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Day: 9 May 2018

Live Review: Noel Gallagher’s High Flying Birds

The 4th of May, 2018, Manchester Arena.

It’s always funny at Noel Gallagher gigs, to watch the reactions of first-time youngsters who listened to their dad’s Definitely Maybe CD in the car growing up or the veterans who’ve aged in Oasis eras and cling to the old days with sideburns and an ‘ard aesthetic.

There’s something about Noel which makes people just stop and listen in awe. Whether that’s his legacy, his songwriting or understated brilliance is hard to say, and specific to the individual. When he came out at Manchester Arena to adoring supporters to ease them into polished but experimental new material, it was clear no-one has given up on Noel just yet.

“I normally talk about football teams here, but I don’t have to do that now”, smirked Noel, referring to City’s recent crowning as Premier League champions, which riled up fans who seem to worship the ground he walks on until he implies their beloved city is blue.

Acoustic segments diversified the performance from seemingly ‘out there’ Who Built The Moon? tracks, which appeared to be met with a nodding appreciation but offered no bite. ‘If I Had A Gun…’ served up gorgeous vocals and easy listening, whilst ‘Dream On’, ‘Little By Little’, and ‘The Importance Of Being Idle’ planted the show in earthy Oasis ground.

‘Dead In The Water’ – regularly acclaimed by critics as the ‘Oasis b-side’ track to the new album – was clearly a moment lots had been waiting for, as its melancholy tone wavered out into the masses and Noel triggered an emotional response.

None were quite as emotional, however, as ‘Half The World Away’, which tangibly stepped up the energy and nostalgia in the space. Besides inevitably triggering a mental picture of The Royle Family sat on that scummy sofa watching the box to the sound of that track, the song meant a lot to Mancunians that night.

Whilst ‘AKA… What A Life’ proved a powerful closing track, roaring with momentum and hard-hitting beats, the encore was where the magic really happened. ‘The Right Stuff’ was sung by Noel’s backing singer, and she sonically astonished as she ripped through the strange track, in true Pink Floyd-esque wild magnificence.

‘Go Let It Out’ was an unusual but surprisingly infectious Oasis cover choice, and before a concluding rendition of ‘All You Need Is Love’, Noel couldn’t leave Manchester without ‘Don’t Look Back In Anger’ touching hearts. Approaching the year anniversary of the Manchester Arena attack, that song was more poignant than ever, and left the Arena brimming with cultural pride.

8/10

Review: Mallory Knox

The 23rd of April, 2018, The Rebellion.

There was a lot of speculation surrounding the departure of frontman and main singer Mikey Chapman in February this year.

The announcement of the tour without the singer was one that raised a lot of expectations and obviously changed the dynamics of the band, and the fans too. You could see obviously that those who attended the intimate gig were there for their genuine love of the band’s music, and not just because they were in love with the now ex-singer.

Yet, these questions and worries were quickly squashed as soon as the band came out onto the stage. Sam, who still plays the guitar and has taken up the role of the front man, steps up to the front of the stage with an immediate feeling of confidence and cool.

Mallory Knox played various tracks from days of old and new. ‘Sugar’, ‘Wake Up’, and ‘Lighthouse’. It was blatant that the tracks which had got them to where they are today were going to sound different, the band were more than successful in keeping a similar tone to old work, but with new and exciting developments. Mallory Knox put on a show with such power and force that was intensified more than any other time I had seen them perform previously.

Mallory Knox 2.0 also showcased their new work too. Starting with ‘Live Wire’, which was brand spanking new, as well as finishing off the night with the first track they released as their updated arrangement, ‘Black Holes’.

The group have become a stronger force to be reckoned with. It feels like their love and passion for music has been magnified, and this is reflected in their energetic performance as well as the strong quality of music that they have been releasing and will continue to in the future.

8/10

Review: Horse Meat Disco’s Spring Fling!

Horse Meat Disco – 27th April 2018 @ Gorilla.

Horse Meat Disco (originally named from a newspaper headline “Horse Meat Discovery in Salami”) came back to Manchester once again to fix every disco, funk, and house music need. As always, the night was brimming as the crowds began to pour into the venue, and out of the pouring rain.

The queue was slightly too long, but it didn’t make a huge difference as the piles of waiting attendees were eagerly and excitingly waiting to get into the vibrant event.

The Spring Fling event, which originated in London, is making its way into its 16th year, just going to show that Horse Meat Disco has managed to perfect an amazing event that is practically timeless.

