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Month: November 2020

Movember: How much UoM sports clubs have raised this month

It’s been a difficult year for everyone so it’s crucial now more than ever we raise awareness and take time to focus on our mental and physical health.

The University of Manchester’s sports clubs have been doing that through Movember.

Movember is a community of rockstars raising money, making a difference in mental health and suicide prevention, prostate cancer, and testicular cancer.

UoM sports clubs have been working hard on their Movember campaigns, raising funds to help combat the sombre statistics about men’s health.

It is almost the end of November, so let us have a look at the progress made by our fantastic clubs.

University of Manchester Rugby Union  – £4171

“We are very proud to say we have already raised £3936. Movember is such an important charity working for Men’s Mental Health, especially in the current situation and with mental health being tested like most have never experienced before. The boys are enjoying the challenge and the photos coming from the questionable attempts from our members trying to grow a moustache, and we are very glad to be working with such an important charity.”

UoM Rugby Union Movember week 3
UoM Rugby Union Movember Week 3

University of Manchester RLFC – £2220

“You may also be interested in the campaign that we have set up between the rugby league clubs in our university league. In order to increase donations and have some friendly competition, we are challenging other university rugby league teams to beat our donations.

This has helped to increase our donations within the team and also has got clubs who wouldn’t have joined in with the Movember campaign to get involved.”

University of Manchester Boat Club – £1269

University of Manchester Men’s Hockey Club – £902

“At Manchester University Men’s Hockey Club, we strongly believe in supporting men’s mental health, an issue that is too often brushed under the carpet and rarely discussed. Now, more than ever, there is a need for support. The Movember Foundation does amazing work to prevent suicide and are the leading charity changing the face of men’s mental health, whilst also tackling deaths and long-term effects due to prostate and testicular cancers.”

University of Manchester Cricket Club – £741

University of Manchester Men’s Football club – £147

Chaos in Fallowfield halls as students get trapped inside massive lockdown party

Dozens of first-year partygoers were “trapped” inside Fallowfield halls last night in chaotic scenes which saw firefighters and paramedics attend and at least one student faint.

Early on Saturday morning the emergency services were called to the Unworth Park accommodation block to reports that “around 100 students” were stuck inside a lockdown flat party. 

Chloe Kigira, one of the students inside the flat, said: “I was locked in a bedroom but I could see people overheating and stressed in the hallway.

“We let people in to use toilets. Several girls were fainting and having panic attacks. The environment was very stressful. I was crying when I got out. It was such a shambles.” 

The University said a “serious incident” had taken place but “fortunately no-one was seriously injured”, a spokesperson added they were looking into the issue and checking similar doors in Unsworth Park.

Izzy, an English and American Studies first-year student who lives in the building, was woken up by fire alarms at around 1 am this morning. All residents evacuated the building apart from those attending the party. 

“There was a party going on in one of the flats,” Izzy told The Mancunion. “Some friends texted us to say that the door had locked and they couldn’t get out.” 

Security reportedly tried to shut down the party but students claimed there was confusion.

Chloe added: “Security thought they were refusing to open the door. The students themselves had to call emergency services. This just added to the anxiety I was already feeling.”

The Mancunion has seen a video from inside the party which shows the door being broken down by firefighters using an axe. Students can be heard cheering when it finally comes through.

Screenshots from a video posted on social media. Students inside the flat stood back as the door was knocked through.

Izzy claimed the fire service and police were asking students to Facetime their friends who were in the flat. She said that security were “completely useless they didn’t do anything”. 

According to Izzy, there have been “issues” with many of the doors in Unsworth Park, with “alarms going off randomly or doors locking”.

She claimed that the maintenance had been informed on multiple occasions and students were told it “wasn’t urgent”.

“It’s obviously is a safety hazard and what we saw last night proves it. We’re paying so much and yet there are so many issues,” she added.

When the students were eventually freed from the flat, Izzy described how many of them were distressed.

She claimed her friend fainted due to heat and stress: “No one did anything while I was putting her in the recovery position.

“It’s just another thing [the University] have done wrong, they clearly don’t care at all about our wellbeing.

“We would have stood there watching our friends burn to death if there had been an actual fire. They were trying to ram the door down for ages.”

Unsworth Park is a newly built accommodation block on Fallowfield campus, which charges from £160 per week for a room with an ensuite. On the University website, it’s described as a “flagship development offering high-quality accommodation”. 

This incident is the latest in a string of controversies on Fallowfield Campus. 

A University spokesperson said: “Last night a serious incident took place at Unsworth Park where a large gathering of more than 80 people in a flat led to a fire alarm being triggered.

“There was an issue with the door mechanism in the flat which led to the emergency services being called to assist.

“Fortunately no-one was seriously injured. We are looking into the issue with the door mechanism and every similar door at Unsworth Park is being checked today.”

“We are regularly communicating with our students to remind them of the health and safety measures which are in place to keep them safe and their own responsibility to follow the guidance.

“This afternoon we held an emergency meeting with Greater Manchester Police, representatives from the Students’ Union and student halls reps and are re-issuing safety messages this evening to students advising them that large gatherings are not just illegal, but are putting the health and safety of students at risk.”

Additional reporting by Joe McFadden.

Five books to decolonise your bookshelf

Actively resisting colonial notions in literature is a difficult project when literature is largely dominated by one group of people. Living in a postcolonial world, where the continuities of colonial ideology and practice are rife, it is especially challenging to recognise and unlearn our internalised bias. One of the ways that we can begin the process of unlearning is through decolonising our bookshelves.

We are individuals with agency and with the capacity to dissect our understanding of the world, so it is our duty to do so in a productively diverse and well-rounded manner. This does not mean that you should only be reading PoC authors or indigenous authors. It merely means that you should reconsider what your bookshelf really looks like, and how you can decolonise it.

I have comprised a heterogenous list of some of my favourite books that touch on topics of decoloniality without engaging too deeply in academic discourse. For this reason, these books are not daunting, however, they are extremely powerful in content and experience.

Five books to decolonise your bookshelf:

The Island by Athol Fugard, John Kani, and Winston Ntshona

This is a tragic play set in an unnamed prison in South Africa. It is widely believed to have been the notorious Robben Island, where Nelson Mandela was imprisoned. The two protagonists, Winston and John, are prisoners on this island. One has been sentenced for life, and the other has just appealed his sentence.

Winston and John are set to perform Antigone by Sophocles, and through this, the layers of the impact of apartheid in South Africa unfold.

Fugard, Kani, and Ntshona wrote this play in 1973, a time when the South African apartheid was brutal. This play was illegal at the time and was written and performed in secret — making it all the more revolutionary.

