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Day: 20 February 2018

Review: Lotus Vegetarian Kitchen

On the rainy evening of the 14th of February my friend, the meat-eater, and I, the vegetarian, hopped on the magic bus for a much anticipated meal at Lotus restaurant.

Although it took us 20 minutes or so to get there, the bus dropped us off right in front of the restaurant which was very handy. It opens at 5 pm and we reached there at 5.45 pm without any prior booking. The restaurant was already packed yet we still managed to get a table as the staff seemed reluctant to keep customers waiting.

The restaurant wasn’t extravagantly large yet the staff demonstrated a real enthusiasm for hosting their customers. The restaurant was obviously themed for Valentine’s Day and a pleasant ambience was created with heart shaped balloons tied to the chairs.

Once we were seated, the waitress came to ask for drinks and also handed us two roses, which was a really nice gesture.

After settling down, we sifted through the never-ending menu. As this restaurant is 100 per cent vegetarian and vegan, we expected a limited number of dishes on the menu but surprisingly it had quite a few choices.

These included soups, starters, mains, noodles, side dishes, rice dishes, noodle soup dishes, vegetables, and tofu dishes, drinks, and desserts. After much contemplation and discussion we finally ordered two starters of grilled veggie dumplings and sesame seed veggie prawn toast, three mains of sizzling veggie beef in black bean sauce, veggie chicken in Kung Po sauce, and veggie meat strips in peking sauce. Upon ordering our food the waitress also asked us whether we wanted our dishes to be vegan or vegetarian — yes there is a difference!

In less than ten minutes, the veggie chicken in Kung Po sauce and the sesame seed veggie prawn toast arrived. The veggie chicken in Kung Po sauce was probably the best version of the dish I have ever had in Manchester.

My hard-to-impress meat-eater friend said that the texture of the chicken was good and the dish was a convincing replacement of the real deal. The Kung Po sauce was blended with peanuts and gave the vegetables and the chicken a juicy flavour. Next, with the right amount of crispness, the sesame seed veggie prawn toast satisfied my taste buds to a whole new level! It was not too oily which felt moderately healthy and really enhanced the flavour. All in all the portion sizes were generous and the food was delicious, I can not recommend enough!

Photo: Vaidant Jain
Photo: Vaidant Jain

Then came the ‘sizzling’ veggie beef in black bean sauce, which was nice and hot. It was a creative mix of cauliflower, carrots, mushrooms, veggie beef, and black bean sauce. We then tried the grilled veggie dumpling together with a ginger flavoured filling, unfortunately ruining the overall taste of the dumpling. The dip which accompanied the dumplings was disappointing and we had to request a different one instead.

Veggie meat strips in peking sauce was the last dish on our list. As it was marked spicy on the menu, we expected it to be fiery and blazing. To our frustration we found it sweet and although it had a good texture and flavour, it was not a convincing substitute for meat.

To our surprise, we received a complimentary dessert at the end of our meal! We were served two heart-shaped black bean jellies and a sweet potato flower cake — so romantic! The tasty black bean jelly melted in the mouth. However the sweet potato cake had an usual taste.

Once we were done, we paid our bill by cash — no cards accepted. I plan to go back to Lotus to try more of their tasty dishes. It is very reasonably priced so it’s apt for students and a must-try for people who don’t eat meat, who are trying to quit meat or even those who love eating meat!

Live Review: Don Broco

16th February 2018, Manchester Academy

Don Broco are not a band to do anything by half measures and that’s certainly true for their performance at Manchester Academy on Friday the 16th February.

The group bounded onto the stage radiating everything that’s weird, wonderful, and most importantly fun — with a special mention to Si Delaneys’ pants, or lack thereof — but I found out much later that his incredibly short shorts allowed him to do some incredible dancing during the set.

Don Broco opened their set with tracks ‘Pretty’ and ‘Everybody’  from their new album Technology. 

Despite there only being approximately 14 days between the album release and the Manchester performance, the dedication and admiration of Don Brocos’ fans was overwhelming. The fans give it their all and then some.

The was reception was reciprocated in the incredible energy given off by the band. Rob Damiani entirely submerged himself in the moment and kept the audience clinging on to his every word.

Every aspect of the night was mind-blowing. As the night went on, they played a selection from their diverse discography of previous years. Hits such as ‘Automatic’ and early days track ‘Priorities’. The set list was carefully crafted and flawlessly flowing from track to track, each song brimming with such energetic power and executed in a lavishly cool manner by all members.

