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Day: 9 January 2018

Sporting events coming up in Manchester

Gung-Ho

Saturday 7th Apr 2018 — Heaton Park
If regular running isn’t providing the level of adrenaline you’re after, how about running a 5K that features “ten of the greatest inflatable obstacles on the planet”. There’s foam, inflatables, slides and more to mix it up from your standard road run.

Great CityGames 2018

Friday 18 May 2018 — Deansgate
This free to spectate event gives viewers the chance to see some of the world’s best athletes up close. The track will be constructed through the streets of Deansgate which adds a level of drama to the event that you wouldn’t get elsewhere.

The Simplyhealth Great Manchester Run

20 May 2018 – City centre
One of Europe’s biggest races returns to Manchester. With the option to run the half-marathon or 10K, the race hassomething for everyone. A 10K can be a good starting point for runners looking to complete their first race while the half-marathon offers experienced runners to test themselves.
If you don’t fancy running yourself, you can spectate for free and contribute to the famous Manchester support! Sir Mo Farah will also be starting the race this year.

The LTA Manchester Trophy

10 – 17 June 2018 — The Northern Lawn Tennis Club (Didsbury)
One of the world’s finest women’s tennis tournaments returns to Didsbury. Previously voted Manchester’s event of the year, the tournament sees some of the greatest female tennis players compete and at just £14 per ticket, it represents great value for money for any tennis fans.

England v Australia ODI

Sunday 24 June 2018 — Old Trafford
Fresh from receiving a tonking in the Ashes, England’s ODI squad will be looking to gain revenge as they host their eternal rival at Old Trafford Cricket Ground. Steve Smith and co. will have something to say about that though.

Given the event is June, there is hope of a sunny day despite it being in Manchester so even if it is another embarrassing day for England, you’ll get a nice sun tan.

World Black Pudding Throwing Championships

Unconfirmed — Oaks Pub, Ramsbottom
Yes, this is a thing. Drawing its roots back to the War of the Roses where it was alleged warring factions of the House of Lancaster and the House of York began launching food at each other due to a lack of ammunition, this now annual event has become increasingly popular.

With thousands of spectators descending on the Oaks Pub, it truly is a unique event and let’s be honest, when else are you going to get the chance to see black pudding thrown competitively?

Internship opportunities for second year students

Applications for paid summer internships available only to University of Manchester students are set to open soon.

The eight-week-long internships are paid at the living wage level and offer experience in the charity and not-for-profit sector of Greater Manchester.

The University Careers Service’s ‘Student Experience Internship‘ programme offers roles in different schools and faculties of the University, as well as charities and not-for-profit organisations, assisting in marketing, communications, and project-based work.

Tammy Goldfeld, Head of the Careers Service said: “SEIs — and all summer internships, for that matter — help Manchester students gain valuable experience for their CVs and new skills. A degree from a great university such as ours, coupled with an internship or a placement can really help you to stand out from the crowd.

“We encourage all eligible students to apply for an SEI or visit the Careers Service for help in obtaining a summer internship.”

The programme is largely targeted at second-year students, though there are usually a small number of opportunities for first-year students in ‘Welcome Week’ roles within the University schools and faculties.

Some of the charities involved last year included The Kindling Trust, the Campaign for Nuclear Disarmament, and the Rethink, Rebuild Society.

Applications for the roles open on the 5th of February, though project proposals are received on a rolling basis and so roles will be advertised and recruited for beyond the official launch date of the programme at the start of summer.

Positions will be advertised on the University Career’s service website, Careers Link, as well on the Facebook group titled ‘Summer Internships – University of Manchester Careers Service‘.

To apply for the internships, students have to fill out an internal application form asking about their relevant work experience, skills, and interest in the role.

Shortlisted candidates will be interviewed by the relevant line manager before and offered a job if successful, with the starting date of the eight-week summer scheme to be negotiated by the successful applicants and the line manager.

Students can apply for up to five different roles, although those who meet certain criteria can apply for more.

66 students were involved in last year’s programme and a similar number of roles are expected to be available this year.

Throughout the SEI programme, students also receive support from the University Career’s Service team in the form of workshops and presentations given at the University, some of which are delivered by experts external from the University’s Careers Service with expertise in a particular field.

These include an initial presentation introducing scheme featuring advice on how to make the most of the internship, a session on commercial awareness, and a presentation offering tips on how to effectively use LinkedIn.

