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Month: September 2019

Ayahuasca: tradition versus tourism

When tobacco was first discovered by European voyagers in the sixteenth century, it provoked moral outrage at the prospect of a diabolic herb perforating its way into European society.

It was used in Mesoamerican – modern-day Central American – cultures for medicinal and spiritual benefits.  The tobacco plant was hotly debated amongst Europeans but was slowly incorporated into Western value systems which allowed it to leap the cultural divide between the Americas and Europe, increasingly untying the plant from its indigenous past.

The traditional uses of tobacco are comparable with the indigenous uses of the ayahuasca plant; ceremonial, ritualistic, and medicinal.  Ayahuasca is one of the most ancient and sacred plants within Amazonian indigenous communities.  Traditionally it is ingested by a Shaman – a man of medicine, power and experience – and used as a tool for divination in the treatment of the illness they are curing.

The vine-plant contains a natural hallucinogenic element, DMT (N,N-Dimethyltryptamine) and is chemically similar to magic mushrooms, causing psychedelic visions. The hallucinogenic DMT experience is not traditionally the point of drinking ayahuasca, but was an element of interest for Western travellers. The intense visions provoked by the plants were said to change lives and provide a deeper understanding. The DMT-centric view was what the psychedelic community enjoyed about the plant and has transformed it into a source of curiosity, entertainment and exploitation by tourists.

Ayahuasca tourism is a growing industry in the Americas. Tourists are predominately wealthy, white, well-educated, spiritually eclectic individuals who spend time at a ‘spiritual retreat’ ingesting the plant for a variety of reasons: to provoke hallucinations, find answers to profound questions, personal growth and healing.  As the industry expands, misuse of the plant is prevalent, for example through the street-selling of potentially fatal concoctions of ayahuasca. The Guardian reported a British backpacker died in Colombia in April 2014 after ingesting the drug at a ‘Shaman experience’ advertised to a group of tourists at the hostel, and was left to die on the side of the road.

The ayahuasca tourist in search of a deep cosmic insight often fails to understand the importance of the cultural context in which the drug is used. This parallels with the European discovery of tobacco in the sixteenth century; an attitude of disregard and criticism of the intended herbal ritualistic use.  When the herb’s psychedelic properties were separated from it’s spiritual properties it was able to assimilate into European society, evolving into the addictive substance it remains as today.

Ayahuasca tourism has brought new attention, new money and new problems to these communities.  It has created a market for the misrepresentation of ceremonial practice and commercialisation of Native American traditions, but similarly the exploitation of eager and naïve tourists. The expanding industry of ayahuasca tourism, like the assimilation of tobacco into sixteenth-century Europe, raises questions surrounding the attitudes of the first European voyagers and the modern traveller.

It is unclear whether the ingestion of plants is a continuum of cultural appropriation or an unending curiosity into indigenous cultures. One thing, however, is certain: the search for ayahuasca among Western travellers shows no sign of slowing down, as the spiritual soul is hungry to see psychedelic visions in a quest to aid their superficial deeper understanding of the world.

UoM named top university for UK graduate employability

The University of Manchester has been named University of the Year for Graduate Employment in the UK in The Sunday Times’ Good University Guide. The guide also sees the University’s overall ranking go up one place, from 19th in the country last year, to 18th this year.

Editor of The Times and The Sunday Times, Alastair McCall, praised Manchester the graduates and the University’s curriculum, saying: “Among the top 100 graduate employers, it was Manchester students that ticked most boxes.”

“[Manchester] students leave with degrees from a world-class institution having benefited from a curriculum that is tailored to both academic excellence and providing students with the skills that make them immediately useful in the workplace.”

The figures are based on this year’s Graduate Market 2019 report by High Fliers Research.

The guide praised the University’s Stellify programme, in particular, which McCall said “helps ensure that Manchester students do not emerge blinking into the light from their ivory tower, but hit the ground running with employers regionally, nationally and internationally.” Stellify aims to integrate ethical grand challenges into academic degrees so that students are able to emerge into the employment world prepared and aware of real-life challenges.

Nancy Rothwell, President and Vice-Chancellor of the university expressed her pride in both the students and the staff: “I’m delighted with this award and would like to thank all our staff and students for their hard work in helping us achieve it.

“This latest achievement is a testament to the huge effort our staff put into helping our students thrive and succeed once they graduate and enter the world of work. It also, of course, demonstrates the excellent calibre and work ethic of our students.”

 

 

First Senate cut short by low attendance

The first University of Manchester SU Senate of the 2019/20 academic year failed to see any new motions or proposals introduced, as the event once again failed to reach quoracy*.

A number of key proposals from last year, including Reclaim the Night reform, were also due to be voted on at the meeting, but will be pushed back a second time as fewer than 22 students were in attendance.

Senate is the highest decision-making body in the SU (Students’ Union), and uses a system of quoracy, meaning attendance must reach a certain threshold for voting to go ahead. This edition of the meeting was set to take place in the Whitworth Art Gallery, using artist Ibrahim Mahama’s Parliament of Ghosts installation as a backdrop.

Senate has failed to reach this threshold before, including during the final meeting of the last academic year, which was forced to end abruptly after a number of attendees left halfway through.

The evening saw the seven of the eight members of the 2019/20 Exec team attend their first Senate as a group, with International Students’ Officer Jake Butler not in attendance. The Officers outlined their progress in their Officer Reports, then General Secretary Kwame Kwarteng then gave the State of the Union report, as is the norm.

However, the failure to reach quoracy prevented the meeting from making any further progress as voting could not take place.

Several new policy proposals were due to be discussed, including declaring the SU a “Pro-Choice Union”, and encouraging the SU to declare a climate and ecological emergency. These proposals will now be delayed until the next Senate in October.

Welfare and Community Officer Adam Haigh kicked off proceedings by telling attendees about the meetings he had with Greater Manchester Police (GMP) and Greater Manchester Mayor Andy Burnham regarding student safety .

Activities Officer Lizzy Haughton discussed work on a student festival that would not attempt to replace old student favourite Pangaea, which was cancelled last year, but would instead showcase student talent. She also reported that she has established a Climate Emergency Committee within the SU.

Other highlights from the Officer Reports included Women’s Officer Ayla Huseyinoglu’s work with the University’s Careers Service to pledge a careers event for women that would take place in March 2020, and Liberation and Access Officer Sara Khan’s work to “decolonise UoM”.

Khan also outlined ongoing work with UoM sport on an inclusion policy with clear guidelines surrounding participating in sport based on the gender you identify as.

