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Month: December 2014

Students petition for more police patrols in Fallowfield

A petition has been launched calling on Greater Manchester Police to step up their presence in Fallowfield, after three high profile sexual offenses on students since September.

The petition, launched by Laura Fitzpatrick, comes after a student was dragged down an alley and raped on Friday night, as she walked home alone along Landybarn Lane.

Last month, a student was raped in an alleyway off Whitby and Filey road.

Back in September another was sexually assaulted after she left Pangaea by a man posing as a taxi driver.

It also comes after it emerged that this semester alone, there have been over reported 30 sexual assaults on students in South Manchester.

In response to the latest incident, Jess Lishak, Womens’ Officer at the University of Manchester Students’ Union, said, “I’m now writing these statements once a month. That’s three of our students who have been raped on our streets since this term began.

“But that’s just the high profile cases that made it into the news, the horrific and violent rapes that happened in the back of a taxi and down dark alleyways in the same area.

“My thoughts are with the woman who was raped walking home from a friend’s house in Fallowfield this weekend and all of the other women who have been subjected to sexual violence on our campus and all over the world. These three incidents are horrendous and upsetting, but unfortunately, they are just the tip of a very large iceberg”.

She added further, “the number of women students who feel (understandably) unsafe on their own streets is absolutely terrifying. It’s terrifying because it’s a huge issue, almost too huge to comprehend, and it’s affecting so many women all over the country and the world, and it’s difficult to even know where to start”.

Students have expressed their disgust that locals, police and John Leech MP have been accusing students of “unacceptable behaviour” for throwing large house parties, at a time when female students do not feel safe walking home alone at night.

The petition itself states that it “is an appeal to the Greater Manchester Police force to step up their patrols after dark in Fallowfield and focus their efforts on keeping students safe, rather than meeting quotas to shut down parties and check bus tickets”.

One student said “I find it ridiculous that MPs will be debating ‘loud student parties’ in parliament this week, whilst next to nothing is being done to protect women that are being raped”.

Another said, “I am a girl and I deserve to be able to walk around at night without fear. [Also] I am a Fallowfield resident and am afraid to walk around after 9pm in my own neighbourhood. I want girls to be able to reclaim the night time”.

You can sign the petition at, https://www.change.org/p/greater-manchester-police-step-up-patrols-in-fallowfield?recruiter=51182082&utm_source=share_petition&utm_medium=facebook&utm_campaign=autopublish&utm_term=des-lg-share_petition-no_msg

Anyone with information regarding the offenses is asked to call the police on 0161 856 1983, or Crimestoppers on 0800 555 111.

Interview: The Amity Affliction

2014 has been a huge year for Australian metalcore pioneers The Amity Affliction, a number one album, a massive world tour and a nomination for Oz artist of the year. I had the opportunity to catch up with Ahren Stringer, founding member of the band and bassist/clean vocalist.

We began by discussing the recent line-up changes and how it has affected the band, Ahren commented on the departure of longtime guitarist Troy Brady ‘’Me and Dan get along really well writing wise, so it’s not going to affect any of the new stuff, Troy wanted to focus on recording other bands, and he couldn’t get a visa for our tour in the U.S. We came to a mutual understanding, but we remain friends.’’ Commenting on the replacement guitarist, Ahren said that he is ‘’doing great.’’

All the way back to Severed Ties, Amity have maintained an emotional and cathartic theme, utilising the analogy of the ocean as a medium for troubled frontman Joel Birch’s personal hardships. I asked Ahren what the ocean means to the band ‘’Joel writes the lyrics, he loves the ocean and it calms him and he lets out his problems through pen.’’ I went on to ask Ahren if there would be room to delve into other subject matter in future releases – ‘’More of a question for Joel, but if it ain’t broke, don’t fix it.’’

The Amity Affliction have been dominating the Australian metal scene for a while, but Ahren did have some reservations about the future of Amity in their formative years ‘’We did break up for sixth months but we thought that we shouldn’t give up if we’ve got something good going on. We’re getting to the point now that we always wished we would. Keep trying and you will succeed.’’

In September of 2013, I saw Amity play Manchester Academy 3 where they barely sold 100 tickets, this time around they sold out Gorilla, along with all their shows in Britain’s major cities. Granted, this is miniscule in comparison to their monstrous arena shows down under, but Ahren said that the same energy has been seen in the British shows. ‘’No matter how big the room is, it’s still great to come to the other side of the world, it’s a blessing really.’’

Let The Ocean Take Me only came out in the spring of this year, but when I grilled Ahren on the prospect of new music in the pipeline, his response was very promising indeed ‘’We’re always writing new music, but we’re gonna take three months off after a tour next year. We’re always thinking four steps ahead. Keep an eye out for new music in the future.”

We wrapped up the interview with a few less run of the mill questions, I told Ahren about the extensive metal scene present in the U.K. in recent years. I asked him if there were any British bands he is currently enjoying or would recommend to listeners of heavy music ‘’I was a fan of Heart in Hand before we brought them out on the tour with us, I really like their music. I’m also a fan of Landscapes, obviously Bring Me The Horizon, and While She Sleeps are great dudes as well. Architects are by far my favourite at the moment.’’

Last night, only a few hours after the interview, The Amity Affliction played an incredible live set at a sold out Gorilla Support from The Plot In You, Heart In Hand and Napoleon. Don’t underestimate these guys as they continue to garner a strong reputation outside of Australia through incredible records and even better live shows.

Live: Mastodon

24th November

Manchester Academy 1

8/10

The monolithic Mastodon returns to Manchester in support of their sixth studio album, Once More ‘Round the Sun, demonstrating exactly why they deserve their legendary status in metal. The American four-piece, hailing from Atlanta, are renowned for their heavy and progressive style, expressed through intricately psychedelic leads, crunchy riffs and poetic lyricism. With album concepts ranging from Moby Dick (Leviathan) to the journey of the soul (Crack the Skye), Mastodon is a band that is clearly not afraid to experiment with unorthodoxy and have established a name for themselves with their artistic vision and technical ability.