Started in 2014 and funded through an endowment fund, the aim of the ‘Student Experience Internship’ programme is to give students paid work experience opportunities and develop their employability skills, whilst also helping organisations to complete projects that would otherwise be neglected due to lack of resources.

The programme has provided 330 paid internship opportunities to University of Manchester students since it began.

Embracing ‘veganuary’? – GRUB ExtraVEGANza returns

Forget Dry January; 2018 is all about ‘Veganuary’, and its popularity is on the rise!

Giving us a helping hand with the challenge of going vegan for a month is the fantastic GRUB food fair, the regular city centre street food event located at the Fairfield Social Club. It will be supplying the usual top notch street food, amazing beers, and fantastic drinks, with one minor difference: all animal products have gone incognito.

Jules Bailey, director of GRUB said: “Seeing the growth of veganism this year has been brilliant and it’s been amazing to see Manchester become the vegan capital of the North. We want to do our bit in showing everyone you can eat cracking, tasty food and have a good knees up at a vegan food fest and that’s why we’re doing ExtraVEGANza again this year!”

A selection of traders have put together a mouth-watering array of vegan menus including freshly fried ‘fish’ and chips from Hip Hop Chip Shop, gooey mac & cheese form Mac Daddies and piles of meze from The Ottomen.

To wash down the grub there will 14 lines of vegan beers from local breweries on cask and keg plus the usual selection of handmade sodas and hot drinks. On top of all this there will be a mini food produce market selling locally produced pies, butters, cheeses, and ferments to take home.

Photo: Grub MCR
Photo: Grub MCR
Photo: GRUB MCR
Photo: GRUB MCR

The GRUB ExtraVEGANza takes place on Friday the 26th of January from 5pm to 10pm, Saturday the 27th of January from 12pm to 10pm, and Sunday the 28th from 12pm until 8pm.  Entry to the event is free and welcomes all, including families and dogs. Full details of the event can be found on the Facebook event page here.

 

Fairfield Social Club can be found at Archway 6, Temperance St, M12 6HR.

Preview: CORE Takeover, MCR

Get ready for a night of underground, electronic music, as CORE takes over AATMA in Manchester’s Northern Quarter. The event sees DJ’s Kalumbo, Kolk, Jack Speed, Williams, and Bostock take to the decks in Stevenson Square. Expect acid house, techno, disco, and funk as CORE Music revives the rhythm of the city boasting the late Hacienda and Sankeys, a bid to resurrect Manchester’s underground scene.

Kalumbo bring the funk. Photo: CORE Music
Photo: CORE Music

After the recent success of CORE Takeover, in Liverpool in December, the Manchester based music project is set to take the city by storm, and there’s no doubt other venues can expect a CORE takeover in future. The Liverpool event sold out and each set thrilled the crowd with the best techno and house beats, interspersed with forgotten disco gems. Kalumbo brought the old school funk, whilst Kolk and Jack Speed delighted fans with some ground-breaking tech.

Jack Speed spins the techno. Photo: CORE Music
Jack Speed spins the techno. Photo: CORE Music

The takeover in Manchester sees Williams and Bostock added to the line-up, and although only CORE Music’s second event, is set to sell out once again. Perfectly timed after many students’ exam period, what better than to let loose with some groovy beats after a dull January?

Founder, Ben Cooke, had this to say of the upcoming event: “We were chuffed with the last event and can’t wait to come to Manchester where we are expecting an even better turnout and even more underground, electronic music. Hope to see you all there.”

So head down to AATMA on the 26th of January and try out a new night before it inevitably becomes a popular recurrence in Manchester. If you’re into dancing, this one’s for you; what better for Manchester than authentic music pioneers rejuvenating a legendary underground scene?

Tickets for CORE Takeover, Manchester are available from Skiddle.

Donornomics: An analysis of the Republican Tax Bill

The US Senate passed the Republican tax bill 51–49 in the early hours of December 2nd, 2017. The bill is the most sweeping overhaul of the US tax code in decades and marks the first major legislative victory for President Donald Trump.

Supporters of the bill claim that it will supercharge growth, that by cutting the corporate tax rate businesses will give raises to regular workers, that corporations will invest more, that the rich are not going to benefit from the bill, and that it will help small businesses. In an open letter to Congress, 137 economists supported the bill, writing: “The enactment of a comprehensive overhaul — complete with a lower corporate tax rate — will ignite our economy with levels of growth not seen in generations.”