The Officers discussed their joint goals, which included working together on The Nest, a new family-friendly space in the SU, and the EU Settlement Drive.

Much remains to be seen regarding how this Exec team, which came together under a great deal of controversy, will work together over the coming year. However, perhaps the more pressing problem for the Officers is the continued trend of low attendance at Senate.

Ayla Huseyinoglu, SU Women’s Officer, said: “The world in 2019 is a crazy, confusing place and for too many people life at Uni and in Manchester isn’t as fun, safe, or as happy as it could be. The best way for students to change that is to come and get involved in Senate.

“It may sound dry, but Senate is the biggest opportunity to make a difference in life at the University, at the Union and here in Manchester, so it’s vital anyone who wants a say in our future gets involved. Last night there were policies proposed on issues like abortion rights and the climate emergency that couldn’t be passed because we didn’t have enough people there to run the meeting. As a Union we’ll be doing work this year to see if how we can make senate simpler, more engaging and more effective, but we need students to help us get that right and be a body you want to get involved in. 

 “If people are happy with the state of the world then they probably don’t need to come to senate, but otherwise come and be part of making the change you want to see.”

Senate is next due to take place on October 24th.

£2m invested in tackling air pollution in Greater Manchester

Two Manchester-based research projects have been launched to tackle air pollution and strive to better understand its causes, with funding totaling close to £2 million.

The projects are receiving funding from both the UK Research and Innovation Clean Air Strategic Priorities and the Engineering and Physical Sciences Research Council UK Collaboratorium for Research on Infrastructure and Cities, making Manchester the first city in the UK to receive this combination of capital investments.

The first of the projects, the Natural Environment Research Council (NERC), is one of three supersites being established across the UK in Manchester, London and Birmingham. The NERC will provide air quality monitoring instruments that gather measurements at a higher level of detail than current equipment.

It will also be able to detect a variety of greenhouse gases and ozone-depleting chemicals, as well as toxic air pollutants. The data gained will help researchers in furthering their understanding of the sources of pollution in UK cities.

Alongside this, the Manchester Urban Observatory will develop and monitor solutions to urban challenges in real-world settings, studying environmental and human health factors from street level. It is a successor to projects such as CityVerve, which focuses on using technology to improve the lives of Mancunians in areas including healthcare and transport, in a sustainable way.

Since the data from the two sites is generated in real-time, Dr. James Allan, a Senior Research Fellow at the university, says: “will be of use to policymakers, allowing them to make the best-informed decisions. The data can also be utilised by the medical research community, helping them to understand the effects of air pollution on people living in the cities.”

As one of the UK’s largest and most densely populated metropolitan areas, air pollution in Greater Manchester has long been a pressing issue. However, efforts are being made to make the city greener. Plans to invest in sustainable transport include the building of a network spanning 75 miles of Dutch-style segregated cycle lanes throughout the city of Manchester.

The recent launch of these projects has received praise from city officials, including Eamonn Boylan, Chief Executive of the Greater Combined Authority and Transport for Greater Manchester, who said:“The data and insight it will give us into air pollution and its local sources will be invaluable in helping us reach our goal for a cleaner, greener, climate-resilient city-region that is carbon neutral by 2038.”

In addition to improving air quality in the local area, the projects will help the UK comply with target outlines in the Climate Change Act. It is also hoped that the plans will help Greater Manchester in its goal of becoming a world-leading, green city region.

Oh Instagram – you’re my favourite waste of time

Facebook was started in 2004, and Instagram in 2010, meaning that social media has been present for the more memorable part of my life.

The way we waste time, or fill time, has changed along with technology. Back in the ‘good old days’ picking up a book or doing embroidery for hours were casual pastimes – now they’re often seen as more beneficial than other hobbies. Then TV and films became more accessible and spending evenings watching TV shows was how many would spend their down-time. These days, social media is many people’s favourite way to whittle away their free hours.

I agree and admit that social media can be toxic, but I don’t mind the time-wasting nature of it. I find current expectations to constantly be busy and productive exhausting and I enjoy a guilt-free scroll through my tailored newsfeed of adorable guinea pigs like @fuzzberta, which makes me effortlessly happier.

Social media platforms are designed to be addictive, with the validation of likes on recent posts and the ability to scroll endlessly ensuring that we keep coming back. I can’t see myself giving it up any time soon, partly because I like seeing what my friends are up to whilst we’re on opposite ends of the country, but also because I am hooked, especially to Instagram.

The visual nature of Instagram means it has become a platform for independent artists to share their work, so it’s accessible for both creators and audiences. My newsfeed has slowly become a personal art gallery that I carry around in my pocket, developing and changing as I do, and is a joyful break from reality when I need it.

Whilst social media can fuel the feeling of inadequacy and our insecurities, I’ve begun to follow accounts with feel-good content of vibrant illustrations and messages.

I follow @littlearthling with illustrations and gentle reminders like “it is okay to be proud of yourself”, that will make you feel less isolated. And @janellesilver, whose art comforts me when I’m feeling insecure or anxious, validating my own feelings and letting me acknowledge them. Or @doot_doodles with humorous and calming illustrations that will put a smile on my face.

Then there is the world of cartoonists, those who create little stories that are a great distraction from this big fast-paced world we live in. One that warms my heart is called @thumbpaint which follows little thumb-painted characters on small and endearing adventures.

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Your third emoji is your reaction 😫

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Instagram can be used as a little sanctuary full of beautiful images, some of which also act as a gentle reminder for me when things don’t feel quite right. I’m sure we’ve all experienced anxious periods and overthink certain things, so sometimes it is lovely to ‘waste’ time (I’m not suggesting you spend hours on social media) and scroll through your own gallery, with messages you want to hear.

Social media is probably going to stick around, so we may as well support artists instead of accounts that make us feel inadequate and disheartened, and in the process create a place that can temporarily cheer us up with a quick scroll whilst waiting for a bus.

