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Day: 9 April 2018

Introducing: GIRLI

With a DJ booth resembling the packaging of feminine hygiene products, an outfit consisting of entirely glitter and a badass electric pink fringe, you would be forgiven for thinking Girli was about to saturate you in a sticky drowning of feminist drizzle, and there was nothing new to be seen.

Though balancing on a tightrope between genius and ludicrously cliché, Girli’s performance was much more than this. It was dynamic, energetic and bloody bonkers, and the kind of live anxiety we need more of in the music industry.

Ripping through fast-paced, hyperactive ‘fuck you’ tracks, and despite the outwardly exhilarating display of Lily Allen on speed, Girli contained her energy in her lyrically thought-provoking tracks; social media, the gawking patriarchy, even attitudes towards depression took a stabbing, and rightly so.

For all the glitz and heightened heart-rates, Girli seems to have some big ideas. We had a chat with her prior to her explosive Deaf Institute show, to get a sense of the woman behind the artist…

For people who don’t know you, how would you describe your sound?

Relatable, empowering, sassy, punky pop music.

We love the track ‘Hot Mess’ — was that an easy one to write?

I wrote Hot Mess about two quite recent experiences of sexism, and was pretty fired up and pissed off in the studio, so it came very naturally and quickly. I listened to some punk music for reference to fire me up even more, then just started shouting stuff down the mic!

Could we expect an album soon, or will it be more EPs for now?

I’m still writing loads of new songs and developing my sound, so for now I’m gonna be releasing singles. An album is on the horizon though!

Are you excited to be out on tour?

So excited. The crowds are so raucous and the shows so high energy, it’s like a shot of adrenaline every night. Crowd surfing is becoming a hobby of mine. Also social media interaction with fans is amazing, but can be so distant and make you forget that there are real people listening to and being affected by your music, so playing shows is wicked because you get to see and meet those people in the flesh.

Do you prefer playing in London, with it being your home town?

Playing in London is always special because all my family and friends come down and I get to show them what I’ve been up to! But I really love travelling to new places and seeing what the crowds are like and knowing that there’s people outside of London who appreciate my music.

Who are you listening to at the moment?

So much random stuff, as per. A lot of Goldfrapp, Joni Mitchell, Troye Sivan, Kesha, Chela, Drake! It changes weekly.

Who are your biggest musical influences?

I’m very influenced by the music that I listened to when I was a kid, the stuff that my parents played me at home. David Bowie, Blondie, Sex Pistols; they inspired me to perform and showed me that I could create my own character.  But also my dad loved a lot of current music at the time so I listened to a lot of Lily Allen, Amy Winehouse, Arctic Monkeys. Those bands really inspired me to write songs that were tongue in cheek, relatable, and brutally honest. Sonically, it keeps changing – alternative pop music is what I’m making and I listen to a lot of quirky, left field pop.

Advice for new starters in the industry?

Focus on making the best music you can, collaborating, telling everyone about your music and playing loads of gigs – get your name out there but also stay true to yourself, because it’s so easy to get lost in  trying to be like everyone else or what’s “cool” in the music industry.

ScienceX at the Trafford Centre

Now in its third year, ScienceX, the weekend-long festival’s, has a line-up filled with fun family-friendly activities to show people what science and engineering is all about. Visitors can get busy coding robots, flying planes in a simulator, experience virtual reality or even build and ‘drive’ their own race car.

 

Photo: ScienceX
Photo: ScienceX

 

“At ScienceX, we hope to showcase what science and engineering is really all about and inspire the next generation of scientists and engineers with our exciting programme of fun, hands-on activities”, says Francesca Guratsky, Social Responsibility Project Manager for the Faculty of Science and Engineering and the ScienceX organiser.

Other activities included in the action packed line-up include the opportunity to have a go at making your own new material, power a nuclear reactor and see how much energy you can generate or hold a piece of space rock. On Sunday, guests can get a little messy and have a play around with Oobleck, a non-Newtonian liquid that also acts as a solid.

 

Photo: ScienceX
Photo: ScienceX

 

Though this is an event for all ages and open to all who are interested, Guratsky wants this event to inspire the next generation of scientists and especially younger people who may usually be put off by the world of science.

“…we would like to engage with people who wouldn’t usually attend a science and engineering festival and young people who may not have considered exploring educational or career opportunities in these areas.”

The festival is free to attend and will be held at the intu Trafford Centre on the 14th and 15th of April. You can find the full line-up, schedule and further details on their website and Facebook event.

Album Review: The Vaccines – Combat Sports

2015’s English Graffiti was a bold attempt by The Vaccines to reinvent themselves. It was an attempt to ditch the sun-drenched indie riffs for a deep, fuzzy, almost futuristic sound, but unfortunately, it didn’t really pay off.

Now seemingly aware of this mistake, The Vaccines have gone back to basics, leaving behind this over-saturated production in favour of what made them so likeable in the first place. Rather than rely on a sense of grandeur and trying to escape the ‘indie landfill’ stereotype that plagues so many mainstream bands from the last few years, Combat Sports harks back to their nostalgia-driven roots with confidence.