Death and the King’s Horseman by Wole Soyinka

Death and the King’s Horseman is another tragic play, set in colonised Nigeria. It is based on a true event that took place during British colonial rule.

When the Yoruba King died, his horseman began to prepare himself for a traditional, ritual suicide. However, he is prevented by British colonial authorities. This is a thought-provoking story of cultural criticism and Western interference and what that means for the personal livelihoods of the natives.

The Bluest Eye by Toni Morrison

I would recommend any of Toni Morrison’s books. She writes like a dream, with her painfully rich prose. This book is especially provoking, as it is set in Morrison’s childhood hometown, Lorrain, Ohio. She tells the story of a young Black girl, Pecola Breedlove, who prays and prays for blue eyes so that she can be as beautiful as the white, blue-eyed children of America. Each character in this book is fully fleshed out with a purpose to the central theme of navigating the aftermath of racism in America.

Content warning: rape, sexual abuse, domestic abuse, child molestation, and incest.

Out of Place: A Memoir by Edward Said

I am sure most social sciences students have come across Edward Said before and his theory of Orientalism, in particular. When he was unfortunately diagnosed with a fatal leukemia, he thought that he should leave a record of his life in what has become the lost Arab world.

This a memoir that details his experiences of diaspora, exile, and exclusion. It is an exploration of grey spaces and contradictions, both internal and external. Reading this candid book delivers a stunning insight into Said’s brilliant mind and the experiences that shaped him, and arguably, informed/inspired his theory of Orientalism.

Why I’m No Longer Talking To White People About Race by Renni Eddo-Lodge

Eddo-Lodge’s book explores the role Great Britain has played in racism throughout history and into the everyday. It is a deeply informative book without being too dense. It is digestible and simultaneously eye-opening and thought-provoking. She tackles ideas of white emotional disconnect and willful ignorance with the experiences of people of colour. This book is an essential read if you are willing to challenge your (potential) internalised bias.

These are just a few of my recommendations of powerful literature that aren’t Eurocentric. I encourage you to check out the list of books compiled for Black History Month to help you decolonise your bookshelf. The list of decolonial literature is ever-expanding, and it crosses all genres. There is absolutely something for everyone, you just have to find your book!

From Berlin to Marine – Talking Autocalm with The Nagging Doubts

Australian Post punks The Nagging Doubts have new music coming next year with work on EP Autocalm gearing up and taking shape.

The two singles ‘Berlin’ and ‘Marine’ proceed, after being “in the works for almost a year now and representing the sound that we’re moving towards as a band.”

The ‘Marine’ track is a great place to start; guitar tones here are beautiful, coupled with harmonized voices that complement each other effortlessly. Its post punk that sounds as professional as it comes.

‘Berlin’ is a track that is undeniably cool, not obviously Australian at the roots but not Americanised –  it is unique and mysterious in nature. The drums on this track really hold it all together and enthrall the listener whilst still being interesting and varied. It’s hard to write something that sounds complex, drops out when needed and feels cohesive and it really sells ‘Berlin’.

The Nagging Doubts are going to be a really interesting band to watch in the future – it is clear to see they are trying to do something different. The candidly mentioned “We want to put something out that doesn’t reflect the over saturation of happy-go-lucky indie pop that’s very big in Australia right now.”

The Nagging Doubts cited influences for the new project like “Pavement, The Velvet Underground and the Cocteau Twins” for the self-described “new sonic territory” that they have produced. If you’re a fan of any of these bands you are in for a treat with this record.

A lot has happened in the world since the band released Deug Lane and I wanted to touch base to ask how their sound now differs from their previous project. “Rather than reinventing ourselves, we’re growing naturally into darker, more thoughtful characteristics that draw on extensive influences”.

The change in theme can be seen across genres as the world feels itself a little darker right now.

It is undeniable that the challenges of COVID-19 have meant the band needed to overhaul their live show, something I can understand because Post Punk doesn’t exactly work well with a sat down, socially distanced audience.

Interestingly the band chose to remodel this live set into a “hills and valleys” performance, which could definitely provide an interesting viewing experience. As well as this the band have grasped the ability to record and write more material as they can’t be on the road, even setting up “a rehearsal space in our guitarist’s garage in local Marrickville”, showing that DIY won’t ever die.

The Nagging Doubts take great pride in finding their sounds and individual musical tastes through the records owned by their friends and family. To this end I thought I’d ask the band to recommend a few records that you should give a listen and help get you through Lockdown – whether in rainy Manchester or sunny Australia.

The Nagging doubts delivered with two great recommendations: “While you’re waiting for Autocalm and you’ve got a night alone, sit down and surrender yourself to Frigid Stars by Codeine and Painful by Yo La Tengo. Or if you need something a little more uplifting to kick your day off, check out High by Aussie legends Royal Headache.”

A few listens on each of their recommendations, really depicts the influences for ‘Marine’ and ‘Berlin’ in a recognisable and visible plain. Hints of classic Shoegaze mixed with slowcore, tie in well with their “beloved 80’s alternative”. The combined effort defines creation of post punk sound that is undeniably different.

This exciting EP, and The Nagging Doubts are definitely a band to get listen to before your mates discover them first. Keep your eyes peeled for a full review upon further releases.

Students win 30% rent reduction from University of Manchester

Today the UoM Rent Strike and 9K 4 WHAT? have announced a victory for their campaign, as the University of Manchester pledges to implement a 30% rent reduction for semester 1.

This increase comes after the initial proposal of a 10% reduction – which was announced by UoM as part of a five-point accommodation pledge – was rejected by the student action groups.

According to the University of Manchester’s official update, the agreement of a 30% reduction ” follows detailed discussions between the University, Students’ Union officers and elected student representatives from halls of residence.

“It acknowledges that the limited availability of some facilities due to national COVID-19 restrictions has had an impact on the student experience and the ongoing uncertainty about the return to campus arrangements in January.”

The reduction is equivalent to 4-weeks rent and comes to around £4Million.

In response to feedback from elected student representatives of UoM halls of residence, the University have also pledged to take action in the following key areas:

  • opening up more social and study spaces in halls, where this can be done in line with COVID-19 guidance;
  • working together to develop a behaviour pledge, setting out expectations of student conduct in halls of residence during the pandemic;
  • improvements in the reporting, tracking and resolution of maintenance issues;
  • working together to enhance safety and security in halls of residence.

According to their official announcement, the University have stated they “will be unable to provide further reductions, but students can decide to break their accommodation contract without financial penalty.”

