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Month: March 2019

Federer’s 100-up and there’s more to come

Countless masterclass performances from Roger Federer have become the norm for tennis throughout the duration of the 21st century.

Bursting on to the scene with his first title at the Milan Indoors tournament when he was just 19 years of age, almost twenty years on, it is astonishing that Federer is still winning titles, and he feels that there is more to come.

“We’ll see how much more I have left in the tank,” the 37-year-old added after stating, “reaching 100 is an absolute dream come true for me.”

The 6-4 6-4 victory over Stefanos Tsitsipas in Dubai moved Federer to just 9 titles behind the all-time record holder Jimmy Connors.

However, the tennis legend seemed to not be fussed about the record: “We’re living in a day and age when all the records have to be shattered,” he said. “Not for me. I am just happy I am still healthy”.

Federer’s comments after the game highlight the class that he has brought to the court throughout his glittering career.

A record 20 Grand Slams belongs to the evergreen Swiss star. However, perhaps what will be most remembered is his famous rivalry with Rafael Nadal, a match that grabbed the attention of the whole world whenever it took place.

Although some may view the career of Federer with a kind of misty-eyed nostalgia, the reality is far from over.

After revealing that he has already signed up for the 2020 Dubai Duty Free Championships, his career is showing no signs of slowing down.

With Federer still in the top 10 of the ATP World Rankings, and Djokovic and Nadal placed 1 and 2 respectively, tennis’ most dominant players of the last decade and more are showing no signs of slowing down.

National Table Tennis Championships: Wins for Pitchford and Tsaptsinos

The 2019 National Table Tennis Championships took place in Nottingham over the weekend, with Liam Pitchford and Maria Tsaptsinos taking home winners medals in both the singles and doubles tournaments.

In the men’s singles, Pitchford stormed through the knockout stages, not conceding a single game en-route to the final. The Commonwealth Games gold medallist beat Paul Drinkhall in straight games to secure his fifth national singles title. The match-up came just a day after Pitchford and Drinkhall played together to win the men’s doubles tournament.

Following his success in the national championships, Chesterfield native Pitchford announced his move to Japanese club T.T. Saitama where he will play in the prestigious Japanese T League next season.

In the women’s singles tournament, Maria Tsaptsinos denied Tin-Tin Ho of a fourth consecutive national title to win a closely contested final 4-2. Like the two male finalists, Tsaptsinos and Ho had to quickly put their friendship to one side, playing each other after winning the women’s doubles tournament as a pair earlier on in the day.

The 2019 World Table Tennis Championships begin in Budapest on 21 April. Britain’s stars will be hoping to push for the latter stages of the competition. The favourites will no doubt be the Chinese cohort, who are current world champions and occupy the top three of both the men and women’s world rankings.

Currently ranked number 17 in the world, Liam Pitchford stands an outside chance of a place on the podium. But upsets can and do happen. The 25-year-old may well enter the championships dreaming of being Britain’s first world single’s champion since Jonny Leach won it in Vienna in 1951, some 68 years ago.

Meet the affordable fashion guy

Manchester has recently been referred to as the powerhouse for some of the leading fast fashion digital brands in the UK, including Missguided, Boohoo, PrettyLittleThing, and I Saw It First. Over the past year, the British Fashion Industry has contributed over £32.3 billion to UK GDP, which is around a 5.4% increase from 2016. This significant growth is higher than that of the UK economy as a whole. The British Fashion Council said “the increase came from online retail and some growth in manufacturing, while UK designers were going from strength to strength globally”.

The Mancunion recently had the chance to sit down with the man dominating the affordable fashion trend right here in Manchester. David Seed is a 25-year-old male model and blogger, famed for his intricate way of putting together stylish outfits for under £61.

Fashion bloggers and influencers have been dominating the fashion industry for some time now, with their influence sometimes surpassing those known as your typical “celebrities”. There can be many reasons as to why someone would start a fashion blog, ranging from the love of intricately putting together ensembles which showcase their creative side, to those who can easily afford the newest trend once it rolls on in. Whatever your reason is for trying to enter this industry, one thing they all have to have in common is a love and understanding of fashion. David who is known for his affordable fashion touched on what first inspired him to start showcasing his looks.

“I model full-time and often wear quite expensive clothes. I could never get my head around why some items I was modelling were so expensive. I obviously understood that branding is a huge draw for some… but I’ve never been a ‘brand guy’.

“From a young age, I’ve always got a kick out of going into supermarkets and putting together outfits from items that would be classed as ‘Dad’s clothes’ and styling them to an outfit that would be current. I started posting my outfits and people seemed to really enjoy them. Since then [a year and a half ago] it’s snowballed, and I just love showing people how they can dress well for less.”

Over the past year, influencers have been taking a stand and opening up about their mental health and insecurities. Some cynically believe this is just a tactic to increase their followers’ brand-loyalty. Others believe influencers are doing this to raise awareness around the stigma that surrounds the industry, increasing trust within their following.

When asked how he stayed motivated in such a rapidly-changing, competitive industry, David came back with “I enjoy it. It’s that simple. I’m not competing against anyone but myself, I’m a positive guy so I just keep positive and try to provide something of value to others.

“I think it’s really easy to join the ‘Instagram culture’ life we live, where so much content we consume from bloggers/influencers’ – I hate that word – is actually not realistic, like someone showing off their Gucci bags. I’ve never seen myself as someone who follows the crowd. What I really enjoy about what I do, is (hopefully) bringing value to my following by creating content that is actually accessible to them, like a great outfit only for £61.”

It’s safe to say we all imagine that an influencers life is made up of taking wanderlust-worthy pictures on a white sandy beach with their mojitos and smoothie bowls, I mean that is what their life consists of right? To get some actual insight we asked David what a typical day in the life of a fashion blogger and model would look like. “I’ll get up and enjoy a strong black coffee and some eggs on toast. Check my Instagram and reply to DM’s and comments and scroll through those I follow and engage with them also.

“I’ll hit the gym at some point. Fitness is part of my lifestyle, just like brushing my teeth. Aside from those two things… every day is different! I could be casting for modelling jobs, I could be modelling for clients, I could be sat replying to emails or editing photos/videos. It really ranges. But I never sit and do nothing. I think the perception is you just take a few photos and upload them. But a lot of work goes in behind the scenes, be it meetings or prep etc. I think I would go crazy if I didn’t actively find something to do!”