Opener ‘Put It On a T-Shirt’ has all the jangly guitar tropes of some 1960s doo-wop tune, but with a modern burst of energy, and is full of the nonsense lyricism that front man Justin Hayward-Young is known for. Single ‘I Can’t Quit’, which wouldn’t sound too out of place on their debut (or even an early Strokes album) is a reconnection to The Vaccines’ trademark hazy guitar slashing and swooning back-up chanting that is just dripping in angsty summer vibes.

There’s even moments where the band dip their toes into synth-pop with ‘Your Love Is My Favourite Band’ and ‘Maybe (Luck of the Draw)’, which are much more successful experimentations than any of the tracks found on English Graffiti. Of course, there’s also the obligatory slow-jam with ‘Young American’ smack bang in the middle of the album which gives us a nice dreamy break from the action.

The latter half of Combat Sports is nothing short of classic Vaccines vigour. The thumping, fuzzy whirlwind of ‘Nightclub’ packs a heavy punch, with Young delivering a fierce chorus designed to be screamed back at him during live performances. ‘Out On the Street’ is both lyrically and sonically addictive, making excellent use of Young’s vocal range and upbeat guitar melodies to create the best track on the album.

With the whole album clocking in at just over half an hour, Combat Sports sees The Vaccines performing at their best in years. It’s nothing short of a brilliantly polished reincarnation of the sunny charm that was absent from their last LPs. Whilst they’re not exactly reinventing the wheel here, the return to their classic nostalgic soundscape is welcomed with open arms.

8/10

Interview: The Slow Readers Club

Manchester indie-electro four piece The Slow Readers Club have released their new single ‘You Opened Up My Heart’, taken from their upcoming album Build A Tower, to be released on 4th May via Modern Sky. Throughout April and May, the band will be completing a UK headline tour in support of Build A Tower, with their hometown Manchester date selling out in under 24 hours.

We spoke to lead singer Aaron Starkie ahead of their opening tour dates…

How did this album differ to writing the previous two?

Well it was written in a more condensed time period. It’s been a successful two years for us, so there was an urgency to getting something out quickly. Obviously we were signed at the end of last year, so that added a bit of pressure to releasing.

Do you think the pressure helped?

Definitely helped, yeah. We took our time on the first two, but this one was us up in Manchester just jamming together.

What about the new single — ‘You Opened Up My Heart’ — was it an easy one to write?

Yeah it’s gone in a bit of a different direction for us, that song. But it’s had a good response so far.

Are you excited to get the album out there then?

Yes, definitely. It’s funny actually ’cause when we go out on tour the album won’t be out yet, and it gets released on the same day as the Manchester show. So there’ll be some shows beforehand where people have never heard the tracks, so that’ll be interesting to see how that goes down. We’re going to get a different reception as the tour moves along.

How does it feel getting back out on tour?

Great, yeah. There was a pre-order which sold out 1000 tickets in ten minutes or something. It’s amazing we’ve been able to play bigger and bigger venues over the past few years, you know. We used to play to like 30 people, and then we played the Ritz last year, and this time Albert Hall which has got a 500+ bigger capacity.

Is Manchester your favourite place to play, being your hometown?

Yeah, Manchester’s always amazing. Dublin’s always been good to us, and we played King Tut’s Wah Wah Hut in Glasgow — that was amazing to play at such an iconic venue. But people come from far and wide to see us play in Manchester, and Albert Hall will be a great venue.

Is playing festivals different for you guys to playing your own gigs?

Yeah, our first one is Liverpool Sound City in a few weeks. I think we’re headlining one of the stages there, and we’re playing the main stage at Kendal Calling this year. We like playing festivals — it’s new shores playing to crowds who might not know who you are, and you’ve got to try to win them over.

Are there any bands you want to catch on the festival circuit this summer?

I’d love to catch Everything Everything, and Idles — I’ve heard a lot about them. There’s some smaller bands as well we’re into.

Who would you say are your top three musical influences?

The Killers would be up there. Echo and the Bunnymen — for that 80s gothy sound. LCD Soundsystem, Arcade Fire, David Bowie. Obviously The Smiths and The Stone Roses were massive for us growing up, being from Manchester. You can’t escape all the Mancunian legends when you’re from Manchester.

Finally, if you could give a piece of advice to new bands starting out, what would it be?

I’d say… be organised with your release schedule. Get involved with good promoters and be tactical with the release strategy. If you release a single, have your next two ready to go in case things blow up, so you don’t miss the opportunity.

Thanks for chatting to us Aaron, and good luck for the tour!