Students who have already paid for their accommodation for the academic year will receive a refund, while a rent reduction will be applied to student direct debits in January 2021 for those paying monthly.

This is a breaking news story and will be updated shortly.

The University of Manchester, Manchester Students’ Union, and the UoM rent strike have been contacted for comment.

Exclusive: Manchester University reveals Christmas plan to get students home

Manchester University has revealed its plan to get students home for Christmas, with undergraduates advised to leave campus once they have tested negative for Covid-19 twice. 

New guidance was released by the University today fleshing out how the “student travel window” will work between the 3rd and 9th of December.

Tens of thousands of tests will be carried out over this period and beyond.

Bosses have created a website which contains all the information and has a system where students can book a test. 

The University is staggering the leaving dates for students

An email to students read: “If you intend to travel home from Manchester University over Christmas, we strongly encourage you to take two tests, 72 hours apart.

“This means that you are reducing the risk of transmission to other people while you travel and friends and family when you’re back at home.

“In line with government requirements and to reduce pressure on transport, we have suggested dates, ordered by school, when you should book your tests. We have established four testing sites, and can accommodate several thousand tests each day. 

“To find out how testing works, where to get tested and to book your slot, visit our end of semester travel and testing website. There’s also information about what to do when you get your results.

“The tests may not be suitable for people planning international travel, those on NHS placements, or people with symptoms or who are already self-isolating, so please check the website for further details. 

“You must not get tested using this method if you have symptoms of COVID-19.” 

Inside a Manchester University testing bay in University place. Photo: University of Manchester
Inside a testing bay in University place. Photo: University of Manchester

Students are being encouraged to use private modes of travel where possible, rather than buses or trains. For those staying on campus over Christmas, a programme of support will be announced soon. 

Arpana Verma, Professor of Public Health and Epidemiology, who’s been involved in the Manchester University Christmas travel arrangements, sat down with The Mancunion to explain how everything would work. 

What do students need to know? 

We’re launching today our new website and booking system for asymptomatic testing for students that will help them go home safely. We’ve got four sites that are going to be opening up. These are based in Sackville Street, Owens Park Great Hall, Owens Park Little court and University Place.

You can access a booking system through the website. The test itself is one of the rapid antigen tests. We are strongly recommending students attend their test based on the timetable that we’ve put on the website.

Tell us about the work that’s been happening behind the scenes. The University has obviously been working on this at breakneck speed. 

It’s something that we have been working closely with our public health colleagues in the local authority, with Public Health England, as well as the Department of Health and Social Care.

We’ve got a lot of support for students to help them at every stage of the process, including when they start getting their test results, and so that they can understand what the test results actually mean for them.

All of the behind the scenes work has been to ensure that the students are at the heart of all of this. And we’ve been very fortunate that Junior from the Student Union and his colleagues have been helping us with all of the activities to make sure that we’re thinking of everything.

It sounds like a logistical nightmare, are you confident the University can carry this out?  

Very much so. We’ve been working with each of the schools within each of the faculties so that we’ve got the right numbers and also as the ability to get through the numbers of testing. We’ve got access for two tests that are needed for each person. That’s enough for all undergraduates, postgraduates, and our postgraduate research students as well.

What happens if a student tests positive, does that mean they can’t go home? 

We have tried to do it so that people have time to isolate before Christmas. What we’re advising is if you test positive, you isolate. We then ask you to do a normal, what we call a PCR test, as a confirmatory test, as well. Once you’ve finished your isolation, you’ll be able to go home.

Getting tested is advisory, do you recommend that all students have the tests done? What’s your message to them?

It is completely voluntary. We know that many students will be going home for the winter break, and we want it to be as safe as possible for you, your families and the communities that you’re from.

This is part of a much bigger mass testing strategy that the government have announced. But really, it’s just so key for your well being and that of your families.

What work is being done to get students back again in January? 

We’ll be sending out further communications very soon. That will explain what we’re planning to make sure it’s safe coming back onto campus.

Is there anything else students need to know? 

In all of the communications, we’ve tried to ensure that we are able to make the test as accessible as possible. We’re very keen to hear about anyone who is worried or would need any additional support so that they can access the test.

Our student union colleagues have just been fantastic with being able to get that message across.

We have put in place services to support students with disabilities, and made everything as accessible as possible. But we are very keen to hear if there were any issues. We want to make this the easiest possible way for you to get tested and for you to get your results and go home safe.

To find out more about the Manchester University Christmas plans, visit the Covid-19 testing website

Manchester SU staff speak out amid claims of ‘inadequate’ furlough payments

Students’ Union staff are outraged after their furlough arrangement for November provides less pay than the government recommends, due to “inadequate” calculations by their management.

The SU said staff could receive a payment of 80% of their average wage in September and October 2020 through the Coronavirus Job Retention Scheme (CJRS). However, shifts were significantly reduced in this period due to Manchester’s tier three status, leaving staff with lower average wages than before coronavirus.

The methodology allegedly goes against government advice that furlough calculations applied in the first lockdown can be used for staff who were employed before 19th March 2020. This agreement would give higher payments to many workers, as calculations include their salaries from months where shifts were unaffected by coronavirus.

In a letter to the HR department, Staff also felt there had been a lack of communication from the SU, saying they were given just over one day to sign to the furlough arrangement, with ‘no opportunity for real discussion’.

The letter demanded that the SU reconsider their furlough calculations for November, with the government deadline for applications not due until 14th December. It also called for improved wellbeing support to student staff and for an apology from the Union’s management.

An open meeting with senior leaders has been scheduled for 20th November at 11 am on Zoom to address staff’s concerns.

A spokesperson for the SU told The Mancunion: “We have been listening to the concerns raised by our student staff. We fully intend to review furlough arrangements and whilst we acknowledge that we didn’t communicate as well as we should have, we are going to ensure that our student staff team is properly consulted with moving forward. We feel it would only be fair to share that review with our student staff first at the upcoming student staff meeting.”

Comedy shows are still caught up in class, we need to stop laughing

New Labour, which was voted in during the 1997 General Election, changed the political spectrum of the end of the millennium, and it’s no surprise considering some of our best-loved comedy shows blatantly advertised it in every way they could.

Whether you watched The Vicar of Dibley on the BBC or Cold Feet on the other side, the writing of the time truly reflected the socio-economic background of the UK. Victoria Wood’s BBC One comedy drama Dinnerladies showcased the plight of funding cuts at the same time the wonderful Geraldine Granger was telling her elderly congregation not to vote Conservative in The Vicar of Dibley.

The Class Comedy Collection in the BBC’s archives dabbles in a small selection of video clips from many of the best-loved series of the last century. From Keeping Up Appearances to Only Fools and Horses, the collection seems to play on a classic idea of stereotypes that we still seem to find amusing today.

