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Month: March 2011

Interview: John Garcia

Interview:

“If Kyuss went on any longer, I would have probably imploded”

Words by Tom Geddes

Having been part of, one of the most influential bands of the ‘90s, Kyuss, singing in scores of other bands and being involved in veterinary diagnostics, you could think John Garcia had accomplished all his goals. But as he tells Music Editor Tom Geddes, he has one last monkey on his back.

You could excuse a lack of modesty on his part when asked about his past, yet Garcia’s take on his influence lacks any element of ego. “I don’t think about it that hard. If a bottle of wine is no longer being made, there becomes a certain value to it. That’s the same with Kyuss.” Certainly, there is truth in this. When John Garcia and Josh Homme met in a bar to call the band quits, they did so not even a year after what many considered their breakthrough album, the perhaps prophetically titled …And The Circus Leaves Town. Ever since then, the mythical status of the band has snowballed, built on the back of their elusive generator party shows, in which they would take off into their hometown Palm Desert and kick up a storm in the middle of nowhere. Kyuss were always a band against the perils of fame though, and to this day Garcia maintains that it was the perfect time to call it a day. “If it went on any longer, I would have probably imploded.” Besides, Garcia points out “A lot of good things have come out of the demise of Kyuss.” Who can argue when Fu Manchu, Hermano, Mondo Generator and Queens of the Stone Age featuring ex Kyuss members?

Either way, time heals all wounds and fifteen years later, after an impromptu three-quarter reunion at French festival Hellfest, Kyuss are back, albeit under a moniker (Kyuss Lives!) and sans one very important member. “The only piece missing is Josh [Homme], who I love dearly.” Substituted in this tour for relatively unknown guitarist, Bruno Fevery, Homme has publicly been against a Kyuss reunion for many years now, so much so he wasn’t asked to be part it. “It was an expected given [that Josh wouldn’t join.] I’d have been setting myself up for immediate failure, an immediate disappointment. One of these days, hopefully I’d like to get a phone call from Josh, but I’m not holding my breath.” But there’s no hint of hard feelings: “We can have an exchange of words and then still have dinner together.”

Whilst the first Kyuss shows in fifteen years are a major talking point for many, for Garcia they are one more distraction on the road to his long awaited solo project, Garcia Vs. Garcia. “It’s not really a reunion. I’m doing this for one reason and one reason only. Garcia Vs. Garcia.” A pretty ballsy statement, but you cannot deny it of somebody who has been waiting to put out a solo record for twenty years, which as he says, “is a long time to have something nibbling at your asshole.” And despite confirming rumours that there will be another Kyuss record in the future, he defiantly states, “I’m not doing anything until I get this monkey off my back.” That even includes his day job as a vet. “I was in surgery at 3am doing C-sections on a 170lb Irish wolfhound. I love veterinary medicine, but I missed [singing.] I’d temporarily get my fix, but it was never enough.” Nothing is going to stop Garcia’s solo record and, after what’s gone before, you can’t help but anticipate an album that’s been brewing longer than Chinese Democracy.

Kyuss Lives! play Academy 1 on April 5th

Seun Kuti and Egypt 80

Album Review

Seun Kuti and Egypt 80

From Africa with Fury: Rise

Because Music

4 Stars

Nick Renaud-Komiya

Having a famous father and living in their shadow is never easy. Just ask Jakob Dylan or Damian Marley. This brings us onto Seun, the son of Nigerian Afrobeat pioneer and famed political activist Fela Kuti. To cap it all Seun isn’t even the only one of his illustrious pa’s offspring to become a musician. How does Kuti Jr fare? Pretty darn well, as it turns out.

From the opening moment of muscular opening track ‘African Soldier’ things are whacked up to fifth gear. It boasts horn stabs so sharp they could swipe your head clean off and sets the tone for the rest of this colourful record. By working with his dad’s old outfit, the Egypt 80, and employing the production talents of one Brian Eno, Kuti has managed to create a sound that is bolder and more adventurous than 2008’s promising Many Things.

The real weapon here is the Egypt 80, whom sound as professional and dynamic now as when they were lead by Fela.

The album’s seven songs, clocking in at a respectable 46 minutes, are a tasty collage of those ingredients that make Afrobeat so delicious; the tight rhythms, guitars set to ‘funk’ and yes, those horns. On top of these are Kuti’s astute lyrics, unloading his fury on the likes of African ‘strongmen’ and diamond mining companies. While not quite the rousing shouts for revolution that run through his dad’s ace tunes, Kuti nonetheless fills each song with a message. If ice cream vans and tannoy systems the world over played this kind of music every day, the world would be a happier place.

Column: The Darkness

Title: One Way Ticket To Hell (And Unfortunately Back).

PQ: I caught the eye of Justin Hawkins and shook my head.

Tom Geddes, Music Editor

On Tuesday 15th March, after years of speculation, pleading to the contrary and several sightings of a horseman of the apocalypse, the gates of hell opened and out from the abyss swaggered everybody’s least favourite drug casualty Justin Hawkins and his band The Darkness. For some unforeseen reason, a gap of five years is deemed appropriate enough for the decomposing corpse of society’s laughing stock to be dug out of its grave and reanimated for a second stint at life, a life which is guaranteed to be all the more annoying this time as Justin comes with an annoying moustache.

There are several things which annoy me about this story. First of all, their only announced date so far is to play Download Festival, which I’ll be at, leaving me with the horrible reality that I’ll have to go and see them. Yes, there are 4 other stages. Yes, there will be better bands on the other stages. But, the flip side of this is that I also like to boo given half an opportunity and, as a human, I have a morbid curiosity for disastrous events; the type you usually put into use when driving past a car crash.

