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Month: January 2017

Lemon Chicken recipe

Fancy a takeaway but haven’t got the money? Or are you banning that weekly Chinese for your New Year’s resolutions? Either way, this lemon chicken recipe is light and full of flavour, avoiding the often sweet and cloying sauces found in many Chinese takeaways, and is quick and easy to make at home.

Serves 2, easily doubled. Serve with rice.

Ingredients:

2 small chicken breasts

1 small egg white

1tsp cornflour

100ml chicken stock

1½ lemons juiced

1tsp caster sugar

1tbsp soy sauce

1tbsp mirin/rice wine

½tsp chilli flakes

2 garlic cloves

½tsp cornflour

Sesame oil

Salt and pepper

1 spring onion sliced on the diagonal to serve (optional)

I love the lemon chicken I get from a restaurant called Dim T near where my parents live. It’s breadcrumbed chicken served in a light and tangy lemon sauce. It’s very different to the sickly sweet and cloying sauces often found on lemon chicken dishes in Chinese restaurants (and even to those meals I ate in Singapore). This recipe is a combination of both; it’s not breadcrumbed chicken and nor is the sauce overly sweet, it’s now the a light, clean-tasting meal.

Mix the egg white and cornflour together in a large bowl to form a paste. Cut the chicken into strips and place in the bowl with the egg mix. Coat well and leave in the fridge for 30 minutes (this “velvets” the chicken and gives it the right texture, although you could leave it out if you’re in a hurry). Cook some rice for serving.

Mix together the stock, lemon juice, sugar, soy sauce, mirin, chilli flakes and seasoning.

Heat 1 tbsp of vegetable oil in a wok or large frying pan and add the chicken (try to avoid getting any excess egg mix into the wok). Stir fry until the chicken has cooked, then remove from the wok and set aside.

Fry the minced garlic in the wok for 30 seconds to cook it and then add the lemon juice mixture. Bring to the boil and simmer for a minute. Mix the ½tsp of cornflour with 1 tbsp of water to make a smooth paste and add to the sauce. Simmer for 10 minutes or so to thicken the sauce slightly.

Return the chicken to the pan and heat through, adding a few drops of sesame oil. Make sure you test the flavour of the sauce and adjust as needed.

Serve the lemon chicken with rice and top with the artistically sliced spring onions.

Mix up your mince

Do you ever make a big pan of minced beef (the English kind of bolognese, not the proper Italian stuff) and then realise you’re bored of eating it all up before it goes bad? Well, never fear, here are some ways to switch things up.

To begin, you can obviously cook spaghetti and have that perennial favourite, spag bol, but have you ever thought of cooking shaped pasta al dente and then mixing the pasta and mince together in an oven proof dish, topping with cheese and baking in the oven (at 180 degrees) until the cheese is melted and golden?

Alternatively what about lasagne? You can either make your cheese sauce from scratch or buy a jar and add extra cheese to make it taste a bit more special. Alternate layers of mince, pasta and sauce until you run out of ingredients or space, top with cheese and cook in the oven at 160 degrees for an hour. Place a baking tray underneath the lasagne to catch any escaping cheese. I always make my lasagnes the day after I make the mince, both to help the flavour and to break up the workload. It results in something special that’s easy to freeze and eat up later.

If you’re looking to eat healthily this New Year then stuffing vegetables, especially peppers and marrows, can be a great way to add variation and eat more of your five-a-day. Simply cut the pepper in half through the stem, deseed and place on a baking tray. Drizzle the halves with olive oil and season well. Cook in a hot oven for 10 minutes before adding the mince and topping with cheese. Bake for 15 minutes. If you want to use a marrow then cut it in half lengthwise and scoop out the seeds running through the centre. Cook as with the peppers but leave it in the oven for 20 minutes before adding the mince. You want a knife to go through the marrow easily before you serve it.

Chilli con carne is a popular student staple. My mum used to add baked beans to her mince to turn it into a poor man’s chilli but you can go one better by pouring in a tin of red kidney beans and chilli powder to taste before heating everything through and serving with rice.

A family favourite is cottage pie (shepherd’s pie if it’s lamb mince), which could not be easier to make. You have two options for the classic potato topping once you’ve put the mince into a pie dish, either make some mash and spread it on top of the bolognese or slice some potatoes into rounds, parboil them for 7 minutes before arranging them on top of the the mince. Top with cheese and bake in the oven (at 180 degrees) for 25-30 minutes.

I haven’t had these for years but when I was little, a big treat would be to buy an Old El Paso taco kit and layer the mince with rice, lettuce and cheese. Just follow the kit’s instructions and enjoy! One tip to avoid much of the inevitable mess is to place a lettuce leaf inside the shell before filling it, it acts like a liner and holds the filling when the taco inevitably breaks.

This is my basic recipe for bolognese:

Serves 4

Ingredients

1tbsp olive oil

1 large onion, diced

1 carrot, diced

3 garlic cloves, crushed

400g beef (or lamb) mince

800g tinned chopped tomatoes

Tomato ketchup

Salt and pepper

Mixed dried herbs

Sweat the onion, carrot and garlic in the oil in a large casserole dish over a medium heat. Once soft, add the mince and brown. Pour in the tomatoes and a good squirt of tomato ketchup. Season well with salt, pepper and dried herbs. Once the bolognese is bubbling, reduce the heat and cover with a tilted lid. Cook for as long as possible (up to 5 hours but a minimum of 30 minutes), stirring regularly and adding water if the mixture becomes dry. Check the seasoning and adjust to taste.

Our freedom is in peril at the hands of online saboteurs

Social media, and the internet at large, has been a wondrous tool through which ideas and political debate have been enhanced by boundless measure during our lifetimes. Its introduction and evolution has had an effect on our world akin to the invention of the printing press. But just as the printing press was used to disseminate new and often controversial ideas of the age, so is the internet becoming a hub for the alternative and topics of contention. All this is, however, is in great peril if we do not stand up for the absolute and unequivocal freedom of speech that once existed online, but which has since been curtailed on and by sites such as Twitter and Facebook.

Those who have censored and silenced dissenting voices do not fully realise the implications of their actions. We have become incredibly complacent about our freedoms, and have begun to take them for granted at home, as well as failing to recognise their persecution abroad. Just last week, I was in conversation with a group of people when one person uttered the words, “I agree with freedom of speech, just not for people like UKIP.” I have heard people use phrases that sound positively Orwellian, with outbursts such as “people should be taught the right way to think.” What these people have expressed is not a love for the freedom of speech but a complete disregard for all the values and freedoms which we enjoy. Have these people for one moment considered the possibility that it could very well one day be their group that is forcibly silenced?

Have they any knowledge of what happens to a society when the thought police take over and people are prevented from speaking their minds in case they do not conform to the accepted language? How long will it be until these factions are issuing their own editions of the Newspeak dictionary and our speech is limited by what they deem to be too inappropriate or offensive?

This sort of practice is already underway on forums such as Facebook and Twitter. These previously free platforms now suffer from the plague of censorship that should have been left behind when the Soviet Union collapsed. It has become so common that on Facebook the term “zucked” has been coined, a reference to Facebook founder, Mark Zuckerberg. This is because of Facebook’s nasty habit of un-publishing pages that it does not approve of, which often happen to be right wing pages, such as God Save our Gracious Meme or The God Emperor Trump.