Yes, Keeping Up Appearances does showcase the rather upper class Hyacinth Bucket (pronounced Bouquet), and her daily struggles in trying to be not only the woman in demand, but also the woman in the know. The clip which apparently comes under the category of ‘class comedy’ is her answering the phone, calling herself the ‘lady of the house,’ and repeatedly telling callers she is not the number to a Chinese takeaway. Oh how I crease.

This can barely compare to Caroline Aherne and Craig Cash’s wonderfully written The Royle Family. However, to my surprise, this isn’t included in the ‘class comedy’ section.

Why not? Why would a working class family, who work to be able to smoke more than 50 a day, not be considered a class act?

They are, at the end of the day, the apparent epitome of a working class household in the 1990s, huddled around the television and only caring about what their recently married daughter was cooking for her husband that night.

I guess you could say that both these families, the Buckets and the Royles, were pretty much stereotypes, and not only of their class. Where should a working-class sitcom be set other than Manchester? And the Buckets, I hear you ask? Well, of course it’s set in the beauty of Warwickshire.

This is no distant cry from the beautiful fictitious town of Dibley, a rather peaceful village in the middle of the Oxfordshire countryside, where the nineties comedy classic The Vicar of Dibley was set. The ever-so controversial female vicar Geraldine Granger, played by comedy legend Dawn French, basically ordered her mostly geriatric congregation not to vote for the Tories, and instead welcome the New Labour dawn of ’97.

And still more than a decade later, we all found amusement in Catherine Tate’s school-girl character Lauren, and Matt Lucas’ school-girl-turned-young-mum Vicky Pollard. Their London-esque accents linked together with their no-work attitude really highlighted the best that the UK has to offer. All because of their stereotypical working class characteristics.

There is a serious class divide in Britain, and it only needs to be shown in documentaries which highlight the plight of our governments past. It isn’t a joke that the Royles were eating canned fruit, nor that the Trotters in Only Fools and Horses were desperately scrabbling for cash. Even our soaps have dabbled in living life on the breadline as EastEnders‘ Bianca Butcher and her family were forced onto the street. This serious issue lies at the heart of politics, and our comedy shows should really be a world away from that. However, true life can sometimes be more hilarious than it’s serious.

We may laugh, we may cry, but the true matter here is that we need to stop observing and do something.

These programmes were thankfully praised for their genuine comedy, but the heart of the programmes were filled with politics. Twenty years on from the release of The Royle Family, people still live like that on a daily basis, and I’m sure many were the double of Vicar Gerry when it came to voting in recent elections.

Biden may have won the election, but he’s lost the Latino voting base

The recent election victory saw Democrat nominee, and now president-elect, Joe Biden secure a win for his party, with a mass wave of Black voters, first-time voters, and young people turning out to polling stations. But the US tendency to lump all South and Central Americans living in the US as ‘Latino’ has prevented the Democrats from effectively targeting the micro-communities within the umbrella.

Biden’s lacklustre Latino-oriented campaigns made headlines when he was welcomed at a Hispanic Heritage Month event playing Reggaeton hit Despacito out of his phone, and has since made little effort to target the Latino groups, allowing Republican nominee Donald Trump to confidently swoop in and appeal to them.

Representative Alexandria Ocasio-Cortez (AOC) tweeted she’d been “sounding the alarm about Dem[ocratic] vulnerabilities w/ Latinos for a long, long time”, and with around 30 million eligible Hispanic voters, she was right in criticising the Democrat attempt, or lack thereof, at gaining last-minute votes.

The Pew Research Centre reports that there are nearly 8 million eligible Latino voters in California alone, with Latinos making up to 43% of eligible voters in states such as Texas, Florida, New York, and Arizona – enough to swing a vote.

Latinos have now become the largest minority group in the US, and the country now stands as the second-biggest Spanish-speaking country after Mexico, even beating Colombia and Spain. Nearly half of New Mexico’s population are Spanish-speakers, and there are significant concentrations in New Mexico, Arizona, New York, and of course, Texas.

It is no surprise then that there has been a growing emphasis on gaining the Latino vote in recent years, from both Republicans and Democrats.

An astounding 29% of Latinos said that they would vote for Trump, and while this number doesn’t compare to Biden’s 70%, it is a significant blow to a man who spent a majority of his campaign reaching out to minority ethnic groups – most significantly the African-American community.

But while Biden, and his Democrat predecessors, Bernie Saunders and Barack Obama, solidified their position with the African-American community, there was little work done to appeal to their growing Latino voting base.

The result? Whilst Donald Trump was out pursuing Latinos, Biden simply relied on them falling behind his African-American base.

Latino is a word with many meanings

It is commonly interchanged with Hispanic, creating an inaccurate representation of the US population. Black Brazilian-Americans are Black in ethnicity, but Latino in culture, and not Hispanic due to the  Portuguese colonisation of Brazil. Whereas Mexican-Americans are both Latino and Hispanic, but also white – and the majority of Mexican-Texans also identify as Texan.

The multi-racial element of being Latino makes the intersections of race, generation, education level, immigration history, political identity, social class and degree of assimilation imperative in analysing voting habits, as well as the ‘Latino experience’ in the US.

A lack of data differentiation makes it easy to lump everyone who speaks Spanish, or comes from anywhere below Mexico, into the Latino category.

We must abandon the idea that Latinos are a monolith

Latinos range in skin tone as much as we do politically – from a heavily Catholic abuelita who fears what a pro-choice bill would mean for abortion, or what same-sex marriage will do to her family; to freshly immigrated Venezuelans who fear anything resembling liberalism, living in terror at being subjected to Maduro’s reign again; to mixed-race Puerto Ricans who’ve grown up in liberal NYC and are ready to fight for a more progressive future.

Equally, there are Catholic Latinos who support same-sex marriages, Black Puerto Ricans who’ll back Trump, and Venezuelans who think that a left-leaning White House is the future. Not analysing these differences in data leads not only to a lost vote, but a loss of funds for places who need them most, and a lack of outreach because there is no one to decide who to reach out to.

For example, the steady base of conservative Cuban-American voters in Miami have an established rapport with Trump, because, after emigrating post-Cuban revolution, they may not have particularly fond memories associated with communism.

Subtle red-scare tactics employed by Trump will associate Democrats with socialism, and slowly impact the way policies are perceived, such as Medicare. Exiled Cubans and Venezuelans will have first-hand experience, and their children will have grown up with the idea that socialist governments are dangerous.