To end our sit-down with David, we asked him what his number one tip for anyone wanting to enter the fashion blogging industry affordable fashion or not, David tells us to “not do it for money. If you do, it will be so transparent that your content is coming from a selfish place to gain, rather than to give. Do it because you ENJOY it. Provide some form of value. Make that your focus and it may one day come back around.”

With an industry filled with Louis Vuitton and Gucci’s, it’s always refreshing when you find a fashion blogger, who’s style you can not only relate to but that won’t require you taking out a second mortgage to afford. With a steady following of 26k on Instagram and a growing Youtube channel, the possibilities are endless for this affordable fashion blogger.

Opinion: the 2019 Academy Awards in review

After waves of bad publicity that suggested the 2019 Academy Awards could be the worst in years, it ended up being the same as it always has been: a mixed bag.

I have been watching the Oscars every year since 2015, and in some ways this was the most tolerable. Besides perhaps Chris Rock in 2016, I have always found the segments in which the host takes the stage to be an infuriating filler, with forced humour that’s more cringe-inducing than funny. The lack of a host this year ensured far less of this, and significantly improved the pacing. Ironically, despite the Academy’s initial baffling decision to give out awards to some of the most important categories during ad breaks, including cinematography, arguably the essence of film, I felt this to be an awards show far more focused on film itself than previous years, which featured far too many annoying gimmicks.

I was pleased to see the success of Roma, my favourite of the nominated pictures, in various categories. Though it did not take the Best Picture award that it undoubtedly deserved, it was extremely satisfying to see Alfonso Cuaron win the awards for Best Director and Best Cinematography — which made him the first person to win the cinematography award for their own film. With regards to the acting categories, I was satisfied with all of the winners. Though I was not a big fan of Green Book or Bohemian Rhapsody, I can’t deny that the performances of Mahershala Ali and Rami Malek were terrific. Regina King was always the clear winner in the Best Supporting Actress category, and I was pleased to see If Beale Street Could Talk walk away with one award, though it deserved far more. Olivia Colman winning Best Actress was my highlight of the night, giving a hilarious and down-to-earth acceptance speech.

Unfortunately, Green Book taking Best Picture put a downer on the whole night for me. I actually quite enjoyed the film, but purely as a by-the-numbers feel-good film, only worthy of accolades for the performances. It was a safe and boring choice, and judging from early reactions will go down in history as one of the most disappointing winners in the ceremony’s history. I was similarly let down by the success of Bohemian Rhapsody in the categories of editing, sound editing, and sound mixing. The editing of the film was truly awful, and it’s lamentable to see Hollywood in a post #MeToo world still handing out awards to films directed by known abusers. Not inviting Bryan Singer to the ceremony and avoiding thanking him in your acceptance speeches is not enough.

All in all, despite being an improvement over previous years in some regards, the Academy let me down with its inane choice of winners and its disregard for the abuse that still goes on in Hollywood despite supposedly being more aware of it now.

MANIFF 2019: Heartless Angler

This original language Japanese short film is a triumph. In less than 15 minutes it creates a depth to the characters that even full-length feature films struggle to do.

The story follows a middle-aged man who every day gets into his business attire, bids his wife farewell and then changes into his fishing gear and takes a trip to the river for a spot of angling. The most refreshing aspect of this film is the lack of gimmicks; there is no music (only the sounds of the trickling river) and there is virtually no dialogue. All of our understanding of the characters comes from the close-up shots of their faces: a sadness in the wife, a guilty pleasure in the man, and a struggling but determined young fisherman who also visits the same river.

Other short films in this session tried to pack too much into a reduced timeframe and failed to hit the mark. Heartless Angler is beautifully shot, funny yet heartbreaking and satisfying in its pursuit of creating a full story. Nevertheless, there is no doubt that the premise of this film with the same cast and crew could create a very successful full-length film.

5/5

The 5th Manchester Film Festival is taking place at the ODEON Great Northern from 2nd March to 10th March 2019.

MANIFF 2019: Hotel Mumbai

Hotel Mumbai, the first film of the festival, depicts the brutal terrorist attacks that took place across central Mumbai in 2008, focusing primarily on the Taj Mahal Palace Hotel attacks.

Dialogue is certainly what stands out in the film; it’s brilliantly crafted, with authenticity and occasional wit throughout. Where the film is let down, however, is with the vast amount of narratives covered. With limited time to explore each guest’s story, the result is a dilution of character development. The terrorists and their stories are presented as much more complex, which draws attention away from the stories of some of the guests and their fate, such as the central couple played by Armie Hammer and Nazanin Boniadi.

Jason Isaacs stands out in his portrayal of a bitter ex-soldier, while Oscar winner Dev Patel gives a solid performance as one of the hotel’s staff. What is highlighted powerfully in the film is the heroism of the staff at the hotel, and the duty they felt towards protecting not only the building but their guests. 

The director Anthony Maras proved his grasp on creating tension, with impeccably choreographed and timed scenes throughout. Additionally, composer Hauschka, who also worked on the Oscar-nominated Lion, beautifully scored the film. Not only did the soundtrack contextualise the film in India, but also masterfully complimented the mood of the scenes.

Hotel Mumbai is a film plentiful in suspense and subsequent relief, but when compared to a film like Captain Phillips the lack of character development is starkly revealed.

3/5

The 5th Manchester Film Festival is taking place at the ODEON Great Northern from 2nd March to 10th March 2019.

