Hayao Miyazaki returns to screens with The Boy and the Heron, filled with adventure, sincerity and whimsicality it marks itself as the quintessential Miyazaki film
Izzy Sharp finds aspects of Tom Beard’s Two For Joy compelling and heartfelt, yet ultimately unable to strike home with its depiction of the tensions within a modern British family
Tetsuo: The Iron Man is a radical film that is profoundly shocking in both style and content, fostering a powerful sense of unease in the viewer. Almost 30 years after its release, it still has the capacity to disturb, writes Ashwin Tharoor