While the newer material Mastodon has put out has been criticized by older fans for its more accessible sound, lighter tone, and (gasp) conventional song structures, it doesn’t seem to inhibit the craziness of Mastodon’s live show. Taking the stage of a packed out Academy 1 to a nightmarish backdrop created by Skinner, the man responsible for the cover art of Once More ‘Round the Sun, Mastodon opened with ‘Tread Lightly.’ The building intro of the track signalled the creation of a mosh pit that never seemed to close, the unending energy of the crowd maintaining the vortex of limbs and blood until the close of the gig. Mastodon’s penchant for big sing-along, borderline poppy, choruses in their recent albums ensures massive audience participation. This was especially apparent during ‘The Motherload’ and ‘Aunt Lisa,’ which had the crowd belting out the lyrics. But it was their older material that stood out that night. Brent Hinds’ labyrinthine solo on ‘Oblivion’ had the first few rows completely transfixed on his guitar, while the utter insanity of ‘Bladecatcher’ and ‘Aqua Dementia’ caused bodies to surf over head and an already violent pit to intensify. Mastodon ended the gig on fan-favourite ‘Blood and Thunder,’ a track heavier and more metal than a stampede of fucking trains.

I went into this show with high hopes and it was everything I expected it to be, from the raw energy of the band to the aroma of weed that descended when the lights dimmed. Unfortunately the second act, Big Business, introduced the show in a less-than-amazing fashion due to entirely unintelligible vocals, though the musicianship beyond that was pretty good. Mastodon put on one hell of a show and, whether you’re a fan of the band or just the genre in general, you would be doing yourself a disservice not to experience it for yourself. Just stay out of the pits if you would rather leave uninjured.

GMP investigating another rape in Fallowfield

Police are investigating the rape of a young woman in Fallowfield last week.

Between 11:30pm on Friday 5th December and 12:17am on Saturday the 6th of December 2014, the 22-year-old victim was walking home from a friend’s house along Ladybarn Lane in Fallowfield, when a man approached her from behind.

He proceeed to push her down a nearby alleyway and rape her.

The victim has been left traumatised by the ordeal and is being supported by specially trained officers.

The offender has been described as a black male with light skin tone, between 20 and 30 years old with a medium build, around 6ft tall, and wearing a grey hoodie.

Detective Inspector Tanya Kitchen, of Greater Manchester Police’s Serious Sexual Offences Unit, said: “Residents will no doubt be concerned as to what has happened in their local neighbourhood but I want to reassure them that we have a team of detectives working on the investigation and have specially trained officers supporting the victim.

“I am now asking for anyone who may have witnessed the attack to please get in touch. Were you driving or walking near to where the incident took place and see anything suspicious?

“We also have increased patrols in the area to provide reassurance in the community.”

This attack is one of a number of rapes that have occurred in the Fallowfield area recently. Students in Manchester have reported 30 rapes to GMP this year. Including the rape of a female student in an alley between Whitby Road and Filey Road near Ladybarn Lane last month.

A man posing as a taxi driver on Oxford Road sexually assaulted another female student after Pangaea in September.

Anyone with information is asked to call the police on 0161 856 1983 or Crimestoppers on 0800 555 111.

If you or someone you know has been raped or sexually assaulted, you are encouraged not to suffer in silence and report it to the police or a support agency so you can get the help and support available.

You can call Greater Manchester Police on 101, or alternatively, people can refer themselves to St Mary’s Sexual Assault Referral Centre on 0161 276 6515.

Manchester Rape Crisis is a confidential support service run by women for women and girls who have been raped or sexually abused. Their confidential helpline is 0161 273 4500.

The specialist Black and Minority Ethnic helpline can be reached on 0161 273 4514.

Survivors Manchester offers support and counselling for adult male survivors of sexual abuse and rape, regardless of when the event happened. Contact them on ­­­­­­07919 246 267.

Cardiff University vote against being officially pro-choice

A motion to make Cardiff University’s Student’s Union officially pro-choice over abortion has been defeated in the Annual General Meeting last week.

The motion was put forward by the Chair of the Cardiff Women’s Association Rachael Melhuish, stating that Cardiff Student’s Union should: “Campaign against protest outside abortion clinics… and prevent affiliated societies and groups from taking part in anti-choice protests or rallies outside of abortion clinics and under the banner of the Student’s Union.”

A further clause states: “Any information about abortion or contraception disseminated, distributed or presented in union or university buildings must be unbiased and not shame those who choose to have abortions, and must be academically referenced.” The motion also points out that 1 in 3 women will have had an abortion by the age of 45.

The motion was opposed by the Keep Cardiff Uni Free campaign, which had backing from multiple religious on-campus groups such as the Catholic Society, Islamic Society, and the Atheist Society among others.

This prompted concerns that freedom of speech and expression in the university was under threat by the proposal of the motion.

Alithea Williams, vice-chair of the Alliance of Pro-Life Students said: “This motion is highly problematic. It seeks to impose a uniform ideological viewpoint on the entire student body, and tramples upon the right to freedom of speech and expression of those who disagree.”

Laura Carter, Women’s Officer for Cardiff University said: “I have never admitted to trying to represent everyone’s views (I represent roughly 55 per cent of Cardiff University Students’ Union population) as that would be virtually impossible and I would achieve very little in my role.

“My role is to put the interests and welfare of women students first in the way that I see fit. Imagine the criticism I would have (deservedly) received had I voted against the motion or abstained. As Women’s Officer, it is not just my own decision to be pro-choice and support pro-choice, it is my duty.

“We need to actually clarify to students what being pro-choice means and why it is so important for women students. It was an unbearably close vote and I am immensely proud of Rachael Melhuish and all of the other students who spoke on behalf of the motion.”

Catholic Society at the University of Cardiff also commented, saying: “CathSoc are happy that they can remain part of the Students’ Union, but are more delighted that the broad coalition formed between several student societies and individuals has protected free speech within the SU. We hope to work with the women’s association in the future with certain parts of the motion, such as improving access to information for student parents, and this motion has given us a baseline to start communicating and working together.”

According to the Huffington Post, the motion to make Cardiff University officially pro-choice was defeated by such a landslide that votes weren’t counted for the opposition.

However, Olivier van den Bent-Kelly, member of the Student Senate at Cardiff University told The Mancunion: “In the end, the room voted that the opposing arguments were stronger with 60-40 (according to the voter counter) voting to reject it.