Another thing that annoys me about this monstrosity reforming is that I feel sorry for Dan Hawkins who has to put up with his brother and all the shit that comes with him. Five years might heal many wounds, even those that come from your own flesh and blood being so useless at taking coke that he tears apart the world famous band you’re in. But, if I were Dan Hawkins, I’m not sure I’d be so willing to crawl back to him when his new band isn’t doing as well as my own. Whilst Dan was eking out a reasonable living with the small but at least relatively respected Stone Gods, Justin was attacking ears everywhere with his own Darkness rip off, Hot Leg. I’ve seen them both in support slots and the latter provoked a reaction I’ve never seen at a gig before. Silence. Pure silence. I actually caught the eye of Justin Hawkins as he walked off stage and shook my head. I like to think he sat in his dressing room that night and cried.

Whilst I cannot deny that I chuckled the first time I heard their Christmas single and that Permission to Land put rock on the map for a short time, it was always rock aimed at people who didn’t really like rock; a parody that somehow got taken more seriously than it deserved. The second album flopped when people realised the parody was awful, so what’s to say the third won’t do even worse. Reunions worked for bands that meant something in their day, like Rage Against the Machine, but not The Darkness surely. People say that enough time has passed to forgive them and let them have their second chance, but long enough doesn’t exist. After all, you wouldn’t resurrect Hitler in 500 years.

Kebab Alternatives

Simple, yet effective

I once found myself in a most peculiar state. I had been out for the night and having quite aptly quenched my thirst, I had the usual burning desire for the embrace of my true love – the doner kebab. However, my fairytale ending was not to be as I was all out of cash and thus an unworthy pauper in the eyes of my betrothed. Now what? I could not simply go to bed unsatisfied. So I toddled back to my home and entered my kitchen searching for a remedy.

On that fateful night I realised that although none may replace, truly replace her as the ultimate post-pub cuisine, there are times where she cannot be there for you, thus I have compiled a list of alternatives for all those lonesome nights.

Toast
Bread taken to the next level by grilling it. Round after round of the stuff, lathering it with butter, marmite, jam or whatever, forgetting about what you’ll need for breakfast the next morning and demolishing the entire loaf; then becoming every one’s favourite person by burning a batch and setting off the fire alarm.

Lettuce/Spinach/Bean Sprouts
Crunchy greens can be eaten pretty much non stop with very little consequence. They are healthy and relatively inexpensive, they are however also probably the most boring things to eat ever.

Frozen Pizza
This could be as satisfying as a takeaway, if cooking one always ended in success. And yet success is rarely the case, as once you’ve managed to turn on the oven you may make the fatal error of deciding to leave the kitchen while you wait the 20-30 minutes it takes to cook. The most probable result of this is you rushing to the kitchen screaming expletives and then coughing and wheezing whilst you remove the smoldering heap of charcoal that was once a Goodfella’s meat feast from the oven.

Cheese
There is nothing more satisfying than grabbing an entire block of Seriously Strong Extra Mature Cheddar and chomping straight into it. Then again, there is nothing more disappointing than trying to make a sandwich for lunch a few days later with one measly piece of cheese covered in teeth marks.

Cereal
Play it safe with Tony the Tiger, the Nesquik Bunny and Bran Flakes. Cereal is a smart solution as it is quick and filling. Trouble can occur though if you aren’t assertive with your choice of milk and start an inadvertent milk war by accidentally picking up some one else’s for pouring over your cheerio mountain.

Biscuits
Biscuits are delicious, in fact they are too delicious as the whole packet will have to be devoured. Unfortunately, once sober, you will have forgotten all about your crumby feast and thus when you next go to your cupboard expecting to find a nice custard cream or two to dunk in your tea, you will instead find emptiness and despair with only yourself to blame

Leftover Dinner
When you cook dinner before you go out, make more than you actually plan on eating, and then leave your less sober self some delicious leftovers. Then when your alter-ego comes stumbling in the early hours they will find the leftovers and hopefully finish them up. Be wary of the ferocious appetite of the drunken mind, one bowl of spag bog may not be enough and thus further raiding of cupboards may occur.

Nothing
Holy Moses, to go to bed without eating anything after a night of drinking high calorie alcoholic beverages is almost unthinkable. It is however, the choice that you will regret least in the morning. The worst part about eating food when you are inebriated is the fact that you may not recall how much you enjoyed it – if you could have even enjoyed it all. It’s a tough call to make, but when you wake up without the taste of raw doner in your mouth and instead with the knowledge that you can go to your kitchen and eat some of the food that you had not decided to devour the night before, you will be a happier person. Or so I have been told.

Godzilla Cake


By Lloyd Henning

When one has the opportunity to create ever cake that one desires, there is only one logical decision that one could possibly choose to take – to create a Godzilla. The cake itself is essentially a sticky toffee pudding, with green coloured butter-cream to add a reptilian feel.

Ingredients

  • 150g/5oz dates, stones removed, chopped
  • 250ml/9fl oz hot water
  • 1 tsp bicarbonate of soda
  • 60g/2¼ oz butter, softened
  • 60g/2¼ oz caster sugar
  • 2 free-range eggs
  • 150g/5oz self-raising flour

Method

Soak the dates in a bowl with the hot water and bicarbonate of soda, this will help soften them up. Whilst the dates are soaking, mix the butter and sugar together in a separate bowl.bNext add the eggs to the butter and sugar. Slowly add the flour to the butter, eggs and sugar mix.bOnce all the flour has been added, drain the dates and add to the mix.

Now pour into a cake tin and cook in oven at around 160°C/350°F/gas mark 4 for around 20-30 minutes or until golden

Construction of the cake is the most challenging part, once you’ve let the cake cool down (so it’s not too hot to handle) you can begin cutting it into the shapes necessary to create the Godzilla.

For the body I used a large rectangular piece and for the legs I stacked circular pieces together. The head was then biggest challenge, but some handy skewers can help add structural stability to you creation ensuring that Godzilla will reign supreme. Add icing and decorations to create a truly fearful cake.

