The interplay between the xx’s members is evident in an album which is both instrumentally varied and emotionally intimate, making I See You their strongest album yet, writes James Gill
A sinister, enthralling set from the award-winning singer proves PJ Harvey’s worth as one of contemporary music’s greatest assets, writes Jack Ashworth
Stockport’s Blossoms appear thoroughly uninterested by the prospect of a sold-out show at the Academy—so why should the crowd feel differently, asks Meg Roberts
Warpaint could have easily rested on the laurels of their successful 2014 self-titled album, but have progressed nonetheless with a little bit of inspiration from their R&B idols
Run-of-the-mill guitar bands are the order of the day at this year’s Dot to Dot, but minor indie gems and slap-bass soul provide some much-needed respite
Never one to be ostentatious, Jessy Lanza’s subtle second album flirts with R&B and Chicago house on a brilliant pop album that leans towards the dancefloor
David Bowie doesn’t like looking back down memory lane in heritage rock docs. Instead, he delivers strange, serpentine albums like Blackstar with both eyes set firmly on the future