Don Broco even debuted the track ‘Greatness’ from their new album. Damiani shouted that he thinks Manchester is just so great, and it feels right to play the track for the first time in this great city. He also mentioned how amazing Popolinos was as well.

The stand out track of the night for me had to be ‘Thug Workout’. One of their first songs, it only existed in YouTube form back before they were famous. The track encompasses sarcasm, fun, and being ‘cheeky’.

Not only this, Don Broco are known for when they play this song to get the audience involved as much as physically possible. Encouraging a pit and getting them all to do pushups through the intro and then generally just lose their shit in the pit.

“You know the drill” shouts frontman Rob, “If someone falls up you pick them straight back up”.

As the night draws to a close, Don Broco finish their official set list with ‘Money Power Fame’, before being screamed to come back for their encore.

Just as the night couldn’t get any better, Don Broco played ‘Come out to LA’, another impeccable track filled with humour and repetitive, catchy rhythms.  The performance concludes with ‘T-Shirt Song’, which is probably the ultimate finale song.

“They’re saying there’s one song left, no time for no regrets, I take my T-shirt off, swing it around my head”.

Light lyrics suddenly descend into booming head banging vibes, not only this it felt like the majority of the room, as told to do, took off their shirts and swung them around the room. Whilst it sounds probably a little bit gross — which it was — the way it looked, or must have looked from the front was a beautiful chaotic madness.

Photo: Hannah Brierley
Photo: Hannah Brierley

I knew when I heard the album that the tour and their performance would be mental, and they certainly didn’t disappoint.

Don Broco are just pure fun to watch and to listen to. They clearly enjoy and have fun with what they do and their fans certainly connect and love to be a part of that. This was the first gig in a long time that I left grinning from ear to ear, and I certainly cannot wait to see what’s in the pipeline for the future.

10/10

What can we expect from Kingdom Hearts 3?

2002 saw the release of Kingdom Hearts — a role-playing game for the PlayStation 2 that brought together characters and worlds from the Disney and Final Fantasy universes. It was a surreal game like no other and instantly won over a loyal fan base.

In the subsequent sixteen years, it gained scale and became the ‘Dark Seeker Saga’, with a direct sequel released in 2006 and several spin-offs games released across five different consoles.

After what has seemed an eternal interim, 2018 has been announced by Square Enix developer Tetsuya Nomura as the year which will see Kingdom Hearts 3 released on the PlayStation 4. The second sequel in the series’ main thread will be the closing chapter to the ‘Dark Seeker Saga’. Expectations and anticipation could not be any higher, but what specifically can we expect from Kingdom Hearts 3?

Considering there has not been a home console release for the series since 2006 (excluding the remastered re-releases), there is obviously going to be a gargantuan jump in terms of visuals. Kingdom Hearts 2.8’s ‘A Fragmentary Passage’ which offered gamers a chance to play through events immediately after the PSP’s Birth by Sleep, is probably the best indicator as to how the upcoming instalment will look and feel, previewing the new ‘Unreal Engine 4’ which now powers the gameplay. Movement will be fluid and the surroundings of the various environments will be infinitely more interactive and explorable — features which the series’ predecessors have arguably lacked.

The introduction of new worlds is also something which fans can drool over. Last year’s D23 saw Toy Story unveiled as another Disney asset making its debut in the series, and this year’s expo has recently revealed Monsters, Inc.’s involvement, with Mike and Sully joining Sora in his adventures.

The injection of Pixar properties has given Nomura a whole new host of characters and worlds to experiment with, and is ultimately a great relief. It almost seemed as if Kingdom Hearts was really scraping the barrel for material at times — Dream Drop Distance’s ‘Country of the Musketeers’, in which Sora and Riku encountered characters from Disney’s animated Three Musketeers adaptation, was a notable low.

I’m still waiting for the revival of the Jungle Book world which was cut from Birth by Sleep for reasons unknown, but it appears Nomura wants to utilise the more recent properties from Disney’s back catalogue, with ‘San Fransyoko’ from Big Hero 6 and Tangled’s ‘Kingdom of Corona’ already announced.