However, criticism has been severe.

As far as the process is concerned, the bill was passed in the middle of the night when almost no one watched. Moreover, many pointed out that it passed through the Senate very quickly with some amendments added at the very last moment. The bill even included handwritten notes.

“The rushed process,” writes Jeffrey Frankel, a professor at the Harvard Kennedy School, “has been extreme: utterly lacking in both due deliberation and bi-partisanship. The usual hearings have not been held, nor has there been even a pretence of including Democrats in the negotiations.”

It must be noted that Sen. John McCain (Republican-Arizona), who down voted his party’s efforts to repeal the Affordable Care Act — more commonly known as Obamacare — earlier this year partly because of the rushed, partisan process, voted for the tax bill.

Apart from McCain, who voted against the President Bush-era tax cuts, Sen. Jeff Flake (Republican-Arizona) and Sen. Susan Collins (Republican-Maine) were also unexpected supporters of the bill.

Flake, who is openly opposed to President Trump and the radical wing of his party, said that he has supported a lower corporate tax rate for almost 20 years.

Collins, who alongside McCain and Alaskan senator Lisa Murkowski, voted against their party’s Obamacare repeal bill, has been criticised for voting for a bill that would repeal Obamacare’s individual mandate, which requires everyone to buy health insurance. That could trigger skyrocketing premiums, say the critics, but Collins says she has assurances from Senate Majority Leader Mitch McConnell (Republican-Kentucky) that he would support passage of two policies that would buoy the Obamacare markets.

With that, we’ve turned to the content of the bill.

According to a report by the nonpartisan Joint Committee on Taxation, the Bill will add $1 Trillion to the Deficit, disproving claims by various Republicans that the bill will pay for itself, and making Republican lawmakers seem hypocritical, given the years they spent complaining about the deficits accumulated during the Obama presidency.

Not to be outdone by the Trump administration when it comes to anti-conservation policies, Republican lawmakers included a provision that allows oil drilling in the Arctic for the first time, causing uproar from environmental groups.

The bill brings many reforms to Higher Education. It will require wealthier universities to pay taxes on their endowments for the first time. However, some provisions within the House of Representatives tax bill unaddressed in the Senate version include a repeal of the Student Loan Interest Deduction, which some have called redundant and which the Obama Administration also considered repealing.

Also included is a repeal of the current law that allows institutions to provide tax-free tuition waivers and reimbursements to employees, their spouses, and/or dependents. A provision that would only benefit a college affiliated with Education Secretary Betsy DeVos was taken out of the bill before the final vote.

The bill is especially hard on millennials. By 2019, many millennials would see their taxes increase, while for the 2027 calendar year, everyone making less than $75,000 would be expected to see a tax increase. Moreover, according to the Centers for Medicare and Medicaid Services, 34 percent of people enrolled in Obamacare are millennials, and Obamacare could be taking a hit, as described above.

The bill seems to target Democrats. Conservative economist Stephen Moore, who was a top economic adviser to then-candidate Trump during the 2016 campaign, told Bloomberg’s Sahil Kapur that “[the bill]’s death to Democrats,” adding “They go after state and local taxes, which weakens public employee unions. They go after university endowments, and universities have become play pens of the left. And getting rid of the mandate is to eventually dismantle Obamacare.”

However, the bill doesn’t benefit the average Republican voter, either. Despite President Trump’s claims, the richer will indeed benefit over time, unlike lower-income Americans.

The Tax Policy Center, a non-partisan think tank, reports that families in the top 5 percent would benefit the most in 2019, with the opposite true for the lowest income quartile. In 2027 the lowest two income quartile families would be having no benefit, while the greatest benefit would be reserved for families in the 0.1 percentile.

Also, pass-through firms, which don’t pay income taxes at the corporate level, get a tax break. This bill seems to have been written with a specific group of Republican voters in mind — wealthy donors. Republican Congressman Chris Connell (New York-27th congressional district) publicly admitted so.

In conclusion, the bill is very unpopular among Americans: 49 percent said they opposed the bill, while only 29 percent said they supported it, according to a Reuters/Ipsos poll. Both Democratic and Republican voters will not benefit. The Democratic Party has its own set of issues to solve, but now Republicans should hold their elected officials accountable for passing a bill that significantly benefits none but their wealthy donors.