A week with Studifuel 

The market for subscription snack boxes is incredibly crowded. Amongst companies like Graze or The Vegan Kind, Studifuel are paving their way by targeting their produce specifically to students.
Unlike other snack boxes, Studifuel boxes include a selection of vitamins, herbal teas, and a recipe book as well as snacks. The emphasis is on healthy and organic ingredients, including vegetable or lentil crisps, dried fruit and oat bars, and a cheeky bar of green and blacks chocolate.
My week using up my Studifuel box, I must admit, did not begin well. Not being used to taking vitamins, I made the fatal error of chewing the Omega 369 instead of swallowing it whole. A delicious pool of fish flavoured oil exploded into my mouth. Not how I wanted to start my Monday morning! But, I learned my lesson, and have since managed to take the vitamins without any more dramas.
On Tuesday morning I had a heavy leg day at the gym. Coming home and searching for a post-workout snack, I found the Ma Baker Giant Bar. A wheat-free and vegan strawberry flapjack: perfect. The oats satiated my hunger and the generous portion size felt indulgent and satisfying. That evening I was feeling quite frazzled after a busy day at university so I had one of my chamomile teas before heading to bed. It was a nice way to unwind and slow down.
Wednesdays are my busiest day at university, so I headed in with my bag packed full of snacks to keep me going. The vegetable crisps were a welcome addition to lunch, and the cold-pressed fruit and nut Nakd bar worked as a great mid-afternoon pick me up before my final lecture.
On Thursday I forgot to take any of my snacks or lunch into university. A classic error, meaning I also had to buy lunch (damn you, £3.50 meal deals!) However, this did mean I had extra to choose from when I got home. As I was feeling a little under the weather, I chose to have a Manuka honey, lemon, and ginger Pukka tea which made me feel instantly refreshed. I also opted for the dried cranberries for some added vitamin C.
Finally, Friday rolled around, and I had nearly finished my snack box. Instead of starting the day with my usual strong coffee — I chose instead to have a blackcurrant and hibiscus tea. For those who know me, they would think I had gone mad. I can’t cope without a morning caffeine boost, but the tea was a pleasant surprise. The hot drink still woke me up and it meant I skipped the (secret) teaspoon of sugar that usually begins my day. Granted I did replace this coffee later on in the day, but its the thought that counts!
I had two final snacks left in my box: sweet and salty popcorn and the Green & Blacks butterscotch chocolate bar. Can you tell why I had saved these two? After what had been a very long week, I had both as a treat whilst watching a film with my flatmates.
My week with Studifuel may not have felt particularly different at the time, but it was definitely useful and welcome to have snacks at hand without having to buy them out and about. Instead of reaching for chocolate bars or crisps, I was carrying more organic and nutritious food.
It might seem indulgent or a tad expensive, but if you are a chronic snacker (like me) it might be a good idea. You’ll always have healthier food to hand and as a bonus, each box comes with a recipe book. The recipes are quick and easy and not too expensive — making them perfect for students. Studifuel might not change your life but it does make it that little bit easier. And who doesn’t want snacks posted right to their door?

Toast Rack renovations stalling due to asbestos removal

The renovation plans for Fallowfield’s famous Grade II listed building lovingly known as the ‘Toast Rack’ have been ground to a temporary halt due to asbestos removal throughout the building site.

It was bought by a developer called Generation Ltd for £5 million in 2014 who secured planning permission some years later for 200 flats to be constructed – ranging from one-bed to four-bed, plus a rooftop terrace, gym, and coffee shop. Generation Ltd have said the build is successful so far, and the launch of The Gym on the site has been better than expected, with it being one of their busiest gyms in the country.

In light of asbestos delaying construction, Generation Ltd. have stated they expect construction to restart later this year

Generation signed a 15-year lease with the Gym Group last April which now occupies the central ‘drum’ building.

There will also be retail and commercial units including co-working space for residents and the public to use. However, these plans have been met by opposition from members of the community.

Their main argument against the development centres around the lack of car parking space on the premises, which they claim this would lead to further congestion.

The council disagreed, however, taking into account the nearby public transport facilities and the estimated 60% provision for car parking spaces for future residents.

As with any renovation proposals for listed buildings, many also brought up issues with maintaining the heritage of the site.

The site has been vacant for many years and has suffered from a lack of maintenance, shown by reports of concrete falling from the building. This has led to the council concluding that this investment will ensure that the site is preserved for the future.

Approval of residential building on previously vacant sites such as this helps central Manchester to reach its target of providing 14% of new residential development.

Despite this target, there has been much criticism of developments in Manchester, as none of the recent housing has been classified as ‘affordable’.

It is clear that with almost 13,000 people on the waiting list for social housing in Manchester during 2018, there is a huge demand for new developments such as this to be affordable.

Although developments of more than 15 units are required to provide an element of social housing, it can be avoided if the developers can demonstrate incorporating such a provision would threaten the viability and deliverability of the scheme.

This was shown to be the case for the Toast Rack developments, meaning they are under no obligation to provide social housing as part of this development.

Why aren’t students planning for the future?

Manchester has one of the world’s top universities so it’s no surprise students have their sights set on all manner of prestigious careers after graduation, with countless becoming entrepreneurs or high-ranking professionals.

These goals are understandable and for the most part realistic due to the quality of education and opportunities provided, but can more be done to enable students to plan for their later careers while still studying for their degrees?

Where to place the blame for a lack of career planning is a problematic issue and once again the issue of how to engage students is prevalent: should universities offer a better range of careers opportunities and support, or do students simply need to be more proactive?

Manchester’s own Careers Service offers a wide range of opportunities and information for students to readily access online, as well as their office open to students from 9am-5pm, five days a week. Regular emails are sent by both the Careers Service themselves and individual schools within the university informing students of relevant opportunities and career-related events on campus.

Despite this abundance of seemingly accessible information, there is still progress to be made apparently, as a Times Higher Education survey places the University of Manchester’s Careers Service outside the top 20 in the UK, despite being ranked sixth in the overall university rankings.

The university’s Careers Service may suffer from poor publicity, as its website is substantial and is abundant with useful advice, steps to take at varying stages of a degree, and specific postings about placement, internship and graduate opportunities. Even if a Careers Service offers a wealth of great advice, if it fails to publicise effectively students won’t see a benefit. Access to these resources is just as key as the resources themselves, indicating universities themselves may need to improve how they communicate with the student body surrounding careers.

Students across the country are leaving university under-prepared for graduate life, or fearing how they will cope with the burden of student debt. A recent survey by Aviva has found 37% of millennials regret going to university due to the debt they have accrued, and 49% of those surveyed believe they would have got to where they are now without a university degree.

Louise Colley, customer propositions director at Aviva, said: “Millennials are plagued with uncertainty about the outlook for their financial futures, an issue which has not been helped by the uncertainty of today’s economic and political climate.