 

 

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The first drawing represents how life felt before really committing to healing & starting hypnotherapy. My comfort zone was my controlled zone, where I felt I had the most control & where I felt the most safe. My comfort/controlled zone had been slowly shrinking in size with each passing day & it was becoming harder to function in the ways I needed & wanted. It was also getting more exhausting & taking a big physical toll on my body and I knew if nothing changed it would start breaking down. I still had some joy, peace, freedom, love & fun but it was fleeting, it was occasional & still relied on my controlled zone, I still needed external things to be a certain way to be able to experience them. The fire, the fear, anxiety, trauma, panic, danger, all that had become my normal, my constant, my truth, my life & the other stuff was like the weather, occasionally the right conditions would happen & some joy would float through, some happiness & fun & then it would pass & life would resume as “normal”. All the planning, controlling, coping mechanisms, self medicating etc would also resume so I could get through & manage it as best I could. Since starting hypnotherapy things have flipped, what once was like the weather has become my everyday reality & the anxiety, sadness, fear, depression, panic etc is the weather that comes & goes. Don’t get me wrong, some days the sky is filled with clouds & things start feeling scary & dangerous but there’s always a part of me that remembers I’m in the garden, that the garden is my reality & everything else will pass. Part of me remembers to take deep breaths, to meditate or journal, part of me remembers to self soothe, to move my body, to ask for help, to remind myself I’m safe, to trust & have faith. Part of me remembers I was strong enough to live in & make the best of the fire for 15+ years, so I’m brave enough to deal with any storm that may come through the garden. How is life feeling for you, sweet soul? There’s no right or wrong, there’s value in every experience but it’s your life, so remember you’re allowed to change, edit, renovate, reprogram as you need & want. You’re worthy of the life you’d love! 💖🌿🦕🦄🌈🔮🍄💜

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Review: Z Bo Jackson Dance Gala

Z Bo Jackson is a new dance company created by esteemed choreographer Barbara Evans (AKA Bo Jackson). This dance gala was their dramatic entrance into the world.

The opening number, performed by Z Bo Jackson, was a hellish sex fantasy. The dancers were dressed in pristine bondage, each autonomous, in charge of their own body and sexuality.

Their next number, the final of Act One, seemed to be a sequel to their first one. The demonic dancers were now stronger and bolder. They all wore tight, revealing underwear, proud to show off their bodies, and finished their looks with black angel wings.

The principal male dancer of this number was Manchester’s own Wade Lewin. Lewin has appeared in The Lion King in the West End and also the films Aladdin and Rocketman.

Chrissy Brooke, the winner of Dance Dance Dance, was the number’s female lead, and a winner she was… She was the Eve to Lewin’s Lucifer, though I think Lewin seduced the entire theatre…

The long number ended with the triumphant dancers crowding around the centre of the stage, proud and mighty. It was gripping and cathartic. I felt seduced, desiring to join them in the darkness, embracing each other’s sexuality… Then the stage lights went up…

The headliner of the night was dance troupe Flawless, who you might remember were the runner-up when Diversity won Britain’s Got Talent…

Perhaps Diversity were busy?

Jokes aside, Flawless were nobody’s runner-up. The crowd loved their three very different but equally impressive numbers. They lived up to their name. They oozed sex-appeal. They were dripping in finesse. They were groovy, funky, swanky, and sexy. They were the visual representation of Black (and Asian) Boy Magic. Okay, I’ll stop…

The event was hosted by Kimberly Wyatt, most famous for being a member of the Pussycat Dolls (or Nicole Scherzinger and the Pussycat Dolls…). She’s the one with the short blonde hair who always did that leg-in-the-air thing… She was also a judge on Got to Dance, won Celebrity MasterChef, and is an ambassador for the Bloch Dance World Cup.

Wyatt was great as a host simply because she didn’t take it too seriously. She was fun and free-spirited, which was refreshing. She conducted interviews with Jonathan Wilkes (of the Wilkes Academy but whose Wikipedia page simply refers to him as being ‘a close friend of Robbie Williams’…) and Bo Jackson herself.

I was feeling a little disappointed that she was just hosting and not dancing, though she is heavily pregnant… She asked Flawless if her unborn baby could join their dance troupe and made a joke that something might happen later on. Whilst the audience presumed she was referring to her going into labour, she was actually foreshadowing Flawless’ final number, where she leaped out from the wings and joined them for one last dance! She might be heavily pregnant, but she still owned her body…

Brandon Lawrence’s (from Birmingham Royal Ballet) solo number was the perfect display of unashamed masculine strength. Maybe he could do a performance on Good Morning America to show that this is what happens when a man sticks with ballet, Lara Spencer.

Z Bo Jackson Company had an all-male number; it was masculine and bold but at the same time sexy and vulnerable. Like Lawrence’s solo, it was inspiring seeing grown-men unafraid to be bare, vulnerable and exposed, and proud to dance for a cultured audience.

Company Jinks and Phil Winston’s TheatreWorks were also both fabulous, though the latter’s number was very similar to Z Bo Jackson Company’s Act One finale number.

This event provided me with some of the best dancing I’ve ever seen, and I’m excited to see what else Z Bo Jackson has to offer.

Manchester Literature Festival: October 2019

Manchester Literature Festival recommences from 4th October 2019, showcasing the very best in contemporary writing from across the globe.

The festival acts as a platform for both established and emerging writers, promoting Manchester as a hub of cultural exchange.

Writers will be delivering talks on their work in various venues across the city, from the Central Library to the Lowry in Salford., and the festival will host reputable storytellers and poets, including nominees for the 2019 Booker Prize: Deborah Levy, Elif Shafak, Jeanette Winterson, John Lanchester, and Oyinkan Braithwaite.

Manchester’s own Isaiah Hull will perform New Commissions, along with Lemn Sissay. The Young Reader’s Projects offer a space for the youth of Manchester to develop their creativity through programmes such as The Writing Squad, a network for a growing community of young writers and producers in the north.

Art, biography, climate change, music, medicine, politics and protest are explored in the new Culture strand of the festival, where issues involving feminism, representation, and xenophobia are discussed by Mona Eltahawy, Clementine Ford, and Cathy Newman of Channel 4.

Manchester’s status as an international city is showcased in the festival through world literature events, where Chen Qiufan and Xia Jia, two of China’s most acclaimed science fiction writers, will discuss their work at the International Anthony Burgess Foundation.

A celebration of the Windrush generation will also take place at St John’s Church in Old Trafford, where Khadjiah Ibrahim will perform poetry inspired by her Jamaican heritage, and Roger Robinson reads from his poetry collection. Manchester’s Young Identity will be presenting new work at the same event.

The UNESCO City of Literature can be explored through Weightmans Walking Tours, which includes the Working Class Writing Walking Tour.

The Manchester Literature Festival will conclude on the 20th October, so make sure to nab your tickets to choice events before they’re gone.

 

Charlie Sloth brings his Apple Music Tour to UoM

Fuse FM’s Phedra Broch sat down with DJ, producer, TV presenter and all round big personality Charlie Sloth – before his appearance at the University of Manchester Freshers’ Fair – to talk about his inspirations, his longstanding rap show – Fire in the Booth,  meeting Drake,  and joining Beats 1. 