Not only has Horse Meat Disco successfully conquered London and Manchester, it is set to go on and have a very busy festival season in the upcoming months too.

 

Inner City Electronic (2nd June) – UK

Glitterbox (8th June/6th July) – Ibiza

Love International (27th June) – Croatia

Soundwave Festival (26th July) – Croatia

Houghton Festival (9th August) – UK

Lost Village (23rd August) – UK

 

Horse Meat Disco is gloriously branded as the queer festival for all, often filled with glitter, colours and celebrates all things fabulous, which is why it is so perfectly matched with a US mini stop tour in the US, in New York, Chicago and San Fran! The touring show is no doubt going to create such a euphoric atmosphere at the festivals they’re attending you’d be a fool to miss out!

But if these are just a little too far from home, Horse Meat Disco is holding a “Start Of Summer” event in Gorilla on the 8th June, and tickets are available now! But be quick before they sell out!

 

Tickets are available here.

Want to try before you buy? Listen to their Sound Cloud here:

Government pledges to protect free speech on campus

New guidelines are being proposed to prevent universities from  ‘no-platforming’ controversial speakers.

University Minister, Sam Gyimah met with university students and leaders on the 3rd of May 2018, to establish a set of regulations that protect free speech and open debate on university campuses.

The meeting was described as a “‘free speech summit”.

Mr Gyimah sai: “‘A society in which people feel they have a legitimate right to stop someone expressing their views on campus simply because they are unfashionable or unpopular is rather chilling.

“There is a risk that overzealous interpretation of a dizzying variety of rules is acting as a brake on legal free speech on campus’.

Some societies have been accused of ‘”institutional hostility” to what are unpopular but perfectly lawful views.

The Chairman for the Office of Students, Sir Michael Barber commented “challenging” ideas had a right to be heard and continued: “our universities are places where free speech should always be promoted and fostered.”

Speakers have been warned about being blocked by “no platforming” — when students refuse to offer a platform for speakers when their views are too offensive.

An investigation carried out by Parliaments Joint Committee on Human Rights found that red tape and confusion over what is permissible was the wider problem.

Harriet Harman, who chairs the committee commented “University bureaucracy” and fear of controversy was stifling debate.

Mr Gyimah has emphasised that a culture of censorship is not acceptable.

Clearer rules over the boundaries of debate and protest need establishing across all universities ‘to prevent bureaucrats or wreckers on campus from exploiting gaps for their own ends’.

Current rules on free speech are complex and allow the blocking of unfashionable views, which he blames the rise of safe spaces and no-platform policies for.

This intervention on free speech is being claimed as the largest intervention by ministers for more than 30 years. It marks the first new set of guidelines since the introduction of the free speech duty in 1986.

However, it has been claimed by Alistair Jarvis, Chief Executive of Universities UK that such confrontation is “good for politicians” and the parliamentary committee found that no problem with free speech at universities.

Thousands of events and speakers on campus occur every year and pass without a problem. Only a small number of events on divisive issues which are widely shared have caused an issue. For example, the recent fracas at an event Conservative Brexiteer Jacob Rees-Mogg was speaking at.

New powers to publicly shame and fine institutions for failing to uphold principles of free speech will be given to the Office of Students which came into force on April 1st.

Gyimah’s announcement was rather timely in regard to UoM as Former Tory Chancellor George Osborne visited recently, where he was making a speech on “what makes a country strong” at Whitworth Hall. He was met with protesters blasting Lily Allen’s ‘Fxck You’ song at high volume and placards, banners, posters, megaphones and drums calling for him to leave.

Mr Osborne was appointed Honorary Professor of Economics at UoM last year but received a mixed reaction among students.

 

Live Review: Drenge

The 2nd of May, 2018, Gorilla. 

It is the fifth night of Drenge’s ‘Grand Reopening’ tour — their first in 3 years — and the audience at their long sold-out show at Gorilla is full of expectation.

There are wild cheers as the band struts out in matching navy boiler suits and Eoin Loveless proclaims “it is good to be back in Manchester”, beating his chest like a gorilla. Drummer Rory Loveless ceremoniously cuts a red ribbon that crosses the stage under a banner that reads ‘Drenge present the grand reopening’. The band pre-empts the chaos to come: “play fair, look after each other”, before launching into unreleased song ‘Bonfire’.

The Loveless brothers started Drenge as a duo with the addition of Rob Graham for their 2015 album Undertow. With yet another new member, the now-quartet sounds formidable and tracks from their self-titled first album have a new depth and power. “Have you all warmed up and done your stretches?” quips Eoin, leading an impromptu group stretch before military- style drums signal the start of ‘Dogmeat’.