You can catch Slow Readers Club on the following dates:

April

26th — Cardiff, Globe

27th — Southampton, Engine Rooms

28th — Leeds, Brudenell Social Club

May

4th — Manchester, Cathedral **SOLD OUT**

5th — Liverpool, Sound City Festival

6th — Glasgow, Stag & Dagger Festival

10th — Newcastle, Riverside

11th — Hull, The Welly

12th — Nottingham, Rock City

17th — Wolverhampton, Slade Rooms

18th — Norwich, Arts Centre

19th — Northwich, Library **SOLD OUT**

25th – London, Islington Assembly Hall

26th — Stoke, Sugarmill

Israel’s radical re-style

For nearly 70 years, the state of Israel has survived against the odds. Despite facing nearly seven decades of external and internal threats, Israel has developed a democracy and successful economy the likes of which has not been repeated in one of the world’s most volatile and dangerous regions, the Middle East.

However, within Israel, a seismic shift has occurred in its political landscape — the dominance of Israel’s right and far-right. It is hardly believable to many people that when Israel was founded nearly 70 years ago, it was a nation dominated by left-wing Zionist refugees who had survived the Holocaust.

Things have changed; Israel recently elected one of its most nationalist and right-wing governments in history, with Benjamin Netanyahu securing another term in office by forging alliances with Israel’s right, religious, and nationalist political parties. Despite what many Israelis seem to believe, this is the wrong direction for the state of Israel and it will only make Israel’s position in the Middle East more unstable.

Israel’s once dominant left has drifted into irrelevance and is stuck in a state of permanent decline. Many Israelites blame the left in Israel for decades of violence and terrorism that has gripped the nation for years and has set the scene for Israel’s nationalists and far-right to step in.

Israel’s ruling coalition, headed by veteran Prime Minister Benjamin Netanyahu, now has six right-wing, nationalist, and religious parties as well as the main conservative party in Israel, Likud, and other smaller minor parties like the Jewish Home, Kulanu, Shas, United Torah Judaism, and Yisrael Beiteinu.

Parties like the Jewish Home and Yisrael Beiteinu have swept into the limelight and, due to their electoral successes, have entered government. Both the Jewish Home and Yisrael Beiteinu take an extremely hard-line stance against Iran, Hamas, and on the Palestinian peace process, which they seem to see as a threat to the future existence of an Israeli Jewish state.

Ultra-nationalist parties within Israel have successfully used the issue of security to gain electoral support and push for a more conservative, isolated, and nationalist Israeli state. At the most recent election, due to the success of right-wing parties, the left and political centre are not part of the ruling government for the first time in Israel’s history.

Many Israeli nationalists have capitalised on a feeling within the local population that peace with the Palestinians is impossible. After attempts to compromise, the two sides have suffered from mass unrest and violence.

With the political left in a state of terminal decline and ineffectiveness, Israeli politics has become a competition between the far-right and the right, and both have established their dominance as the new mainstream in domestic politics, an alarming development.

Both parties advocate for a strictly Jewish Israel and state with no mention for the role of Palestinians and immigrants within their nationalist vision. This dangerous development shows that Israel is beginning to turn more inwards and become more isolationist. Pressure from both these of political parties resulted in Netanyahu turning down a deal to re-settle over 16,000 African asylum seekers, thus showing how much power the hard-right parties have.

Tougher and harsher security policies are another example of the hard right’s power. The Israeli Defense Force has used brutal force to maintain control within Israel’s occupied territory in the West Bank. Shocking images and videos of IDF soldiers shooting and beating Palestinian children have become more and more commonplace.

Illegal settlements, which are encouraged and protected by Israel’s government have made the practical reality of a Palestinian state almost impossible, cutting up the West Bank into small zones where the IDF still has more power than the Palestinian local authority. The right within Israel, especially the Jewish Home. have made it almost impossible for a separate Palestinian state to exist, which is believably their goal.

By making it impossible for a separate and independent Palestinian state to exist within the West Bank with Israeli settlements cutting up the territory, it is likely Israel will just annex the territory in the near future at the current rate. This would destroy the prospect of a two-state solution and would be a disaster for the peace process between the two sides.

With threats on all sides from outside and inside Israel’s borders, Israel’s right-wing will continue to dominate and thrive for the future and shape its policy towards the Middle East region and the Israeli-Palestinian conflict.

Trump’s decision to move the American embassy to Jerusalem and recognise Jerusalem as Israel’s capital city, an unheard of act by a major power, has only emboldened Israel’s right-wing and nationalist cause, giving parties like the Jewish Home more confidence in their pursuit of Israeli ethno-nationalism and their aggressive stances on security.

This will mean more reactionary policies to violence on both sides, resulting in circular conflict with little hope for sustainable resolution.

While many Israelites seem to believe that voting for parties which take a tougher line on security and defence will make them safer, it will probably have a catastrophic effect on the peace process, which has gradually grind to a halt due to an increasingly nationalist Israeli government rejecting or ignoring key parts of the Oslo Accords from the 1990s.

With Trump firmly on the side of Israel, the Israeli right-wing are set to be more emboldened, prolonging one of the most violent conflicts in the history of the Middle East.