While some may disagree with the content posted on these pages, we have a duty to uphold the freedoms of the individuals who choose to view their content. It is not up to us or any other person to decide whether or not someone’s voice should be silenced because it would not fit in with our own world view. It is no different to the creation of a safe space and seeks to only extend the echo chamber of online forums. If we are not careful, within a few years, Facebook could see itself morph from the vanguard of social media interaction and the free and exciting open space it started off as, into a predominantly left-leaning message board site which has no time for those who do not conform to their approved list of jokes, views, and beliefs.

How can we ever expect to defeat some of the world’s most poisonous ideologies if we do not expose ourselves to what they think? I have always believed that the best thing that this country ever did to destroy the fascist hard right was to allow Nick Griffin a platform on BBC question time. He was given a chance to put across his loony points of view and promptly proceeded, not only to be shown by all present to be an ignorant and hateful man, but also very successfully managing to make an arse of himself as well.

This kind of thing is especially relevant given Milo Yiannopoulos’ and Martin Shkreli’s recent banning from Twitter. While I will readily admit I do have some sympathy for Milo, I also realise that he can sometimes say things that are hurtful to people and they obviously don’t appreciate it. But when did, “sticks and stones may break my bones but words will never hurt me” stop having a real world application? To many people, these two men are seen as enemies of their ideology who need to be silenced. Last week it got so bad that a Milo supporter was shot while trying to enter one of his speeches in the USA. If an ideology requires the silence of its opponents or needs to be enforced with violence then it probably isn’t a particularly good ideology.

So essentially we find ourselves at a crossroads at which we all need to make a decision that could have an effect on how we debate the big issues over the next half century. Do we succumb to the all too easy tactic of shutting out those who we disagree with so we can feel all warm and cosy, hearing only arguments that agree with our world view? Or will we engage with our opponents online and have proper constructive debate? Silencing your opponents is a slippery slope to being silenced yourself.

Was the Women’s March a waste of energy?

Women’s marches occurred across the world and Trump is still President. They failed. His resignation was not tweeted out the day after his inauguration and Hillary Clinton is not now the first female president of the United States. Unfortunately, however inspiring it may have been scrolling through Twitter last Saturday, a cute picture of a little girl holding a placard was not powerful enough to reverse the past.

While we are aware feminism has not yet developed the ability to go back in time and start again, women marched because they were witnessing a President enter the White House who seemed to be trying to do exactly that with gender equality. The new President of the United States has openly bragged about sexual assault and has stripped funding from reproductive services around the world, which many suggest will not only result in unwanted pregnancies, but force women into getting unsafe abortions, which put their lives in jeopardy.

According to the Marie Stopes International, a major reproductive health charity, which had been receiving $30 million per year in US Agency for International Development funding, there will be 2.1 million unsafe abortions and 21,700 maternal deaths during Trump’s term that could have been prevented. This is why women marched. They were not over-reacting, or being snowflakes, or crazed feminazis as some have claimed. They were marching because Trump threatens not just the position of women in society but, in some cases, their lives.

Trump reinstated this two days after the march, so many will continue to argue the millions who marched did so in vain. But the march was never going to make him completely reverse his ideology. He said whilst campaigning that women should be punished for having abortions and now he is doing exactly that. Nobody is surprised — that is why they marched.

What the sceptics do not understand is that the march was not about making Trump miraculously transform into a feminist, but it was about building a movement. I highly doubt there was a single Trump supporter who watched millions of women take to the streets and then regretted their vote, but the march will have hopefully instilled courage in some to take action, to talk to those that disagree with them (unlike Ewan McGregor) and convince them of the damage Trump will do and has done. The courage to take such action is hard to find if you feel like you are acting alone.

Not all three and a half million of the Americans who marched are going to suddenly transform into political activists, and most will not do a thing after the march to resist Trump’s presidency. But some will, and they will because those millions marched.

Another criticism made of the march was, why was it just for women? There are plenty of men who are against Trump — would it not have been better to simply stage anti-Trump marches? Trump has attacked not just women but Muslims, Mexicans, the disabled, LGBTQ rights and threatens the climate, to name just a few, and these things need to be resisted to.

The people that marched were not ignorant to these other threats, but they needed to unite to stand together under one banner for one day, before dispersing and beginning their attempts at resisting against such threats. Scientists are already planning to march on Washington to protest, after the removal of the climate action page on the White House website and the enforced media blackout on the Environmental Protection Agency. The scientists’ march like, the women’s, grew out of social media, and has already gained widespread public support. The fact that individual movements are not resisting Trump in their own vacuum is crucial. An anti-Trump march would have been fractured and lost the unity in message that was witnessed across the world.

Obviously the impact of this resistance to Trump’s presidency will not be able to be felt until midterm elections in 2018 and presidential elections in 2020, but there is no harm in starting now. If Trump’s win proved anything, it’s that enthusiastic rallies, focused on subjects that people are passionate about, win votes. The march had to happen to send a clear message that there are still those who are against misogyny, believe sexual assault should not go unpunished, protest that reproductive rights should be protected, and ultimately believe that a man who stands against all of that should not be President of the United States.

Perhaps this is all just naïve hope and the Women’s March will go no way to inspiring people to keep up the campaign against Trump. But it lifted my spirits the day after I witnessed a man who brags about grabbing women by the pussy become President. Even if it did just that, ensuring that when future generations learn about this period of history, the textbook does not read that a man bragged about being able to sexually assault women because of his position of power and then be voted into the White House while the world just stood back and watched, it did more than enough.

Sankeys closes: who saw this coming?

I believe that it was the present writer who, in jest, said some weeks ago:  “I for one will be starting my #SaveLuxuryApartments campaign right away.” And, with either disastrous sincerity or in admirable commitment to ironic humour, it looks like the people have listened and taken action. Yes, another set of top notch properties is set to situate itself in the building where Sankeys once lived and reigned.

This club was a formidable place, and not just within the Manchester scene. It always held its own in relation to London nightlife, as their at-times premium drinks prices would attest. And now, in an homage that has seen Sankeys finally go a step too far in a bid to imitate our capital city, it has tragically turned itself into a collection of expensive flats.

“I remember my first trip to Fabric,” were the words I once said to someone at the pub wearing a Seth Troxler t-shirt. It was supposed to be a sort of “I remember my first pint” jab directed towards someone a couple of years younger than me. He didn’t get the joke. Plus, it just didn’t really work because I actually own the same t-shirt. In truth, it was more of an indication that I wasn’t handling my pints all that well.

I do remember my last trip to Fabric, though. Administrative errors meant that we were initially not allowed in. GO AWAY, we were told. GO DIRECTLY AWAY. DO NOT PASS GO. DO NOT COLLECT 200 POUNDS. Well, I went away for a bit and cheekily collected 200 pounds from a nearby Monopoly stash. Luckily, the people working at a bar nearby believed that it was real money. Unfortunately that was only enough to buy one drink. But I thought I would give it another go and returned to the club, where this time I was told there was room at the inn.

I like to think of this night as an allegory, or maybe a prediction or possibly even a message from above that Fabric would soon close and then reopen shortly after. Now, as we come face to face with Sankeys’ closure, I find myself thinking back to my final trip there, knowing that the signs of what was to some once more can be gleaned.

I remember the last time I went to Sankeys just the same. Well, actually, I say on this final occasion ‘I went to Sankeys’ but this is only partly true. I did get a taxi to Sankeys. I went there, in the same way that ‘going to Buckingham Palace’ as a phrase would normally indicate visiting the building and standing outside it, looking at the building through some fencing. What I am trying to say is that I did not enter Sankeys that night. And ok, if you really care, I said ‘I remember’ when in actual fact I don’t really remember, due to my being dangerously pissed.