“The financial hangover from university has also led many in this age group to question whether in hindsight they made the right decision and how much value it has brought to their current position.”

With such high fees now in place, and going to university potentially feeling like a great risk for those less affluent, universities owe it to their students to ensure they feel they gain everything necessary out of the experience, readying them for a successful future immediately after graduation.

While students face great financial uncertainty after graduation, many find that the need to support themselves during their studies, impacting their ability to plan for their later careers. Amy Cahoon, a second-year Biomedical Sciences student who finds herself in this position told The Mancunion she “simply [doesn’t] have enough time to participate in career-related activities.

“Long uni hours and working take up the majority of my time but like everyone I want to socialise and be part of clubs in order to keep me sane. In my eyes it’s a weigh-up between developing solid friendships or using my time to be part of an activity that may or may not be beneficial to my chosen career.”

Students increasingly find themselves forced to choose between short-term enjoyment and long-term planning, and this presents a dangerous dichotomy at university, the supposed best and most freeing time of one’s life. University becomes simply a means to an end as students end up dedicating vast swathes of their time to secure the necessary grades and placements to start on their desired career path after graduation.

Research has shown that many young people feel their education as a whole leaves them under-prepared for the working world. A survey of 17-24-year-olds by apprenticeship website GetMyFirstJob found that 98% felt discontented with the careers advice offered by their school or college, with a further 92% saying they felt the education system prioritises exam results over careers.

Students who find themselves struggling for careers advice during University, but feel official Uni-led channels are insufficient can look towards new, student-run sources of information that offer all the knowledge needed for students to start building a successful career. Milimo Banji, the founder of Student Inspire Network, one such organisation, spoke to The Mancunion about the many problems students face in acquiring knowledge about careers, and what can be done to help:

“Access to information has become easier than ever for Gen Z, attend any career fair and you’ll have your pick of at least 50 companies pulling you into one of their stalls and practically forcing you to sign up to their mailing list. With the promise of job alerts and offers by the week students are easily lured. Students want to make the most out of university, join societies, meet new people and connect with friends through social. As a result what we’re noticing is that they’re leaving effective career planning to last on that long to-do list of things. Although all universities have careers services and support systems in place to support students with careers, the practicality and methodology used is deemed archaic. Effective training and reverse mentorship are channels institutions looking to support uni students should be advocating, invite grads and interns to run workshops to support university teams in how they provide students with this support. Though not all hope is lost, there are practical steps students can take to ensure they well prepped for life after university and that first step is building your network.

“Contrary to expectation, networking does not mean meeting someone at an event and adding them to your LinkedIn network – It far transcends that. Networking is all about building relationships with people and investing time and effort in those relationships. A common misconception students have is they’ll meet someone at an event, add them on their LinkedIn and keep them stored their in the “Network” reaching out to them when they need a favour or need their contact to “put in a good word” to Grad Recruitment. Doing this will likely lead to you been ignored and leave a bad reputation for yourself. Rather students should focus on building real connections, showing an interest in people and the work they do, and approaching networking from a more genuine, personal angle. Asking questions and building a real relationship will go a long way to creating work opportunities later down the line.

“A friend of mine came down from London a few weeks ago, he’s an Investment Banking Analyst at Barclays and he told me an interesting story of a Warwick student who approached him on LinkedIn with a polite message, showing genuine interest in his role. He then followed up with several phone calls to learn more and ended up meeting with him all to ask genuine questions and learn more about his work. The analyst was so impressed with him that he recommended him directly to HR and he was subsequently offered the position. Not once did the ask the analyst to recommend him to HR, he showed his passion and was naturally referred. Real networking is when you can build lasting relationships with people and genuinely invest time and effort into them.”

Student Inspire Network aims to democratise careers information and bring it directly to social platforms students use everyday. They’re using a combination of memes, short videos, student stories and engaging online content to educate students about careers.

Celebrating Women in Global Cinema Interview: Rachel Hayward

Recently, I had the opportunity to sit down with HOME Cinema’s Head of Film, Rachel Hayward, to discuss HOME’s ongoing year-long ‘Celebrating Women in Global Cinema’ programme, which she has co-curated alongside Senior Visiting Curator and Professor of Film Studies at the University of Salford, Andy Willis.

Firstly, I asked about the programme’s development and the uniqueness of both its scope and length. Rachel explained the idea had originated between her and Andy during 2017, originally intending to focus on women in a single aspect of cinema such as cinematography or composing for two or three months. However, their desire for depth in the programme naturally lent itself to a much longer duration. Despite the seemingly expansive length of time to fill, after listening to Rachel’s enthusiasm for the project, I wasn’t surprised by the revelation that they almost have too many events to fit into the year.

Rachel summarised the year’s itinerary by describing it as, “punctuated with really big moments, but also some really significant one-off events.” This is an extremely apt description, with some almost festival-like events, including the ‘Women, Organise!’ series which looks at female roles in trade unions, activism, and politics, standing alongside one-off Q&A sessions with important female filmmakers from across the globe including acclaimed Kenyan director Wanuri Kahiu.

Continuing with the global theme, I was especially interested by the duality of the programme which not only focuses on women but also specifically highlights women from underrepresented countries. When asked about this feature, not only did the passion of both curators for this standout but also their willingness to involve other partners in order to achieve the widest range of voices possible. The sheer number of collaborations is impressive, and is leading to many exciting events including the ‘Women Over 50’ season and takeovers of HOME’s long-standing ‘Not Just Bollywood’ and ‘¡Viva! Spanish & Latin American’ film festivals.

Whilst considering the year’s event, it’s hard to escape the irony of the programme following on from an award season with some of the poorest female representation in recent years. Of course, this fact hasn’t escaped the programme’s notice, with events like live recordings of film journalist Anna Smith’s popular ‘Girls on Film’ podcast to discuss and debate this and other hot-topic issues facing women in film peppered throughout the year.

During discussing the failures to recognise female achievements in film, I was particularly struck when Rachel explained the viewpoint that: “woman film making is seen as just that; rather than a film made by someone that identifies as a woman.” This is particularly resonant and is certainly something to reflect on during the course of the programme.