This article was originally published on December 7th. 

Review: BROCKHAMPTON – SATURATION III

BROCKHAMPTON are a once-in-a-generation phenomenon that has been making waves within online hip hop communities this past year with the groundbreaking SATURATION trilogy, a trifecta of albums that shatter hip hop norms and, true to their name, present the listener with an overwhelming track list.

What makes this collective so special is the fact that they’re a self-contained powerhouse consisting of 14 members tasked with rapping, singing, producing, managing, directing music videos, being the webmaster, and more.

SATURATION III released on the 15th of December, almost exactly 6 months after the release of the first album of 2017. It’s the conclusion of a trilogy, the end of a phase of a musical — and audiovisual — journey that is unparalleled by any other individual artist or group in the whole timeline of musical history.

Lyrical themes of coming to terms with their sexuality, abuse, violence, love for their homies, and the importance of immaterial values above their physical counterparts are set to punchy, catchy beats that fit into any party playlist seamlessly.

The album is opened by ‘BOOGIE’ a loud, bouncy, punchy tune that leads you to wrongfully believe that the rest of the project will follow suit. Before listening to the opener I had never heard a rapper say “suck my willy” until now. Well done, Merlyn.

Fun fact: Every song on BROCKHAMPTON albums has the same number of letters in its title. The magic number for the third LP is six.

‘ZIPPER’ rides ‘BOOGIE”s wave with the fun hook: “ooh them boys stay nasty, floatin’ like Aladdin” and a piano riff in the background. The project takes an introspective tone with ‘JOHNNY’ and ‘LIQUID’ before ‘CINEMA 1’, the first of three skits present on the album that continue the trilogy’s recurring theme of Spanish monologues by Roberto.

Statements on the racism and homophobia present in our reality are made on ‘STUPID’. The song’s hook, sung by Kevin Abstract through a pitch-shifter, also speaks for itself: “boys wanna play on my cellphone but I don’t want nobody to see what’s in it”.

The following song, ‘BLEACH’ may be the boy band’s best song, musically, to date. It’s smooth and melancholic. Romil produced the track with Jabari and tweeted saying that the song’s outro, sung my Kevin and Bearface, is one of his favourite musical creations that he’s ever made.

‘ALASKA’ flows into ‘HOTTIE’, a seemingly upbeat and playful track akin to dreamy pop songs for enamoured teen girls is contrasted lyrically with every member having an existential crisis, saying how hard it is to find their place in the big wide world.

‘SISTER/NATION’ has a very aggressive first half in which Roberto talks about wanting to give up but staying strong for his friends and family. Then it seems as if it has become a rave track before melting into a nostalgic almost synthwave-like melody. The song comes a close second to ‘BLEACH’ as their best song.

A critique on how material possessions make us feel good paired with the catchiest hook on the album appear on ‘RENTAL’. ‘STAINS’ precedes ‘TEAM’, the only four letter track on the project, an allusion to TEAM EFFORT their upcoming 2018 project, as teased by Kevin on Instagram. It’s sad and slow, marking the end of an era for the boys before a beat-switch midway and a cheeky reference to ZZ Top’s ’25 lighters on his dresser’ from Gotsa Get Paid.

There’s a clear feeling of maturity on the LP when placed into context with is preceding projects. While SATURATION I brought anger and SATURATION II presented happiness and clarity, SATURATION III has a heavy feeling of sadness and closure.

If I had to rank the three I’d place SATURATION II first, a collective of bangers, above III, a cohesive, coherent project with I at the bottom. The beauty of BROCKHAMPTON’s overabundance of members and albums sets the groundwork for a boy band fan base. Every listener will have their favourite member, favourite album and favourite song, leading fans to have interesting discussions about every aspect of the collective’s work. I definitely have had some great chats about them over a pint or two.

If this is your first time hearing about this crazy boy band, start wherever you want. Pick any album, any music video, and enjoy the journey of discovery down the BROCKHAMPTON rabbit hole.

Ultimately, SATURATION III is a phenomenal show of what the band is capable of and how far hip hop’s boundaries can be pushed. The next year marks the dawn of a new era for them with an inevitable break into the mainstream and a possible new trilogy, too.