This might seem a dubious recollection for an article in memory of the club, but perhaps it is fitting that my last trip to Sankeys was unfulfilled. Perhaps this was a vision of the end. I, like the club at present, lost a battle against forces more powerful than myself. In my case, it was a bouncer who kept on pushing me out of the queue (even when, with great agility of wit and drunkenness of character, I re-joined the queue repeatedly for about two hours). In the case of the club itself: the unwinnable battle was against the fearsome competitor of property development.

In desperation, I tried to tell the security on the door that they would all lose their jobs if they did not let me in. I thought I said to them, “This encounter seems simple enough now but it is actually symbolic of a far greater and more tragic event!”, though at the time most likely in terms exceeding these in both passion and eloquence.

Needless to say — but I will say it anyway — they didn’t let me in, and the prophecy of closure has been fulfilled. Sankeys has gone the way of the Haçienda. Years of fun draw to a close through the revelation that it is probably easier to make money by providing leather sofas, en suite facilities and elegant minimalist kitchens to young professionals than sweaty raves for people who keep on shouting “oiii fuck off!” and scrunching up their faces.

For a student, the concept of luxury apartments can bewilder. You hear so much about them that you would imagine they must be everywhere. But personal experience of what they entail still eludes you. So for now they are just buildings that you must imagine are always there, sometimes freshly renewed, but that you never have a reason to enter. For now you just assume they must have some purpose. A bit like that place that used to be called Baa Bar.

Perhaps now the only club safe from the threat of closure is Antwerp Mansion, whose chief advantage is that it would require the improbable backing from someone like Warren Buffet to get it any way near transformed into luxury apartments.

Review: La La Land

Strolling into the film ten minutes late, I was not concerned in the slightest about missing a potentially crucial bit of the plot. I’m not a massive fan of musicals at all, with their cliché ridden storylines and horribly cheerful/overly dramatic songs. Despite this, I thought I’d give this one the benefit of the doubt considering all the massive fuss about it. I have to say, I can absolutely 110 per cent see why people are so hyped about it. It’s visually stunning, with wonderful silhouettes of the characters accompanying the beautiful backdrop of Los Angeles. La La Land tells the story of a young musician who wants to make traditional jazz great again, and an aspiring (failing) actress in LA who fall in love.

However, I wouldn’t say that it’s the best film of the year, a title that it has been given by many film critics and with which the Academy Awards and the Oscars would agree with (it currently has 14 Oscar nominations, something that only All About Eve and Titanic have managed to achieve). There are a significant amount of flaws, something which many choose not to acknowledge for whatever reason but which I will highlight now. Firstly, as I have just said and is typical in musicals, I did not like the average plot or the over-exaggerated facial expressions and body language. Additionally, the modernity of the film is certainly nice however it’s not in any shape or form groundbreaking.

A major issue I had with the movie, one which I tried to overlook but simply couldn’t, was the fact that jazz was invented by black people. It’s about black people. So why does it need to be saved by a white man whose biggest musical number isn’t even all that jazzy? Why is he such a traditionalist, an idea that is backed up by Seve Chambers who writes in Vulture Magazine about how all the film is doing is describing a “narrow vision of the genre”? Additionally, considering its origins how can the film really justify the fact that all the people of colour featured are secondary characters? Why is the main black person shown to be conforming to society and therefore essentially not saving jazz? This element of the story doesn’t really resonate very well with me.

A further problem I had with the film is the mansplaining and misogyny. In this day and age, why on earth does director Damien Chazelle feel the need to make his protagonist the hero? Why does Mia need unnecessary saving? A lot of this misogyny lies in the smaller details, such as when Sebastian storms past Mia. In reality this would be incredibly rude and would never ever be forgiven in real life. Chazelle attempts to mask this through the portrayal of an almost ironic amount of passion for jazz.

In spite of this, I do think the film was beautifully shot. There were some scenes where I was honestly mesmerised by the shot compositions and the cinematography, a wonderful feat by the critically acclaimed Linus Sandgren. Some could even say that the juxtaposition between fantasy and reality compliment each other quite nicely. Whilst there is this talent, there are also too many problems that relate to the intricacies of the film, and by extension to issues within society to fully be able to enjoy the dull simplicity of it.

Definitely worth a watch and bare in mind that I am in the small minority of people who didn’t enjoy it, as I heard the couple excitedly exclaiming behind me about their delight with the film.

3.5/5

Review: Manchester by the Sea

Presently it seems that the most assured method of attaining some of that hallowed Oscar buzz is to just show a bit of self reflexivity. Look at La La Land, Birdman, Argo, The Artist. What do they all have in common? They’re all obsessed with acknowledging their own status within the Hollywood cannon, brazenly shouting “I’m a film” at you whilst relieving themselves of heavily stylised urine all over your face.

That’s not to say there’s anything particularly wrong with this — who didn’t enjoy Birdman’s kinetic exploration of film’s identity crisis or Emma Stone gleefully finding solace from a failed acting career in musical jaunts? The problem I see with this recent trend of smug winking at the audience is a twofold one: firstly the whole notion of Hollywood in film was taken to its logical extreme with Mulholland Drive, secondly that this constant barrage of films about films leave films about people forgotten in its wake.

This brings us, tentatively, to Manchester By The Sea. A far cry from bucket hats, 90’s nostalgia and Greggs, this film is unmistakably American and yet palpably un-Hollywood. Around mid-way through the film the central character, Lee (Casey Affleck), is observing three photographs of loved ones he — for reasons I won’t divulge — now is no longer in contact with. Now, many films here would play on the obvious emotional potential of this, admittedly traditional, setup. Affleck’s face, photographs, back to his face, Oscar. Instead the director Lonergan chooses to frame the scene less intrusively; we never even see the photos instead we watch as Lee observes the photographs before slowly, gently packing them away.

It is this gentleness that occupies the entire film. The aesthetic is fundamentally unaesthetic: bland, pale and grey. There are hardly any stylistic flairs, the most intrusive being a montage in which a toilet unclogs, and a five second long dream. This is no La La Land. What you are left with is a film that is unmistakably slow; you feel every minute of its two hour runtime but this is not a bad thing. This abandonment of what I would call true wankery allows the film to develop characters who are more human than any of the films I’ve mentioned so far. You can really start to tell that Lonergan is also a playwright: Manchester By The Sea employs the use of sets, props and actors to improve characterisation, to facilitate conversation under desperate circumstances and also to provide very recognisable moments of humor.

If it sounds like I’m gushing it’s because I am. What we have is a film that denies identifiable catharsis in favour of relatable failure. For this reason, for its honesty and patience, Manchester By The Sea won’t win the best picture. But that doesn’t really matter, the film succeeds in portraying a subtle, believable experience of loss. Maybe I’m a miserable loser who likes miserable things but chances are you’re a miserable loser too. So. Watch. This. Film.

5/5

A post exam treat

Our exams are over, we’ve partied to celebrate, time to start the term with a bit of relaxation. A beauty treat day can be fabulous whether at home or in a spa, what counts is taking the time out to pamper tired, revision weary you.

One fabulous part of writing for The Mancunion is the occasional freebie — and this week I got a goodie — a reinvigorating spa package at the QMS spa in The Lowry Hotel. An hour long facial and an hour long pedicure that included: masks, creams, massages, hot stone massages and red shellac toe polish. My version of beauty heaven.