“Was Tim Westwood one of your inspirations for Fire in the Booth?”

He was definitely someone, who I looked up to a lot coming up on my journey. He had the biggest show over here in the UK and was someone who opened a lot of doors for the artists here. So, him (Tim Westwood), Funk Flex and Trevor Nelson were some of the DJs that I really looked up to.

“What was your reason for switching from rapping to DJing and presenting?”

My entrance to music was as a DJ; when I was a kid, I would DJ at youth clubs. At the age of 13, I was doing pirate radio, by the time I was 14, I had a residency at Dingles in Camden and then I got into production and rapping. I just love music so I wanted to be involved to whatever capacity that I could in this music business.

“Fire in the Booth has opened its doors to a variety of MCs but what was it like meeting Drake?!”

He’s a good guy. He is just a normal person and he is probably one of the humblest artists that I have had the pleasure of meeting. A lot of people like to throw shade his way because of how he engages with the British culture but I just think, that he’s a fan in the same way that most of us are, of music. He just wants to be a part of what we’re doing over here and celebrate it in the same way that we do. The culture in Toronto runs parallel with ours in London and the UK; we have the same slang and we dress the same, so we go hand in hand with each other but yeah, [Drake] is a nice guy!

“Drake is amazing; he brought back Top Boy!”

It’s sick! I watched it all. We were lucky enough to watch the first four episodes in advance so I only had six to go. That’s a lot for me but I had to binge-watch the lot. I just couldn’t stop watching it.

 “How was your transition from BBC Radio 1Xtra to Beats 1?”

The transition was very smooth because Fire in the Booth has always had that online audience so it still went to the same place that it was going to anyway, which is my YouTube channel. The show is now on an international platform, where people all around the world are listening, so it’s really interesting to see how people react and engage with the show from America, Asia or Canada. It’s crazy but incredible.

“What do you think about the current state of the UK music scene?”

It’s incredible and it hasn’t been as healthy as it is. I think the fact that we’ve got artists from all over the UK popping off is great because it was very London-centric for a long time and now it feels like the UK really is the UK. Manchester, at the minute, is on fire. There are so many great artists coming out of Manchester but I think every city in the UK has finally got its own voice which makes it really exciting because, even though we’re all British, we all have our cultures so it’s good to engage with them all.

“Are you linking up with Aitch any time soon?”

One-hundred percent; he’s killing it! He’s a good kid.

“Talk to me about Fire in the Park.”

It’s coming up this month and it’s actually going to be crazy. It’s my first festival. [Fire in the Park] is something that my team really sat down about because there’s no real festival in the UK, that celebrates just UK culture, do you know what I mean? So, we wanted to put something together that celebrates just UK artists, where Americans don’t come over and take the headline spots. We’ve got a couple American artists there but they aren’t taking the headline spots which was very important to us.

Interviewing Charlie Sloth as a student radio presenter was an amazing opportunity. It was inspirational to know that he entered the scene as a young boy and built himself up from there to becoming one of the best DJs/presenters that the UK has birthed. Bringing his Apple Music Tour to the University of Manchester was, for many students, an eye-opener and encouragement to simply invest in their passion.

For now, we wish Charlie Sloth all the best for his first ever festival, Fire in the Park 2019, taking place at The Ponderosa, Sheffield, United Kingdom, 28 September 2019.

Students can currently sign up for a 6-month free trial on Apple Music (T&Cs apply). Listen to the Charlie Sloth Rap Show on Apple Music’s Beats 1 every Saturday at 8pm and on demand.

Families of Manchester Arena bombing victims to be excluded from inquiry

A coroner has ruled that families of the victims of the Manchester Arena attack may be excluded from large parts of the inquiry into the attack due to the sensitive nature of evidence from MI5 and the police.

The Coroner for the inquest into the attack, Sir John Saunders, announced that releasing this information to the public could pose a serious risk to national security.

This decision means the inquest will likely become a public inquiry. Saunders is expected to announce this at a hearing in Manchester on the 7th October.  This would lead to the production of two reports, one containing the sensitive material and one available to the public which would omit the sensitive information. 

The creation of a second report means that the inquiry would be partially closed to the public, preventing families of the victims from hearing all evidence presented before the inquiry.

Saunders believes, if released, the sensitive intelligence “would assist terrorists in carrying out the sort of atrocities committed in Manchester and would make it less likely that the security service and the CT [counter-terrorism] police would be able to prevent them”.

He continued: “The risk which is identified in each case is that disclosure of the information will make it easier for terrorists to kill people by avoiding detection before they are able to carry [out] an attack.”

John Cooper QC, a representative of many of the bereaved families believes this decision has been made not to preserve national security but to prevent “national humiliation”.

Last year, a parliamentary watchdog found that a series of failures by the police and MI5 preceding the attack which took place on the 22nd of May 2017 killed 23 people and injured hundreds more.  

Salman Abedi had been flagged by security services as a subject of interest, and was even placed under review but due to the slow movement of the system, no review took place prior to the attack.

Solicitor Elkan Abrahamson who represents several of the bereaved families also criticised the decision, claiming it would prevent the public exposure of the failures of the security services “which may have contributed to the loss of life”.

He added, “open justice and the rule of law protects us all. Candour and transparency are the friends of justice and accountability, and they help prevent future such outrages. Closed hearings, secret justice, may do the opposite.”

An inquiry would not take place until after the trial of Hashem Abedi, brother of the bomber Salman Abedi. Hashem’s trial is set to begin on the 11th November at the Old Bailey in London.

Manchester Labour Students targeted in racist Twitter attack

A group of Manchester Labour Students (MLS) members have been subject to racist and Islamophobic abuse online after a picture of them was tweeted by conservative political commentator and journalist Tom Harwood.

The picture, which was taken at the University of Manchester (UoM) Freshers’ Fair, shows a group of UoM students pointing at a sign that read ‘FUCK BORIS’ at the MLS stall.

Harwood writes for right-wing political blog Guido Fawkes and has over 50,000 followers on Twitter. He shared the photo with the caption ‘Manchester Labour Students’.

The tweet has over 800 responses, with many of the replies directing racist and Islamophobic abuse at the pictured students.

One Twitter user commented: “The photograph shows three non-white people. Are they British passport holders? Have they got a vote in a general election? If not to both, send them from whence they came.”

Other tweets read: “Wow cultural enrichment is really doing well for Labour”, and “Not one British student amongst them.”