“It did highlight the need to have a debate on pro-choice/pro-life and that it is necessary that groups such as the Women’s Association, Cathsoc and Students For Life need to enter into dialogue to now see what the best course of action is on this issue.”

University of Manchester shows solidarity with Warwick Free Education Protestors

On Wednesday the 3rd of December thousands of students across the UK took part in the National Day of Action for Free Education. Around 20 campuses including the University of Manchester participated, organising protests and occupying university buildings as part of a peaceful sit-in campaign.

Warwick University also participated in the day of action with the protest group Warwick for Free Education staging a peaceful sit-in at the Senate House building on Warwick campus. However the protest took a violent turn as police were called to the scene after a member of Warwick campus security reported being assaulted by a protester whilst entering the building.

In a statement to Channel 4 Nigel Thrift, the Vice-Chancellor of Warwick University, stated that it had been the university itself that had called the police after the protest group refused to reveal which individual had assaulted the campus security guard. Although the form and extent of the assault is yet to be revealed.

Those protesters on the scene reported that at around 17:10 police, including riot police and police dogs, burst into the building in a coordinated assault with campus security. At the time the Warwick students claimed that they were linking arms discussing free education and what a free university would look like.

Rather than interrogate the students as to who was responsible, video footage instead reveals police officers drawing their tasers, in what West Midlands police described as an audible warning, and then advancing on the students. CS spray was used against at least ten of the participating students, whilst footage also reveals police engaging in activity which appears to show them grabbing at protesters phones to prevent them filming the event.

One video, available on the Channel 4 website, reveals a girl filming the scene when a police officer approaches her and attempts to grab her mobile phone. When she moved away the officer responded by grabbing her scarf and dragging the girl to the floor. One onlooking protester intervened telling the police officer to leave his friend alone, only to be sprayed in the face with CS spray.

The student sprayed with the CS, revealed to be Lawrence Green, a History MA student at Warwick, stated that the police officer had shouted at him, “get back or I’ll use CS spray!” before then immediately using the spray in his eyes. Green further stated, “there wasn’t much time or space for me to move really. Within seconds of the CS spray being pointed at me it was being sprayed in my face.”

One student was later arrested for the assault of the security guard and two others for obstructing the police, although Warwick Students’ Union has revealed that all three have now been bailed. In an official statement Warwick Student Union also commented on the police action at the Free Education protest:

“Warwick Students’ Union absolutely condemns the disproportionate use of force by Police on protesters at yesterday’s Free Education demonstration. While the full facts surrounding the incidents are still being established, the use of CS spray, excessive physical force and the threat of tasering is unprecedented on our campus, and the footage captured by students in attendance last night is deeply disturbing…

“Once again, we stand in solidarity with students who were unnecessarily harmed in this action, and our primary concern is obviously with the welfare of those who were directly affected by yesterday’s events…

“A further demonstration is planned outside Senate House at 3:30pm today, at which Sabbatical Officers will be in attendance. This is intended as a peaceful rally to protest against last night’s actions, and we therefore urge all those attending to exercise good judgement, caution and restraint when participating in what are understandably emotional circumstances for many.”

The Warwick Students’ Union also confirmed that footage caught by protesters is currently being reviewed by West Midlands police to determine if police action was excessive.

Over one thousand students at Warwick attended the further protest on the 4th, which went ahead without incident. Another protest has also been planned to take place on Friday the 5th with students demanding a formal statement from Warwick University supporting those students involved with the initial protest. As well as a formal apology from West Midlands police, the lifting of all bail conditions against the students and an independent investigation by the university over the police action.

In light of the Warwick story students from across the UK also took to protest to demonstrate student solidarity for Warwick. At the University of Manchester students, led by the Union’s Exec team, protested outside of the Students’ Union building as part of the Defend Our Education protest group.

Speaking to The Mancunion on behalf of the Students’ Union Exec Team, Campaigns & Citizenship Officer Conor McGurran said, “The kind of violence seen at the Warwick Occupation is not a first, nor will it be the last. We have seen time and time again police brutality at student protests, most notably in 2010.

“We believe that places of education should be spaces for debate and disagreement and that students and staff should feel comfortable to participate in protests, demonstrations and other direct actions without fear of retribution by tasers, CS gas or any other forms of assault. The West Midlands police fell short of their obligation to protect students and instead attacked them. This is something that we condemn.

“At the protest in Manchester students were chanting ‘Students United Will Never be Defeated’; as the occupation proves, the students fighting for free education will not be beaten into submission. In light of these events, universities across the UK should expect more political action.”

Live: New Found Glory

21st November

Manchester Academy

8.5/10

After a career spanning almost 18 years and eight albums, New Found Glory haven’t lost their signature live energy. Touring in support of their newest album, Resurrection, they are playing with an impressive four support bands – The Story So Far, State Champs, Candy Hearts and Only Rivals.
Only Rivals and Candy Hearts, playing to a literally and figuratively cold crowd, gave notable efforts but ultimately failed to energise the audience. State Champs really got the show going; offering up some seriously catchy tunes and a fun performance. The Story So Far came on to a massive cheer, and it was clear that that’s what a lot of the crowd was there for – and the band didn’t disappoint; proving a barrage of punchy tracks that you couldn’t help but headbang to.

With barely enough time to get a drink, the lights went down and New Found Glory came on to a backdrop of Judy Garland singing ‘Battle Hymn of the Republic’. Playing an impressive 23 songs, we were taken on a whirlwind tour of the band’s entire discography. Their performance of ‘Hit or Miss’ was a personal favourite with the lead singer surfing right into the crowd; with other particularly notable tracks being ‘Ready and Willing’ and their last track before the encore, ‘My Friends Over You’. The whole band never stopped moving, constantly jumping around the stage and providing an intensely fun experience. Right through to the very end of the encore, the band never stopped giving it everything they had, closing with ‘All Downhill From Here’.

It’s not hard to tell that New Found Glory love making and playing music, and it really shows in the way they effortlessly create an incredibly fun atmosphere at show after show.