Initially I wasn’t wowed by the spa, it has a clean, white, almost clinical feel that I wasn’t sure I would find relaxing — however, I was wrong. Sandra, my beauty therapist for the day, was lovely and chatty, the experience was all about what I wanted, and I left feeling like a very lucky gal indeed.

The package I enjoyed was definitely one of the more expensive deals available at QMS  but prices for a basic manicure start at £25 and from there go up depending on the treatment. One of the best value treatments is the No Time To Prep package, £60, 90 minutes 4 treatments.

However, unless you have a birthday/kind acquaintance/valentine/healthy bank account to fund luxury spa days, the DIY method may have to do. If I were to attempt to recreate my QMS experience a sheet mask would be a definite must, Garnier’s moisture bomb sheet mask is 99p and works a dream. Pop it on for 15 minutes while you sit and relax, or terrorise housemates — you will look ridiculous and they will want a photo of it.  Afterwards your face will be left feeling soft and rejuvenated.

moisture bomb. Photo: garnier.co.uk

The second easy update to take your beauty regime up a notch would be to introduce foot cream to your pedicure. I can’t claim to be the best when it comes to pedicure up keep, in winter I generally paint my toe nails red and leave that on until it’s nearly all chipped away, come summer I maintain the red polish to higher standard. However, I loved the foot rub part of my pedicure, so have treated myself to a foot cream to recreate my silky soft feet.

For now my DIY substitutes will have to fill in for luxury spa days… until the next offer comes along.

Record Reappraisal: Indigo Girls – Rites of Passage

Released May 1992 via Epic

Indigo Girls were one of a number of folk-rock groups taken on by major labels in the late 1980s and early 1990s following the success of the likes of Tracy Chapman and Suzanne Vega. What may have initially been viewed as a passing fad blossomed, and the ’90s arguably saw folk and crossover music being recognised in the mainstream to the greatest degree since the swinging ’60s. Indigo Girls not only flourished but thrived for three decades and are still performing and releasing new material. With appearances on major talk shows, iconic music videos and their relentless outspokenness, Amy Ray and Emily Saliers demanded from the beginning to be seen and heard.

And so they should be. Their music is at best excellent, and even the songs that don’t linger in the mind are well-crafted and feel honest. You get the distinct impression that Ray and Saliers are incapable of putting out a song they know is mediocre or filler — they just would not be able to bear it. This brings us to Rites of Passage. Released in 1992, it is their fourth album, but as their early records were released so closely together — pretty much annually — there is still the sense of a young, raw band.

The two members write almost totally separately, and a song will be known to fans as either “an Amy song” or “an Emily song”. However each usually lends her voice and guitar skills to the other’s tracks, producing gorgeous cacophonies of sound. Amy is generally the rocker, and Emily the jazzier, bluesy artist. In this album, however, both do some experimenting, with very positive results.

Amy’s Rites of Passage songs have a Celtic feel, especially ‘Three Hits’ and ‘Chickenman’. In ‘Cedar Tree’, she perhaps lays it on too thick: it’s cheesy but still pleasant on the ear. A hallmark of an accomplished artist is being able to create a parody of something that is actually also a brilliant example of the thing in question, and Amy demonstrates this with ‘Nashville’, a play on the distinctive style of country music that was popular in the titular city when Amy went to university there. She wasn’t happy and left, and the song conveys her frustration — yet she works in the harmonica, fiddle and accordion to create a piece of real beauty.

Amy’s main hit from this album was ‘Joking’, a jangly, angsty reflection of a more carefree time: “I was wide-eyed and laughing, we were dancing up to the bright side.” It is the rockiest and closest to her usual vibe, full of furious, rugged emotion. Finally, the low, intense ‘Jonas and Ezekial’ has some of her strongest writing, every line feeling important. “In the war over land where the world began, the prophecies say that’s where the world will end, but there’s a tremor growing in our own backyard…”

Emily really seems to grow on this album. In previous records she went for gentle ballads, which she handled well; here she embraces a faster pace and rhythmic style. ‘Galileo’ has a slightly bizarre premise based around reincarnation but is bouncy and moving and gave Indigo Girls one of their biggest hits. The video is brilliant. ‘Let It Be Me’ is a catchy protest song: “The darker the ages get, there’s a stronger beacon yet…”, and ‘Airplane’ is a great tune, but still it feels like it could have been more thoroughly developed.

When Emily does do ballads, she goes bigger and better: ‘Love Will Come To You’ is a ballad on an epic scale, building up into an explosion of harmonies, and ‘Virginia Woolf’ is similar. ‘Ghost’, a fan favourite, is orchestral and grand. The album’s one cover is ‘Romeo and Juliet’; while Indigo Girls have turned out better covers over the years, notably their take on Dylan’s ‘Tangled Up In Blue’, Amy’s take here on the Dire Straits classic is nonetheless striking, with a tenderness and a quiet passion.

The way such different artists as Ray and Saliers can pool their talents to create a cohesive, meaningful and uplifting album is something really special. Their contribution to music has been immense, and if you’re new to them then Rites of Passage is the perfect place to start.

Trump’s Muslim Ban affects Asghar Farhadi

Unless you’ve been living in a cave for the last week, which given the current state of events doesn’t actually sound too unappealing, you’ll be familiar at this point with President Donald Trump’s new domestic security policy, in which he has barred citizens of seven majority-Muslim countries from entering the US for a 90 day period.

Naturally, the overwhelming global response to Trump’s process of ‘extreme vetting’ has been one of outrage, with residents of the UK’s major cities even taking to the streets in a simultaneous protest on Monday 30th January, not only expressing their disdain for the ban and Theresa May’s complicity with the policy following her visit to the US and liaison with Trump, but also uniting in support of Muslims and refugees. Needless to say, the shockwaves felt in the wake of such an act have emanated throughout the globe, with many reporting their feelings of surprise and repulsion at Trump’s commitment to a policy which he put forward in his 2016 presidential campaign; one that few people expected would actually materialise.

The effects of Trump’s attack on members of the Islamic faith have been felt by countless citizens of the seven targeted countries, with many left stranded and unable to return to relatives in the US, or even detained at airports. A creative sphere that has also been affected by the ban is the film world. A notable example is that of Asghar Farhadi, the Iranian director behind the critically-acclaimed 2011 marriage drama, A Separation, whose 2016 film, The Salesman, earned him a nomination for Best Foreign Language Film at the upcoming 2017 Academy Awards.

Farhadi, who has been working as a successful director and screenwriter since 1997, was born in Iran in 1972, and has received a multitude of award nominations for his work. Under the conditions of Trump’s recently-imposed Muslim ban, the question of whether or not Farhadi will be legally permitted to attend the 89th Oscars ceremony hangs in the balance. Trita Parsi, director of the Iranian American Council confirmed via Twitter that Farhadi would not be allowed to attend the ceremony, but whether or not an exemption will be granted for Farhadi is still unclear.

What is perhaps most ironic and saddening about the possibility that Asghar Farhadi won’t be permitted to enter the US for the Oscars is not only the fact he won’t be able to reap the rewards and recognition he deserves for his contributions to cinema, but also the way in which his films explore the differences between communities, genders and classes in such a nuanced way. At such an uncertain and formidable time for the world, it’s uniting forces we can all take solace in, such as cinema, which ought to be celebrated. President Trump’s actions seek only to drive an even greater division between communities, and Farhadi is one of the many undeserving citizens of these seven Muslim countries who have been affected.