All American cupcakes

By Scott McEwan

Ingredients

  • 75g unsalted butter (cut into small pieces and warmed slightly)
  • 130g peanut butter (smooth is best, unless you want crunchy cakes)
  • 190g sugar (dark brown is best)
  • 2 eggs
  • 1 teaspoon vanilla extract
  • 120g plain flour
  • 1 teaspoon baking powder
  • Pinch of salt
  • 60ml semi-skimmed milk
  • Ingredients for icing
  • 90g dark chocolate (around 70% cocoa solids)
  • 115g unsalted butter (cut into small pieces and warmed slightly)
  • Splash of semi-skimmed milk
  • Few drops of vanilla extract
  • 130g icing sugar, sifted

Method
Preheat oven to 160°C/350°F/gas mark 4
Cream (using whisk or electric whisk) the butter, peanut butter and sugar until well mixed, add the eggs on at a time, mixing after each, mix in the vanilla extract.
Mix the flour, salt and baking powder in a separate bowl. Add one third of the flour mix to the creamed mixture and beat well, and then add a third of the milk, repeat flour/milk steps until all of the flour and milk is added. Ensure it’s all well mixed.
Spoon the mixture into cupcake cases so each is about two thirds full. Bake for about 20 minutes or until raised and golden brown (try to avoid opening the oven door while they bake). Remove from the oven, leave to cool slightly and then transfer to a wire cooling rack (or clean grill pan) to cool entirely before decorating.
To prepare the icing melt the chocolate in the microwave (very slowly to avoid burning) or in a heatproof bowl over a pan of hot water.
Beat all of the other ingredients together in a bowl until smooth, then add the melted chocolate and continue to beat until it reaches a desirable icing consistency.

Little bites of raspberry delight


By Jemma Gibson

Ingredients

  • 110g unsalted butter (cut into small pieces and warmed slightly)
  • 180g sugar (caster or granulated white is best)
  • 2 eggs
  • 125g self-raising flour
  • 120g plain flour
  • 125ml semi-skimmed milk
  • 1 teaspoon vanilla extract
  • 5 tablespoons raspberry jam (seedless unless you want seeded cakes)
  • Icing sugar for dusting tops

Method
Preheat oven to 160°C/350°F/gas mark 4
Cream (using whisk or electric whisk) the butter and sugar for at least 4 minutes-until smooth and creamy, add the eggs on at a time, mixing after each.
Mix both of the flours in a separate bowl. Add the vanilla extract to the milk in a jug. Add one third of the flour mix to the creamed mixture and beat well, and then add a third of the milk and beat well, repeat flour/milk steps until all of the flour and milk is added. Ensure it’s all well mixed. Add the jam but barely stir (it’ll get a lot more mixed in when you spoon the mixture into the cases and the idea is for the cakes to have pink streaks running through them)
Spoon the mixture into cupcake cases so each is about two thirds full. Bake for about 25 minutes or until raised and golden brown (try to avoid opening the oven door while they bake). Remove from the oven, leave to cool slightly and then transfer to a wire cooling rack (or clean grill pan) to cool.

Mancunion Cake-off

By Lloyd Henning, Food and Drink editor

They came from far and wide; the brave and the bold, the hungry and the famished. All to compete in what was is now infamous Mancunion Cake-off. As part of student media week the paper organised the event on Wednesday 2nd March in the union bar. It was to be contest of intense cake talent. Every last competitor was viciously compete, no one wanted to lose, every one wanted to win – to be crowned cake champion of the union.

The initial preview of the cakes garnered a lot of attention from other patrons of the bar, all gazing at the doughy creations in awe. Still, no one was able to have a guess at who would come out on top. Amongst the Godzillas and Gadaffis , there was an amazing entry by a one Sam Bernard, a multi-layered monster church cake.

And so the judging began, there were three categories that each cake was meticulously inspected on: taste, aesthetics and extravagance. Taste was rated from vulgar through to exquisite; for aesthetics there were the hideous, the inoffensive and the objects of pure sex; and for extravagance there were the mundane, the individuals and the magnificent.

The judges tasted, they observed, they pondered, and worked their way through cake after cake getting closer and closer to finding the one that would be crowned champion and who would be immortalised in the Mancunion Cake-off hall of fame.

In the end it came down to three, Sophie Donovan’s ‘Currant affairs’ Gadaffi cake, Emily Oliver’s banana cupcakes and Catherine Sargent cupcake flowers. The room was full with sweat and nerves as the true victor was announced. So it transpired that the first legend of the Mancunion Cake off was Emily Oliver, her cupcakes had swooned the judges with their moist texture and creamy frosting.

However we shall never forget those brave men and women who entered the cake-off and made it the brain-melting awesome event that it was. Thanks to every one who came, even those who may have not won, your spirit will live on, with the hundreds and thousands in heaven above.

The Lass O’Gowrie


4/5

approx. £9 per person

By Lloyd Henning, Food and Drink Editor

This being my first real review of a restaurant for The Mancunion, I approached the task of reviewing the Lass O’Gowrie, a public house located on Charles Street (or the pub next to Joshua Brookes for all you student hipsters), with the necessary enthusiasm and trepidation that any middle-class-southern-accented student would have when reviewing a pub up north. There was much contest amongst editors and friends as to who would be honoured with accompanying me; in the end, possibly through some drunken promises on The Mancunion social the week before, I took the lovely Music Editor, Sophie Donovan, who was of course wonderful company.

I like my pubs filled with interesting things to stare at for when the conversation drivels out, the Lass O’Gowrie delivers on that front; the entire pub is filled with all kinds of strange memorabilia, with giant portraits of Lando Calrissian and models of Sir Kill-a-lot (yes, of the Craig Charles hosted Robot Wars fame). But what of the booze? There were a fine selection of ales on tap, enough to suite any taste, and an even more exquisite selection of whiskies and wines. I of course panicked and chose what I considered the safe option of a pint of Old Speckled Hen, which was served at the perfect temperature – cool enough to be refresh, yet warm enough to bring out the subtlest flavour.

