Millionaires control the media … Here’s why we should have a collective ownership model instead

From gushing over Go-Falafel to defining true love, Heather Baron-Gracie of the Pale Waves sits down with Jay Mitra to discuss queerness, her favourite spots in Manchester, and going stir crazy in a “tin can tour bus.”

Sophie Hicks reviews Hairspray at the Palace Theatre, starring Brenda Edwards and Norman Pace

We review Exile, a newly established café in Fallowfield

As cases of spiking rise, sales of testing kits have soared. Find out the main styles of tests, and whether or not their worth it

With a recent increase in drink spiking incidents, the Mancunion asked GMP and UoM for their responses on student safety

Based on the iconic film of the same name, the musical adaptation of White Christmas plays at the Palace Theatre later this month

Should statues be removed? A recap of the discussion chaired by UoM’s own David Olusoga

The Student Union stand firmly against the University of Manchester on removing automatic assessment extensions

Here’s what the Greater Manchester Mayor had to say about the rise in spiking attacks

Jessica Hamilton reviews The Woman in Black at the Palace Theatre – the first show at the Palace since reopening after over a year

Madison Emmett reviews Anna X at the Lowry, starring Golden Globe winner Emma Corrin

Make the most of this seasonal favourite by looking beyond the typical carving pumpkin

Want to make a purchase with a conscience? Camille Garratt gives you a roundup of the brands that support breast cancer awareness

Miriam Jarvis reviews Candy Floss at HOME

The Queer House’s Pink Lemonade plays at the recently reopened Contact Theatre later this month

In light of recent news, Victoria Roberts explains why Men Who Hate Women by Laura Bates is an essential read

Managing Editor Ella Robinson and Emily Turvey review Waitress at the Opera House, starring Lucie Jones, Sandra Marvin, Evelyn Hoskins and Matt Willis

Born out of a post war slump and growing permissiveness, the genre of erotic horror remains one of the most controversial and influential in cinema history

Harriet Cummings reviews The Cat and The Canary at the Opera House, starring Bond girl Britt Ekland and West End star Marti Webb