Feature: Biopics in Bollywood

In a Bollywood of more than 100 years, biopics are not a new trend. One of the oldest and most highly critically acclaimed biopic made in Bollywood was Dr. Dwarkanath Kotnis is Amar Kahani (The eternal tale of Dr. Kotnis), made in 1946 by veteran director V. Shantaram.

It was based on the accounts of Dr. Kotnis, who was sent to China during the second world war to provide medical assistance to the troops fighting the Japanese army. The biopics made in Bollywood were, for a long time, an indie film affair. These films were real and honest and never shied away from being mundane in order to depict the real life.

The best example of one such indie film is Bandit Queen made by Shekhar Kapur in 1996. The film was based on the life of Pholan Devi who was a dacoit. The film was set in real locations with real people and explored various layers of Indian society, it also delineates the condition of woman in a rural setting. These kind of films were made once in a while on shoestring budgets. The low budget always affected the aesthetics of the film but the soul in these films was always alive.

In past few years there has been an upsurge of biopics in Bollywood. These films have great budgets and big film stars play lead roles. The most recent examples are MS Dhoni : The Untold Story, Dangal, Azhar, Mary Kom and Bhag Milkha Bhag.

These films are made by the biggest directors and played by the big stars with big budgets. But, in order to recover the money they invested, the films adulterate the story with fiction. However even fiction is fine but what is unacceptable is the addition of irrationality in the story.

The films start on a real premise but by the end of the film we can see the divergence of the plot to an illogical and baseless ending. Although, these big films have been a really big disappointment, the independent biopics have not only made sure that the films are honest but also made sure that the art of the film is not at all compromised.

In this category the films which were commercially as well as critically acclaimed were Neerja, Shaheed, Pan Singh Tomar, Manjunath, Rang Rasiya and the most hailed out of all these Aligarh.

Aligarh is a film made by Hansal Mehta in 2016. It was based on the Dr. Shrinivas Siras, who was sacked from his position of reader and chair of Modern Indian Languages because of his sexual orientation. The film had its world premier at Busan International film festival and its European premier at London film festival.

Global News: Science

Trump’s not-so-great wall

Only 1 week into office and Donald Trump has caused great disruption in the environmental activism community. It began with the freezing of all EPA grants and contracts, a gagging order on all EPA and agricultural scientists, and now the building of Trumps infamous “Great Wall” poses new threats to animals and the environment. It is estimated that the wall will threaten 111 already endangered species by restricting their territory, and release 2 million tonnes of CO2 into the atmosphere. Scientists are calling the potential damage an “insane act of self-sabotage”.

Killer air in London

Air pollution in London has now surpassed levels of that in Bejing. This has led Mayor Sadiq Khan issuing the highest level of air pollution alert, calling it a “public health emergency.” Earlier this month London breached its annual air pollution limit for 2017 in only 5 days. NO2 pollution, produced largely by diesel vehicles, causes nearly 6,000 deaths a year, with the second largest contributor to pollution being wood burning stoves during the winter time. Some schools have now banned kids from playing outside, and Public Health England warns against outdoor exercise.

Scientists are growing human organs in pigs

A stem cell research team, based in California, are in the very early stages of growing human tissue in pigs to produce human organs. If successful, growing organs this way can be used to alleviate pressure from already struggling transplant lists.

Dr Juan Carlos Izpisua Belmonte has said: “It’s important because we have been able to respond to a question that the field was asking: Can human cells be mixed with a large animal? The answer is yes.”

Despite showing promise, opponents of the research argue that these studies could be dangerously close to crossing ethical boundaries.

‘Metallic Hydrogen’ is world’s rarest material

Scientists from Harvard have created one of the most valuable and rarest materials on the plant, nearly 100 years after it was theorised. News of the breakthrough could mean ‘revolutionary’ changes to technology, including substantial changes to electricity.

Prof Silvera, one of the team leaders, says that “it’s the first-ever sample of metallic hydrogen on Earth, so when you’re looking at it, you’re looking at something that’s never existed before.”

The amount of pressure to create the material was more than is found at the centre of the Earth.

Access All Areas Conference on Widening Participation

The University of Manchester Students’ Union’s very own ‘Access All Areas’ facilitate student-led activities in order to help with widening participation projects ran, in order to tackle the educational inequality at the higher levels.

On Thursday the 16th of March, ‘Access All Areas’ will be holding a conference at the University of Manchester Students’ Union as part of the ‘Liber8 Education’ national campaign. Key themes of widening participation will be discussed in order to build and maintain an effective University, highlighting examples of student-led programmes from across the country.

NUS President Malia Bouattia will be a key note speaker at the event, who is passionate about widening participation due to her own experiences of education.

“I came to this country as a refugee at the age of 7 because my parents wanted to ensure that I would receive an education free of fear. Attending university was a great source of pride for my family, but it came with many difficulties as a working class Algerian woman on a campus that was far from diverse in student body, staff and course content.

“Getting involved in widening participation projects and my equality and diversity department allowed me use my feelings of isolation and throw my energy into initiatives that addressed the barriers within our institutions.”

University of Manchester Students’ Union Diversity Officer Ilyas Nagdee is also heavily involved with widening participation.

“During my time at college, I was on a widening participation initiative that introduced me to Higher Education. Through several activities including meeting current students from a similar background to me – a working class student who was the first in his family to apply for university – I successfully entered university.“

Workshop submissions have flooded in from across the country from Universities and Students’ Unions including Kings College London Students’ Union, Sussex Students’ Union, and the Brilliant Club. Students from up and down the country are welcome to get involved in the Manchester event, in a show of solidarity. ‘Liber8 Education’ aims for us all to defend our colleges and universities and put forward our vision for a free, liberated education. Spread the message and get involved with your Union.

This will be of particular interest to those students who want to get involved in student leadership initiatives and widening participation projects.

Tickets are available from Eventbrite under ‘Access All Areas Conference: The role of current students in access and widening participation to higher education’.

Review: A Series of Unfortunate Events

When it was announced back in 2014 that Netflix were taking on the gruesome tales of the Baudelaire orphans, fans of the adored book series by author Lemony Snicket (real name Daniel Handler) crossed their fingers that this would not become another failed attempt to franchise the series.

Quite conversely however, the eight-episode first series boasts intrigue, great casting, and is an overall faithful adaptation of the first four books of the series. This is allowed to happen by giving each story a two episodes ark, providing the uniquely whimsical tales to be fleshed out in a more comprehensive manner.  The story itself follows three newly orphaned children Violet, Klaus and Sunny as they are initially taken in by their evil relative — third cousin fourth time removed, or fourth cousin third time removed — Count Olaf (Neil Patrick Harris) who plans to steal their fortune. Neil Patrick Harris predictably steals the show immediately with an outlandish musical number.

The acclaimed Emmy nominated and Tony award winning actor gets to stretch his acting muscle like never seen before by not only portraying the ominous Olaf but also a plethora of equally distinctive and animated disguises for the Count (Stephano, the Italian reptile assistant from episodes 3 and 4, in particular shines).

The meta-humour of the series, (mostly worked in through Snicket’s narration by Family Guy alum Patrick Warburton), was a worthy addition to the series. His dry wit and off-putting anecdotes weirdly make the charming and more hopeful moments of the series more special as they are unexpected, given that Snicket recounts in his opening remarks:“If you are interested in stories with happy endings, then you would be better off somewhere else.”