Other songs from their first album include ‘Bloodsports’ and ‘Nothing’, with its unrelenting grunge riffs and gory lyrics filling the venue. The mosh gets progressively more violent throughout the set, culminating in a frantic circle pit more than half the size of Gorilla during ‘We Can Do What We Want’ as Loveless half-sings, half shouts “no-one tells us when to stop, no-one takes account, and no-one steps in or has the guts to call us up.”

The band pauses the set to give the crowd a deserved break and to sing happy birthday to a boiler-suited crew member, presenting him with a candle-clad caterpillar cake. It is undeniably ‘Drenge- style’, accompanied by coarse bass. This is followed by new song ‘This Dance’, which is slightly less dark and heavy than tracks from their previous records, with spiralling guitar layered over brutal basslines but still mosh-worthy.

The venue is unbearably hot and sweaty, but there is the occasional relief when Drenge plays slower songs. “I’m sitting down and I’m hot but we’re going to play ‘Standing in the Cold’”, jokes Rory. The audience claps and sings along enthusiastically and the track evolves into a bluesy yet hammering guitar solo.

Eoin also performs ‘Fuckabout’ which is evidently a fan favourite as he doesn’t have to sing a word himself. Despite it being a slow, acoustic song, several members of the audience still see it as an opportunity to crowd surf.

The set closes with ‘Running Wild’, as Gorilla pounds with noise and transcends into a realm of untamed mania. Drenge leave the stage, hot but triumphant, and in full knowledge that for their fans those 3 long years were well worth the wait.

8/10

Interview: Professor Dame Nancy Rothwell

It’s been a turbulent time for the university sector, and not least the University of Manchester.

We’ve had staff strikes over pay and pensions, rows over Vice Chancellor pay and expenses, and the looming and ominous uncertainty of Brexit hanging over it all.

Which is why it was such an opportune time to talk to our President and Vice Chancellor, Nancy Rothwell.

To some, she appears somewhat elusive, a figure only referenced in the height of controversy or merit.  However, in recent months, she’s been in the limelight more than ever, something that is probably starting to get somewhat tiresome.

But I relished the opportunity to discuss the pressing issues of the day with her — and I definitely wasn’t short of questions.

We settled down in her office overlooking the Quad, sunlight streaming in, and I got straight to the point: pension strikes. It would be hard, I said, to do the interview and not talk about the unprecedented industrial action that stemmed from a decision by Universities UK to change lecturers’ (and other university staff) pensions from defined benefit, to defined contribution. This essentially would have meant, where in the past they’ve had a concrete sum of money that they would received when they retire, their money would be invested at the discretion of the pension provider, and they could end up with less than they put in.

I asked her how she personally felt about it and how she believed we should reduce the pension deficit. She told me that the situation was “very worrying”, and that she was very concerned at the prospect of staff losing “something very important to them”.

She continued to tell me that she didn’t know how the issue could be resolved in the long run as the deficit is huge, and economic gap like that “can’t come without consequences”. She admitted, though, that bigger institutions like Manchester are better equipped to deal with the shortfalls.

She confirmed too that the new deal that the University and Colleges Union have agreed to, includes the stipulation that the original proposal is “off the table”, although that does not mean a complete turnaround from the use of defined contributions when it comes to lecturers pensions: “I don’t think anybody can say for certain that there won’t be some move because there already has been — it might just be not affordable”.

But, as we all know, it’s not just the lecturers who were affected. Students were dragged into the row through the loss of countless contact hours and dissertation supervision over February and March.

I asked Dame Rothwell, in light of the recent calls for compensation (mainly in the form of remuneration), what is she, along with the rest of University, doing to help the affected students?

She firstly explained that she’s asked staff “where they feel able to and willing, to replace lost teaching”, but that this isn’t something the University is enforcing as a rule as they believe it would be “unfair”.

She alluded to a possibility of “whether or not there needs to be an adjustment to the way exams are marked”, but in an open meeting for the School of Social Sciences with herself and other senior staff members at the University, Professor Clive Agnew (Vice-President for Teaching, Learning) dismissed the idea, saying he didn’t want to devalue the degrees achieved this year, so there is still some uncertainty surrounding this.

When it came to the question of compensation however, she seemed unconvinced that this would be a viable option in the short term, as, in her words, “students across the University have been affected in very, very different ways”.