Feature: Bob Dylan’s Basement Tapes Complete: the most important recording sessions in rock history

In the summer of 1967, in a Woodstock basement, Bob Dylan and his band, known then as the Hawks, recorded a few songs onto an old, borrowed tape recorder. Originally intended as a casual session, the fruits of which were only ever meant to be heard by a handful of people, they ended up creating an icon, a phenomenon, a wonderfully honest tribute to Americana and folk traditions; set against the backdrop of all the hippie nonsense of the day, this was, in essence, a glorious “fuck you, it’s over” to the proponents of psychedelia. The message only ever got out thanks to the relentless efforts of the bootleggers, who were determined that these songs would see the light of day; Dylan himself wasn’t particularly interested in that. It wasn’t until 1975 that his record label officially released anything from the sessions but, by then, the seeds had already been sown. In the intervening eight years, tapes were passed around, innumerable cover versions recorded and the songs had left an indelible mark on the culture of popular music. Somehow, without even being properly released, The Basement Tapes had unwittingly altered the entire course of rock music history.

Dylan had already done exactly that three times in the previous 24 months, with his trilogy of electric albums, beginning with 1965’s Bringing It All Back Home and Highway 61 Revisited, followed by Blonde on Blonde in 1966. To the dismay of many, he had deserted his folk roots in favour of a vicious combination of dizzying electric guitar riffs and bizarre, introspective surrealist poetry. Although doing so lifted pop music out of its dead-eyed slumber (without Highway 61, The Beatles would still have been singing two minute songs about meeting a girl at a disco and holding hands with her in 1969), it was an exhausting personal journey for Dylan, the culmination of which was the now famous interchange with the Manchester folk fan who shouted “Judas”. His response then, angrily ordering his band to “play it fucking loud”, typified his attitude at the time: one of uncompromising defiance in the face of his detractors.

But, by 1967, events had caught up with him: a motorcycle accident in ’66 prompted a period of introspection, a contemplation of how to stave off the burnout that was creeping up on him. Instead of heeding his own advice and playing it fucking loud, Dylan retreated to his Woodstock home and his folk roots and the result was The Basement Tapes, this curious collection of covers of traditional folk songs and roots rock inspired original compositions, ranging from the humorous to the melancholic to the downright absurd. This was Dylan putting a stop to everything he had started. This was Dylan, exhausted by both the praise and the criticism, by the “spokesman of a generation” tags, searching for some kind of salvation in the places he knew best, in the music of his childhood and early years, and in that rich vein of Americana he had always tapped into so assuredly.

Now, nearly 50 years later, we’ve got the unabridged version. Released last month as part of the ongoing ‘Bootleg Series’ project, The Basement Tapes Complete sheds some much-needed light on what really went on in that Woodstock basement, whilst simultaneously retaining the mystique, that strange enigmatic quality that made the sessions so iconic in the first place. The full version was released across 6 CDs (a 2 CD version has also been released for the more faint-hearted amongst us) and, at times, it can be truly baffling, but what is immediately striking is its unique sense of intimacy; here is Dylan at his most bare and revealing, a warts-and-all exploration of a musician at the very peak of his powers, and the inclusion of the aborted takes, the in-jokes and the light-hearted covers merely add weight to such a portrayal.

Trying to understand Dylan’s state of mind at this point, I am often reminded of a few lines from a song on 1970’s New Morning: “Build me a cabin in Utah/Marry me a wife, catch rainbow trout/Have a bunch of kids who call me, “Pa”/That must be what it’s all about.” Not only is he conjuring up the kinds of traditionalist imagery that inspire so much of The Basement Tapes, he seems to genuinely mean it too: he’s nobody’s ‘spokesman’, he’s just a guy who’s yearning for that simple, wholesome American life.

And yet, history refuses to let him be seen in that way. Like it or not, he was a spokesman, he was an icon, he was (and still is) the most important figure in the history of popular music. And, in a little twist of irony, what helped to cement his place as all of those things were perhaps the events that got him closest to his dream, the most meaningful incarnation of that simple American life he so desired: recording folk songs in a basement with his friends, while a dog sleeps on the floor next to him. It was not a cabin in Utah, but it was close enough.

Live: Hollie Cook

26th November

Night & Day

6/10

Hollie Cook took to the stage with ease, despite it being her first solo tour. Perhaps known for her family (her father is Paul Drummer of the Sex Pistols and her mother sang for The Culture Club) Cook’s eclectic music influence is clear in her self named ‘tropical pop’ tinged with dub and ska. Considered a sound accompaniment for tracks such as ‘And The Beat Goes On’ (with Prince Fatty), Cook has finally found space in the musical market for her own gig, promoting her new album Twice.

The bar was overheated, and Cook was clad in a beautiful banana print skirt that reminded us all there was hope for a summer after these cold Manchester nights. Everyone was bopping along, a mixed crowd of all ages, and Cook was happy and merry, and clearly a bit overwhelmed. At points, we were transported to the seaside with Cook’s sultry tracks of ‘Tiger Balm’ and ‘Cry’ and the most popular track ‘Milk and Honey’. Giving us treats of new tracks such as ‘Superfast’, laced with electro tones and synthesisers, Cook displayed her music variety and talent, straying from the more standard rhythm of ska and reggae tracks that can start to feel repetitive.

Yet Cook herself was a bit distant. One could excuse the lack of engagement for the type of music that was played, relaxed and at moments almost like a lullaby, yet when other singer-songwriters can create a dynamic with the crowd instantly, I question if Cook was really there with the audience.

Cook’s voice stands out and is full of soothing tones and we got glimmers of a fun and mischievous performer. Yet I can’t help but think that with a little more engagement with the audience, Cook’s performance would have shone brighter.

Live: Jackson Browne

18th November

Bridgewater Hall

8/10

Perhaps not anywhere near as well-known among the population of a city like Manchester (particularly the student population) as throughout the USA, Jackson Browne nevertheless drew great support from the audience at Bridgewater Hall in the form of cordial cheers and requests, as well as a lack of empty seats. Browne and his band seemed to draw upon the enthusiasm of the seated audience in delivering such an energetic performance throughout the 3-hour set, and Browne met the incessant requests with witty ripostes; upon the band’s return to the stage for the half-hour-long encore (but well before ending the show on his biggest hits), Browne suggestively exclaims that “now we can do what we want…”.

