friends and the women I know. It was to say: “I am listening.”

Poet of the Week: Toreh O’Garro

The Pulsing Forest

He was in awe of the pulsing forest’s glow,
deciding to capture this perfect picture:
to contain and cabin this image into his treasured black box
piled with distant and cherished memories,
the growing oak tree stood tall and arching
standing firm like the lamppost ingrained in concrete
and there she sat, the Moon, with her back on the growing Sun,
her elegant shape fixed by the Painter
for he knew what the perfect painting had to be,
the Moon ever so still, so that she does not disturb nature
as it grinds its gears, grunting over its decaying state,
for it wishes to hold the same fate as the slender Moon:
to be put into deep slumber swiftly by the grim painter,
so that it can remain in rigid position, never able to grunt in pain again:
a deep sacrifice to be remembered as an immortal figure.

Album: Peter Silberman — Impermanence

Released 24th February via Transgressive

7/10

Peter Silberman’s first solo album following the hiatus of his band The Antlers in late 2015 can be described as a minimalist yet intense effort. Impermanence breaks no creative boundaries, but nevertheless, the six-song album contains some gorgeous melodies as Silberman strips back his distinguished sound to simply his serenading voice and occasional strums of guitar.

Silberman ascribes this quieter ambience surrounding the record as a reaction to The Antlers’ 2014 Familiars; Silberman experienced a series of hearing conditions that made him back away from the sounds of urban life while touring the album. So as not to aggravate his sensitive ears, Silberman composed his latest record while easing himself back into music and keeping the volume and tempo of his music minimal.

And so it shows. Album opener ‘Karuna’ represents an immediate statement of Silberman’s mellow intent. Surprisingly for an almost nine-minute opener, it flies by and pushes the listener to indulge themselves in delicate dreaming. There’s no rush to reach a pinnacle, and Impermanence follows this theme throughout its following five tracks.

Following track ‘New York’ sees Silberman reflect on his experiences and outlook of his home state. The track is a certain highlight of the album, notable for Silberman’s Jeff Buckley-like vocals on a track that wouldn’t go amiss on an Antlers’ record.

Much of the album entails gorgeous tones, powered by the softly executed instrumentation of Silberman’s guitar. However, there is occasionally the feeling that the tracks on Impermanence leave just a little more to be desired. ‘Maya’ fails to build into a satisfying crescendo; the beautifully gentle first half of the song becomes tarnished by its failure to develop as ‘Karuna’ so effectively does.

Yet Silberman has clearly outlined his formula and sticks to it throughout. ‘Ahimsa’ provides a striking contrast from its lyrics, the refrain “no violence today” repeated consistently, alongside its sombre and docile backing guitar patterns and sporadic percussion. The mood perfectly encapsulates the record’s title, and the album namesake ‘Impermanence’ rounds off the sparse and minimal complexion of Silberman’s work.

Impermanence therefore represents an artist’s reflection of his past work, and the response to his need to strip back his creative process. The record is an often enchanting effort though, in many ways, but leaves more to be desired.

Review: The Fits

Thinking of a cliched coming of age dance film doesn’t instantly spring to mind as thought provoking raw cinema. Looking at the likes of the Step Up franchise and unavoidably the iconic Dirty Dancing, dance films are saturated with the same cliché tropes; a final liberating dance number where said boy and said girl restore a new equilibrium etc. Yet, Anna Rose Holmer’s feature debut The Fits rejects all these generic conventions.

Following 11-year-old tomboy, Toni’s (Royalty Hightower) movement from her brother’s boxing group to a dance troupe at their local community centre, her change of groups provokes numerous girl’s to experience the titled fits. Clocking in at tight 72 minutes, Holmer’s first piece of film channels the atmospheric feel of Mica Levi’s scores, as well as The Shining’s eeriness, whilst be able to present contemporary African-American adolescent communities.

Toni is an outsider in many regards. Being the only girl in her brother’s boxing class, she seeks to be like male counterparts. Strong, athletic, and agile; she is a binary to the girls she voyeuristically views in the neighbouring dancing class. Her idealised gender equals are tall, confident, and expressive in their dance. The distant she feels towards her fellow females is expressed in Hightower constantly being shot through barriers, window incision doors, and the ropes of a boxing ring. Working out with her brother on a motorway bridge — confined by a steel barrier —  Toni enjoys bonding with her brother through exercise. Yet through the cinematography, she is separated from each group.

Royalty Hightower’s performance captures a teenagers awkwardness and reserve. In one of her first dance sequences, the audience gain the sense that she is unable to fully let go of her body and resorts to tight boxing movements, juxtaposed to the aggressive yet flowing dancing. Practice makes perfect and as Toni develops her rhythmic movements everything comes tumbling down.  Holmer is not afraid to push the camera right into Hightower’s face. As a result of shooting Hightower in such a manner, the confined space of the community centre is specifically stressed. Extending this compact illusory atmosphere is the overall lack of paternal figures — enabling the attention to be focused on the girl’s, instead of cutting away to a domesticated environment.

As one girl suffers the first fit, Holmer decides alongside her DoP Paul Yee to move across a crowd of huddled girls. In another fit sequence, numerous girls cram around with their phones recording the events — Yee focusing his action through the phone screens. Not only does this work as a nuanced piece of cinematography; it works to reflect the reliance we as a human race now have towards phones and the problems that arise from social media et al. At first, it is unsure if these fits are parts of impulsive dance or not. The continual repetition of such fits take on different means for different girls. Sexual connotations natural orientate such events, yet each fit is expressionistic of each girl’s adolescent personalities. It is only until Toni’s newly found friends have all experienced these out of body experiences that she openly searches to be part of this particular group of girls.
The Fits’ snappy running time makes it inexcusably to avoid watching. Unlike previous lengthy releases like Scorsese’s masterful Silence and Toni Erdmann, Holmer’s film lacks any unnecessary fat and positively impacts the sustained ethereal eeriness.

Josh Larsen from FilmSpotting recently compared Holmer’s debut to another feature debut from Robert Eggers’ The Witch. The rawness of film-making on show in both works merges into the ominous ambience. The Fits is worth 72 minutes of your day and will play upon your consciousness long after the final credits have rolled.

4/5