The second of four Easter weekend nights at the Warehouse Project sees the return of a series of bug names. Skream is back after an appearance with Magnetic Man in October and with huge new releases under his belt including the recent collaboration with Example, ‘Shot Yourself In The Foot Again’, and his remix of Cassius’ ‘I Love You So’, be sure to expect a memorable set of chart-toppers, dubstep favourites and everything you need to party to.

It’s a wild life for us music journalists, constantly rubbing elbows with the stars. Nearly every week, we’re barraged with requests to meet the pinnacles of musical excellence. Imagine such treats as interviewing the occasional fill in keyboardist of a local rising band, or chatting on the phone with somebody you’ve been assured is next year’s big thing; we’re just too lucky. Occasionally however, outside of busy journalistic hours, your glowing aura of musical obsession helps you stumble upon an amazing chance meeting and it’s at these times you remind yourself why you bloody love music.

2010 was the year of the auto-tune. With the increasingly popular Glee, the controversial use of the plug-in on X Factor and a Billboard number one album from Ke$ha- it’s everywhere. Yet, we forget that 15 years ago, international superstar Cher brought it to the forefront of musical technology, creating almost a revolutionary new sound with her hit ‘Believe’. Today it has created problems of “over produced” sounds, with untalented stars being given an easier pathway to success.

News of the eagerly anticipated final Streets album release has excited fans, hearing claims that Mike Skinner had returned to the high standards of ‘Original Pirate Material’ and ‘A Grand Don’t Come For Free.’ Once again Mike Skinner has produced a fresh and impressive album, reminiscent of the early work that made him the success he is. Many feel that it is definitely not his best album, perhaps third in line, and I would have to agree. Whilst this may seem harsh, this still gives Computer and Blues ample high praise.

Youmeatsix were one of the highest rising bands of 2010, having played the British invasion of the US Warped Tour (which also included Enter Shikari and Bring Me the Horizon); the main stage at Reading and Leeds and finally ended the year supporting the album, Hold Me Down, released in January.

Deerhoof have lingered in the left field of pop idiosyncrasy for more than a decade, loved by critics and existing as a name that is ever-present in the music blogosphere. While their influence is cited by many of the most innovative artists in the alternative world, they have yet to pierce the skin of the mainstream in the way bands such as Grizzly Bear have in the past couple of years. With Deerhoof vs. Evil, their critical adoration will continue, although whether they can gain the level of visibility that has so far eluded them remains to be seen.

Before listening to this album, my only previous encounter with Iron & Wine was via the overly twee ballad ‘Such Great Heights’, courtesy of the Garden State soundtrack. Thus, I was pleasantly surprised by the overall content of Kiss Each Other Clean.

Most grime novices will know the name Skepta as being that of the man partly to blame for an embarrassing dance craze, known as the ‘Rolex Sweep,’ (a kind of, ghetto Macarena). But he may also have reached your radar lately in the form of the recent chart tracks ‘Bad Boy’ and ‘Rescue Me,’ from his third studio album Doin’ it Again.

The greatest genre in the entire world is one which many have little experience with; Stoner rock. It’s a style of music which has very few definite articles; at one edge you have psychedelic, technical acts like Monster Magnet or my personal band of 2010 Sungrazer and on the other you have deep, sludgy behemoths such as Electric Wizard and legends of the genre Sleep. Even within stoner rock there are tonnes of sub-genre’s, fuzz, psychedelic, desert and sludge to name but a few, and as spring approaches, some of the finest examples of these bands are rolling through Manchester. So here’s a preview of the four gigs to look out for if the words stoner and rock sound good to you.

Music Editor Eoghan Bennett chats to front man Jonathan Higgs ahead of two very special gigs. There’s a rumour that you’re back in the studio? Yea we just got a load of new equipment that we’re trying out, so there’s a few new songs we’re working on. We haven’t got to the recording stage yet, […]

3.5 Stars During the eleven months that it has taken to record his debut, Tinie Tempah’s jocular, no-frills lyrical style has taken him from relative obscurity to being one of the most talked about and promising artists in the charts, and initially, Disc-Overy seems to uphold the momentum of his previous success.   The piercing […]

Manchester band Doves are the second live band to headline the Warehouse Project this year.  The band, who recently released their greatest hits album, have been a favourite in the city since they were formed here in the early ‘90s. Doves said in a recent interview for The Daily Record that they plan to take […]

Brazil is big. Not just big, it’s fricking enormous. It’s the fifth largest country in the world, even bigger than Australia. So, what would you expect from a country that big? Well I can tell you – a whole lotta music. There is far too much to talk about for one little box, so I’ve […]

Recently, I found myself sat in front of a Freeview box with friends and alcohol, begrudgingly watching the worst music channels on TV (You know the ones; channels with titles like Mega Tunes TV or Hit Land). All delightfully cheesy and vaguely tolerable, until, a few beers in, the corner of the screen lit up […]

Ian Brown is a certified Mancunion musical icon. Now seven albums down since the split of the Stone Roses, he’ll be playing his second huge Manchester gig of the year. While early June’s Platt Fields Park night was fantastic, the Warehouse Project gig promises even more. With Factory favourite Mike Pickering on beforehand, as well […]

Postcards From A Young Man is the Manic Street Preachers’ 10th studio album. In a music industry in which a band is lucky if their second album makes any kind of impression, this is a major achievement and should make the band something of a national treasure (albeit a Welsh one). So how come the Manic Street Preachers appear to have passed so many music fans by?

This year’s Warehouse Project starts with one of only a handful of nights featuring live bands rather than DJs. The club’s opening night on the Thursday of Welcome Week features headliners Maximo Park, who boast two double platinum albums to their name, as well as sell out tours in the UK and abroad. Supporting them […]

4 and a half stars Every article you’ll ever read about Dinosaur Pile-Up will contain at least one reference to the Foo Fighters, and for understandable reasons. Matt Bigland, singer, lead guitarist, and main driving force of the band has never made secret his love of Dave Grohl’s outfit, and the opening tracks of ‘Growing […]

With a supposed techno-based new album coming out later this year, SMD could be bringing a heavier sound to Warehouse than they ever have before. But still, expect plenty of analogue bleeping, and some of their Kitsuné remixes of Klaxons, Air and Muse. As SMD are in control of the whole line-up, it’s a bit […]

3 and a half stars With a discography that includes two well-received albums and a handful of top 40 singles, it may come as a surprise that KT Tunstall has never had a top ten single. Maybe, it’s because she has forged a career as being more of an album artist. ‘Tiger Suit’ follows this […]