Several responses drew comparisons between the students pointing at the sign behind them and the ISIS salute, with comments such as “Giving the Islamist salute I notice”, and “What on earth does that raised index finger represent?” attached to a photo of ISIS militants.

Speaking to The Mancunion, MLS said: “Being targeted by a ‘journalist’ for a far-right rag such as Guido Fawkes is a badge of honour and shows we’re on the right side of history. The racist and Islamophobic comments on the tweet shows just how vile their readership is.”

Sara Khan, Liberation and Access Officer at the UoM Students’ Union, said the comments were “disappointing but not surprising.”

“I think that it’s so so common in universities and educational institutions that when young people of colour get involved in politics in general, especially when they have left-wing politics, they attract attention from these right-wing people who will stereotype them as being ‘terrorists’ and ‘radicals’ for having left-wing politics.

“Obviously those kind of racist, hateful comments are absolutely not okay, they’re completely vile, and we [the Union] oppose that kind of behaviour in every single way.”

Khan also outlined advice and support available to students facing racism on campus: “Practically, if those particular students or any other students…need support then they can hit up our advice service because it does also operate as a third-party hate crime reporting centre. I’m always happy for students to get in touch with me to talk to me about it. I can signpost them to things and also I have similar lived experiences, so if it just helps to chat to someone then I’m always available.”

The Mancunion has contacted for Tom Harwood for comment.

Remain vs Leave: Not as different as you’d think

“The world of tomorrow is a world of empires in which we Europeans, and you British, can only defend your interests, your way of life, by doing it together, in a European framework and in the European Union.”

Those were the words of Guy Verhofstadt at the recent Liberal Democrat party conference, and they were met with rapturous applause. He talked wistfully and passionately about the future of a world of empires as though it never existed, and his voice filled with an inimitable fervour and a level of conviction that genuinely makes you wonder if he understands the implications of his words.

As an MEP from Belgium, you would assume that Verhofstadt would tread lightly when it comes to colonial imagery. Nothing, however, could stop his tone-deaf tirade. The barely concealed ambivalence to centuries of violence, looting, exploitation, and unimaginable human suffering, exposes levels of zealotry and arrogance that mirrors the people that Verhofstadt claims to stand in direct opposition to. This short clip not only exposes the gaping chasms that exist, and have existed, within the remain half of this whole fiasco, but shows the glaring similarities between the two, supposedly, disparate groups.

For three years ‘Europhile’ and ‘Eurosceptic’ have been the most important political identities in our nations politics. What this has concealed, however, is that ‘remain versus leave’ is perhaps the biggest false dichotomy there is. The discourse has shifted away from left versus right, and it is no secret that the Brexit debate has fragmented political allegiance and ruptured the structure of the political landscape as we have come to know it. There are communists declaring allegiance with the far right, MPs defecting from parties they’ve been in for decades, and the near implosion of both the Labour and Conservative parties.

This speech was a rude awakening for me; an awkward and painful realisation that those I have been aligning myself with have more in common with the Boris Johnsons of the world than they do with me. It is uncomfortable that the individuals advocating the loudest for remain seem to have the same expansionist and destructive ideals as the xenophobic and imperialist Brexiteers that they deride. It is uncomfortable that both sides actively seek to romanticise and revive an era that was solely dependent on the domination and brutalisation of people who look like me. Yet they masquerade as progressives, always maintaining a veneer of tolerance, never letting the mask slip until… well until they are speaking in front of hundreds of people and rallying them to calls of empire like it’s the 17th century.

His words echo across a continent and through an institution that currently allows the deaths of migrants and refugees on its borders; people who are fleeing from countries that are still reeling from the impacts of the Empire. He may not be wrong when he says that the world of tomorrow is a world of empires, but so is the world of today, and yesterday, and the day before that. His insistence that we remain in Europe to ensure it becomes the arbiter of an updated version of empire is not the future we should want to create.

338 shisha pipes seized as four illegal bars on the Curry Mile shut down

Wanasah, Threesixty, Antalya and Dubai have recently been raided and shut down, after illegally operating as Shisha bars.

Over 300 pipes and almost 100 kg of shisha tobacco was seized by HM Revenue and Customs after the bars failed to get the correct planning permission to trade as shisha bars.

Manchester City Council have said they have previously issued warnings to these bars and that they may face prosecution if they continue business.

The bars are not only accused of operating under the wrong license, but also of breaching the Health Act of 2006, which prohibits smoking indoors. During the raids, the bars were given a number of fixed penalty notices for failing to comply with the Act.

“It is deeply disappointing to see that in spite of repeated warnings the owners of these establishments continued to act like they were above the law,” Councillor Angeliki Stogia told the Manchester Evening News.

A Guardian article reported on the issues of illegal shisha bars over 6 months ago, reporting that bar owners are “undeterred” by one-ff fines of £2,500. As well as breaking smoking and fire safety laws, the article reports that the tobacco used is often exported illegally meaning that it is not regulated in the way that it should be.

The article states these places very easily operate and continue to trade as illegal shisha bars due to “secrecy of ownership and ineffective fines, meaning owners can re-open the same bar under a different name.”

Rusholme, and the Curry Mile (Wilmslow Road) in particular, is known by many for its shisha lounges. Manchester Councillor Rabnawaz Akbar states “It has become an all too familiar sight to see shisha bars pop up as if overnight, particularly in our south Manchester communities.”

This is not the first time a raid has taken place along the Curry Mile. In June, another shisha bar, ‘Suede’, was closed in Manchester after breaking smoking laws.

Team Europe produce a masterpiece at Gleneagles

It was Europe who took the spoils in what was a dramatic final day of the 16th Solheim Cup at Gleneagles.

The contest went right down to the wire, with Suzann Pettersen and Bronte Law snatching a thrilling 14½ -13½ victory for the hosts. The competition, which reached its climax last Sunday, was the sixth to be won by the European team, but their first since 2013.

To comprehend just how narrow the one-point victory for the side captained by Catriona Matthew was, it’s important to understand how the Solheim Cup works. There are three types of matches that take place over the course of the weekend: foursomes, fourballs, and singles. Friday sees a round of fourballs followed by a round of foursomes, with Saturday following the same structure, before the singles are played out on Sunday.

The foursomes offer some extra entertainment, as teams of two face off against each other with players on the same side taking alternate shots. The lowest score wins the hole and the team with the most holes won wins a point in the overall standings, with a half-point being awarded to both pairs if the round finishes all-square.