Trump’s approach towards Cuba will come across as being hard-line on socialism, giving those with negative experiences a sense of security for their American future, thus making Trump more attractive to voters.

Mexican-Americans, however, have different experiences to Cuban-Americans, but nonetheless work in the same way. There are high numbers of Catholic Mexican-Americans, who will be attracted to more conservative policies, such as the Republican pro-life stance, as well as the messages of lower taxes and lower costs of living.

Furthermore, third and fourth generation Mexicans will have weaker cultural ties to Mexico and the Latinidad identity – first, they are Texan, then American, then Mexican. Arizonan Latinos mean long-time residents, have assimilated five or six generations ago, due to the history of Latinos in the state.

When Trump talks about undocumented immigrants crossing illegally to steal jobs, or building a wall to keep the ‘swarm’ out, they are not included. Their family is not included. Because their families are hard-working, entrepreneurs, who have been in the US for generations. Trump’s reaffirmations of traditional Latino values – business, hard work, family successes, makes him more attractive. Gone are the days of Build the Wall. Now? Build your family, and Trump’s hand is there to help.

Latino political identity is complex

New Yorkers, whether mixed-race, white, or black, will have grown up surrounded by hundreds of identities. Inner-city Latino life has changed from predominantly Puerto Ricans, with Colombians, Peruvians and Ecuadorians making up significant numbers in NYC’s Latino population. Issues such as sustainability, housing and education are more prevalent, and being surrounded by less conservative viewpoints results in higher levels of interest in social justice and community-based issues.

The most prevalent issues for the Latino community, are as complex and diverse but are along the same lines. Humane immigration laws, combined with effective border security and a shorter and simpler path to legalisation is the most prevalent view documented by the Texas Organising Project Education Fund (TOP Ed Fund), who interviewed various Texan Latino voters. This can lend itself to Republican and Democrat leanings, and so both parties have an opportunity to attract voters.

The TOP Ed Fund analysed the Texas Latino votes, and discovered there is no strong partisan identification. This is due to the lack of cultural affinity between Latinos, which would come together into one ‘Latino vote’ – there is not one unified view. Furthermore, there are high levels of voter disengagement in Latino-dense regions due to the lack of representation, at all levels of government.

For example, while many voters interviewed said Spanish was not a defining factor in electing a representative. However, an affinity for, or a clear attempt to learn, would show a commitment to the community, making the representative more attractive. AOC, for example, has done a pretty good job at this. She has shown a strong connection to her roots, and therefore her community, by emphasising her humble background, and making efforts at greeting her Spanish-speaking events in Spanish.

Latinos will swing the next election

The Latino vote has power. And while Biden managed without this time, he must do more if he is going to win a second term in office. Trump’s campaign somehow managed to steer away from the MAGA and wall-building emphases of the 2016 election, and allowed him to effectively target the different subgroups within the Latinidad identity. His messages emphasised economic mobility, entrepreneurship, family values, education – all of which, culturally, are strong points in the Latino voting mindset.

It turns out that the Latino community has more in common with rural, white, predominantly-Trump regions, and Trump took advantage of that. Biden was too busy creating progressive policies to appeal to the younger generation, and forgot that there is no automatic Democrat vote just because you’re a minority. He must cultivate and develop better relationships with his Democrat Latino voters if he’s going to succeed in 2024.

UoM launch 24 hour mental health helpline and app

The University of Manchester have launched a new helpline and app this week which aims to provide students with access to 24 hour mental health support.

Students can use the service to speak to trained counsellors and advisors on topics including emotional and physical health, mental health, relationships, managing stress and anxiety, and money issues.

The University counselling service will continue to operate as usual, however, and can be reached via this online questionnaire or by calling 01612752864 to book an appointment.

The mental health helpline can be accessed by students 24 hours a day 365 days a year on 0800 028 3766. It is run by a UK-based independent external wellbeing provider, Health Assured, who describe themselves as providing “access to a global network of over 1,500 counsellors, trainers and critical incident responders.”

Students were sent an email on Thursday detailing how to access the helpline and My Healthy Advantage app, which is . free to download on iTunes  and Google Play. Students will need to enter a unique code when registering for the app, which they can find on My Manchester once they login.

The launch of this service comes after widespread pressure from the student body to increase support for students, particularly those in halls, during the pandemic.

University Senior Leadership met with freshers reps last Sunday to hear the concerns students have about accommodation conditions, student morale and mental health, support among other things.

The atmosphere within the study body remains tense, with the UoM Rent Strike’s occupation now in its 9th day. So it remains to be seen whether or not this announcement, alongside the recent pledge to improve maintenance in halls and reduce rent by 20% for the remainder of the year, will serve as steps towards some form of resolution.

The University of Manchester student support portal have also issued the following guidance on the newly introduced 24 hour mental health support:

How to access the helpline

You can access the helpline right away for help if you’re struggling, and it’s really easy to use.

Call 0800 028 3766 and one of Health Assured’s advisors will answer. You’ll be asked to confirm your University and then  You’ll then be asked what your issue relates to so you can be put through to the right advisor to help you.

If an appropriate advisor is unavailable or on another call, you can request a call back, which means no call charges if you’re not in the UK.

My Healthy Advantage App

As well as the helpline, you can access the My Healthy Advantage App. The app provides you with interactive resources to help track and improve your wellbeing. Within the app, you will get access to a library of resources personalised to your preferences, wellbeing articles, videos, mood trackers, 4-week plans, mini health checks and more.

The app also allows you to chat directly to an advisor using the online chat function. This option will only appear when an advisor is available to speak to ensure you get the direct support needed. This may be helpful for those people who feel anxious phoning the health assured number.

Download the app

iTunes 

Google Play

Downloading the app is simple, and it takes a few simple steps to set up your account.

To access the My Healthy Advantage app you will need to enter a unique code before you can register – you can find the code in My Manchester. 

You’ll then be asked to enter your details and select your preferences to tailor the content you see and select which areas you’re interested in learning about. Once that’s done, your registration is complete and you are free to use all of the app’s features right away.

Nancy Rothwell releases apology for not contacting Zac Adan

Nancy Rothwell, Manchester University’s Vice-Chancellor, has released a video apologising for saying she had written to Zac Adan, the alleged victim of a racial profiling incident on campus, when, in fact, she had not contacted him.

Adan, a first-year French and Linguistics student, was pinned to a wall by security guards who demanded to see his student ID in video footage that emerged last week.

Hundreds of Manchester students turned out for a spontaneous peaceful protest in response.

In an interview with BBC Newsnight yesterday evening, Rothwell said she had written to Adan to apologise for the incident, and suspended the security guards involved pending an investigation.