7.5/10

Interview: JAWS

JAWS are a Birmingham-born quartet who effortlessly fuse nifty guitar licks, laced with reverb distortion, with angsty and raw lyricism creating songs that linger in your subconscious for weeks. Singer Connor Schofield — who’s currently residing in London whilst balancing an internship in fashion PR with his musical career — offers an insight into future plans for the band, the importance of mental health and the music industry itself.

 

1.       Where did the name JAWS come from?

James Bond, and there’s no real reason why to be honest. I guess I was thinking of character’s names and that’s just what it ended up being.

2.       Who are your biggest influences?

I used to really love the band Brand New but then the singer’s a paedo so I can’t back that anymore. I’m quite open-minded with music so I could happily sit and listen to this (Connor gestures to the DJ in the pub playing heavy metal) but then also listen to bands like Diiv or King Krule.

3.       I’ve noticed quite a lot of maturing in your sound from ‘Be Slowly’ to ‘Simplicity’- Would you agree?

Yeah, I guess it’s different life experiences. When you make your first album, it’s not like you’re in a band 24/7 compared to when you’re making your second when you are. That makes it all a bit different because you have different things to write about whilst also gaining more confidence as you get better at songwriting. You feel like you can try and experiment a bit more as well.

4.       In terms of the lyrics of your songs, they’re gritty. Even the themes within that e.g.  mental health, growth. Do you think it’s important that topics such as mental health are expressed through music?

Yeah, I do think such topics are important but it’s not meant in a selfish way. I don’t sit down and think right I need to write a song about mental health, instead, it’s about personal experience. Obviously, it’s important to talk about and to make people feel comfortable enough to talk about it.

5.       Linking into that, you’ve just released a video for ‘17’ along with adding it to your setlist. What was the inspiration behind that?

Me and Morgan sat down and decided we needed to do a video for this tune that doesn’t detract from the actual meaning. I didn’t want to romanticise it and I wanted to get a perception of how it actually feels, I think he did a really good job.

6.       What’s your favourite song you’ve written and why?

I really don’t know. I’ve written so many songs…

Would it be one that you’ve already released or perhaps a new upcoming one?

Actually, there is some new, pretty cool JAWS stuff. When we released Simplicity, that was my favourite but once it’s been out for a while, you kind of get sick of it a bit and you feel like since then you’ve written better songs.

Almost like you’ve moved on?

Yeah like some of the new JAWS stuff I just like a lot more but my favourite one is probably What We Haven’t Got Yet or The Invisible Sleep.

7.       Did you find that your writing process changed with ‘Simplicity’ compared to ‘Be Slowly’?

The writing process is always a bit different, a lot of the time I’ll make a demo of the song then I’ll bring it to the band and we’ll build on the more intricate bits. I’m quite an impatient person, I never want to drag it out. When I do a demo it’s always verse, chorus, verse, chorus, end but we properly sort it out when we’re all together. If there’s no structure there in the first place, we’ll never get anything done and we’ll get stuck in a loop.

8.       For you, who changed the music industry?

I think recently Frank Ocean. I mean he’s not signed is he which is amazing so he’s quite an inspiration.

Well I mean neither are you guys, are you?

Yeah, we’re not signed but it shows you don’t need it really. As long as you’re good, nice and have your head screwed on.

Is being signed something you want?

Nah, you don’t need it, everyone has it as a status thing. I make the same money as signed bands, the only difference is my money is my money, it’s not a debt from a record company that I’ve borrowed.

9.       Ultimate aspiration for the band?

Well it’s just fun, isn’t it? We’ve all got jobs so it’s just nice that a couple of weeks every year we can come in, do this and play to a load of people. Doing larger venues would be nice but I’m comfortable with the size we’re already doing. It is what it is. Everyone wants to be in the biggest band in the world but…

No arena’s then?

I can’t be arsed to play arenas, you have to play for ages. We only have to play for an hour- I guess it would be nice but I couldn’t deal with it, lots of pressure.

10.   Are you working on any new material at the moment and what can we expect from it?

We’ve not set ourselves a deadline to meet, we’re just doing what we can when we can. What we’ve written so far is in the same world but it’s better. Because we’re so proud of Simplicity we don’t want to put anything out there that isn’t at least as good, if it takes a couple of years then so be it. That’s another thing about not being signed, I mean you can’t just disappear because people will forget you but we have less pressure. We have a plan.