I then posited the argument (first brought up in the annual SALC open meeting by Jacqueline Skiptunis, and reiterated in a tweet to The Mancunion from an MA human rights student called Josh) that courses aren’t costed in this kind of nuanced manner – students are asked to pay a blanket fee, regardless of how many contact hours they will receive. So why should their compensation for lost teaching time be any different?

Her answer centred on the idea that compensation would depend on “a set of principles” — does one ‘unfairly’ give one student who only lost three hours of teaching the same amount of money as one who’s lost 30? Principles needed to be decided upon she said, not detail.

However, this seemed to slightly miss the point — and evade the question. Especially given that some detail is already being discussed, one option being covering graduation costs. She wasn’t sure about whether or not they’d go for it though, and apparently nothing’s been agreed as of yet.

I also mentioned that legal firms have started approaching students and telling them that they have a case to sue the university over lost teaching time. Many students were outraged at Clive Agnew’s statement in the Social Sciences open meeting that all the University of Manchester was contracted and required to deliver was a degree, as some took that to mean that their education wasn’t something they were entitled to in his eyes.

This has led some to lean towards the idea of legal action, and the MEN have reported recently that over 90 students have joined some a group legal action, but Nancy Rothwell issued a stark warning to those who would pursue it: “I would really really hope we don’t get to the position of legal disputes because lots of people lose out in legal disputes even the ones who win the case possibly”.

We then moved on to the ongoing Campus Masterplan – in essence the move from North Campus to Oxford Road (mostly, anyway). Dame Rothwell told me it’s set to be finished in 2021, and that’ll include projects such as the new Business School which is close to being finished.

However, there isn’t going to be a complete shift from North Campus. Whilst none of the remaining buildings near Sackville Street and Upper Brook Street will be “student-facing”, there will be some incredible new research facilities such as the Graphene Engineering and Innovation Centre.

What this does mean though is that “there will be a very large piece of free hold land that the University owns” and, at the moment, there hasn’t been a concrete decision as to what shape that will take, and what it will be used for.

One idea is to turn it into an “innovation district”, somewhere that would encourage new and hip start ups to set up shop and provide employment opportunities for graduates.

Some have previously said that the move was pointless, but Rothwell was adamant that students should all be engaging with things like the Students’ Union and using the Learning Commons, and the best way of doing that was making them more local to those students.

Some projects have been halted though such as Coupland 3, which was a “big redevelopment in arts”. Apparently since Brexit, funding has been uncertain, so prioritisations had to be made, and they seemingly favoured more science-focused projects.

I asked her then about Brexit’s wider impact on universities, and she tole me that “it’s hard to say for sure what will be the biggest impacts of Brexit because there’s still so many unknowns” but that obviously, as mentioned before finance and access to grants is definitely an issue.

She said though that she’s in continuous conversations with ministers and civil servants, expressing her concerns, and that she wants to ensure European students that the University of Manchester is welcoming of them and “open for business” — channelling our Prime Minister a little bit there!

Funding is of course an issue, but it’s not the only hot topic in finances that has been gracing our headlines in recent months. After Bath’s former Vice Chencellor’s enormous pay packet was exposed, conversations were starting to be had about whether or not Vice Chancellor pay was fair and just.

Then, to top it all off, Channel Four launched a huge investigation into Vice Chancellor expenses, and some cases seemed even more ridiculous than the MP expenses scandal of years gone by — one Vice Chancellor in particular expensed a flight from Australia to the UK… for his pet dog. Ludicrous.

I then asked her if there should be regulation on pay and expenses. She told me: “regulation is difficult because universities are autonomous, independent organisations” but that there are new guideline that are due to be published imminently.

She was clear that the most important thing that should (and hopefully will) come from it is “absolute transparency… making sure vice chancellors have no role in their own salary… and that expenses are appropriate”.

The University of Manchester however has set up a separate committee that discusses Rothwell’s pay that she doesn’t sit on.

Now, Nancy’s salary might be high, but she seems to be somewhat of an anomaly when it comes to women in high paid jobs at the University of Manchester. Women at the university of Manchester are paid thirteen percent less than men on average, which is higher than the national average of just under ten per cent. Women make up 39.4% of high paid jobs and 60% of lower paid jobs. So I asked her: what are you and the rest of the university doing to close this gap?

According to her, “we have been doing numerous things for a long time and it is getting smalled but there’s still a gap to close”. That includes mentoring women who seem as though they’re ready for a promotion as, in her words: “we found from doing an internal study is that men were, on average (and you have to be careful about generalisations), more likely to come forward for a promotion, and women tended not to put themselves forward”.

