Audiences in Manchester gain an insight into the making of The Big Sick
It’s late on Thursday July 7th. Manchester is midway through a tight schedule of preview screenings and interviews, but Kumail and Emily show no signs of fatigue from their string of late nights and early starts. Nor have they lost any of their appetite, emerging from the lobby with the same enthusiasm as day one.
Just yesterday they were in London, at an event much larger than the one today. The host was Richard Curtis, CBE, veteran of the Rom-Com genre and personal inspiration of Kumail. From ‘Four Weddings and a Funeral’ to ‘Notting Hill’ Curtis has perfected a craft very few can replicate, creating ensemble cast films with well-rounded characters.
“Oh look who dropped in.”
That evening, after the screening, Kumail was invited to dinner with Curtis. “I was trying so hard to keep it cool but I’m sure he saw right through me”, suddenly there was a knock at the door — I say suddenly, but Kumail said only he was surprised. Curtis just smiled, sauntered over the door, and revealed Hugh Grant — A little exposition is needed here. In his formative years, growing up in Pakistan, Kumail was fond of Hugh Grant. Mimicking his hairstyle and lack of smiling because Grant said in an interview that “smiling made him look fat” — for the remainder of the dinner he tried his best to play it cool and not embarrass himself in front of his idols, secretly taking pictures, posting them to Twitter the moment their backs were turned.
Beyond human inspirations, Kumail too found his fondness of film critical in shaping the comic he is today. Of course, elements from some will have seeped into his film, The Big Sick. In particular he mentions 1987’s Broadcast News and 82’s Tootsie. “I wanted to make a Rom-Com with real emotion and real laughs. Most just half-ass both”. The commentaries of both proved invaluable in making this film, based upon his story with his, then girlfriend, now wife. Rom-Com’s often suffer from clear-cut edges separating comedy and drama, but Kumail is weary of this. “I learned that at the peak of an emotional scene. That that moment is the perfect time for a joke. The drama and humour feed into each other.”
“That’s the movie you’re going to make.”
Five years ago, five years after the events of the film, Kumail and Emily decided the time was right to make their story into a screenplay. No longer raw enough to cause tears, their memory of the events was still fresh. Early on in the process they met with producer Judd Apatow (40 Year Old Virgin, Superbad). After hearing the story his vision was clear, telling the pair “your story is so unique no one could ever think of it”.
Apatow acted as a mentor during writing. They began building a skeleton of facts, each moment a bone in what would eventually become a living, breathing being. Not everything seen on the screen is true to life. A scene here, a character there, but for the most part, this is their story. With each draft they submitted, Apatow gave thousands of notes. “Each detail was important to him, every character needed depth, struggles and dreams”.
Although an autobiographical film, Emily did not want to play the role and auditions took place after the three year writing process concluded. She decided against attending, not wanting the actresses to “feel weird look at who they would have to become”. The tapes were initially discouraging. Although there were many fantastic actresses, none encapsulated Emily, her sarcasm, her presence, her charm. That was, until Zoe Kazan. “She did something more than the others, she took the words on the paper and really made them her own.”
“He just shouted it out before I even finished asking the question.”
Before any financing was secured, the pair decided to keep the project a secret, especially from their families. “We didn’t want to have any awkward conversations before they were necessary, and we didn’t want to disappoint them if it didn’t come to fruition”. When harvesting season came though, the fruits of a fully financed deal with FilmNation were ripe for the plucking. The Apatow name surely sweetening the deal, his name synonymous with box office success.
Shortly after Kumail approached his family to walk them through the script, pointing out the real moments from the artificial. “I remember approaching my dad to ask who he would like to play him. I’ve never seen him so sure of anything in his life. He was set on Anupam Kher. So we sent him the script and the very same day he said yes. I didn’t even expect a response. He told us it would be his 500th film. 500! I haven’t even seen 500 films.”
With the cast and crew ready, leads Kumail and Zoe ready, there was just one problem niggling in the back of Kumail’s mind, the kissing scenes. “I told her (Emily) to not be on set for them as I didn’t feel comfortable making out with another girl while saying her name but they were both amazingly normal about it. Turning it on me saying it was weirder if she left. I think most of the cut scenes were making out scenes though, so I guess in the end I must have just been real bad at it.”
“She told me she was gunna beat my ass.”
In the film, there is a scene where Kumail crashes and burns terribly in an show, his pent up feelings about a hospitalised Emily erupting, one of several heartbreaking moments. But this was not his worst experience on stage. “I got a call to do Lettermen so I quickly arranged some practice shows the next town over (Atlanta) a week before. During the set a drunk women started aggressively heckling me. Now, on stage you feel like a superhero, a confidence unlike anything you’d have normally, so I started aggressively heckling back. I thought I got the upper hand and it was over, but then she flicked her lit cigarette at me and tried to start a fight.”
Fortunately the show did not descend into violence, with Kumail shining during his Letterman performance a week later. From Silicon Valley to Adventure Time, all his successes can be traced back to this, his big break.
Back in present day his greatest success of all, The Big Sick, received wide acclaim during its premiere at Sundance. Shortly after, a bidding war for distribution rights took place, with Amazon Studios paying $12 million, the second largest deal of the entire festival.
It will receive its full release on July 14th and I would eagerly recommend you watch it. It is a fantastic film and a great achievement for them both.