Finally, when I asked Rachel for her views on the future of women in cinema, there was a reassuringly optimistic response and whilst she discussed the levels of information, vocal supporters, and the variety of different platforms out there, it was hard to not share in this excitement for both the programme and the future of female representation in cinema.

 

To find out about upcoming events visit HOME‘s website for up-to-date information.

Déjà-Review: Alien

40 years ago, a genre-bending film was released that terrified and inspired audiences worldwide. 40 years ago, Ridley Scott’s Alien changed cinema forever. Period.

To truly appreciate Alien you have to first consider the historical context of its release. Following the 1977 release of Star Wars, science-fiction was the hot genre of the moment. Alongside this, the golden age revival of American horror cinema from its low-budget B-movie days was in full swing, with the likes of William Friedkin’s 1973 The Exorcist and Tobe Hooper’s 1974 The Texas Chain Saw Massacre shocking audiences worldwide. Alien therefore provided audiences with a never-before-seen genre-spanning experience that was awe-inspiring, nauseating, and horrifying in equal measure.

This context is also important in understanding the significance of Sigourney Weaver’s iconic character, Ellen Ripley, as the film’s hero. At a time when strong female leads were almost unheard of, Scott’s early disposal of acting heavyweights such as John Hurt and Tom Skerritt in favour of Weaver was an incredibly bold move. However, this decision ultimately led to one of the most iconic characters of the 20th century and spawned an industry-wide change in attitudes.   In addition to Weaver’s career-defining performance, Ian Holm also excels as the supremely creepy Ash who somehow, despite the homicidal alien running amok on the ship, still manages to be the film’s most unsettling feature.

The horror aspects of the film cannot be rated highly enough. The tension in almost every scene of the film borders on unbearable, and Scott’s claustrophobic camera work is masterfully augmented by Jerry Goldsmith’s eerie orchestral score. Although there may be a case for a few of the tension-building scenes, especially during the film’s first act, becoming slightly drawn out, on the whole it is a remarkably taught film from start to finish. This horror is supplemented by the film’s immense technical achievements which have remarkably managed to remain relatively undated, even so many years after its original release.

The film’s triumphant achievement, however, is Scott’s handling of the ‘Alien’ itself. At a time when most modern horror films rely excessively on special effects to create the most graphic scenes possible, it was extremely refreshing to see such an understated use of violence and a mere implication of the creature’s horrifying true form.

Having said that, the moments of true gore are still just as effective today.  This was perfectly demonstrated by the sheer horror of the iconic ‘chestbuster’ scene. Due to the nature of a 40th-anniversary screening, perhaps 95% of the audience knew what was about to unfold, despite this, there wasn’t a single person who managed to make it through the scene without wincing.

Overall, Alien signalled a seismic change in both attitudes and genres in film. Through the film, Scott managed to create something which not only thrilled audiences 40 years ago but has stood the test of time and is ultimately a testament to challenging the status quo and achieving brilliance even with limited resources.

Rating: 4.5/5

Review: Noughts and Crosses

‘Noughts and Crosses’, an adaptation of the novel of the same name by Malorie Blackman, explores a star-crossed romance in a society dominated by racial conflict. In this world the black population – Crosses – are the dominant race, superior financially and socially to the oppressed white people – the Noughts.

Persephone ‘Sephy’ (Heather Agyepong) is a Cross but Callum (Billy Harris) is a Nought, so their friendship in this society is nearly impossible. Tensions only grow when Callum becomes one of the first ever Noughts to attend Sephy’s black school. Their relationship becomes increasingly strained by the hate and pressure from the society around them.

This thought-provoking concept should have delivered a strong and powerful message amidst Callum and Sephy’s tragic romance. However, as a fan of the original book, I couldn’t help but feel that this adaptation (Sabrina Mahfouz) didn’t do it the justice it deserved.

Firstly, I found myself longing for the intermission towards the end of the first half, which was an hour and 20 minutes; lengthy compared to the 40-minute second half. Perhaps this was an attempt to establish context before reaching the climax of the plot, though, in my opinion, it was too much. The fast-paced nature of the play worked well with the incredible and ever-changing set but left me detached from the characters. I was overjoyed in the second half where the storyline was gripping, easier to follow and allowed connect with the characters. The chemistry between Harris and Agyepong was also much more captivating.

I respect trying to stay true to the book, but in any adaptation there can (and should) be smaller elements left out.  I acknowledge the personal issues Sephy and Callum faced individually were relevant to their development but they were also overwhelming. In fact, I was regularly trying to decide whether or not something was intentional or simply inadequately executed. A scene where Sephy was bullied for standing up for the Noughts provoked almost no sympathy in me; was this due to the unsurprising hostility of the Crosses towards Noughts or flat acting?

It took a while, but eventually I sympathised with Sephy and Callum. Their love was definitely one of the most memorable aspects of the play. I especially liked how its forbidden nature was mirrored by their intimate moments occurring in seclusion. This was shown as the young naïve teenagers’ affection first blossomed at secret meetings at the beach.

Later, on the brink of young-adulthood, they finally confessed their love in a hidden bunker in the woods. The only time their love was displayed publicly was when it was taken away, in what I thought was the most powerful scene of the play: Sephy heartbreakingly calls out “I love you!” as Callum is hung for involvement in a violent Nought-liberation movement. A giant ladder led up to the gallows where Callum stood. Sephy and Callum’s families sat on either side, divided, whilst Sephy cried up to her doomed lover from the centre of the stage. The hanging arrived with a crescendo of music and the lights cutting out. I was finally on the edge of my seat (a little too late) as the actors took their bows.

Review: Selfridges ‘State of the Arts’

As I walk over to Selfridges with two others I have brought along, a friend enquires “are you sure art is going to be in here?” I nod but can see why the question is necessary. Selfridges is not a museum, even the thought of art being in there seems unnecessary, especially for a student who would probably marvel over the outrageous prices for designer handbags more than a Rembrandt or Picasso. Regardless of the costs, art is there, right in the entrance of the Selfridges in Exchange Square.

The series of minimalistic concrete sculptures was created by Rebecca Halliwell-Suttton, a graduate and emerging talent from the Manchester School of Art. Although I usually find modern art a challenge to appreciate, these sculptures certainly portray the feeling of brokenness, but I do not grasp the full story they are trying to tell.