So, with the foursomes explained, this is how Friday played out: It was an even start to the day, with Carlota Ciganda and Law rescuing a late draw on the 17th against Team USA’s Morgan Pressel and Marina Alex. This was followed by narrow victories for European pairings Georgia Hall and Celine Boutier, and Charley Hull and Azahara Munoz. The Americans did, however, manage to strike a blow through the Korda sisters’ 6&4 demolition of their opponents. Nevertheless, Europe held the lead as the opening day’s foursomes concluded.

Next came Friday’s fourballs. This is format again involves four golfers per hole, however unlike the foursomes, each player plays the round normally and the woman with the lowest score wins the hole for their team. 38-year-old Pettersen and her teammate Anne Van Dam put the hosts back in front before Hull and Munoz threw away a 4up lead to give Team USA a lifeline in the championship.

With the final two fourballs of Friday’s play ending all square, it meant, as Saturday rolled around, the stakes grew ever higher. A brilliant back nine meant Pressel and Alex completed another comeback; they went one further than their efforts on Friday and took the first point of the day for Team USA. Yet, Europe were not about to relent. Emphatic wins in the next two foursomes briefly gave them some breathing space. This was short-lived, however, as the Korda sisters yet again strolled past their European opponents 6&5.

With Europe a point ahead going into Saturday’s fourballs, it was still all to play for. Team USA cruised to a five-point victory back in 2017 but it was looking like this year would be a much tighter contest. The pressure was mounted on Europe when America’s Brittany Altomare and Annie Park clinched a point to once again level the score at 6½-6½.

A draw in the next foursome, followed by a European victory, meant that the one point lead was regained. However, the last result of Saturday proved to be crucial. Team USA levelled the scores going into the final day through a heroic effort from Lizette Salas and Danielle Kang. Thus, with the scores all level, and the singles still to be played, the anticipation grew around the famous Scottish course.

It was Europe who dealt the first blow. Ciganda remarkably took the point on the 18th following a match that, up until the closing holes, looked to be going the way of Kang.

Another comfortable win for Nelly Korda showed why she is one of the best in the world. World rankings were then thrown out of the window, however, as Bournemouth-born Georgia Hall beat the world number three, Lexi Thompson, to put Europe back in front. Hall’s efforts were replicated by Boutier before the competition was turned completely on its head. Of the next five singles, only England’s Hull could score for the hosts as she levelled with Megan Khang. The impressive run from Team USA included comfortable wins for both Jessica Korda and Altomare and put the visitors two points up going into the last three singles.

A controlling performance from Anna Nordqvist eased some of the nerves in the Team Europe camp, sending the competition into the last two singles, with Europe just a point behind. Yet, with Pettersen losing a two shot lead on the 14th, and Bronte Law a shot down going into the 14th, things looked dead and buried for Matthew’s side.

Then, the unthinkable happened. Stockport’s Law cruised to victory, clinching three of the next four holes, and showed true talent and determination.

While this was happening, the deadlock could not be broken between Pettersen and Alex. The pair went into the 18th with the scores still level, both for the individuals and for their teams. The destiny of the 2019 Solheim Cup rested on the shoulders of Team USA’s Marina Alex, ranked 35 in the world, and Team Europe’s wildcard selection Suzann Pettersen who is not even in the top 600.

Then an average hole from Alex left the Norwegian with a six-foot put to win the tournament.

The fairytale ending became a reality as she calmly sank the putt and sealed one of the greatest comebacks in the history of the Solheim Cup. A 14½-13½ victory sounds close, but only when looking at just how much the weekend ebbed and flowed can you see just how dramatic the 2019 Solheim Cup actually was.

Beyond the Premier League: Football in Manchester

When the topic of watching live football in Manchester is brought up amongst students, it is the two biggest clubs that get brought up almost every time: Manchester United and Manchester City. However, when you go to buy tickets, the £40-50 cost quickly extinguishes any enthusiasm you had for going.

Beyond the Premier League, there is a vast amount of football going on in Manchester at all levels of the football pyramid. Here are our picks for the games that offer a great match day experience, without breaking the bank.

Manchester United WFC

Manchester United’s long-awaited women’s team burst onto the scene last season. Newly formed, they entered the women’s game in the Championship, finishing the season with 18 wins, 1 draw and only one loss. Their dominance was showed further by scoring an average of just under five goals a game.

This season, now in the Premier League, United are chasing Champions League football. Their first game against Manchester City at the Etihad drew an impressive attendance of 31,000. Even more impressive is the price of the tickets. To go see United play arch-rivals Liverpool on 28th September would set you back £6, with a season ticket being just £39.

Salford City FC

The Class of 92’s real-life game of football manager, Salford City has seen massive growth with an influx of new funds in recent seasons. Not all football fans are happy with the amount of money being pumped into the club, especially back when they were first bought in 2014.

That said, Salford City are a club looking to shoot up the football pyramid. Currently in League 2, you can watch them for £10 a game. To get to the ground, you only need to get one bus from Piccadilly, making it easily accessible.

Manchester City Youth

If you still want to watch the biggest teams, the youth games can be a great way to keep track of the rising talent. Manchester City have an array of great fixtures coming up in their youth teams. Tickets to Dinamo Zagreb or Shakhtar Donetsk in the UEFA Youth League, or Arsenal, Spurs or Liverpool in the Premier League 2 can be yours for just £3.

For those of you with a bus pass, you can easily travel to the stadium with that, making these youth games an even more attractive proposition. With exciting young players like Nail Touaizi and Tommy Doyle coming through the ranks, you may see a future star in the making.

University of Manchester

For football fans wanting something even cheaper right on their doorstep. The University of Manchester Men’s and Women’s teams would really appreciate your support in the upcoming season. For the low, low price of £0, you can watch the best the University has to offer.

This is just a small sample of some of the teams available in the Manchester area. It just goes to show that quality football doesn’t have to put you into your overdraft.

2019 Basketball World Cup: A rare struggle for the USA

The 2019 FIBA Basketball World Cup has just finished in China. The competition takes place every four years and is structured similarly to the FIFA World Cup. This year’s winners were Spain, who were undefeated.

2019 was a World Cup for the history books. Shockingly, the usually dominant team USA took back-to-back losses, including their first defeat since 2004.  France and Serbia both managed to come out on top when facing the heavy favourites, resulting in the USA’s lowest finish (seventh) since the competition began.

Team USA’s losses were especially surprising as they have the most players with NBA Experience (12 PNE)– considered to be the top basketball league in the world.