Now, she has been forced to reveal Adan did not receive this communication.

Nancy Rothwell’s statement in full:

“The last few weeks have been extremely difficult for everybody, but particularly for this University. 

“Last night, I appeared on BBC Newsnight. It was a difficult interview. 

“This morning, I realised that one of the things I said in that interview, with good intent, was, in fact, incorrect. 

“I said that I had written to the student that was involved in a serious incident on the 13th of November. 

“I found out today that, in fact, that was not included in correspondence to him. 

“I am devastated that I made the wrong remark on national television. 

“I’ve written to sincerely apologise to the student. We’ve also contacted Newsnight, and I’m now telling you about this mistake. 

“I can’t tell you how sorry I am about it. I can only commit to the fact that I am passionate about this University, about our staff, our students, and our values, which, of course, include zero tolerance of any discrimination, and support for everybody within it, and I will do the very best I can to uphold those values, and to support our University.”

Read more: 

UoM security guards suspended following incident of racial profiling 

‘I got stopped because I’m black and wearing a tracksuit’: Zac Adan speaks out at student protest

 

The Redemption of The Saints

Southampton FC was handed a reality check on 25th October 2019. St Mary’s Stadium — home to Southampton since 2001 — was left in crumbles as The Foxes ran riot against the 10-man Saints.

The Wake-up call

Then Leicester City right-back Ben Chilwell opened the scoring early on, minutes before Southampton veteran Ryan Bertrand was sent off. The situation was difficult, but only a few could have predicted what followed for Ralph Hasenhüttl’s men.

A hat-trick for Foxes talisman Jamie Vardy, new arrival Ayoze Perez, and stunning goals from Youri Tielemans and James Maddison made history as Southampton handed Leister City the biggest away win in the English Premier League top-flight.

Leicester City handed Southampton the beating of their lifetime as the 9-0 home defeat dropped the Saints into the bottom three of the league. Ralph Hasenhüttl’s job was under scrutiny by the board as Southampton fought relegation.

The Southampton board decided to give Ralph Hasenhüttl one more chance, and fast-forward to just over a year later, Southampton look a little different.

A Ralph Hasenhüttl Masterclass

Image: Thomas Rodenbücher @flickr
Image: Thomas Rodenbücher @flickr

Southampton has completely transformed under the leadership of Ralph Hasenhüttl. The south-coast side has been remastered from a relegation-threatened team to one fighting for European qualification.

Strikes from Che Adams and Stuart Armstrong helped Southampton beat Newcastle two goals to none, as The Saints soared to the top of the English Premier League table — at day’s close – for the very first time in the club history.

In the post-match press conference, Hasenhüttl said: “It’s amazing what my team does in this moment. Congratulations to everybody. Our fans will love it and they’ll make a picture of the table.”

“Everybody was on the highest level. It is a little scary what we are doing at the moment to be honest, but not surprising when I see what we are working on.”

Ralph Hasenhüttl has changed the mentality at the Southampton camp. They enter every game with ambition, with the purpose to win. The players have started playing for the badge.

Ralph  Hasenhüttl’s men have all been playing phenomenally day in and day out, but there are a few who stand out in the revival of the Saints.

Danny Ings

Having arrived from Liverpool for £19.8 million, many thought that Southampton was paying way too much for a striker who hadn’t seen first-team football in so long. Danny Ings proved everyone who ever questioned him wrong. As it stands, since his transfer to Southampton, Ings has the most non-penalty goals in the English Premier League, finishing second in the golden boot race in the 2019-20 season.

Che Adams

Image: Birmingham City F.C. @wikimediacommons
Image: Birmingham City F.C. @wikimediacommons

The Saints had great expectations when they signed Che Adams from the Championship side Birmingham City for £15.03 million. Che Adams had a slow start to his Southampton career, but since the start of the 20/21 season, he has already bagged 3 goals and assists and looks ready to step-up in the absence of Danny Ings due to injury.

James Ward-Prowse

Image: Solent Creatives @flickr
Image: Solent Creatives @flickr

Club captain and legend James Ward-Prowse has risen to phenomenal form this season. His stunning free-kick goals and an assist against an in-form Aston Villa side which helped them to a 4-3 win shows how important he is to this side.

Alex McCarthy

Image: Ian Johnson @flickr
Image: Ian Johnson @flickr

Having already made 20 important saves and keeping four clean sheets, Alex McCarthy is tied for the golden glove alongside Wolves shot-stopper Rui Patricio. If Southampton is to maintain their presence in the top four, McCarthy is a crucial man in this Ralph Hasenhüttl’s side.

Maybe don’t stop talking Maisie – An interview with Maisie Peters

Maisie Peters sits down with Student Music Network to discuss her latest single ‘Maybe Don’t’ (featuring JP Saxe) and her experiences of song-writing during lockdown.

20-year-old Maisie Peters, born in Brighton, music career began when she launched her YouTube channel in 2015. Just two years later released her debut single ‘Place We Were Made’ in 2017. She has since released two EPs and gained a following internationally and in the UK, and even been tweeted about by Taylor Swift.

Her latest single – titled ‘Maybe Don’t’ with Canadian artist JP Saxe, looks at her and JP’s “mutual experiences in being afraid of good things”. The song explores the feeling of emotionally running from a healthy relationship. The fear that it might be too good to be true is palpable. Lyrics like “If you could be less honest […] I could sabotage this and still be justified” perfectly illustrate that sentiment.

The first time that Maisie met JP, they started a conversation about their relationship experiences and ended up writing ‘Maybe Don’t’ the very same day.

When asked about how the last six months have impacted her song-writing, Maisie reveals that she has been working on her own a lot. She admitted: “I think I’d almost forgotten how to write songs on my own, which is hilarious because that is all that I did for four years of my life – this year I fell in love with doing it again.” While she loves collaborating, she says it is important for her to work on her own too.  This year “has been a really great challenge” for her, and she is “grateful that it happened for that reason.”

Having written many new songs over the past few months, Maisie talks about her lyrics. “On one hand it feels very universal and very relatable […], but also I’ve always been a fan of storytelling.” Talking about the kinds of songs that she aims to write based on what she enjoys listening to, she acknowledges that “specific stuff is what makes [her] really excited.” This can be heard in original lyrics like, “This October I went falling off the edge, all of London must have heard the things I said, put your hand up if I let you down again” (‘The List’, 2020).