So why does she think women don’t want to come forward for a promotion? Well, she said based on research done internally at the university, “women are less confident in promoting themselves”.

She said that “I was asked if I would apply to be Vice Chancellor, and I said no, and the reason I said no was because I thought it was a job that I couldn’t do.

“And then I read I book, which is a very good book which is called Beyond the Boys Club, and it was from a senior female coach, and it said that men have a tendency — not all men — to look at a job and think ‘I can do some of that, so I’ll go for it’. Women have a tendency to have a look at the job and think ‘I can’t do some of that so I won’t go for it’”.

Her belief, then, is that more women need to be encouraged to think of themselves in a more positive light professionally.

And she said she certainly hopes it’s encouraging that we have a female Vice Chancellor, at the very least.

I finished by asking her about her biggest challenges and highlights in her role, given it’s coming up to her eight year anniversary as President and Vice Chancellor. She mentioned the Manchester bombing and deaths of students that she solemnly described as being “pretty bad”. She also said the day after the EU referendum was “not a good day” for her.

Highlights included the Nobel prize ceremony in Stockholm in 2010 when Manchester scientists Professor Andre Geim and Professor Konstantin Novoselov won the prize for their discovery of graphene, and all graduations.

Although, this year’s graduation may not be as sweet if the students’ robes are coming out of the university’s pockets…

Live Review: DMA’S

These tracksuit and cap-clad Sydney boys could have easily convinced you this was their home gig. They strode onto the stage to a sea of bucket hats and feverish anticipation, opening the Academy with a passionate rendition of their second EP ‘Feels like 37’. Their fans erupted into a leaping mob, creating a wall of forceful energy the band easily matched, with a set steeped in a boyish intensity of spirit.

They launched into their new music with ‘For Now’, the powerful opener and title track of their latest album, which was met with a similar full-throated appreciation as the band’s classics. Tinged with indie-rock and punk, DMA’S embody the UK’s Britpop era, evoking a sense of nostalgia and a longing for a scene kept alive by the band’s, surprisingly multi-generational fans, who were united in an undeniably British, and somewhat violent, appreciation of the mosh-pit. With the release of this second album, offering more of a similar ilk, DMA’S are proving they have sticking power, leaving plenty of space within which to evolve and integrate fully into the UK music scene.

‘Delete’ offered a slight acoustic calm amidst the tumult. The crowed lulled, flooded with the light of a single spotlight, highlighting lead singer Tommy O’Dell and the band’s soft, oddly delicate voices; they were powerful in their ability to create momentary quiet in a room of chaos. This pause acted as a reminder of the introspective, simple yet, insightful lyricism which underpins such a forceful stage presence, lifting this band from simply being a replica of its predecessors.

Inevitably this moment of stillness was broken as the band soared from anthem to anthem, from full-throttle ‘Timeless’ to the  grief-filled and honest ‘Step up the Morphine’, which almost broke my heart.

The set-list was punctured with new material, such as the catchy and upbeat beauty that is ‘Time and Money’, proving this band are here with force and here to stay and closing with ‘Emily Whyte’, the last track off their new album. Drawing the pre-encore gig to a close with one of their newest and most lyrical tracks exemplifies DMA’S’ fearless ability to wear their hearts on their sleeve, crafting painfully honest lyrics, amongst souring and powerful melody. With this they left the crowd chanting at their feet before strolling back on stage for a three-song-strong encore, as if their set hadn’t packed enough of a punch.

With ever-increasing intensity the room was filled once again with an ecstatic bedlam. The smoke of a flare from the middle of the crowd encompassed the band as the they surged into their final song, ‘Lay Down’ – the ultimate indie-rock anthem, evoking British festival season at its best and celebrated as such in one final and joyous mosh.

As the crowd filed out the side exit they left the space which, just for a few hours, had been given up to a britpop revival, forcefully revelled in. Yet it has to be said, the band’s slower songs, were, in part, lost amongst the sweat of bare backs and beer-soaked polyester. However, they didn’t disappoint when it came to content, pouring their energy into a packed setlist which left little room for filler, surging from song to song.

There’s not many bands with the power to maintain those kind of energy levels throughout and it’s this which means they will lose little traction on the UK leg of their tour. Ultimately this is a band for the generation who missed out on britpop and for those who remember it and want to revel in nostalgia and sweat once again.

8/10