It appears as though their problem arose from the lack of a star. Even though many players on the squad were All Stars there were no players from this year’s MVP debate.

Having an NBA MVP won’t guarantee you success though, as Greece found out in China. Despite being led by Giannis Antetokounmpo, they didn’t even progress past their qualifying group, though this was sure to be a tough ask as they faced tricky opponents along the way.

Injuries to key players also made it difficult for team USA to thrive. Head coach, Gregg Popovich said that Team USA shouldn’t be ashamed of not winning the gold medal and described such an attitude as “arrogant” and writing off the hard work of other teams.

The other historic event which took place was achieved by Marc Gasol, who plays centre for the Toronto Raptors. Gasol became only the second player in history to win both an NBA championship and a Basketball World Cup.

The MVP of the tournament was Spain’s guard Ricky Rubio, who plays his domestic game for the Phoenix Suns. The defensive minded player was key to the Spanish offence and also a defensive leader throughout.

Leading scorer was Sacremento King’s guard Bogdan Bogdanović (Serbia). These players both made the world cup All-Star team alongside Evan Fournier (France), Marc Gasol (Spain) and Luis Scola (Argentina).

The top 8 teams in order were Spain (PNE 6), Argentina (4 PNE, however none currently play in the NBA), France (PNE 6), Australia (6 PNE), Serbia (5 PNE), Czech Republic (1 PNE), United States (12 PNE) and Poland (0 PNE).

A shock to the system perhaps for the USA, but a well-deserved victory for the hard fighting Spaniards.

Hungary hosts inaugural World Urban Games

This September brought with it the inaugural edition of the World Urban Games, with Budapest hosting the tournament between the 13th and 15th of September.

The games see participants compete in a mixture of eight unique sports, ranging from BMX freestyle to breaking (dancing) to laser run, in what their website calls “the ultimate celebration of new-generation sports.”

It was Victor Montalvo who came out victorious in the men’s breaking competition, whilst Ami Yuasi impressed the judges in front of her to win the women’s tournament.

The weekend was not only about who won and lost, however, as there was dazzling entertainment taking place from Friday to Sunday in the Hungarian capital.

With the tournament’s website stating that the flying disk freestyle event offers “the basic game of throw and catch with aspects of gymnastics, dance, martial arts, and other physical disciplines,” you can tell that the games are centred around creativity and athleticism.

Freestyle events seem to be a popular choice in the World Urban Games, with both BMX and rollerskating also on offer. The skills showcased by Hannah Roberts and Brandon Loupos won them the BMX competition, whilst it was Roman Abrate and Misaki Katayama who emerged victorious in the roller freestyle.

Competitors flocked from all over the world to take part in the event, with some of the world’s best in their respective sports, proving why they are at the top.

Matej Srovnal’s lighting paced final run of 21.92 in the parkour event and Navarro Stefanny’s blistering 14.54 meant they left the weekend on the top of their fields.

With basketball also on offer, some sporting normalcy may appear to have been resumed. Yet, with just three players on each side playing on a half court with one hoop, the game is completely different from what we see in the NBA.

With just 12 seconds to score before the ball gets handed over, you can see why this version of basketball is the most popular urban sport in the world.

All in all, the 2019 World Urban Games were a huge success. Athleticism, creativity, imagination, and pure fun were laid out for all to see in a weekend of true sport.

Champions League: A nightmare start for the European Champions

Liverpool started their quest to defend their European Champions crown, with whimper rather than a bang.

At both ends, the Reds’ performance didn’t exhibit the usual swagger and dominance we have come to expect from Jurgen’s troops.

That is not to discredit their opponents, Napoli. The Serie A side were the deserved winners, registering an expected goal (xG) score of 1.81, whilst Liverpool could only muster up 0.79. They employed a high line that gave the likes of Mo Salah and Sadio Mane good opportunity to attack in behind but neither could beat the young keeper Alex Meret, who can make big claims for the Man of the Match award.

Napoli’s attacking persistence paid off when Jose Callejon was brought down by Andy Robinson in the box to give Dries Mertens the chance to rifle one in to the bottom left hand corner. He did.

A calamity of errors at the back gave Napoli their second. Fernando Llorente striking revenge for his old pals back in Tottenham and a rare sighting of a Virgil Van Dijk slip up tells the story of the night.

Whilst this is far from panic stations for the reigning Champions and they are still well placed to push on into the next rounds. Maybe what it is, is a wake up call that they’ll have to work hard once more to regain the mojo that gave them nights like those in Madrid and the spirit that put four past Barcelona at Anfield.

The curtain for the continent’s premier competition has therefore been raised, but lets hope the headliners can better the warm up acts.

The Ashes stay with the Aussies

Over a month of contest between the English and Australian national teams came to its conclusion last week. It was a tightly fought Ashes series, hosted in different venues across England, which eventually finished in a draw between the two sides.

The early days of August might seem a lifetime ago, but the opening day of the month saw Australia and England both take to the field at Edgbaston to begin the first test. From an English perspective, perhaps the less said about those few days the better, as Steve Smith’s consecutive centuries in the two innings led Australia to a comfortable victory.

They beat England by 251 runs and, frankly, it never looked in any doubt. 1-0 Australia.

Lord’s awaited the two teams for the next test, and it was a far tighter affair. Smith again hit 92 runs in the opening innings but was removed from the squad due to concussion after being hit by a Jofra Archer bouncer in the second.

Rain stopped play on days four and five, and Australia looked the less comfortable of the two sides without their dominant talisman. They managed to hold on, courtesy of a fine performance from Travis Head.

England were the better side but just could not get the Australians out. Still 1-0 Australia.

Test number three at Leeds was a bizarre but incredibly entertaining affair. England’s bowlers really took the game to the Australians, bowling them out for just 179. Special mention goes to Archer, who took six wickets. However, in true form, the English decided not to make it too easy for themselves. A woeful batting display saw them bowled out for a measly 67, their lowest run score in an Ashes innings since 1948.

Australia followed up their brilliant bowling display with some decent batting. A score of 246, undoubtedly, left most spectators thinking that the Ashes would be retained. England needed 358, the highest chase in Ashes history.

England started impressively, reaching 238 for the loss of just four wickets. However, things then began to tumble. Wickets were lost in quick succession, and they found themselves at 286/9, needing 73 runs from just two batsmen. Jack Leech became the solid ground; only coming in for a few balls at a time and managing just one run. Runs were needed and a win looked very unlikely.

Arise, ‘Sir’ Ben Stokes.