The sculptures placed around the multileveled store are all created by recent graduates from the Manchester School of Art as a part of Selfridges latest ‘State of the Arts’ campaign, the stores are attempting to incorporate more art in unique places for the public to see and enjoy. Whilst the majority of people in the store may pass the installation by without a second thought, the message of the overall concept is inspiring.

I examine another sculpture within the store, a large metal sculpture which ressembles a paper boat. The piece is placed in front of a screen showing the boat being dragged around Manchester by the artist, Mid Asadi. Overall it is an inventive piece despite being made of simple materials. It evokes a strong sense of nostalgia, as I played with similar paper boats and planes as a kid.

The placement of the sculpture is questionable however, as it is almost hidden from the shoppers between two high-end brands with a door behind it that looks like it is only used by the building’s maintenance team. Even with the pieces in the entry of the store, as I looked at the sculptures a handful of people passed without even glancing at the art, one of which is even in the center of the walkway, obstructing the path of shoppers. The attempt to incorporate the art within the store feels like an afterthought.

Other than art created by art graduates, the store displays a variety of mannequins dressed in designer clothes. Each figure is accompanied by a plaque stating the brand, designer, and a short explanation of their contribution to fashion. Fashion is an art in so many ways, but the connection between traditional sculptures and fashion seems a disconnect and one not fully explained here.

Furthermore, the store also includes designer shoes from Gucci and Balenciga on pedestals with plaques, and this represents the core of this artistic attempt for me. The store, although attempting a creative and excellent idea, is not executed to the level it could have been. Selfridges is trying to illustrate that the store values more than the money made from designer shoes and wants to give the public accessible art, but at the end of the day the store is placing shoes on a literal and metaphorical pedestal.

Event Review: The So-So Show

Last week, we brought you the preview of Fuse TV’s latest venture: The So-So Show. After a long day working on The Mancunion, a few of us decided to head over to the SU to see just how so-so it’d really be.

Seeing as a societies show by a student society is pretty much exactly what this section is all about, I was looking forward to a great night. I wasn’t disappointed. Though the audience was relatively small, they were very lively, and more than up for the various audience participation activities throughout the evening.

First up were the Barbershop Singers, who performed a collection of their favourite songs, which was great fun. They’re a student-run University of Manchester society with choruses for men and women specialising in the barbershop style of singing. You don’t have to audition for either of their choruses, or be a University of Manchester student to sing with them, and no previous singing or musical experience is required! They rehearse on Fridays at St. Anselms Chapel from 17:30-19:00 for the men’s chorus and 19:00-20:30 for the women’s chorus. If barbershop sounds like your kind of thing, head on over to their Facebook page for more details.

Next up were the Women’s Theatre Society, who delivered a poignant monologue from their upcoming show, ‘The Vagina Monologues’. I won’t give too much away if you’re planning on seeing it, but expect to confront some very real issues that women face. The show itself is a mixture of some very funny, lighthearted pieces, and some much more serious ones, so you can expect to laugh and cry all in the space of five minutes. This year’s performance of ‘The Vagina Monologues’ will be on the 13th March, so follow the Women’s Theatre Society’s Facebook page for more info in the lead up to the event.

The Swing Dance Society came in next with a mixture of choreographed dancing and something called social dancing. This is basically improv where you dance with loads of different partners which, as you may have guessed, is why it’s called social. Honestly, it looked like great fun.

Juliette Flach, a member of the Swing Dance committee, told me: “we had great fun putting our petticoats and braces on for The So-So Show. I hope we got your feet tapping and you enjoyed the show!”

The Swing Dance Society are based in the SU and have dance sessions there every Friday. Classes cost just £3 if you walk in, and everybody is welcome. They also have socials after the dance classes and at Revolution on a Sunday evening if you fancy making friends along the way! See their Facebook group for more info.

Finally, Craig Rose was on from the Comedy Society. I’ve seen Craig perform with them before and he is a delight. His type of comedy is stand-up and he’s very good at it, so if you’re looking for an evening full of laughter check him and the Comedy Society out. If you want to get involved, but don’t necessarily fancy stand-up, they also run sessions focused on sketch and improv, so there really is something for everyone. If you want to know more about what they get up to, you can check out our interview with Jordan and Annabelle, who are both committee members. Or, ya know, you can just have a look at their Facebook page.

All in all, The So-So Show really was anything but so-so. It was great fun, and it was really great to see student societies being featured by other students.

Our Head Design Editor, Kizzy, said: “I left The So-So Show feeling like I’d got a glimpse into some completely different experiences our uni has to offer. I might not be joining the societies, but it was cool to see them showcased and celebrated. Everyone looks like they’re having a lot of fun, which is what it’s all about!”

If you missed the fun on the night but want to get involved, Fuse TV have more episodes of The So-So Show planned, so stay tuned for more information. They’ll also be putting the show up on their Facebook page, so give it a like to make sure you don’t miss the action.

Anti-social media: a negative impact on the university experience?

There is no denying that social media is an integral part of modern day university life. Facebook is not only used as a tool for communicating with friends, finding out about deadlines and reading for each week, but it is also where parties are organised, events are shared and even where jobs are advertised. Social media definitely has its benefits and has, in so many ways, made making friends and finding things to do in a new city much easier.

Yet it also has an effect on mental health, which is impossible to ignore. Studies have shown that there is a link between the use of social media and negative effects on well-being. University is a time for new experiences and having fun, but it can also be incredibly challenging. Constant viewing of other people’s online profiles can make moments of loneliness even more isolating. This consistent comparison of your reality to other people’s carefully curated online personas makes it easy to perceive your own university experience negatively.

Tim Bono, author of When Likes Aren’t Enough, explained in Healthista that: “when we derive a sense of worth based on how we are doing relative to others, we place our happiness in a variable that is completely beyond our control”. Filtered versions of university life have created a digital, “ideal” image of university that most will never be able to achieve. With social media it is easy to build up a front that everything is great, and many worry about falling short of this image others have of them.