Having recently released his fourteenth studio album, Standing in the Breach, the band played most of the album in its support, introducing most of the songs from it with charming little monologues explaining to the audience their personal significance, history, or composition. Being well-noted for his involvement in current affairs, relevant remarks are made throughout Browne’s on-stage banter, these do not wear their welcome though – his words are short, sweet and witty – and after what needs to be said is said, the band plays as though it’s second nature to them.

The backing band, made up mostly of recently-hired professionals, were also remarkable; each player executed their pieces with not only technical perfection, but with genuine enthusiasm and vivaciousness – the back-up singers were particularly impressive. Guitarist Mark Goldenberg handles rhythm guitar excellently, switching freely through pedal, lap steel guitars – among others – and like the rest of those playing, never missing a beat. The overall setting and approach of this gig is one that students might not be so familiar with, but made for an experience that almost anyone could truly enjoy.

Live: Joey Bada$$

21st November

Academy 2

8/10

It is so easy to forget that the rapper Joey Bada$$ is only 19, and at his recent gig at the Manchester Academy 2 he certainly performed with an experience beyond his years. The young artist already has two albums to his name, and played a good variety of his old and new tracks. The crowd were particularly responsive to some of Joey’s most popular songs, like ‘Waves’, ‘World Domination’, and ‘Unorthodox’.

There was always some hope, but also expectation, that Joey would not perform alone given the fact that so many songs from both albums are collaborations. Happily, this expectation was fulfilled when about four songs in Joey was joined on stage by fellow rapper and producer Kirk Knight. This added a great vibe to the show, as the two artists bounced off each other perfectly. On top of this, Statik Selektah was on the decks, which also meant the fans got more than they may have been anticipating. It was fairly clear how much thought had gone into the set, as it seemed well rehearsed though still vibrant and natural.

Joey Bada$$ thrived on the energy of the crowd, and took breaks between most songs to engage with the audience. The mic cut out once which seemed to be the only fault of the night. The young rapper ended on ‘Survival Tactics’, which was the perfect finale to a high standard performance. This was then followed by not one, but two encores which definitely showed how well received the artist was. At such a young age, Joey Bada$$ is already creating quite a stir on the Hip Hop scene, and performing like he was born for it. Certainly one to catch next time, for all those who missed him!

Live: The Jesus and Mary Chain

20th November

Academy

8/10

The Jesus and Mary Chain played the Manchester Academy 1 as part of their trio of highly anticipated UK gigs on the 20th of November. The elevated ticket prices ensured the crowd was old enough to know that ‘Some Candy Talking’ isn’t about personified fruit winders, and the speed at which they sold out ensured the tickets were reserved for the fans, the grey haired veterans favoured by natural selection—the ones left after the punk’s game of musical chairs.

With a band so notorious for spreading misinformation in interviews, it’s difficult to untangle the fact and the fiction. The fact is that this tour is centred on Psychocandy—the 1985 album at the dark heart of JAMC’s cultism. Around this time they rarely got through more than two or three tracks before the crowd turned too ugly to go on; at North London Polytechnic a riot allegedly ensued. It makes sense to honour the fans who missed out on seeing the whole album, though, by coming back and playing it back to back. But they did this with a hint of their old malice by announcing they’d play the encore first.

After being treated to a warped best-of, they launched into Psychocandy with ‘Just Like Honey’, and it was clear that the band still have that air of Phil Spektor orchestrating one of The Velvet Underground’s Exploding Plastic Inevitable parties. Plumes of guitar distortion lapped at the crowed and tangled with the thick smoke to turn the Academy 1 into a reverb drenched hammam. A mid-lifer next to me spent his whole night with his eyes closed in trance, miming each and every word pronounced by Jim Reid. What he was thinking—if anything—will remain a mystery.

Live: Kina Grannis

16th November

Gorilla

8/10

29 year old from Californian Kina Grannis is a self-made star that built her fan-base on YouTube with over 1 million subscribers. It all started when she won a competition with her song ‘Message From The Heart’ which got played during the Super Bowl and got her signed onto a record label. She dropped out of the label to have full control over the music she produced. Since then, with the help of her online fans, she has produced five albums and is currently on her third worldwide tour. She’s even hosted a talk on TEDx about online communities and her success story as result of them. Manchester seemed to share the love for Kina with the surprisingly big turn-out.

Imaginary Future, who also happens to be her husband, opened the night with his mellow and quite melancholic music. He checked to see if the audience was still with him half way through due to his soft tones usually listened to by fans when they are about to go to sleep.

Kina then came on stage exciting the fans or ‘Kinerds’ who got to see their favorite YouTuber away from the screen. She interacted with them by calling some of them on stage to sing with her and having a little Q&A session. She started off with the first track from her new album Elements, ‘Dear River’, then moved onto ‘In Your Arms’ from her first album Stairwells which has a music video with over 11 million views. It involves a quarter million jelly beans in stop motion and took 2 years to make. She also sang ‘I Knew This Would Be Love’ with her husband – their two voices blending together made everyone’s heart melt. Her voice was on point throughout, effortlessly switching from high to low whispers, capturing the emotions of the audience. It was like a procession of all her best YouTube videos with her old and new originals, as well as covers like ‘Sweater Weather’ by the Neighbourhood.

Finally, she ended the night perfectly with my all-time favourite song ‘The One You Say Goodnight To’ with the audience clapping along to the beat.

Album: AC/DC – Rock Or Bust

Released 2nd December

Albert/Columbia

8/10

2014 hasn’t been the best of years for AC/DC. When news broke of the deteriorating health of founding-guitarist Malcolm Young, and the arrest of long-serving drummer Phil Rudd for attempting to procure murder (surprisingly, not by threatening to 4/4 beat someone to death), a shadow of doubt was cast over the future of the band. So began the frightening realisation amongst AC/DC fans, myself included, that 2008’s Black Ice may have been the last album they ever made.

But, what doesn’t kill them only makes them stronger, or certainly more focused, as is the case here. Rock Or Bust, the band’s 15th internationally released studio album, is a very sophisticated, foot-stomping (but rather short) 35 minutes of no-nonsense rock ‘n’ roll. It’s all meat-and-potatoes stuff for AC/DC, really. You have Brian Johnson’s high-voltage shriek, his best vocal performance since For Those About To Rock, a full catalogue of air-guitar riffs and sing-along choruses jam-packed with references to sex, violence and rock ‘n’ roll, Phil Rudd’s tight, clean grooves, and of course we can’t forget Cliff Williams’s typically unobtrusive bass lines.