We chose to sit next at a table next to an old upright piano, as I chickened out of eating on one of the retro gaming tables (it seemed too strange to have my plate of food have a backdrop of space invaders). Claiming to have the best pies in the whole of Manchester on their website, I was eager to see what offerings the Lass had for me, I wanted the real Northern pub experience. I studied the menu intensely to find a meal of suitable masculinity which could match the amount I wished to perpetrate having. It was a tough call, but it had to be the Game pie, which was filled with all manners of woodland critters: rabbit, pheasant, snipe and pigeon – as if Elmer Fudd had gone wild with a mini-gun. Sophie was determined for some reason to come to a pub and order a falafel burger, of which I warned her was not correct pub protocol – it the dish that they used to sniff out us southern softies. Fortunately, the friendly staff were kind enough to inform us that they had ran out of falafel burgers and suggested another item off the menu, the far more wholesome Lamb Hot Pot.

The food arrived swiftly and was a generously portioned, as any a pub food should be. My pie served with huge, tender potato wedges and lashings of gravy. This was precisely the pub grub that I had hoped for, each bite making me feel less and less like a stuck-up student and more like a real man, my only gripe being that the crust was slightly charred, a taste closer to the mines than I had been expecting. Sophie’s lamb hot pot was also filling and large, complete with a slice of thick bread and a smattering of cabbage (although that was deemed slightly too sour).

Eating at the Lass O’Gowrie certainly was a refreshing change from the drivel of the students dive-holes like Footage and Queen of Hearts. For one thing the floor wasn’t sticky with last nights vodka red bull. It’s a unique place and a great dining experience if you’re looking for some decent pub food in the city centre.

The Lass O’Gowrie
36 Charles Street
Manchester
M1 7DB
0161 273 6932

Hungry hungry hippo/Almond, orange and chocolate cake


By Isaac Cameron

Ingredients

for the cake

  • 200g softened unsalted butter
  • 380g caster sugar
  • 4 tangy clementines (or any tangy small orange) zested
  • 280g ground almonds
  • 5 medium free range eggs, beaten
  • 100g plain flour
  • a pinch of salt

for the syrup

  • 80g caster sugar
  • juice of 4 clementines

for the icing

  • 90g unsalted butter
  • 150g dark chocolate
  • ½ tbsp honey
  • kinder hippos (optional)
  • lime zest (optional)
  • orange zest (optional)

Method

Preheat oven to 160°C/350°F/gas mark 4, grease the base and sides and line the base with greaseproof paper.

Put the butter, 300g of sugar and the clementine zest in a mixing bowl and beat with a wooden spoon or electric whisk until all is incorporated and smooth.

Next add half of the ground almonds to the bowl and mix in. Gradually add the beaten eggs making sure they are fully mixed with the other ingredients.

Add the flour, salt and remaining almonds and beat until smooth.

Spread the cake mix inside the tin, level out and bake on the middle shelf of the oven for 50-60 minutes. To check if the cake is ready insert a skewer, or sharp knife into the middle of the cake. It should come out a little moist when ready.

When the cake is about ten minutes from being ready make the syrup by squeezing the Clementine juice in a saucepan with the 80g of remaining sugar then bring to the boil and simmer for a couple of minutes.

As soon as the cake is ready prick it all over with a skewer, making sure to go all the way down, then pour the hot syrup over gradually until the cake has soaked up as much of it as it can.

When the cake is cool make the icing by melting the chocolate, butter and honey in a bain marie and stirring to mix it all together. When this is done pour the icing over the cake and spread evenly.

If you like you can add the hippos, lime and orange zest at this point so it looks like a scene straight from the African plains. Also those hippos are really tasty.

How to Eat Sushi (and Not Feel Like an Idiot)


By Emily Clark
I am a bit of a sushi fanatic. I have taken it upon myself to probe the sushi world of Manchester and can safely say that the days of eating Tesco’s suspicious interpretation of Japanese food are far behind me. However, my overenthusiastic sushi exhaltations often seem to get the same response: one of genuine interest overshadowed by the veil of raw fish anxiety. Fear not. The idea of simply eating slabs of raw fish makes me feel somewhat uneasy – thus I hasten to stress that this is not what sushi is all about.
Sushi Facts
For anyone who has not as yet ventured down this culinary path, here is the lowdown on the basics of sushi.
Firstly, sushi actually just refers to the type of rice. The seaweed used to bundle up the rice is called nori and the combination of the two to make a roll is called makizushi. Anything can be used as a filling – avocado, asparagus, tuna, salmon, crabsticks, duck; basically anything that can be chopped up to make a stick shape. Nigirizushi is when a block of sushi rice has a topping placed on it rather than in the middle. Hand rolls, called temaki, look a bit like ice cream cones, except that the cone is made of nori and is packed with rice and other pleasant things. Sashimi is the name for the slabs of raw fish, which if fresh can be beautiful.
The only other information I feel necessary to impart is the use of wasabi and pickled ginger. Wasabi is effectively Japanese horseradish, but don’t let this conjure up bad associations of eating overcooked slices of beef with your grandparents, as wasabi is much sexier. The sushi eater is given a dish for soy sauce and can then mix in the desired amount of wasabi. The idea is to start off with a tiny amount, and please learn from the mistakes of many naïve but adventurous beginners who have been robbed of their wasabi eating potential by trying it by itself. Pickled ginger is used to cleanse the pallet in between dishes.
Places to Go
Though very accessible, my issue with recommending Yo Sushi for first-timers is that they painfully anglicise the Japanese delicacy. However, in a twisted way, the patronising staff and garish decor make it an excellent place to begin. I would not have been so gently eased into the sushi world without Yo Sushi. They also employ a 25% student discount if you print off a voucher from their website. However, I maintain that any establishment offering turkey and cranberry sushi at Christmas should be forcibly shut down and the proprietors charged with community service.
For anyone who wants a slightly less English experience, most sushi restaurants in Chinatown offer a more adventurous but authentic menu. One recommendation I have is Tokyo Season, near Piccadilly Gardens, where I once ate octopus, arctic clam, squid and eel amongst some other unfamiliar things – all on a massive hangover. Everything was at least mildly enjoyable; I kept it all down and remain very proud of myself. Umami on Oxford Road and Little Samsi in Withington both offer non-patronising and fresh sushi – the latter very reasonably.
My final piece of advice is to try grilled eel sushi, as it is by far the most delicious discovery of my experimental enterprises. Now go and lose your sushi virginity, if you haven’t already done so. Because, if nothing else, the novelty of having your food presented to you on a conveyor belt will never get tiring.