The series, given the episodes extended 50 minute running time, does tend to drag from time to time with Snicket’s monologues sometimes becoming a monotonous rambling. If anything though this just adds to the intention of the series, to get the viewer to “look away”. Instead as a viewer your curiosity flourishes, a key aspect of any good mystery series.

A clear aesthetic divide in almost Tim Burton-esque fashion shows the juxtaposition between the hyperbolised worlds of good and evil, with the equivalent of Willy Wonka’s chocolate factory on the side of the noble and across the road — literally — the dirtiest and most desolate mansion in all of television (as I’m sure Snicket would want us to believe). This allows the show to appeal to a younger demographic whilst also adding to its absurdist charm.

So whilst the ambitious project is only in its freshmen year (with another season already commissioned) the future of the show is already looking bright, with hopefully more outlandish disguises, bleak humour, and colourful characters to come in the second year.

4/5

Northumbria University fined for caffeine test

Northumbria University have been fined £40,000 after a calculation error meant that two students received ‘life-threatening’ doses of caffeine.

The volunteers were given 30g of caffeine, equivalent to 300 cups of coffee, instead of 0.3g. They were taking part in a study about the effects of caffeine on exercise.

Alex Rossetta and Luke Parkin, both sports science students at the university, were taking part in the study in March 2015.

The students were taken to intensive care and were put on dialysis. Both are reported to have made a full-recovery, despite concerns that one of the subjects had experienced short-term memory loss.

Mr Rosetta was kept in hospital for 6 days, whilst Mr Parking stayed for 2 days. Both reportedly lost nearly 10kg in weight following the incident.

There has been a previous case of death from a caffeine overdose of 18g.

Adam Farrer, for the prosecution, said: “The staff were not experienced or competent enough and they had never done it on their own before,” and that “the university took no steps to make sure the staff knew how to do it.”

The mistake in calculating the dosage is understood to have been made on a mobile phone, with the decimal point being in the wrong position. There was no risk assessment done during the course of the experiment.

Defender Peter Smith spoke on behalf of the university, and said that the institution wanted to “emphasise that they take the welfare of their students and staff seriously”.

NSS boycott launched as university opts into TEF

The University of Manchester has chosen to enter the Teaching Excellence Framework (TEF), as the Students’ Union launches their NSS boycott campaign, #DontFillItIn.

The National Student Survey (NSS), sent to final year students every year by Ipsos MORI to measure their satisfaction with their course and university, is currently used in league tables nationwide to scrutinise universities’ performance, but until now has never been linked to tuition fees.

The NSS will be one of the metrics used as a part of the TEF, a rating system which will give universities either a Bronze, Silver or Gold award and allow them to allocate their fees accordingly, beyond the current £9,000 cap.

The TEF will be based on three metrics – “teaching quality”, utilising the NSS; “learning environment”, including dropout rate as well as technology and extracurricular activities; and “student outcomes & learning gain”, including data on employment levels six months after graduation.

It is opposed by many, including the NUS, who not only oppose the permitting of institutions to raise tuition fees even further – as it will further limit disadvantaged students’ access to the best-performing universities – but also the TEF’s methods.

Up until the deadline to sign up to the TEF at midday on the 26th of January, the University of Manchester was one of few universities not to have declared whether they had opted in or not.

In the same week, the Vice-Chancellor of the Open University, Peter Horrocks, has declared that his institution will not be signing up to the TEF, as he is not confident it “is a true measure of teaching excellence across the whole sector”.

Students from the OU tend to have much more varied and unique backgrounds than those at mainstream higher education institutions, and Horrocks has outlined his concerns that the benchmarking of the TEF will unfairly reflect on the students of the institution, who often have few or no prior qualifications, occasionally progress from one year to the next at different times, and often study at the same time as working.

He has not ruled out joining at a later date once the trial year is done.

A statement by the University of Manchester Students’ Union outlined that “as passed by 90% of Student Senate” they “are actively boycotting the National Student Survey (NSS) as of Thursday 26th of January.

“This campaign aims to raise awareness that the results of the NSS, taken by final year undergraduates, will be used to justify the government’s plans to allow universities to increase tuition fees again in September.”

The aim of an NSS boycott is that incomplete data will invalidate the results, leading to the TEF being seriously hindered or even blocked completely.

Education Officer Emma Atkins added: “We have launched #DontFillItIn to encourage students to reject filling in the NSS as the University of Manchester has opted into the Teaching Excellence Framework (the TEF) on the 26 January 2017.

“As the University of Manchester has entered the TEF, the NSS will be a source of data that will be used to increase tuition fees. This is a national initiative, with 25 other unions (and counting) taking part.

“We acknowledge that student feedback is very important however and have therefore created an alternative survey called the Manchester Student Survey.”

The University of Manchester confirmed their decision to join the TEF but had no further comment to give at this stage.

Inspired by the Women’s March? Get involved in Manchester

With an estimated 4.8 million people marching worldwide, the Women’s March on 21st of January brought women from across the globe together in protest, following the inauguration of President of the United States Donald Trump.

The March aimed to unite women across the USA and “stand together in solidarity with our partners and children for the protection of our rights, our safety, our health, and our families – recognising that our vibrant and diverse communities are the strength of our country.”

500,000 people marched in the flagship Women’s March on Washington, D.C., and sister marches took place on all seven continents, with over 400 marches in the USA and around 200 elsewhere in the world.

Shaun McGovern, a student from Maryland, was at the march in Washington, D.C.: “I study middle school science and social studies education at Towson University, near Baltimore, so many of the policy promises of Trump’s campaign would have a direct and profound negative impact not only on me, but on all of my students and their families.

“The march and everyone who participated were all incredible…it was amazing that so many people could feel so passionately about something and demonstrate for it without any violence or malice. The march was definitely a rallying event for anyone who cares about the environment, healthcare, and reproductive rights, among other issues, and healed some of the hopelessness I felt after the election.

“However, although I saw some signs about Black Lives Matter or LGBTQ rights, the crowd was majority white, and wealthy enough to travel to D.C. Moving forward, I want the movement to give more of a leading voice to women of color, immigrants, and the LGBTQ community so that we can finally truly guarantee liberty and justice for ALL in the United States.”

Much has been made of the marches and their impact in the news and on social media, including criticisms of its lack of intersectionality, but the organisers of the March are keen to stress that the work does not stop here and that much more can be done.

Launching their ’10 actions for the first 100 days’ campaign, they stated: “Thank you to the millions of people around the world who, on January 21, came together to raise our voices. But our march forward does not end here. Now is the time to get our friends, family and community together and MAKE HISTORY.”

With that in mind, here’s a round-up of some great events in Manchester that you can get involved with in 2017 to continue the fight for women’s rights and to ensure your voice is heard, supporting gender equality and equality for all:

The Wonder Women Festival is an annual artistic festival celebrating women and supporting women’s rights, held here in Manchester, where the Suffragette movement was famously born. The organisers have announced the first acts and performances to take place from 2–12th of March 2017.

According to the website, “Wonder Women 2017 promises to be as radical a programme of cultural events as the principles upon which the campaign was founded. Through boundary-pushing, experimental and diverse forms of performance, film, debate, talks, workshops and exhibitions, Manchester will celebrate those that won the fight for votes for women and the activism that continues to underpin feminist issues of our time.”