Next to her song writing, there is a new project Maisie started this year. ‘Book Club’, an Instagram page where she shares one book an one theme per month. This month’s book: “Sweetdark” by Savannah Brown; this month’s theme: “Identity within poetry”. Followers of Book Club read the book of the month and find or create art that reminds them of the theme. This is then discussed in comments and zoom sessions. Maisie has also done live-streams with the authors of some of the books, interviewing them on their writing and inspiration.

“I love Book Club”, she says, “it’s just fun for me to do stuff that isn’t so related to me”. She elaborates; “It is an amazing thing, having a job and a career that is based on you but it’s a lot of thinking about yourself […] – no one needs to think about themselves that much”.

She clearly enjoys talking about her project. “Book club is a fun way for me to think about other people and get to talk to lots of like-minded, intelligent people about things that I would never have spoken about before”.

In addition to answering questions, Maisie also played two songs for Student Music Network. The first song, a cover of ‘There Will Be No Divorce’ by The Mountain Goats, showcases her ability to make songs her own. Played acoustically on her guitar, the song gains a new dimension through Maisie’s soft voice. She succeeds in letting her emotions flow through the screen, sweeping her listeners up into a different world.

The second song, her latest single ‘Maybe Don’t’, brings new energy to the zoom call. The audience can tell how happy the song makes her, and how connected she feels to it. The connection that Maisie has with her own music is arguably what enables her listeners to relate to her music. This is certainly the reason for her ever-growing worldwide following.

Incredibly Easy Poutine

With lockdown 2 in full swing, we’re looking for both comforting and easy recipes we can make with long lasting ingredients. Poutine may sound fancy, but is essentially a Quebecois take on chips and gravy, with added cheese curds served on top. Whilst I haven’t been able to find cheese curds on sale anywhere, I’ve been able to make this equally delicious vegetarian alternative which is perfect for ‘zhuzhing’ up those oven chips lingering in the freezer.

Ingredients

  • Any brand of oven chips
  • Goats cheese (I used Asda’s own soft goats cheese, but if you don’t have goats cheese, you can use ricotta or cottage cheese for a similar effect.)

For the gravy

  • 1 white onion
  • 3-4 tbsp Balsamic vinegar
  • 3-4 tsp Caster sugar
  • Vegetable stock

Method

  1. Preheat the oven according to the oven chips instructions. They tend to vary but as they usually take around half an hour, this is roughly the same time as it will take to make the gravy.
  2. Slice your onions and fry in a pan with some oil until they start to turn brown. Once this happens, add roughly 3-4 tablespoons of balsamic vinegar and 3-4 tablespoons of sugar. (I never said this recipe would be healthy!)
  3. Keep frying on a medium temperature until they are crispy and a nice dark brown colour. I recommend tasting to make sure you’ve got the vinegar/sugar ratio right).
  4. Add the vegetable stock and simmer until it reduces. The longer you can leave it the better as the flavour only gets richer – ideally leave it for at least 20 mins. However, it’s not a particular thick gravy so can be taken off the heat whenever.
  5. Once the chips are done, place in a bowl and top with the gravy. Any excess gravy can be refrigerated and used for a variety of dishes.
  6. Rip up your goats cheese and scatter on top. This adds a nice creamy tang in contrast to the sweetness of the gravy, and melts together for a really nice flavour. 

 

Voila! This is perfect comfort food to transport you out of terrible tier systems and into Toronto! 

The great thing about this recipe is that whilst I’m a big fan of the flavour combo here, depending on what’s available at your local shop it’s easy to swap any aspects with limitless variations – meat gravy, ricotta and curly fries is one I just thought of! If you have any particularly good combos you’ve found, let us know!

International cinema: Asia

Asian cinema has long been on the radar of both cinephiles and mainstream audiences, influencing pop culture through blending genres, escaping patterns, and pure originality.

From heart-warming anime, to heart-stopping thrillers – not to mention Parasite, the first film not in the English language to win the Best Picture Oscar – Asian cinema has something to offer for everyone. Our authors are here to tell you about some of their favourite films from Asia.

Baahubali: The Beginning (2015) – W.G. Jones

Baahubali: The Beginning is the first of two Telugu language movies directed by S. S. Rajamouli. It follows the story of Shivudu, a simple villager in the ancient Indian kingdom of Mahishmati, and his quest to find out his true identity.

The film is everything you’d expect and more, supplying high-octane yet slightly tongue-in-cheek fight scenes, alongside musical numbers, complete with routines featuring dozens, if not hundreds of dancers. Most of all, in its heart, Baahubali is an epic of Indian proportions.

As both the most expensive Indian movie of all time, and the first part of the highest-grossing Indian film series ever, Baahubali is the poster child for a high value blockbuster made outside of the traditional Hollywood production line. The film offers a ‘Marvel-ised’ exterior paired with a culturally fascinating and engaging story.

Basically, if you’re looking for a movie with a bunch of completely ripped Indian dudes having highly choreographed yet incredibly unrealistic fights with an aesthetic somewhere between Tarzan and 300, this is definitely for you.

 

Crouching Tiger, Hidden Dragon (2000) – Ennis Barnett

A true gem of Asian cinema! I have never seen sword-fight scenes that are so clever and inventive. Despite having been filmed 20 years ago, the effects have not lost any of their original awe. The scenes where the protagonists hop across water while simultaneously executing a beautifully choreographed martial arts sword fight force the audience to appreciate the absolute exquisiteness of the cinematography, while being completely and utterly hooked by the action at the same time. 

The plot is far from conventional, and Ang Lee, the director, is not afraid of crossing between the boundaries of genre. For example, the film begins as a mystery that involves the ‘The Green Destiny’ sword which is stolen by a masked assassin. It then progresses into romance that involves Jen Ye who flees her restrictive aristocratic family and finds herself falling in love with a bandit in the dessert. Lee cleverly intertwines these plots to produce an absolute masterpiece of Chinese cinema.

 

Farewell My Concubine (1993) – Michal Wasilewski

This Palme d’Or winner is a masterpiece of as big a scope as it could possibly get, being a multi-decade epic spanning over more than 50 years. We meet protagonist Douzi as a few-year-old child, being handed over to a theatre troupe by his sex-worker mother. Due to his feminine features, he will be trained to play the role of the concubine in the traditional eponymous opera. 

He quickly forges a close friendship and a scenic relationship with a boy who is to play the king. We follow their journey through life from the starts in the troupe to becoming one of the most renowned actors in China. Just as they are changing with age and fame, so is everything around them; China is constantly in turmoil, from the Japanese occupation, through the Nationalist government of Chiang Kai-shek, to the communists and their Cultural Revolution.

Farewell My Concubine gracefully intertwines the social and political landscape of the 20th century China with a human, emotional story. It explores the border between art and real life, between friendship and love, gently touching on many topics which couldn’t be found in contemporary Hollywood.