‘Play Ball’, the lead single, is a risqué anthem with the unmistakeable groove and ferocity that wouldn’t sound out of place on any Johnson-era album. It’s the best track on there, however ‘Rock The Blues Away’ could stake a claim to be the band’s biggest commercial hit for years, it’s a bona fide, radio friendly chart-topper. Add ‘Rock Or Bust’ to the mix and you have the best opening three tracks to an AC/DC album since Back In Black. There are a few duds on the album, such as the lumbering ‘Dogs Of War’ and the flat-sounding ‘Emission Control’, but you have some absolute gems in-between, like the pulsating ‘Baptism By Fire’ and ‘Sweet Candy’, a throwback to their early 1970s pub rock sound.

AC/DC have never deviated away from a formula that has made them one of the most popular and widely-respected rock ‘n’ roll bands of their generation. Rock Or Bust is no different, despite the unfortunate events that have really put their resilience to the test over the last few months. It’s worth listening to, as it’s the best album they’ve made in over 30 years, and although they may have more white hair between them than Gandalf’s beard, the thunder from down under continue to out-rock other bands a third of their age.

For those about to listen, I salute you.

Poor entry figures lead to pulling of Middle Eastern languages courses

The University of Manchester is to close three language courses under the umbrella of Middle Eastern Studies, after consistently poor admission figures.

Over the past three years only a total of 17 students have been admitted to the Hebrew, Persian and Turkish courses at the University of Manchester.

In the 2013/14 academic year, no students joined the Persian course at all. This data does not include those who dropped out or transferred to other courses.

The University of Manchester has made numerous attempts to improve admission figures, including making changes to the teaching portfolio, but has been thus far unsuccessful and has had to withdraw these courses.

Current students of Hebrew, Persian and Turkish will continue to be taught and their graduation will not be affected by the cancelling of the courses.

The university has been a major centre for the study of Middle Eastern affairs for more than 100 years.

The University of Manchester Library has one of the largest Middle Eastern Collections in Europe and one of Britain’s finest manuscript collections.

Manchester has been regarded as the UK’s language capital and the university has its own dedicated Multilingual Manchester project.

A spokesperson for the university said, “[Our] commitment to research and scholarly activity in Middle Eastern Studies remains strong and it is not closing the undergraduate degree programme.

“However, over a number of years, we have seen extremely low recruitment to a small number of undergraduate language programmes.

“As a result, the university has decided to withdraw a very small number of programmes associated with the Turkish, Persian and Hebrew languages.

“The university will continue to offer a range of undergraduate programmes and course units which consider the cultural, societal and historical elements of the Middle East, as well as enabling the study of the Arabic language.

“Additionally, we will continue to offer students the opportunity to study Arabic, Persian, Hebrew and Turkish languages through our University Language Centre.”

Live: Erasure

30th November

O2 Apollo

7/10

For the uninitiated, Erasure are a British New Wave duo formed in 1985 by frontman Andy Bell and synth player Vince Clarke, the latter of which’s long and winding list of projects also includes Depeche Mode and Yazoo. Since their late 80s heyday they’ve sold over 25 million albums and continue to retain a fiercely dedicated following. Their sixteenth album, The Violet Flame, was released earlier this year, and they’re currently supporting the record with a worldwide concert tour, including a sold out date in Manchester which proved to be camp, nostalgic fun for all.

Opening up with old favourites ‘Oh L’amour’ and ‘Star’, the band delivered a sleek, professional set that was unapologetically designed to please their rabid, deafeningly loud crowd. Bathed in blue and purple strobe light and flanked by two Grace Jones-esque backing singers, Bell snaked around onstage with the energy of someone half his age wearing a sequinned tailcoat and top hat that made him look like the long-lost third Pet Shop Boy. Clarke, meanwhile, chose to keep a low profile, coaxing out his trademark lush, layered soundscapes from behind the safety of his synthesizer.

More recent EDM-influenced singles like ‘Elevation’ sat seamlessly next to signature tunes such as ‘Victims of Love’, with the hard 4/4 club beat hardly letting up throughout the 90 minute performance. When the time came to bring out the biggest hits, ‘Blue Savannah’ and ‘A Little Respect’, the crowd were shouting the lyrics so loudly you could barely hear the band themselves; even the security guards could be seen mouthing along slyly, which is of course a testament to the irresistible pop songs the band have been creating for almost three decades. After closing the main set with ‘Chains of Love’, the band then returned for a short, punchy encore of ‘Always’ and ‘Sometimes’ before departing for good.

In a world where being ‘cool’ and ‘edgy’ is an overriding concern for many musicians, it’s refreshing to see a band who, though now deemed pioneers of electronic music, refuse to take themselves too seriously. Erasure’s live show prioritises kitschy fun and a party atmosphere, and leaving the venue it was hard to see it as anything other than a success. A big, garish, camp success.

Live: La Roux

The Ritz

16th November

7/10

La Roux hasn’t come on all that much over the last few years. She’s still making catchy, melodic and entertaining electro-pop, she still appeals to pretty much everyone and she still has a majestic ginger quiff. As far as her live show goes, this is great news for all concerned.

After near enough five years off from shovelling her powerful hooks into the ears of both the mainstream and otherwise, the scene has changed somewhat, but she seems to be the perfect fit, with the dance and electro resurgence in full flow. The audience seemed to agree, with apoplectically excited twenty-somethings dominating the floor. La Roux, now officially just Elly Jackson after her split with writing partner Ben Langmaid halfway through producing this album, shared in this energy, showing no sign of nerves on her first tour as a completely solo outfit. She danced, she jumped, she ran and she revelled in the madness that was generated amongst her phenomenally enthused fans.

It wasn’t only the old hits which struck a chord though – the new ones generated a surprising amount of buzz amongst the majority of a crowd who almost certainly came for the prestigious name on the ticket, not for the recent musical output. Despite this, there was, like on record, no one track which could really match a pure floorfilling anthem like ‘Bulletproof’, and the chances of walking out of a gig on this tour saying “yeah, that new one was good, that one with the bass line” or “that one with the big chorus” are slim.