Events include: an International Women’s Day talk by Marika Sherwood and Peggy Mulungo at the Working Class Movement Library, comedy duo LipService’s ‘Exploding Women’ in the university’s own Stopford Building, and a night of techno at ‘Synthesis: All female Techno DJ’ to be held at Texture Manchester, with Oriel and Kerrie on the bill. Check out the website for details on lots more events planned.

On the weekend of the 4–5th March, the Manchester Media Group is hosting the second annual Women in Media Conference, celebrating successful women in the media and empowering students to take their first steps to their dream media career. Speakers such as BBC Breakfast’s Steph McGovern, Youtubers Grace Victory and Lucy Moon, Guardian Northern correspondent Nazia Parveen, and award-winning radio producer Kate Cocker are sure to make this conference, held at the People’s History Museum, a hugely inspiring and successful event. For further information on speakers and to buy tickets, check out the website or join the event on Facebook.

At the People’s History Museum, which celebrates and exhibits “ideas worth fighting for,” a new exhibition opens on the 25th of February (during LGBT History Month) depicting the long-fought battle of LGBT+ rights, ‘Never Going Underground: The Fight for LGBT+ Rights.’ According to the event page, “this unique exhibition is curated by members of the local LGBT+ community. It details the development of an LGBT+ movement, showing the internal and external struggles, the different party political approaches to equality, and the social and historical context of the last sixty years of activism. This is the complex and compelling story of a long and often bumpy journey.”

The Contact Theatre is hosting the Queer Contact Festival, which is in its ninth year, from 10–18th of February. Their website states that it will be “a diverse and inclusive festival proudly celebrating Lesbian, Gay, Bisexual and Transgender arts and culture in Greater Manchester as part of LGBT History Month… [with] a packed programme of theatre, music, dance, cabaret, comedy, spoken word and visual art at venues across Greater Manchester.”

The Mancunion will be previewing these events and many more in the coming weeks.

Interview: Naa Acquah — General Secretary

Naa Acquah has been the General Secretary of the University of Manchester Students’ Union for two academic years now, and as she begins her final semester in the role we sat down with her to discuss current events in student politics and to ask her how she thinks her time at the Union has gone.

We started by chatting about what she was up to currently, and I had the feeling that this question could have easily taken up the whole interview. Aside from attending meetings with the board of governors and others, Naa spoke about being busy organising for student money week, the part-time jobs fair, the Give it a Go North fair, a student manifesto asking students what they want to see from their mayor, a mayoral hustings and also strongly encouraging students to register to vote.

With so much on her plate, Naa seemed to struggle to pin down what her biggest achievement was during her two years, but settled on the work she has done around engaging with North campus, saying that until she came into the role “it was kind of ignored and neglected and we had no relationships there really,” but she was happy that “we’ve now got North campus society that we fund and they’re so passionate about doing things.”

She also claimed that some of biggest achievements have been behind the scenes, with the Union’s future strategy: “I’m really sort of proud of how I think they’re going to propel the Union in the next four [or] five years, so long after I’m gone.”

The room the interview was held in was half taken over by brown paper bags full of treats and information leaflets from the Students’ Union to be handed out by Naa to students in the library, an example of attempts to engage with students across campus. With low voter turnouts in elections and the current controversies surrounding the NUS, these kind of initiatives are more important than ever.

Naa admitted during the interview that there’s “a lot of great work that’s happening” but that “it’s not being communicated”; instead, “people focus on the negative things, because writing an article about, for example, the rent strikes and getting students money back from their terrible housing, that’s one article, everyone goes yay, and it goes down, but negative things are always going to be played out a lot more.”

She added that how she’s communicated some things has been a regret of hers from her two years in the role, explaining that sometimes she thinks she should have “just shut her mouth” about certain issues.

The issue with this is that the negatives are not small matters, as Naa said herself: “The NUS is going to go through a really really hard time, it has been doing so for the past [few] years,” ranging from institutional racism, anti-Semitism, criticisms of the no-platforming policy, the NUS Vice-President working against the President, and calls by some students in light of these controversies to disaffiliate from the Union.

To really get to the heart of these issues we would have needed a lot longer than the half hour interview, but we managed to touch on a few of the controversies to gather her views on them.

We began with the ongoing criticism of student politics’ policies of safe spaces and no-platforming, which many have slammed as examples of the generation snowflake phenomenon. The University of Manchester Students’ Union infamously no-platformed Milo Yiannopoulos and Julie Bindel; I put it to Naa whether she honestly still believed this was the right decision, and that perhaps the controversy actually gave them more of a platform — adding that with the likes of Donald Trump now in the White House it was time to start engaging with those we disagreed with.

Naa jumped in to stress she has “always said we should engage with people” arguing that, “the only people who have ever not spoken here are those two people in the whole time, and so in that time there’s been at least a thousand people speaking this year… so it is literally like a drop in the ocean.”

She added that “there have been loads of people who have been controversial who have come here, that I’ve been like personally, ‘oh I wouldn’t bother’, but that debate happens”. She gave the example of the recent passing of BDS in the Union’s senate which she said was “hugely controversial, but I don’t think we shied away from that topic being debated”.

On the subject of banning speakers Naa admitted one her biggest regrets was the motion brought to senate to ban Donald Trump. Naa reflected on how the situation “turned into such a huge thing” with days spent talking to the media, and “feeding off phone calls from old ladies saying ‘don’t do it’”, arguing that it would have been worth not going through in the first place.

Responding specifically to the term ‘Generation Snowflake’, she said she thought the term was “a bit unfair because what I think is happening, is people are really passionate about things and they’re passionate about things that are happening in their day to day life.”  An example she gave of this was the newly implemented ‘Working Class Officer’, which she defended from critics who have said it is more evidence of Generation Snowflake in action, instead arguing it is simply students responding to “something that’s happening in their lives, something that they can physically change and do something about”, adding she ultimately believes “we should limit people to be able to make the change that they see fit.”

One of the other criticisms of the new working class officers however, has been that it patronises rather than helps working class students. Naa disagreed with this claim completely, arguing that “it’s there to make sure the voices of working class people are always embedded.” She added that it had been discussed whether it could be called ‘Widening Participation Officer’, but believed ”that wouldn’t have the same ‘zing’.”

We then moved on to discuss the current controversy surrounding NUS politics, the revelation that Richard Brooks, Vice President of the NUS was revealed by an undercover investigation to be plotting against the President of the NUS. Brooks openly admitted after the exposé that he “organises against what [he] thinks to be an ineffectual and damaging Presidency for Students’ Unions”. I asked Naa whether this revelation made her fearful for the future of the NUS and it was here that she admitted that the “NUS is going to go through a really really hard time”.

Despite this she argued that “people have the right to organise, people have slates and campaign teams of course, there’s nothing wrong with that, that’s how politics works.” However, she said that “we should always try and hold some sort of decency around it and try and be good to people, and not try to slam them, bully them or harass them”, something she admitted happened on both sides. This is something she lamented isolated people from the NUS, and was something that seriously needed addressing, but confessed “it is difficult because people are passionate”.

Another division which has arisen within the NUS has surrounded the Black Students Campaign and their calls for a review into institutional racism, which was finally released at the end of last year, but not before a mass walkout by black students in protest of its delayed release. The report found the “NUS as an employer has seriously failed to support Black staff”, and our Exec team released a statement saying it was “time for the student movement to take a critical look inwards, and do better”.   When asked about whether this review would result in real action, Naa highlighted plans to introduce a senior management position similar to universities directors of equality and diversity to oversee these changes.

