Does Bridgerton give modern viewers everything they need?

Channel 4’s newest series, It’s a Sin, is a compelling portrait of 1980s gay youth, sexual freedom and the beginnings of HIV epidemic

Lauryn Berry shares her views on ‘The Prom’, Netflix’s adaptation of the hit Broadway musical starring Meryl Streep, James Corden and Nicole Kidman

Alexia Pieretti reviews We Won’t Fall at the International Anthony Burgess Foundation

And Then We Danced is a deeply emotional, subtle romance which avoids preachiness and pretentiousness by conveying its message through music and dance, writes Michal Wasilewski

Lily Rosenberg and Theatre Editor Jay Darcy review Vogue Ball of Atlantis at Manchester Academy

Francesca McClimont reviews Bourgeois and Maurice’s Insane Animals at HOME Theatre

Rosemary Russett reviews Queer Lady M at Waterside Plaza

Francesca McClimont attends the press event for Bourgeois and Maurice’s first musical, Insane Animals, which also stars Lockie Chapman from The Overtones

Rosemary Russett reviews Sound Cistem at HOME Theatre, as part of Push Festival, from Plaster Cast, a theatre company made up of past and current UoM students

Claudia Langley reviews As British as a Watermelon at Hope Mill Theatre

Jess Johnstone reviews UMDS’ double bill of Mother Tongue and Riot Act at Tribeca Bar

Alana Cook and Jess Johnstone review Priscilla Queen of the Desert, starring Joe McFadden, at the Palace Theatre

What do the everyday issues of a middle-class family and the not-so-everyday issues of two hired assassins have in common? Find out in this double-feature review

Patience Kanjira reviews the 6th Birthday Special of Cherie Bebe’s Burlesque Revue at Matt and Phreds

Evie Appleson and Theatre Editor Jay Darcy interview BenDeLaCreme and Jinkx Monsoon, ahead of their show, All I Want for Christmas is Attention

Anna Jin reviews Burnout at the King’s Arms

As part of Black History Month, Chess Bradley discusses Tom Quayle’s beautiful, joyful images of the LGBTQI group Rainbow Noir

Alexi Pieretti reviews UMMTS’ last musical of the year, Spring Awakening; a show which brings hope for societal change whilst condemning censorship and adults who stifle the minds of the young, as well as the criminalisation of abortion

Alexia Pieretti reviews The Funeral Director on its visit to HOME