La Roux’s live show is energetic, enigmatic and still chock-full of those great tracks which everyone knows from 2009, however there is still something missing. She won’t be able to trade on past glories forever, but they’ll do for now, for a souped-up comeback tour.

Live: Sharon Van Etten

24th November

Manchester Cathedral

5/10

The Manchester Cathedral would seem like the ideal venue for the haunting folk rocker Sharon Van Etten. Yet from the very first song it was clear she was relying heavily on the pre-existing atmosphere inherent in this celestial building, with her performance lacking any of her own emotion. Whilst Van Etten’s vocals were spotless, they flowed so effortlessly from her mouth, it was as if she need not try. As the band dispersed for Sharon to perform the chilling ‘Keep’, which she announced as her father’s favourite song, the sentiment really did feel genuine. Supported only by the simple picking of her acoustic guitar, Sharon’s voice was laid bare, taking time to elaborately draw out each note. Yet these moments of sincerity were fleeting, and the band returned to play a poor attempt at a dance tune with ‘Our Love’. Disrupting the tenderness, that had been so elegantly produced prior to the band’s return, meant that this forced, upbeat synth seemed inappropriate and stifling.

The harmonies throughout flowed naturally, but often the backing vocals were overpowering and any obvious lead was indistinguishable. This competition of voices on ‘Nothing Will Change’, drew ironic attention to the lack of variation between songs. Van Etten’s voice is like a perfectly smooth chocolate mousse, but as everybody knows, there’s only so much mousse you can spoon inside you before you begin to feel a bit sick. In no way does Van Etten evoke nauseous tendencies, but what was once sweet and angelic, became dry and at times plain boring. By the last song, ‘I Love You But I’m Lost’, Van Etten’s grand and swooping vocals were reduced to a whine, which when placed over a loop of distant moaning, made a fairly unsatisfactory closure to a somewhat lacklustre performance.

Rare 17th century map found in John Rylands Library

A unique 17th century map of Lancashire has been placed on display for the first time in 400 years, after being found by historians in the John Rylands Library.

The map had been in the Library’s records for 35 years; however experts were not aware of its existence until last month. They were alerted to the fact by Alan Monks, a friend of the map’s previous owner, Leonard Penna. A collector from Cornwall, Mr Penna had bequeathed the document to the library. It had been transferred to the archives area upon his death, in 1979.

The Elizabethan hand-drawn map shows towns and villages of what now constitutes Greater Manchester, including Didsbury, Gorton and Stockport—although it also proves that the settlements were known by different names at the time (Diddsbury, Garton and Stopford). The design shows the rivers Tame and Irk in detail and includes districts such as Ordsall (Wordsall), Agecroft (Edgcroft) and Prestwich (Prestroich).

It is thought that the map was produced by cartographer Herald William Smith, between 1602 and 1604—long before Manchester became a prosperous industrial metropolis. The Lancashire design is believed to have been part of a planned England atlas, for which at least twelve counties were mapped.

Dr Ian Saunders, an expert from Lancaster who has researched and collected maps for thirty years, said: “It is a full-size design for a copper plate to be engraved in Amsterdam by Jodocus Hondius, who was the finest map engraver of the period.

“It is thought that the county series was never completed due to Hondius taking on the commission for engraving a new atlas by John Speed, The Theatre of the Empire of Great Britain, which has been celebrated for 400 years as one of the world’s most popular cartographic treasures.

“Speed openly acknowledged his friend Smith’s influence on his own maps and it is probable that his publisher George Humble bought the twelve plates and stored them away to prevent their use for a competing publication.”

Housing 250000 printed volumes and more than a million manuscripts and items, some say it is possible that other unknown treasures lie in the John Rylands Library’s shelves, but that only time will tell.

Dr. Saunders worked with John Hodgson, a manuscripts and archives manager and Donna Sherman, who is a map librarian at the Library, to bring the Lancashire map to light. University staff members have now digitized both sides of this map for the purpose of it being more closely examined. Experts will be studying its content as well as 17th century printing techniques.

After laying effectively untouched in the library for nearly four decades, this fascinating glimpse of Mancunian past is now on public display at the John Rylands library and will remain so until December the 22nd.

Eco Machines: Designing the cars of the future

“If General Motors had kept up with technology like the computer industry, we would all be driving $25 cars that get 1000 miles per gallon.”

It’s an iconic quote commonly attributed to Bill Gates, although it’s fairly unlikely that he actually said it.

Whoever did say it, though, was certainly raising a valid point. Cars have significantly improved since the Model T first rolled off the production line, but compared to many other industries and technologies, the advances haven’t been as impressive as you might expect.

True, the world is more mobile than it has ever been, but at what cost? The environmental and social impacts are colossal—emissions are through the roof and congestion is a recurring nightmare across many parts of the world.

Four experts from the automobile and racing industries presented their views on the future of the automobile industry in an event hosted by the intellectual debate forum Intelligence Squared.

Amanda Stretton, a racing driver and leading motorsports journalist, was the first to speak.

As she took to the podium, the host asked her to specifically address one particular question—what has motor racing got to do with future energy challenges?

Stretton began by stating that road cars need to become more specialised and that developments in the world of racing will lead the way. She emphasised that we can’t keep burning fossil fuels and that unless something changes, motoring costs could skyrocket.

Upon hearing all this, a sceptic might say, “so why is motor racing acceptable? All you’re doing is burning valuable fuels for no reason.”

The truth is, there’s so much more to motor racing than that, and Stretton proceeded to tell the audience exactly why racing is acceptable and why it could be instrumental in shaping the future of the automobile industry.

“Racing is all about efficiency,” she emphasised. “To win a race, you’ve got to be efficient.”

She then spoke about two different branches of motor racing—the famous 24 hour race in Le Mans and Formula One.

To succeed in Le Mans, endurance and efficiency are paramount. A fine balance must be struck between speed, aerodynamics and the longevity of the car’s components.

In F1, the cars must be quick and light. Care must be taken not to wear out the components.

One thing that both events have in common, Stretton stated, is that there is no compromise regarding the design of the cars in either of them. The cars are highly specialised and designed to outperform their competitors. “This competitive edge always results in innovative thinking,” she said.