Which brings us to the question which every Kingdom Hearts fan is asking at the moment — will the worlds of Marvel and Star Wars be making an appearance in Kingdom Hearts 3? Due to Disney’s acquisition of both Marvel and Lucasfilm, there is speculation as to whether we could be seeing Sora wielding a lightsaber alongside Luke Skywalker, or teaming up with the Avengers.

Nomura has been very coy when approached regarding this, merely responding “we are looking at all of Disney, the new ones as well”. Thinking about the tone and ethos of the previous chapters, the worlds of Spiderman, Captain America, and co might not gel well if introduced, but Star Wars could prove to be a lucrative and mouth-watering avenue for Nomura to explore if Square Enix can persuade EA to allow for shared licensing.

A greater issue for the franchise, however, is its narrative. Part of the beauty of the first instalment was the simplicity of the story — no matter how grand the adventure became, it was still essentially a story of a boy trying to find his friends. Numerous chapters down the line, it is becoming increasingly impossible to put a finger on what Kingdom Hearts is really about anymore.

It could be argued that the developers are sacrificing narrative coherence for pure enigma, which can only end in disappointment and anti-climax. As the closing act of the ‘Dark Seeker Saga’, Kingdom Hearts 3 will have to tie up all the loose ends which are currently flying around, so here’s to hoping Nomura has a few tricks up his sleeve and pulls it off with great aplomb.

‘Sleepout’ against homelessness to take place this March

After being postponed in November 2017, Manchester Raise And Give (RAG) are finally able to stage their annual ‘Sleepout’.

Taking place at St Peter’s House Chaplaincy on the 2nd of March, the event will involve members of the society camping out overnight to put themselves in the shoes of the increasing number of homeless people in Manchester.

Olly Goldsmith, Chair of Manchester RAG told The Mancunion that, “the number of homeless people rose by 30 per cent in Manchester from July 2016-May 2017 and 4,428 people do not have a permanent roof above their heads.”

The event launch follows a recent Manchester Evening News story revealing that “rough sleeping in the city had rocketed 13-fold since 2010.”

In light of these figures, Olly expressed that he didn’t believe students were doing enough.

He said: “most students fail to take any action to address this issue, or support the work of the incredible charities that are vital to live saving work done on the streets of Manchester.”

Ellen Exley, Sleepout coordinator,  provides details of the event, stating:

“Participants will be involved in a range of activities designed to help them to learn more about homelessness in Manchester and find out about the organisations working to tackle the issue.”

Their is a minumun fundraising target of £60, the “lowest of all RAG’s events”

Money raised will be distributed equally amoung three local homeless charities: Manchester Action on Street Health (MASH), Barnabus and The Big Change Fund.

RAG are holding an information session on the 21st of February, 6-6:30pm in SU Room three.

Tickets cost £10 and are available from the Manchester RAG website.

Students to re-assert fossil fuel divestment demands

A protest is taking place under the Whitworth Arch on Wednesday the 21st of February to demand divestment from fossil fuel companies and those allegedly involved in human rights violations.

Student groups have decided that “enough is enough” when it comes to the University’s ongoing investment in fossil fuels. The protest is also calling for complete divestment from companies they believe are complicit in Israeli war crimes, such as Caterpillar.

The protest will start at two o’clock, during the next Board of Governors meeting.

Huda Ammori (Chair of BDS) told The Mancunion that, “all of us are paying obscene amounts of tuition fees towards an institution which is profiting from Israel’s illegal occupation, the arms trade and environmental degradation.”

“We all need to come together for the largest divestment protest yet to show our strong objection to the university’s actions and to hold them to account on their own policies.”

The event page alleges that the University currently invests £7.5 million in fossil fuel companies such as Glencore, Valero Energy and Rio Tinto.

Lizzy Haughton, member of People & Planet and former Ethical and Environmental Student Officer, expressed in her blog how surprised she was by how “difficult it is to implement change in a University so stuck in its old ways.”

Despite campaigning for three years, students had only been told that the University will “review the issue” of their investments in fossil fuels.

60 universities UK wide, now including the University of Edinburgh, have divested from fossil fuels. The University of Manchester is now substantially behind, with a third of UK campuses being completely free from all gas, oil and coal holdings.

A letter containing a collective statement “representing the consensus view of the Sustainable Consumption Institute, School of Social Sciences” detailed reasons as to why the University should divest from fossil fuel companies.

Reasons include “consistency with the University’s social responsibility agenda; and the economic risks of a continued investment in fossil fuels.”

