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Photo: Matt Austin

Review: We Are Ian

Georgia Carney reviews We Are Ian, part of Orbit 2017

Photo: Christa Holka

Review: How To Save The World Without Really Trying

Bourgeois & Maurice’s flamboyant neo-cabaret takes over HOME as part of Orbit 2017

Photo: Richard Davenport

Review: Mobile

A caravan plays host to an exploration of social mobility in 21st century Britain as part of Orbit 2017

(c) Alex Brenner (info@alexbrenner.co.uk)

Review: Instructions For Border Crossing

Anuli Changa reviews Daniel Bye’s interactive mediation on borders, part of Orbit 2017

Photo: Jack Offord

Review: The Believers Are But Brothers

Orla Quilligan reviews Javaad Alipoor’s exploration of what it is to be a young Muslim man today. Part of Orbit 2017

Photo: Matt Austin

Interview: In Bed With My Brother

Theatre Editor Sophie Graci chats to the company behind Edinburgh Fringe hit We Are Ian, now part of HOME’s Orbit Festival 2017

Photo: Alex Brenner

Review: Palmyra

The destruction of an ancient city inspires the breakdown of a relationship in Palmyra

Photo: The Other Richard

Review: Eurohouse

The politics of the EU are explored through the relationship between two performers in Eurohouse, reviewed by Anna Merabishvili. Part of Orbit 2017.