Stretton went on to say that the world of motor racing is a hotbed for testing new technologies. Le Mans has seen both hydrogen fuel cell cars and electric vehicles trialled there over the past few years, whereas F1 is a groundbreaking environment for engines.

The purpose of this is not just to win the race. This testing is done with the aim of developing new technologies for normal road cars. After all, why else would the likes of Renault and Mercedes-Benz be investing in it?

Another key point that Stretton mentioned was the fact that we need to think more about what efficient motoring really is.

“An automobile needs to be a way of getting from A to B as quickly and efficiently as possible,” she said. It really is that simple. Road cars have to become specialised in the same way that race cars have.

While she believes the so-called “family” car will still thrive in rural areas, vehicles that operate solely in urban areas will change drastically. She hopes to see the use of driverless cars increase in cities.

Her final statement was that in the future, cars will be designed for a specific job. “Racing cars have always lived by that doctrine,” she concluded, “because inefficiency loses you the race.”

Norman Koch, the Global Technical Director of Shell Eco-marathon, was the next to present his ideas to the intrigued crowd. As he rose from his seat, he was asked by the host why Shell were so interested in fuel efficiency.

“Shell has been selling energy for over 100 years,” he answered. “And if we want to continue selling it for another 100 years, we have to do something about it.”

He went on to talk about the world’s rapidly growing population and the fact that every year, more people grow out of energy poverty.

The number of cars on the road is constantly increasing, as is the number of people wanting to drive them. It’s an enormous global challenge and, in the words of Koch, “the only answer is efficiency.”

He spoke about the Shell Eco-marathon, a global challenge in which student teams are tasked with building the most fuel-efficient vehicle possible. Whoever can travel the furthest on the least amount of energy wins.

Koch stated that whilst at first glance it might resemble Wacky Races, the reality is that the Eco-marathon is engineering in its purest form.

The event is all about creating ideas with a specific goal in mind. Teams apply engineering principles to absolute perfection, giving equal attention to all parts of the vehicle.

The winning team at last year’s Eco-marathon managed an astonishing 3300km on just a single litre of fuel. When I’m back home, I quietly celebrate if I manage to get over 60 miles per gallon in my beloved Volkswagen Up. The Eco-marathon winners could make over three trips across the United States on the same quantity of fuel.

When asked by a member of the audience how the winning designs were applied to everyday engine manufacture, Koch stated that a large proportion of the 5000 students who enter annually go on to join a related industry.

They bring the ideas and imagination that they displayed in the competition with them, which can only have a positive effect.

“Companies do not innovate,” he concluded. “People innovate.”

The third member of the panel was Jason Barlow, a well-known journalist and broadcaster in the motoring world. Having presented Top Gear prior to its relaunch in 2002, he now acts as editor-at-large for the BBC Top Gear magazine.

From the start it was apparent that he was an old-school car enthusiast with a deep passion for anything that revs. He wasn’t afraid to boast about his love for engines and his fascination with their operation. Incoming EU regulations will result in the downsizing of all new engines, but although Barlow was visibly disappointed by this, he emphasised that the future is very bright for the industry.

“This is an amazing time for innovation,” he explained. “We are on the cusp of an amazing new era.”

Barlow stated that this calendar year will go down as the tipping point for hybrid and electric cars and he believes that the move towards sustainable personal mobility is accelerating.

The Toyota Prius was the first mass-produced hybrid vehicle, although in Barlow’s eyes it was never really an option when it was first introduced worldwide in 2000.

Fast forward 14 years, however, and the story is completely different. “This year, there are loads of hybrids that I want,” he said.

There has been a crucial convergence of brand and technology, which has resulted in vastly improved vehicles that have the capability to enhance everyday life.

He mentioned the surprising fact that Porsche sell more hybrids than anyone else in the UK and described the electric BMW i Series as “hero cars.”

The next major focus will be the emission of nitrous oxides. “It gets no easier for the industry,” Barlow joked. He concluded by stating that this is a very good time to be entering the motoring world. “Meeting these challenges means there’s never been a more exciting time for automobiles.”

The final person to speak was, in the words of the host, “the one who we would rush home and tell all our friends about.” Richard Noble, the Scottish entrepreneur who held the land speed record for 14 years following his 634mph drive in Thrust2 in 1983.

He spoke about his latest project, BloodhoundSSC, a supersonic vehicle which his team hopes will be able to surpass the 1000mph barrier. It’s a car with the same power as an aircraft carrier.

As interesting as the project is, it almost contradicted the theme that had been established by the previous speakers. Noble acknowledged the huge problems that the world faces regarding fuel efficiency and admitted, “we don’t have the solution.”

However, just as Amanda Stretton was quick to point out the huge importance of racing technologies, Noble was also able to justify his latest endeavour.

Inspiration was the key word. It’s no secret that many branches of science and engineering are in desperate need of more young people and Noble is keen to attract more children and teenagers into these industries.

Noble expressed his desire to make BloodhoundSSC the world’s first global STEM programme in a bid to reach out to the next generation. He believes the problem lies in primary schools and stated that children need to be inspired from an early age.

He spoke about the so-called ‘Apollo Effect’ that occurred between 1961 and 1972. The Apollo missions enthralled the general public to such an extent that the increase in applications for Ph.D.s in physics was enormous. Noble hopes that BloodhoundSSC can have a similar effect.

He stated that school teachers shared his desire to inspire the younger generation, but were adamant that every single bit of data from the BloodhoundSSC project should be released. If you want to persuade them to follow in your footsteps, why hide anything from them?

Noble agreed. Whilst many other similar industries can’t release all their data, the BloodhoundSSC project will.

An interesting Q&A session then followed. The prospect of driverless cars was raised, which seemed to split the panel. Amanda Stretton was adamant that they have a place in the future of automobiles, whilst Richard Noble wasn’t convinced. “It’s a bloody nightmare!” he laughed, explaining that there was simply no way that both normal and driverless cars could share the roads together.

Public transport was also mentioned, as was the concept of choosing energies in the future, rather than choosing the design of a car.

This is a defining era for the automobile industry. Manufacturers have already started focusing on moving towards a world with greater fuel efficiency.

This is a huge global challenge, but after listening to these experts speak and seeing for myself what students are capable of, I’m confident that we will find a way.