“Social responsibility is one of the three core strategic goals of the University’s Manchester 2020 strategy and commitment to environmental sustainability is a major aspect of that policy.

“We suggest continued institutional investment in the fossil fuel industry is incompatible with a credible commitment to environmental sustainability, and thus social responsibility.”

The University also invest approximately £2,113,435.79 in Caterpillar – according to the no. of shares (24900) invested and the share price ($107.49) at the end of the Fiscal year 2016.

According to BDS and CAAT (Campaign Against the Arms Trade), these investments are also violations of the University’s “socially responsible” investment policy.

A representative from CAAT believes that profiting from military regime “aka murder and genocide is not only a moral crime but it also breaks international humanitarian laws and Human Rights.

“Nancy Rothwell’s unwillingness to listen to the students she is supposed to be representing, particularly in this context, is disgustingly disrespectful.”

Between CAAT, BDS and People Planet we are continuing to make a case against these investments and Nancy’s leadership.

“We are putting together the research so it will be easily accessible for students and academics to access, but creating numbers at the protest is really important for driving the change.”

Deej Malik-Johnson, campaigns and citizenship officer at the Student Union, says he “fully supports students holding the university accountable for the way that it invests and spends our money.”

He adds, “the Student Union has policy to lobby the university to divest from fossil fuels, companies that are involved in the arms trade or who play a part in the occupation of Palestinian land.

“I will continue to speak to the university about these issues, students concerns and about the universities commitment to social responsibility.”

In relation to the protest, the University stated:

“The University announced significant changes to its Socially Responsible Investment Policy in May last year.”

“This will see the University change its relationship with its Investment Managers allowing it to pursue an ethical investment approach, whilst also minimising any potential negative impact on investment returns.

This includes a commitment to identifying and promoting low or zero-carbon investments.”

“In relation to the protests, as usual, the University recognises all students’ right to protest peacefully, providing that this does not unduly disrupt the conduct of the University’s normal business.”

Review: Winter Solstice

The Actors Touring Company, who are responsible for bringing David Tushingham’s translation of Roland Schimmelpfennig’s German play, Winter Solstice to Manchester, describe their ambition to create theatre which places “the actor at the heart of the work and employing a lean aesthetic which promotes environmental sustainability”.

This outlook is evident as soon as you enter the theatre. Instead of a stage the audience is confronted by school canteen tables arranged in a square, inside a rectangular area marked on this floor which demarcates the performance space.

At various moments in the play this space is the kitchen, living room, bathroom and bedrooms of the upper middle class family around whom the play is centred, sometimes it is two or more simultaneously. This effect is achieved through the actors describing the scenery and events  in an almost novelistic style; often one performer will explain an action or a sentence of dialogue immediately before it is delivered.

Some of the play’s key comedic moments come from the use of improvised props which have been described by the actors in one instance a pink highlighter becomes a pair of glasses. This is reinforced by the wilful manipulation of the visual by the spoken narrative. However, for all its novelistic aspects and formal trickery the performances remain emotionally relatable. The relationship between intellectual couple Betina and Albert is beautifully acted and their non-verbal responses both to one another and the other characters are a delight.

The narrative revolves around the Christmas Eve intrusion of Rudolph, a man from Paraguay, into the home of Albert and Betina. It is made abundantly clear to the audience that both the couple and their home are resoundingly bourgeois. Albert is a historian and Betina a director of worthy artistic films; the tasteful excess of their apartment is a motif throughout the play. The introduction into this flat of Betina’s mother, Corinna, only adds to the fraught family dynamic. Rudolph is a dark figure; returning from a post war exile in  South America he represents the recent return to Europe of far right ideologies which we thought had been left in the past. He is extremely charismatic. Konrad, a painter, makes up the final member of an incredibly strong ensemble cast.

It is Rudolph’s Freudian slip when regarding a painting of Konrad’s on the wall of the flat – he refers to ‘The Struggle’ as ‘My Struggle’ – that gives the audience its first insight into the political orientation of the interloper. The play in centrally concerned with the inability of bourgeois liberalism to confront the rising tide of extremism, as Albert, who during the play changes his opinion of Rudolph from one of suspicion to disgust, is unable to challenge him in any meaningful way. Instead we see him turn to medication and silence. Actions which shine a light on the silent complicity of the intellectual classes in the return of nationalist extremism to Europe. This is play which is both challenging and thought provoking and is definitely worth seeing.

