Everyday Analysis: Charity
Everyday Analysis discusses United Colours of Benetton’s recent ‘Unemployee of the Year’ campaign
Arts
Surviving Supper: the Futurists
Background The Futurist movement was founded by the poet Marinetti in Milan, 1909. It was more of an ideological than stylistic movement that ...
There's no place like Soane
Tucked away, on a quiet street near Holborn tube, is the Sir John Soane's Museum. Undergoing extensive renovations when I went, there was ...
Interview: the life drawing model
We’ve all experienced the same nightmare, standing in a room full of strangers realising you are stripped naked, baring all to a ...
Surviving Supper: the Futurists
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There's no place like Soane
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Interview: the life drawing model
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Venture Arts: ‘Articulate’
Annabel Herrick previews ‘Articulate’ from the Venture Arts project, at the Lowry
Architecture: ‘as pragmatic or as esoteric as you like’
Arian Lehner and James Taylor-Foster founded Mies UK as an independent project to look at architecture from a student perspective through written and filmed interview
Interview: Shereen Perera, Islington Mill
We caught up with Shereen Perera, Visual Arts Co-ordinator at Islington Mill, to talk about her work, the Mill and how she got there
Peter Cooke: what is important is ‘an integral curiosity’
Annabel Herrick sat down with UoM lecturer Peter Cooke to discuss his career and the works which inspire him
There’s no place like Soane
Arts Editor Harriet Hill-Payne suggests searches out the unusual, the bizarre and the eclectic for your Easter cultural fix
Surviving Supper: the Futurists
Long silences over the dinner table? Let Lucy J help
Freud and The Gruffalo
Everyday Analysis apply some Freudian criticism to Julia Donaldson’s much loved children’s classic, The Gruffalo
Žižek, Ideology and the CrossCountry Train Network
The Everyday Analysis Collective apply some of Slavoj Žižek ideology theory to a national rail service
Bejewelled lobsters and hookah smoking monkeys
The fantastical, beautiful and grotesque collide, but somehow Raqib Shaw’s exhibition misses the mark, says Esmé Clifford Astbury
Interview: the life drawing model
‘I understand the way in which the body is looked at. It’s seen as a shape, something aesthetic to be drawn in a mathematical way’
Surviving Supper: DADA
Awkward silences over dinner? Let Lucy J help