My God Ingredient


Couscous
Lloyd Henning
The food so good they named it twice. Couscous is the lazy man’s rice/pasta/porridge/kebab. With minimum effort you can create a warm pile of carbohydrate fulfillment in minutes. The process of couscous cooking is as simple putting the kettle on boil, then pouring the hot water over some dry couscous in bowl. It’s like pasta cereal.

To sex up your couscous, add anything you can find, a bit of soy sauce, a pinch of cumin. Rice and pasta have had their day, they were too sure of themselves: their arrogance shining through as the took an age to cook and then still sticking to the pan. Couscous has risen out of obscurity to be the new champion of the starch kingdom. It used to be only for the hippies and vegans, but now thanks to the miracle of mass production and supermarkets, you too can wield its power. So join the liberation and rush now to Sainsbury’s, to Tesco’s, to that corner shop near where you live and demand couscous, for it will change your world.

Mayonnaise
James Watts
When my finances are looking bleak, there’s one thing I’ll always continue to buy (as well as alcohol): mayonnaise. Hellmann’s or Sainsbury’s, full fat or low fat, a jar or a squeezy bottle, it’s all the same to me: glorious mayonnaise.

This cracking condiment is the perfect addition to practically any food; burgers, sandwiches, chips, pizza – even a roast dinner is improved. If what you’re eating is that little bit too hot, dip it in the cool, creamy and refreshing mayonnaise: you’ll experience a incredible food sensation that also won’t burn the roof of your mouth. When life is really tough, and there’s no light at the end of the tunnel, do not fear – there is a solution: get the mayo out, and just eat it on its own. And for that moment, everything is wonderful: all your worries just float away. It’s that good.

So, the next time you’re eating a meal – be it a 3am drunken snack or a romantic dinner date with your other half – don’t forget the white stuff. It’s just too good.

Wagamama Teryaki glaze
Catherine May
Sometimes I get annoyed at how much I love Wagamama’s Teryaki Salmon. Firstly, because
it’s so good that it means I’ve never tried anything else on their menu. And secondly, because it’s one of the most expensive things they sell. But now, without wanting to sound too much like a Brand Power advert, I can create it inexpensively at home with a jar of Wagamama Teryaki glaze.

Available in all good-sized retailers (read as: Tesco Metro opposite the Arndale) one jar contains more than enough for four portions of any sort of stir fry. Combining it with noodles, pak choi and salmon helps me feel as though I am sat on a long bench centimetres away from a stranger a la my normal Wagamama experience but there’s no need to stick to their suggestions.

With sustainable fish all the range, I like to marinate sea trout fillets in it before baking or frying. Teryaki beef is a dish that costs two pounds more to experience in the Japanese dining establishment so I’ve never braved it, but a homemade version definitely ups the ante. To be honest, this glaze works with any stir fry; even the humble vegetarian stir fry can be brightened up to please my carnivorous self when I pour in some of this tar-like substance.
Whatever you do, don’t let supermarket own brands tempt you. After mistakenly opting for Coops thinner, cheaper offering I noted my error and thoroughly regret ever straying from the sweet smell of a Wagamama Teryaki stir fry.

Pesto
Jemma Gibson

Pesto, staple of Italian cooking, staple of my cupboard. I’ve not found anything with the ability to transform mundane, student-esque dishes in the way that this tasty, herby, and cheap as chips sauce will. Spreading it on bread in the place of butter in sandwiches will create a quick lunchtime masterpiece (in particular if toasted-or taken into uni to rub in the faces of the unfortunate students living on soup from the JRUL cafe). Better still, stir into a bowl of plain pasta (or tortellini if you’re posh) to create a dish Antonio Carluccio himself would be proud of – I know because he made it on Saturday Kitchen the other day.

Possibly even better than the endorsement of a top Italian chef – although it should be noted Carluccio didn’t get his pesto from a jar – is the price tag on a jar of the stuff, easily available at less than a pound from most supermarkets-definitely Lidl and the wide range; green (basil), red (sun-dried tomato or pepper), or purple (aubergine) means that unlike the generic ketchup or mayo or barbecue, this is a sauce that will take a while to tire of, plus, unlike the aforementioned sauces, it’ll impress your mum.


Onions
Issac Cameron

I think onions are the best, the unsung heroes of the culinary world. Ranging from the bog standard flavour filled brown to the delicately flavoured and crunchy spring onion they can add flavour to pretty much any meal, but are never really appreciated in their own right.

What would a risotto be without the base flavour given by slowly sweating brown onions or shallots first? And doesn’t gravy taste so much better when its combined with a few onions?

The beauty of onions is that they are so versatile. When eaten raw, a red onion adds zing and crunchy texture, but when they are cooked slowly for a long time, leeks, red and brown onions create a deep savoury flavour which cannot be imitated by any other ingredient.

One problem with the onion is that it doesn’t often enough take centre stage, but there are a couple of my favourite dishes in which the onion takes the leading role. The first is the classic French onion soup. Very easy and very tasty, the dish relies wholly on the flavour packed in by the abundance of onions used. The second is a red onion, tomato and herb salad. If you macerate the onions in lemon juice and salt for about thirty minutes before adding them it takes away some of the bite and also turns them a nice pink colour.

Next time you’re planning your meals for the week, spare a little thought for the onion. The tasty workhorse of the food world.