Petri dish humans: breakthroughs in lab grown human tissue

Recent research carried out at The University of Manchester and The University of Edinburgh has shed new light on how we may develop kidney tissue and grow human eggs to full maturity the need to re-implant the tissue.

The research raises the possibility of personalised kidney transplants and definitive cure for infertility.

University of Manchester scientists, Professor Sue Kimber and Adrian Woolf, have generated human kidney tissue from embryonic stem cells. The research, funded by The Medical Research Council and Kidney Research UK and published in the journal Stem Cell Reports, outlines how kidney glomeruli, tiny structures in the kidney that filter the blood, were generated from stem cells.

The cells were then transplanted into mice, where they filtered the blood and produced a urine-like substance. In future, this technology could be used to produce full organs to provide kidney transplants without the waiting list.

Kidneys are made up of structures, called nephrons, which contain up to 1 million glomeruli that filter the blood to produce a filtrate. Chemicals and water are added to or removed from this fluid depending on the body’s needs, which leads to the production of urine. When the kidneys fail, they can no longer perform important functions like cleaning the blood and releasing the hormones that control blood pressure. This can cause symptoms like nausea, fatigue and weakness, and chest pain.

In this study, the scientists generated glomeruli – one of the functional components of a kidney — from human embryonic stem cells grown in laboratory culture dishes with a nutrient broth, known as a culture medium, containing molecules to promote kidney development. These were combined with a gel-like substance, which acted as natural connective tissue, and then injected as a tiny clump under the skin of mice.

After three months, an examination of the tissue revealed that nephrons — which filter waste from blood and produce urine — had formed. The new structures contained most of the constituent parts present in human nephrons.

Tiny human blood vessels, known as capillaries, also developed inside the mice, which nourished the new kidney structures. The team tested the functionality of the new structures with “dextran” — a fluorescent protein which stains the urine-like substance produced when nephrons filter the blood, called glomerular filtrate. The dextran was tracked and detected in the new structures’ tubules, which showed that filtrate was being produced and excreted as urine.

“What is particularly exciting is that the structures are made of human cells which developed an excellent capillary blood supply, becoming linked to the vasculature of the mouse.We have proved beyond any doubt these structures function as kidney cells by filtering blood and producing urine — though we can’t yet say what percentage of function exists,” said Professor Kimber.

However, the scientists noted that the mini-kidneys lacked a large artery, which would severely limit the new organ’s function. Their next aim is to work with surgeons to put in an artery that will bring more blood to the new kidney.

Another major breakthrough in UK biological science this week has seen University of Edinburgh researchers extract and grow human eggs to full maturity without the need to re-implant tissue, a feat which has previously only been accomplished with mouse eggs.

The Researchers took ovarian tissue from 10 women in their late twenties and thirties and, over four steps involving different cocktails of nutrients, encouraged the eggs to develop from their earliest form to maturity. Of the 48 eggs that reached the penultimate step of the process, nine reached full maturity.

Although various teams have achieved different stages of the process before, this new work is the first time researchers have taken the same human eggs all the way from their earliest stages to the point at which they would be released from the ovaries. Before reaching this level of maturity, eggs cannot be fertilised.

The research could prove useful for girls who have not gone through puberty.  At the moment, to preserve their fertility, ovarian tissue is taken before treatment and frozen for later implantation.

“For young women, that is the only option they have to preserve their fertility,” saysProf Evelyn Telfer, co-author of the research from the University of Edinburgh.

But the approach has drawbacks. In the case of re-implanted tissue, “the big worry, and the big risk, is can you put cancer cells back,” says Stuart Lavery, a gynaecologist at Hammersmith Hospital.

Lavery believes this technique could also help women who have passed through puberty, “while these women can have mature eggs collected before treatment, that approach also has problems. With this procedure, you could potentially get thousands or hundreds of eggs.”

The new research, however, cannot be said to have succeeded in providing alternative fertility preservation treatments just yet. The researchers note that the eggs developed faster than they would in the body, while a small cell known as a polar body — ejected in the final stages of the egg’s development when the number of chromosomes is halved — was unusually large, which might suggest abnormal development.

“This latest breakthrough is valuable, but significant further research is now needed to confirm that these eggs are healthy and functioning as they should do,” says Professor Helen Picton, an expert in reproduction and early development from the University of Leeds.