Triangle of Sadness fires shots at the vapidity and vainness of the rich – you are supposed to be laughing at them, not with them

The Northman takes the ‘Eggers style’ to even greater heights in this Norse revenge epic

The precedent set by modern TV is not only one that destroys the artistic integrity of the film but perpetuates a cycle of negative watching and passive viewership. Film Editor Benjy Klauber-Griffiths challenges television supremacy.

Our Deputy Film Editor reviews the long-awaited Bridgerton season two

As part of the Golden Oldies series, Sophie Hicks looks back on Atonement

MANIFF 2022: At moments shocking, at times confusing, this is the black American commentary audiences have needed

MANIFF 2022: Based on a true story, The Falconer is a cinematic dream but loses audiences due to its meandering plot and irritating protagonists

MANIFF 2022: This Lithuanian murder mystery delivers the excitement factor audiences love in such a thriller. It’s just a shame the audience I watched it with were so bad

What if the current Oscar nominated films didn’t exist? We present our picks in our ‘Alternative Oscars’ list.

MANIFF 2022: Korean sci-fi drama fails to offer anything other than a bland and predictable social critique

MANIFF 2022: Kirby McClure’s debut feature is cinematically gorgeous but struggles to deliver an engaging and comprehensive plot

This mafia masterpiece has more to say than just action, corruption and murder – at its core are pertinent questions about immigrant status and a changing set of values in the face of the ‘American Dream’.

MANIFF 2022: A witty mix of sci-fi horror and family melodrama, Natalie Kennedy delivers in her first foray into the genre

MANIFF 2022: Katie Boland acts in, directs, writes, and produces her directorial debut We’re All in This Together

Whilst undeniably a new take on the caped crusader, Matt Reeves’ recent The Batman misses the mark and only manages to offer a two-dimensional mystery slog

Simon Rex plays charming predator in Sean Baker’s latest film

Pixar’s new feature Turning Red is a story of female friendships and tackles important issues like never before

From the Netflix flagship films to the independent low budget flicks, 2021 has been a big year for female dominated horror movies. Dan Collins looks back at the female stars, auteurs and writers of the last year.

Our writers at the film section compile a list of our favourite female directed films.

Sarah Taylor reviews Manchester Art Gallery’s retrospective exhibition on the life and works of prolific filmmaker, artist, and activist Derek Jarman.