Despite this though she said the only way things would really change would be through a complete overhaul of the current culture. Naa spoke of how throughout her whole life no one had ever judged her politics: “No one assumed what my politics were by looking at me, they would ask me questions, the one thing that’s strange about the NUS is people assume your politics by your race so, you’re on the black students campaign so therefore you must be left wing, and you’re just not left wing, you’re probably hard-left.” Naa remained hopeful however that as a result of the review, the “culture change can happen” and “will make a big difference”.

One of the criticisms of this report however, was the lack of investigation into the issue of anti-Semitism within the movement, despite a Home Affairs Select committee concluding the NUS failed to take the issue seriously. As Naa had mentioned earlier, the Students’ Union has recently backed BDS in senate, despite many Jewish students voicing their concerns on the night of the vote, so I asked Naa how far she accepted that anti-Semitism was an issue within student politics and whether she accepted the claim that it has not been taken seriously.

Naa immediately jumped in to stress she “100 per cent accepted” that it was an issue, but argued that she believed it was being taken seriously. She stressed she has “spoken with students”, and has a “good dialogue with them”. She added that she believes there’s “some work happening now on the experiences of Jewish students on campus, within NUS and UJS.”

However she admitted that it’s really difficult issue to tackle: “We are in my mind straddling two things, of issues of politics and all the political sphere and things that people are really passions for people, and making sure that we don’t cross into having political views about a group or a state and putting those views on individuals because they are from a certain religion, that’s really difficult and it’s something that we’ve got to constantly remind ourselves not to do.”

Facing all of these controversies it is perhaps not surprising that some students are very anti-NUS, or rather simply apathetic towards it. A petition was started last term to disaffiliate our Union from the NUS, and at universities such as Durham anti-NUS candidates have been elected as NUS delegates as just a few examples student opposition to the movement.

However, according to Naa it is all down to a lack of communication: “I’ve been in it and seen what is happening, all the things that people say, ‘why are they not concentrating on housing, why are they not lobbying the government’, it’s happening. It’s absolutely huge, it’s happening and unfortunately some of the more personal things overshadow a lot of the great work that’s happening and I think that’s the problem, it’s not being communicated”.

Perhaps this is true, but we must admit that when an institution is criticised for anti-Semitism, racism, factionalism, censoring debates and much more, it may take some time, and a lot of powerful communication, before the headlines start to change.

Finally, as Naa enters into her final semester as General Secretary the search for her replacement has begun, with students currently able to put themselves forward to stand in the elections. To conclude our interview I asked Naa why she thought students should stand to be on the Exec team; she affirms that “this role has completely transformed my life”.

Watch Fuse TV’s video of this interview here.

Remembering: Holocaust Memorial Day

January 27th 1945 is the date that the Auschwitz Birkenau Concentration Camp in occupied Poland was liberated. In October 2016, I had the privilege of attending a trip to Aushwitz, co-organised by the Union of Jewish Students and the Holocaust Education Trust. Many people have heard about Auschwitz and the horrors that happened there, and many have seen films or documentaries about the Holocaust. As a Religion and Theology student I’m very aware of the events that took place, and have taken modules and lessons about the holocaust. I was overcome with shock and horror during the visit. I think it is a place every person should visit in their lifetime.

Before we went on the trip we spent a lot of time really understanding what people’s lives were like before the War broke out. 6 million Jewish people, 7 million Soviet civilians, 3 million Soviet prisoners of war, thousands of Roma Gypsies, and people with disabilities and homosexual people were murdered. These numbers are so huge that it is impossible to even imagine, but every single one of these people had a story, a family, a passion that we must try to remember.

The day was filled with numbness. I felt numb both outside, because of the cold, and inside due to what I was seeing.

The most poignant moment was in Birkenau II. It was suddenly pitch black by 4pm and as we stood by the end of the train tracks by the destroyed gas chambers, our group leader said that we were standing in the largest cemetery in the world. 1.1 million people were killed in those chambers and as we stood there and held a candle light vigil for all those whose lives were taken, this dark ominous place suddenly felt peaceful. I don’t know why, but it did. As we lay our candles along the train tracks, it was not only visually beautiful, but also symbolically beautiful because we could walk away. We were walking away from a train track which marked the end for 1.1 million people.

Even as I write this article, my eyes fill with tears just imagining what people have gone through at the hands of other human beings. Holocaust Memorial Day also remembers all those who have died in other genocides of history. We remember those who were murdered in Cambodia, Rwanda, Armenia, Bosnia and Darfur. Innocent people who were killed just for being different, whether it be a different tribe, religion, race, political opinion or sexuality.

The one thing that really resonated with me and will for the rest of my life is that human beings have the power to do such terrible things but we also have the power to do such amazing things. Let’s not forget it was educated people who built the gas chambers, who designed concentration camps and railways to lead to such hideous places. We, as students at university, must collectively use our minds and our intellect to build remarkable things, things that don’t just help us but help everybody.

To mark this important date we will have a one minute silence at 12pm to remember all those who were killed in genocides and all those who survived.

‘City of Trees’ launched in Manchester

The ‘City of Trees’ project is campaigning for a greener Manchester and aims to plant millions of trees around the Greater Manchester area over the next few decades. It has so far planted 94,380 trees around Greater Manchester since it’s launch in late 2015. Director Tony Hothersall explains after its primary aim of planting 3 million trees, which is “a tree for every man woman and child [in Manchester]”, they are also “very much focused on bringing existing woodland into management because there is no point in planting new woodland if you can’t manage what you’ve got.”

Mr Hothersall also emphasises the project’s goal to educate the public about the multiple benefits of trees and woodland. Aside from being aesthetically pleasing, there have been myriad studies that show the presence of trees and greenery in urban environments can aid mental wellbeing, as well as having cooling properties and the ability to reduce air pollution. Research here at the university, alongside the City of Trees project, United Utilities, and the Environment Agency, is also looking into the use of trees in reducing surface water flooding.

Lead researcher, Dr James Rothwell explains: “Traditionally water off roads and pavements is taken straight down into the sewer system. It’s treated, and there are costs associated with that, especially such a big cities like Manchester. It can become overloaded so you get a water ponding on streets and then flooding.” Dr Rothwell’s research explores how trees mitigate against flooding in the urban environment, using nature as a helping hand.

This research is the first of its kind in the UK. “It’s really novel, so what we’ve got is effectively a very large tree treat trench, with three large trees on the street in Salford. We’ve connected from road to sewer but interrupting that using the trees to help us to effectively slow the flow of water, reduce the volumes of water and the speed of water.”

Initial data from the study is promising, which shows that water flow into the sewer is slowed by up to two hours and the volume reduced by 60 per cent. Dr Rothwell is excited by the prospect of this research, saying that the slow advancements in urban greenery in the UK could be due to lack of hard evidence. This not only has environmental implications but also financial ones. A household’s water bill includes the service of taking surface water off the property into sewers, so reducing the volume of water could reduce bills and be a way of providing incentives to developers to get on board with the scheme.

This research and the ‘City of Trees’ project has gained a lot of interest of late, including from the Secretary of State for Environment, Andrea Leadsom, whom Dr Rothwell showed round the study’s site just recently. He hopes this study provides a demonstration of yet another benefit of trees in the urban environment and it becomes “business as usual” to include trees into the infrastructure of new city developments.