My friends from school all looked like they were having such an amazing time in new cities across the country, but coming home after the holidays and actually speaking to them made me realise how easy it is to use social media as a façade, a way to hide the harder realities of university life. They, like many people, had had issues finding their place amongst so much change, which of course was never reflected in the image they presented online. I had never really considered how much selection and editing was going on behind the scenes, how every account I was looking at had been curated to impress.

I wouldn’t be able to even guess how many hours I have spent scrolling through Instagram, looking at different versions of the same picture over and over again; groups of people in pubs, outside nightclubs, at cafes and restaurants and dressed up for university balls. I have been to club nights and house parties all over the country vicariously through Snapchat stories, each clip an attempt to prove how great a time everyone was having.

This need to show followers and friends every update in our lives for some reason suddenly becomes even more important at university. Perhaps because it is a time of so much change and growing up, the desire to look like you are doing university “right” is overwhelming. The instinct to film and upload a funny event or a night of great music is irresistible. There is a need to validate the university experience with online proof through social media. The frequency I have heard the phrase “Let’s go out tonight, I need a good Instagram” shows social media’s ability to control and warp what are allegedly the ‘best years of your life’. Three years of experiences and opportunities have been reduced to, and are judged by, albums of photos on Facebook, tagged posts on Instagram and Snapchat videos of nights out.

Increasingly more studies are taking place to look into the negative effects of the fear of missing out, or FOMO. Having to stay in to finish an assignment whilst everyone else goes out is hard enough as it is. But then having to actually watch everyone have a good time over social media, whilst you sit working on your own makes it even tougher. Studies have shown that feelings of FOMO can lead to stress, sleep problems and feelings of isolation, and the explosion of social media means that it is almost impossible to ignore the icons of friends out without you, bringing videos and pictures of everything you have missed.

Social media is an incredibly useful tool for navigating university, but the reliance on it as an indicator of university experience is damaging. The carefully-curated feeds of students across the country result in unfair comparisons. In short, reality will never live up to the filtered world presented through Instagram and Facebook. Trying to rely less on using digital proof as an indicator of a good time and focusing on the real, rather than the virtual, means that one version of the university experience isn’t valued over another. It will always be hard to completely disconnect from the social media world. But understanding the dangers of false comparisons and this imaginary need to always appear happy is important. You should enjoy university for what it means to you, not to your online followers.

Artefact of the Week: Karl Marx’s desk

The small and narrow Chetham’s Library is easy to miss. Tucked away near the English Football Hall of Fame, this unassuming construction is the home of one of the dominant ideologies of the 20th century: Marxism.

Chetham’s Library is, in fact, one of the oldest public libraries in the UK and is still free to enter. It is in this library that German industrialist and Marxist philosopher Friedrich Engels and Karl Marx would meet to study and eventually formulate the famous philosophy known as Marxism. However, the birthplace of Marxism can be narrowed down even further than this, as we know the exact spot where these magnificently bearded philosophers conducted their studies.

A smoothly-carved mahogany arch marks the entrance to a dimly-lit alcove. In the centre of this small reading room, a solid rectangular desk stands proudly. It is on its worn surface that Marx and Engels would pile their books and scribble down impassioned notes, formulating an ideology which would later become the basis of communism.

Friedrich Engels lived in Manchester in the 1840s working at a cotton thread manufacturing firm owned by his father. His experiences in the heart of industrial Manchester gave way to the publication of the seminal work, The Condition of the Working Class in England. In 1945, Karl Marx travelled from London to join Engels in Manchester, and the two began to work and theorise together in the cosy alcove of Chetham’s Library.

Perhaps it is not surprising that the founders of such a radical ideology worked in such a subtle environment, away from the hustle and bustle of the UK’s political capital, London. Indeed, Manchester’s political history is far from subtle; the city is renowned for its radicalism, being the site of the Peterloo Massacre in 1819, and the formation of the Anti-Corn Law League in 1839. The city has maintained its proud leftism, remaining a Labour stronghold.

The Marx and Engels alcove captures a significant moment in Manchester’s history, as the room remains almost entirely unchanged from 1845. There is a pensive stillness that occupies the air, as one can almost hear the walls whisper about the remarkable events they have witnessed. The site has become a place of pilgrimage for Manchester residents and tourists, a room in which two men created one of the most important ideologies of our time.

Art in Mancunia: Emmanuel Anie-Akwetey

The relationship between the city – with its varied landscapes, hidden corners, and surprising bursts of colour – and the person in the frame is captured with a keen vibrancy and attention to detail by Emmanuel Anie-Akwetey in his portrait series. Studying Politics and International Relations, it’s little wonder he is fixated by the role of the individual in relation to the urban.

Bringing forth his love for the ‘city aesthetic’ (think high buildings, trams, and wide roads) he uses his phone in lieu of a camera to take his photographs, fully making use of the impulsiveness of the city; that every turn is an opportunity for a picture.

Photo: Emmanuel Anie-Akwetey

Part of what motivates him is his work with the SLOL collective, or Some Levels of Loose Coterie. The collective, which can be found on Instagram as slolcoterie, is a group of friends who have gathered to showcase their work in a range of mediums. The list includes music, videography, photography, and DJs.

The kinds of discourses he says the collective intends on inciting, especially in relation to his images, ranges from the future of Afrocentrist art to mental health and the role of the God and the spiritual. It is a collective invested in sharing creativity, in celebrating the individual and the cosmopolitan as part of one unified composition.

Photo: Emmanuel Anie-Akwetey

Part of his role in the group is curation of the Instagram page, utilising the triptych format to feature a fellow participant and friends – his usual models of choice. In most of the images they pose next to buildings, their clothes and their expressions bringing out a vibrant palette and texture. In one image, pink neon light hits a woman’s hair forming a halo, a bright contrast to the metal door behind her. She looks at the camera with an unwavering stare. It’s a remarkable image in that there is full acknowledgement of the camera, and the artist behind it.

Emmauel Anie-Akwetey’s work is a dip in a pool of colour, a journey through the city you thought you could see.

Photo: Emmanuel Anie-Akwetey

Déjà-Review: Willy Wonka and the Chocolate Factory (1971)

After some confusion caused by the title (“No, the terrible one with Johnny Depp is called CHARLIE and the Chocolate Factory”), my housemates and I sat down to watch Willy Wonka and the Chocolate Factory (1971). And boy, were we in for one hell of a ride.