Aromat
Emily Clark

My favourite store cupboard ingredient by far is Aromat – the legendary ‘All Purpose Savoury Seasoning’ from Knorr. Available in Sainsbury’s in the herby section for just 79 pence, this kitchen delight is an essential for anything I make involving pasta. Aromat is effectively a replacement for salt, hence its main ingredient after salt is monosodium glutamate (MSG). Don’t listen to the MSG cynics, Aromat is perfectly healthy in moderation and good for the soul.
How to make something with this amazing ingredient? Simply cook some pasta, then add butter and Aromat to taste. Nothing pretentious, this is pure comfort food. I also use it in spaghetti bolognese, chili con carne and pasta bakes. By no means is Aromat restricted to pasta dishes, the container suggests use with vegetables, rice, salads and even as a meat rub. Why not? My love for Aromat means that as well as keeping a pot in my kitchen cupboard, I now have one in my bedroom fruit bowl, ironically enough. How can anything that is this bright yellow not be an excellent addition to one’s food?


Lentils
Alex Wardall
I couldn’t live without lentils. I was going to to lie and go with the safer option of pesto, but the sad truth is lentils are the ingredient I couldn’t live without,and here’s why:

They are incredibly good value, one bag lasts me at least a month and, like rice, they are a great carrier of spices and sauces. Baked chicken or fish are great on lentils as an alternative to mash. Soups, Stews, Curries; the lentil isn’t fussy, it loves them all.

Lentils, in my completely non-technical food groups, are what I would call ‘a Bulker’. I find good-quality meat and fish too expensive to be buying in large amounts. Enter lentils. They are excellent as a substitute, or for the dedicated carnivores, just to ‘bulk up’ a normally meat-only meal. Next time you make a chicken curry or beef stew go half meat, half lentils. Delicious, cheaper and just as filling.

I feel sorry for lentils, I really do. For somewhere along the line they were relegated to the ‘uncool’ pile of food goods, condemned to a life in Vegan cafés surrounded by equally defeated ingredients such as quinoa and tofu. If the saying goes that real men don’t eat quiche, they certainly don’t eat lentils. I’m guessing that the majority of people picture the lentil-eating customer as similar to the mother from About a Boy in all her orange yeti-sweater and Jesus-sandal glory. I am no vegetarian, and I certainly don’t wear sandals. But I do love a good lentil.

On Sunday Night

On Sunday night we howl
“I just wanna make love to you”
into broom and mop handles.

And whirling around our cluttered
kitchen, we stamp our feet on
discarded shards of potato peelings.

Then breathless we sit down to eat.
We wonder at the scandals that have
slipped in through the bricks.
We unpick each others prettiness
and set the straight things
crooked bit by bit.

Then we sit back, fat with
food and chatter. Never more
relaxed than now.

Then a soft knock is planted on the
distant front door.
It’s the two little boys who
live over the road.
They’re maybe six, or seven,
maybe eight years old.

They present us with a rose each;
pungent and illicitly plucked from
a nicer, brighter street.

We look at each other and blush,
as pink as the flowers,
we are suddenly and
stupidly touched.

Jemima Foxtrot

Slipped in through the bricks

My Life in Bastard Japanese

Beautiful. He is
indicative of all that
is right with the world.

Spring is here, I
pick fresh yellow buttonholes
and wear them with pride.

Bass thuds up floorboards.
Get your raga on and drink
beer in the basements.

Drunken and giddy,
we fall fast against brick walls
as we kiss and kiss.

You are tender and,
we make the best kind of love
every other day.

Each day opens slowly
but the nights are folded up
and concentrated.

They recognise me
in the corner shop and pass
me milk, bread and eggs.

Pink cotton knickers
slip down my pimpled legs and
we’re at it again.

Our kitchen table
is flooded with stale food,
and scraps of our lives.

Some people say that
thumbing through old photographs
can hurt. Remember that.

Friends, boyfriends, brothers-
all the best men I’ve known
love Radiohead.

In my room I dance
to soul music because I
can move best this way.

Jemima Foxtrot

Egg

Holiday

Amateur musicians join me unexpectedly so
a kind of music I know nothing about –
baroque, symphonic, chamber? – plays
in notes flat with the smell of coffee
and dry toast, and hardback books, in this

supposed to be quiet for a hangover room, which
overlooks the grand-house’s grounds, across which flit
nameless birds, thrushes maybe – blue-tits, swallows –
like a display of emotion I shouldn’t think

I could put a name to it’s so joyful.

Joey Connolly-Wright

Nameless birds, thrushes maybe – blue-tits, swallows

Our Own Sunset Strip

Indie Kids drift out from Saki Bar carried on a wave of their own pretention
They maraud down the sunset strip we know simply as curry mile
A thousand takeaway wrappers catch a thousand heated updrafts
And drunken artists mix with switched on individuals
Echoing chants originate from the top floor of Magic Buses
And those with anything to hide find it thrust out in the open
This country’s next golden generation huddle over piles of vomit
As rain clouds threaten but recede and drift by
Neon signs illuminate a thousand hopes and dreams
As you board a 142 to Piccadilly
Blushed cheeks hiding dreams of a quite temperate life
A longing glance at the John Rylands goes unnoticed by all
While the unmistakable stench of Sambuca clogs the air
It’s the heavy breath of human sacrifice
Factory bouncers crack knuckles in preparation for long overdue fights
This is Manchester
And this is Friday Night.

Charles Rawcliffe

Sunset strip

Gesture

A token
gesture.
Nothing is spoken

and I wipe her
cheek – tears
from a flower.

I hold her –
my arm
on her shoulder.

Like a calm
still defines a place
by drama,

her face
is broken
by the fact

that this token
will fester
in what won’t be spoken.

Paul Lee-Woolf

Gesture

Craven

He was a firecracker whose tongue made things blaze.
His words lit us with laughter, melted cold airs,
a flame in a city famed for rain.

His head was as hot as his scorched hair,
as fiery too: his temper strained us –
the twist of a damp kitchen cloth to wring
dirty water from our love.