The World Cup hero stepped up to the plate when the stakes were at their highest yet again. He fired a number of balls to the boundary in an outstanding display. A very late LBW appeal provided England with a scare, but Stokes survived and went on to be the hero yet again.

A masterclass from England’s main man. 1-1.

The rain came down on Manchester in the fourth test, and this accurately represented the English mood. Their nemesis, Steve Smith, was back from his concussion scare, and with a vengeance. He finished as the top-scoring batsman for Australia in both innings with a combined score of 293.

Australia won by 185 runs to guarantee they retained the Ashes. 2-1.

However, the fifth test was not entirely without meaning. England set out at Lord’s knowing that a victory would stop them from obtaining an unwanted record as the first side to lose an Ashes series to Australia on British soil since 2001. It was an entertaining matchup, with both sides scoring plenty of runs, with England coming out on top. Archer was deemed Player of the Match this time out for a fantastic display, taking six wickets from Australia in their opening innings.

Embarrassment was spared for the English and a fair result between two sides, who were evenly matched throughout. 2-2.

Australia will retain the Ashes for now, due to their victory in early 2018, but England will be hoping to bring the urn home when they travel down under in 2021.

Has Manchester’s musical golden age passed?

For the last four decades at least, Manchester has been a talent factory for some of the world’s biggest bands. It’s a legacy which vies with football for Manchester’s heart, and for many people it is the city’s defining characteristic.

In some respects The 1975 are the flag bearers of this current generation; by an objective measure (Spotify streams) they are Manchester’s biggest band of the moment. ‘Somebody Else’, their most popular track, has nearly 270 million plays. Say this to your average ’40-something-who-thinks-he’s-Liam-Gallagher’ type though, they’d likely scowl at you. The sentimentalists would argue that Manchester’s musical golden age is long gone. I’m willing to entertain the idea that the culture has peaked. If this is the case, what is it that set these eras apart from the modern day? And what made the bands of the past so much better than today’s offerings?

Manchester’s musical golden age can probably be considered as the late 80s and early 90s. Acid House was on British shores in a big way and ‘Madchester’ was in full swing. Even artists known more for punk, notably the Buzzcocks, were going strong or reforming around this time. Add the arrival of a certain Gallagher-duo, and the departure of The Smiths, to this five-year window and 1987-1992 clearly marks a glut in Manchester’s cultural timeline.

Even predating the 80s, however, there was Northern Soul. This was the North West’s love-affair with gritty, American soul and all-night dance parties in unconventional venues like Wigan Casino. Read anything about this sub-culture and it becomes apparent that attendees of these nights were almost always working-class.

Whether it’s a lazy stereotype or a genuine sociological fact, the diagnosis for this is that these fans were looking for an escape from the tedium of their lives. It’s an explanation which corresponds with the subcultures that preceded it; punk was a rejection of the established order, the rave scene was associated with disenfranchisement, and the Britpop bands of the 90s often played to their working-class roots in subject material and appearance. Certainly, it would appear that Manchester’s music scene owes at least some of its success to its working class roots.

Add to this the venues at the disposal of Mancunian musicians. There were, and still are, plenty of outlets to perform in the city. Manchester caters for wide ranges in genre and popularity. Honouring the city’s cultural legacy, many pubs double as music venues. They platform musicians on the very first rung of the ladder before propelling them all the way to the top. One can go from performing at a small pub in Salford to eventually selling out Manchester Arena with each venue upgrade being incremental along the way.

However, it’s a well-documented fact that small music venues are closing up and down the country. Whilst Manchester has certainly not been exempt from this trend, I do not think it has been as badly hit as some other areas. The city of Manchester provides a wide catchment area for many neighbouring towns and so it serves as a natural hub for musicians. This factor is seemingly helping to keep the city’s venues afloat. This is compounded by the abundance of independent record labels in the city and the notable status Manchester already holds. For these reasons, I believe past efforts have gone a long way towards creating a self-sustaining music scene in which Manchester is a rich cultural centre.

Prospective musicians are finding it increasingly harder to keep afloat without a job and finding time to rehearse alongside full-time work isn’t necessarily an easier option. This in turn pushes musical success into the hands of the middle-class which undermines Manchester’s history of propelling working-class musicians. This pattern has continued and criticisms by Noel Gallagher of the music industry being a closed door to working class bands nowadays seems apt in light of these changes.

Having said this, however, Manchester’s music scene at present is certainly not lacking talent. The 1975 are the ‘big dogs’ of the scene at present. This indie roster is supported by the likes of Blossoms and The Courteeners. But there is a diversification of Manchester’s musical output that we haven’t seen before. Hip-hop has always occupied a space in the city’s musical heart, although it is not the genre that Manchester’s musical golden age has typically been associated with. Popular rap artists like Bugzy Malone and Aitch have become national successes. Add the achievements of neo-soul/RnB artists like IAMDDB and it’s apparent that Manchester’s music scene is thriving.

It’s golden era certainly hasn’t passed.

Live Review: Filth

Rock outfit Filth took to the stage at Jimmy’s Woof Woof Stock to take part in a fundraising gig in aid of the charity, Support Dogs.

Hailing from Stoke, the fractious and frenetic four-piece Filth really brought something to the space downstairs at Jimmy’s. Although the crowd was slightly modest, they immediately had everyone transfixed, keeping the audience hooked from the minute they walked on stage to the minute they left it.

Kicking off the show with the riotous ‘Tongue To The Ulcer (10 Steps)’ the pounding kick drums and clashing guitars instantly had the crowd engaged. The immense energy of the track heard in the recorded version, Filth were able to play perfectly to the cramped basement of Jimmy’s; bringing mounds of energy without overpowering the small venue.

Filth’s impressive lyricism is dashed with heavy political tones and cries of disillusionment, but this is thankfully a juxtaposition to their otherwise distinct punk tinged riffs. The sound alone permeates the space with a powerful defiance. The room undoubtably is filled with a sound that never quite dissipates, as Jack Melvin’s engraved vocal rise through the climactic ‘Magic Money Tree’. This track reaches new heights when paired with a longer, if not ever so slight indulgent, outro.

What was apparent from seeing Filth live was how water-tight the band sounded. Without sounding overly rehearsed, the band were so complimentary to each other’s sounds: Filth sounding like one unit as opposed to four individual musicians. It’s the small details in the quality of sound like this that shows must how much potential Filth have.

Explosive track ‘Tangerine Dream’ closed Filth’s set. Despite being a short set, the band more than proved themselves as one of the most exciting new punk rock acts that everyone should be keeping an eye on right now.

8/10.