Of course, we’d all watched it as kids but all we had were vague recollections of Oompa-Loompas, Gene Wilder, chocolate, and, of course, that horrifying boat scene (seriously how did this film keep its U certificate?!).

All of that stuff’s still there but what re-watching it made me realise was how truly bizarre this film is. I guess as a kid you get swept up in how much fun it is; who didn’t want to visit Willy Wonka’s factory as a kid? Watching as a twenty-something the film still left me with this feeling. It is still so much fun but it is also dark and strange and random. The film’s tone switches wildly going from the bleak realism of Charlie Bucket’s poverty-stricken home life to the joy and light-hearted entertainment of the Chocolate Room, from the tension and drama of Grandpa Joe and Charlie trying the fizzy-lifting drinks and back to finish with heart-warming optimism.

Which brings us back to the title, for nowhere is the film’s constantly fluctuating tone captured more adeptly than in the staggering central performance by the late great Gene Wilder as Willy Wonka. He’s astonishing, flitting with seeming ease between every extreme of the character. He ranges from hilarious slapstick comedy to deadpan witty one liners, from slightly unhinged to truly psychotic, from an honest and open dreamer to a raging fury. It is a testament to Wilder’s performance, and to the film as a whole, that none of these shifts feel awkward or poorly executed. They rather feel a natural part of the larger wild ride the film takes you on.

You feel a bit dizzy by the end actually after having been zapped around from one extreme to the next at break-neck speed. This can mean that on closer inspection the film appears to be suspended on rather flimsy stuff. Once the premise of the film is set up and the five golden ticket winners have entered Willy Wonka’s factory the narrative descends to the movement between a variety of different spectacular visual set pieces. What keeps it from merely descending into unadulterated spectacle is the enigmatic presence of Wilder and five charming, varied performances by the central group of children.

Ultimately this film is a delight, a veritable chocolate box of assorted goodies. And yes, like with any selection box there’s a high chance that a couple won’t go down as well but then all the others are so tasty does the odd dud really matter? So, my advice: gorge your heart out on this treat of a film. There’s enough happening here for any bad taste to be drowned out by the supreme delight of the overall product.

4/5

Review: Fighting With my Family

Fighting With my Family is one of those rare success story movies in which success doesn’t take centre ring. In telling the story of WWE superstar Paige, many audiences may go in expecting a straight up comedy. Instead, it’s more of a drama that has funny moments in it. While the Rocky-esque rise to fame is certainly present, at its heart the film is a story about finding validation both within yourself and those around you.

From the opening moments of the film, we’re presented with the early stages of Paige’s relationship with her parents and brothers. It’s an unconventional family for sure, with two parents being former offenders and one of two brothers being in prison. What brings them all together is a shared passion for watching and participating in professional wrestling. It’s a wholesome family dynamic in which regardless of what troubles they may go through, this connection allows them an outlet to stand by and support each other. Meanwhile, Nick Frost and Lena Headey give tremendous performances with terrific chemistry as Paige’s mother and father.

Wrestling comes to bring the family together, but it also tests their dynamic, especially when Paige is chosen over her brother Zack to advance in WWE trials. This conflict provides some darker moments as Zack comes to terms with losing out on his dream and recognising meaning in his life at home beyond those aspirations. All the while Paige must contend with being thousands of miles away from home for try-outs and struggling to fit in as an outcast from Norwich alongside her opponents in the competition. These two opposing character arcs ultimately provide the basis of the entire film. Sure, success and becoming WWE champion is great, but it’s also important to be chasing that success for the right reasons and to maintain strong relationships with those alongside — and even against you — in the process.

Florence Pugh does an outstanding job as Paige, giving the character a unique range of obvious strength and determination whilst also allowing her to be vulnerable and validated for it when she needs to be. In fact, Stephen Merchant’s script makes a wise decision to not fall down familiar cliché conflicts of the genre. When Paige seriously considers giving up, her parents are ambivalent to let her at first, but decide to respect their daughter’s decision no matter what. Similarly, there’s some conflict at the start between her and other girls in the WWE tryouts and instead of having a grand moment of rubbing it in their faces when she succeeds, the film shows both sides learning to respect and validate one another.

There’s also a solid amount of laughs alongside the heavier material. The Rock brings his usual charm to a brief appearance and Nick Frost is charismatic as ever. It all goes nice enough alongside the drama to make a heart-warming look into fame and family life.

 

3.5/5.

Review: The Italian Job in Concert

The Italian Job is a quintessential part of British film history and, above all, my favourite film of all time. Peter Collinson directed a charming, witty film that is considered iconic for many of its elements — the soundtrack composed by Quincy Jones being the most underrated element of them all.

Despite the wonderful soundtrack, the original master present on the film is far from being considered hi-fi; it’s washed out and lost to the mastering. Of course, the film was released in 1969. The mastering techniques of the era have not survived the test of time. Thankfully, this event addressed that issue and provided fans of the Self-preservation Society with the optimal audiovisual experience.

Due to the screen being placed far from the audience to allow the orchestra to take centre stage, I wouldn’t advise the experience for first-time viewers of the film — the event is clearly aimed at aficionados of the Mini Cooper heist flick.

The one-time event was held at the gorgeous Bridgewater Hall, which stands separated from its foundation by springs to ensure that the acoustics remain undisturbed by any tremor produced in the outside world. An unfortunate observation I made as the orchestra stepped onto the stage was that the venue was filled to half its capacity of 1,600 people. If I am to make an educated guess, I believe the high price of the tickets are to blame.

Having watched The Italian Job on countless occasions, at times I closed my eyes to let the music fill my ears as the film’s dialogue played in synchronicity with it. To my amusement, Michael Caine’s iconic delivery of the line “You’re only supposed to blow the bloody doors off!” was met with cheers and raucous applause from the audience of all ages — of course I joined in, how could I not!

Despite the relatively small audience, the experience was fantastic in every way. Seeing your favourite film on the big screen, AND with a live orchestra is just as brilliant as it sounds. I might have just found my new guilty pleasure.

 

5/5.

 

Editor’s note: The venue capacity has been corrected to reflect the actual number of seats at the event.