A letter, opened, in twitching white hands,
led to a joke, about scousers,
which was fanned aside.
He would have to move
to a city by the sea where
icy flecks from the docks
will turn his sugared jokes into salt.

He moved, his temper cooled, but so did he.
Flushed with fags the once proud Manc
lost the cotton mill roar in his voice,
extinguished by his distance from the city.
Paul Lee-Woolf

Craven

A Storm

“I’m worried I’ll have to get my cats incinerated,” says Laura, apropos of nothing. I take the bait immediately; she’ll only sulk until I gave in anyway.
“Why? Why will you have to get your cats incinerated?”
“Well, they keep attacking me, really quite viciously. I think they hate me,” she says breezily, pulling up her sleeve to reveal two long scratches down her forearm, near the elbow.
“Have you had them fixed? I hear its all the testosterone that makes them flip out like that.”
“They’re girls, Anna, you know that. They have girls names.”
“Well, alright then, maybe they do hate you. Why would you need to get them incinerated?”
“Well that’s what Carl had to do with his snake, wasn’t it? When it was sizing him up to eat him?” A bark of laughter, loud and manly, escapes from my diaphragm.
“That’s just an urban myth,” I say. “Carl never even had a snake.”
Laura looks a bit put out. “Well, I still don’t know what to do. The little bastards keep trying to flay me. I can’t walk around barefoot in case they try to bite my toes.” The four gin and tonics have gone straight to her head and I can see she’s walking on autopilot, bent forward, her tiny little legs propelling her unthinkingly forward. I grab her by the shoulder and pull her back before she can walk into the road.
“Christ. You’re not in London anymore Laura,” I scold. “Cars actually move in Newcastle.”
“Yes yes, very funny. Anyway, what should I do about the cats?”
“Oh fuck your fucking cats, can we talk about something else? How’s work?” Laura’s face brightens at the mention of work and she struggles upright.
“Oh shit, yeah, I’ve been meaning to tell you, I’m reviewing that film you liked for the Guide.”
“I like a lot of films.”
“Oh you know, the Korean one about the vampires. I’m doing a feature about the director.”
I let out another hearty bark.
“Chan Wook-Park? Have you even seen any of his films?”
“No,” she replies sheepishly. “But I said I was a big fan and they liked my piece in The Weekend about Krumping so, you know, I thought I’d just go with it.” My blood boils as I imagine how much better at her job I’d be, but I push that down. Proctor and Gamble pay me better than Laura’s intermittent freelance jobs, but the jealousy is still there, hot and insistent. I like Laura too much to say anything.
“Ok, we could make an evening of it, his stuff is great, you’ll love it,” I say. She taps me on the arm triumphantly.
“Great, I knew you’d come through for me, you’re really good at this type of thing.” Another little pang: I desperately want Laura’s stupid, easy job. “Well anyway, I’m fucking starved. Let’s get some chips!” Laura says, stopping outside the Munchies on St Mary’s Place.
I scoff, but Laura pulls me through the door.
“Just drag your arse along the carpet like a cat. Shit, did I tell you they’ve been doing that as well? It’s disgusting.”
Munchies is pretty much dead save for two men sat at the table next to the window, staring drunkenly into their kebabs and avoiding eye contact with each other. Laura bounces over to the counter. “Chips and gravy please,” she says, the knackered-looking guy behind the counter asks for two pound twenty in croaky broken English and Laura hands him three coins and walks over to a seat next to the window. I sit down opposite her. “Not getting anything?” she asks hopefully; I can hear the pattering of rain on the window at the other side of the room.
“God no,” I say. “I’ve got some chilli at home.”
“Oh come on!” she says rather too loudly, and with a hint of panic in her voice. “I can’t eat this shit on my own!”
“You’ve made your bed,” I grin.
“Oh come on, I assumed you’d be getting something as well,” she says, lowering her voice and glancing self-consciously over at the fry cooks.
“You assume too much. I told you, I don’t want to get some sort of parasite.” I notice the two guys sat next to us are extremely pallid, swaying a little in their chairs.
The door opens behind me and lets the rain in; it’s got very heavy suddenly, striking the pavement in long, vertical, translucent spears. A storm. Two young guys come in and walk over to the counter, ordering something and then talking quietly to one another; the smaller of the two keeps looking over his friend’s shoulder to check his sopping wet hair in the mirror at the other side of the room.
“Where the fuck are my chips?” Laura asks under her breath, looking over at the counter and the two boys, as if addressing them. I’m starting to feel a bit hungry now and I’m about to give in and ask Laura if I can share her chips with her when the door flies open and three men and a girl squeeze in. The men all look like they’re in their early to mid twenties, the girl, however, looks about eighteen or nineteen. The men are all wearing grey tuxedos strained over their huge biceps and beer-pregnant bellies, their hair expensively highlighted and waxed, seemingly impervious to the heavy rain outside. The girl, however, looks like a wet rat, her dead hair sticking to her face and neck, while her tiny purple dress shrinks to the contours of her body. They are all outrageously drunk. I can practically hear Laura’s sphincter tighten, I turn to look over at her but she’s now staring hard at the table. The two guys at the counter move instinctively closer to the wall, even the two zombies sat next to us are looking nervous. True to form, two of the big guys start leaping around, slapping each other about, one of them throws the other into one of the tables, very near the two boys at the counter. The girl and the third man are stood in the doorway, arm in arm. He breaks away and walks over to the two zombies.
“Alright lads, having a good night?” he says, sitting down next to one of them and taking one of their chips from the cardboard container. I look over at Laura, she’s petrified, still staring down at the table, sat on her hands in the way she does when she’s nervous. The girl in the purple dress is still stood at the doorway, looking on adoringly “You make such a lovely couple. Which one’s the wife, then? Or do you like to take turns?” the man asks smilingly, his victims look away, scared and embarrassed.
The girl in the purple dress leans over and slaps his arm. “Stop it Charlie, stop being such a bully.” She says it without any conviction whatsoever. Charlie turns in his seat and smiles beatifically at her.
“Don’t worry babes, we’re just having a laugh, aren’t we? Eh?” he says, nudging the guy next to him in the arm, the guy nods in a quick, tight movement, swaying away from Charlie. He nudges the guy again, the guy looks the other way, his face scarlet. Charlie leans in a little. “Just having a laugh,” he repeats, in a slow, breathy tone, staring hard at his victim, daring him to turn round, to give him some flimsy pretext. The guy doesn’t move, continues staring stupidly out of the window. Charlie gets up. His two friends have started singing one of those strange, childish rugby chants, their backs to the counter and their hands all over each other. The two boys are practically pinned to the wall now. I want Charlie to come over here, I want him to try his shit with me but I know he won’t. He walks over to the counter and loudly orders a cheese burger. His two friends, still singing their rugby song, walk over to the two zombies, sit opposite each other in the tiny plastic booth and begin bellowing the song into the ears of the two terrified, drunken men. I can’t even catch the lyrics, but it has a strange, diminutive quality to it, like a nursery rhyme, quite apt really as the singers themselves resemble giant babies with their red, dimpled faces and stubby hands. Laura’s shoulders are rising and falling in long, shuddering motions. I look over at Charlie, who’s noticed the two young guys at the counter; he walks over to them and says “You alright there lads?” leaning in again, trying to provoke a response. He’s hoping one of them will be as drunk and quick to anger as he is. Purple Dress has sat herself down in a seat against the far wall and is watching Charlie intently. The two other guys are still singing. The one checking out his hair earlier gives a curt
“We’re fine.” Then after a brief pause: “Just waiting for our burgers.” Charlie continues to stare at him, Purple Dress continues to stare at Charlie, his friends continue singing.
Laura nudges my foot under the table. “Lets go,” I think she says, but the rugby songs from the next table drown out her words, the singers begin slamming their fists down on the flimsy wooden table, inches away from the arms of their terrified captives. I pretend not to hear her she gives my leg another little kick.
“You’re alright though, yeah? You’re alright?” says Charlie, louder now to be heard over his friends, leaning in even closer, forcing the two boys against the wall, one hand gripping the counter-top for support. Purple Dress is shamelessly leaning forward to hear what’s being said. Charlie is still staring deep into the large, panic-stricken eyes of his prey, he’s aware that he’s gone too far, the raised voice, the breaching of personal space the eerie, violent mantra of “You’re alright, you’re alright, you’re alright.” He’s in serious danger of looking like the bad guy, if no reason to take action presents itself in the next few seconds he’s fucked and he knows it.
The singing has stopped; his two friends have forgotten about their victims and are staring with unnerving, doe-like serenity at the violent scene about to play out in front of them. Charlie edges a little closer, raising a hand to his tiny pink ear he says: “What did you say to me?” The two boys look at each other. “What did you say?”
“We, we didn’t say anything,” says the gangly one. Charlie moves closer in one quick movement, practically mounting the smaller one.
“Say that again! Come on!” he shouts.
“Charlie, Charlie no, please Charlie,” says Purple Dress, with genuine fear in her voice this time; Charlie’s blown his wad, he’s gone off too early, this isn’t what she wanted. Lost in his own embarrassment and drunkenness, Charlie continues staring hard at the two boys, his face contorted into a rictus of awkward rage.
“Chips and gravy!” shouts the fry cook, gesticulating wildly at Laura and slamming her food down on the counter in between Charlie and the two boys with deliberate gusto. I imagine striding over to the chips, confident, tall and strong, grabbing them, steaming hot and dripping with fat and throwing them hard in Charlie’s face. I imagine him clawing at himself, screaming, molten gravy in his eyes, in his mouth, burning his tongue and gums, burning his lips and forehead and cheeks. I imagine standing over him, staring down his two friends, showing them I’m not afraid.
“Oh! Yeah, that’s mine!” Laura shouts, and gets up, still pale and shaking, and walks over to the counter, grabbing the small paper carton. She has to squeeze in between Charlie and the two boys, giving a quivering little “’scuse me” as she does so. Charlie steps back and looks over at Purple Dress.
I just wish he’d look over at me.

Bobby Macpherson

Stormy Fish and Chips

Live: Wolf People @ The Deaf Institute

Wolf People
The Deaf Institute
19th February 2011
4 stars

As the show started and timid guitars gathered together to create a melancholic atmosphere, a fellow spectator echoed my thoughts and turned to ask: “Is this Wolf People?” Undeniably, it was. This minimal, almost shy entrance was immediately juxtaposed by the introduction of the anthemic ‘Silbury Sands’ and a raw, guitar-based aggression was installed.
At times I found myself returning to the heavy rock heaven of the early ‘70s and, dare I say it, a slight tinge of Led Zeppelin was evident in certain moments, as towering guitar riffs and booming bass lines resonated throughout the jam-packed Deaf Institute. This rhetoric is no more apparent than in the work of Tom Watt on drums. Thrashing away in a manner not too dissimilar to our favourite ape off the Cadbury’s advert, he still maintained perfect rhythm and control. Paradoxically to the music however, Jack Sharp’s sweet, soft vocal tones cut through the chorus of guitar-fuelled frenzy with ease.

With arguments abound that guitar music is dying a slow death and is soon to be replaced by the dubstep and dance generation, Wolf People provide a performance with great energy and vigour to show that there is still a need for bands such as these and (certainly for me) there’s still great joy to be gained from seeing them. Although it can be seen as nothing that we haven’t heard before (distinct comparisons to Jethro Tull are not without grounding), there was still a great pleasure to be had from the ability of the musicians and their talent to hold your attention. In spite of all this, there is still the prominent feeling that Wolf People’s progressive, instrumental sound is never likely to break onto the wide-scale audience but the rapturous reception here is stark proof that the crowd left fully satisfied.

Tom Hickman