 

My Neighbour Totoro (1988) – Jonathan Hosking

Looking for that feel-good, colourful film to distract you from the drizzly world outside? Look no further. Hayao Miyazaki’s My Neighbour Totoro is an absolute gem.

The film follows two girls and their father as they relocate to the countryside to be closer to their hospitalised mother. Little do they know, they have just moved next to a mysterious forest full of adorable spirits, and the delightful Totoro. From then on, the film meanders from adventure, to comedy, to family drama, all hand-drawn to perfection in Miyazaki’s signature style.

There is a tremendous amount of energy and heart that leaps off the screen, enchanting audiences with its sweetness and whimsicality. Moreover, the score, composed by Joe Hisaishi, encapsulates that marvelous mix of childhood wonderment and discovery. It serves as a great entry point into Studio Ghibli and Anime as a whole.

You will never look at raindrops the same way again.

 

Oldboy (2003) – Max Linton

Korea’s Park Chan-wook provides his take on Greek tragedy in Oldboy, a revenge thriller like no other.

After 15 years, Oh Dae-Su is suddenly released from his bizarre captivity in a hotel-cum-prison, and, fuelled by vengeance, he strives to find out who imprisoned him, and what wrong he must have committed to deserve it. On this premise, it would be easy to disregard Oldboy as a speck in an oversaturated revenge film market, but it is so much more.

Park guides us on a journey of twists and turns, while constantly flirting with the taboo, pushing us to our emotional extremes. He exposes the obsession for violence, vengeance, and vehemently unthinkable, and forces it into the limelight. While the film can be shocking, it is not so for the ‘shock factor’ enjoyment – these moments are rather penetrative and purposeful statements. Oldboy is a superbly surreal thriller and a must-watch for those embracing Asian, and especially Korean, cinema.

 

Ringu (1998) – Tom Kuson

Most people already know the conceit and reveals of Ringu; it’s an unfortunate product of being an international horror hit and of being a victim of a tepid American remake. The film centres around a cursed videotape that’s been connected to a series of mysterious deaths. If you’re one of the few who hasn’t had the film’s iconic scenes yet spoilt, do yourself a favour and watch Ringu, and see why international audiences have been glued to the Japanese horror scene ever since.

 

The Lunchbox (2013) – Ross McFadden

A quick description of The Lunchbox sounds a little like a bad romcom: an unsatisfied housewife and a lonely widower communicate only through notes passed in a lunchbox. Despite never having met, the two forge a deep bond and must decide whether to embrace it, or to stick to society’s expectations.

However, director Ritesh Batra takes this premise and tells a genuinely touching story about an attachment between two emotionally isolated strangers, while also showcasing Indian cuisine and celebrating Mumbai’s diverse culture. The recently deceased Irrfan Khan (Jurassic World, Life of Pi, Slumdog Millionaire) gives what is easily one of his greatest performances here; there is an understated quality to his acting that perfectly suits the film’s restrained-but-hopeful tone. 

Indian cinema is often pigeonholed as extravagant or melodramatic, but The Lunchbox deftly sidesteps Bollywood stereotypes and tells a sensitive story which will easily charm you.

Lockdown read: Intimations by Zadie Smith

‘I do feel comforted to discover I’m not the only person on this earth who has no idea what life is for,’ Zadie Smith writes.

Me too! I wanted to shout, gripping Intimations like a personal handbook. Like a small confidante, to be consoled by within the four walls that had become life, in this country swaddled with grief. 

Intimations is a deeply thoughtful book. Not Smith’s first venture into non-fiction (I would highly recommend Fascinated to Presume: In Defence of Fiction for those looking for others), but certainly her most intimate one. With the same clever fluidity of prose that won her international acclaim as a novelist, Intimations is a tender and wise collection of essays that meditate on the disturbances of the Covid-19 crisis. Written during those long, spring months, the 82-page collection offers tentative, yet urgent consideration of the state of our selves, our communities and the world in a time of global crisis. 

The essays cover vast ground

Now, four months since the publication of Intimations in July, we find ourselves, once again, in a national lockdown. Those of us fortunate enough not to be employed on the Covid ‘front-line’ settle, once again, into strange proximity with ourselves. In this process, Smith’s voice provides something of a comfort. Or if not comfort; a measured, insightful lens with which to consider the troubling issues this period has highlighted. 

Intimations comprises six short essays – the fifth made up of seven ‘Screengrabs’ and the sixth, Smith’s ‘Debts and Lessons’; ranging from Zora Neale Hurston to ‘contingency’. 

The essays cover vast ground. Spanning submission (to nature – in all its forms) to the state of America (‘disaster’, ‘death’ and ‘war-time’ Presidents). From idle boredom and interactions with a masseuse, to – in a crisp, metaphorical essay – race (Contempt as a Virus). 

Smith’s voice is poetic, yet unpretentious. She writes not as someone claiming to know all, but as someone considering all. In ‘Suffering like Mel Gibson’ she probes into our understanding of ‘suffering’. Specifically, how we might deem our own loneliness, hurt and anguish irrelevant in the face of ‘real suffering’.  They might seem ‘puny’ she says, but they apply themselves ‘as if precisely designed to destroy you and only you.’

‘Suffering applies itself directly to its subject and will not not be shamed out of itself or eradicated by righteous argument.’

In isolation, this feels like an important sentiment to remember. As students, weekly emails telling us it’s ‘okay to feel depressed’ and to ‘drink water’ feel invalidating and patronising, maybe even insulting. Such platitudes are simply not enough. In our community it is vital that we look out for each other when systems of power fail to do so. It is even more important that we look out for the people that systems of power fail to protect. 

Smith’s penultimate essay, ‘Postscript: Contempt as a Virus’ figuratively places ‘contempt’ (and especially contempt in the form of racism) as an insidious illness. After a brief, damning reference to the Cummings saga, Smith reflects on the history of racial oppression in the U.S. 

She speaks of it as a deadly infestation, spreading through whole social structures. In its tragedy and truthfulness, it is a compelling argument. 

‘I truly believe that many people are unaware they carry the virus at all until […] you find yourself phoning the cops to explain the race of the man you thought looked suspicious.’ 

Smith ends with a tired acknowledgement of the difficulty of eradicating such a disease. Previously, she thought that as a society we might finally gain some kind of ‘herd immunity’, if enough ‘black people named the virus [and] revealed how widespread it really is.’

She concludes: ‘I don’t think that any more.’ It may be a bleak ending, but it also serves as a reminder that the fight for racial equality (not just in the US, but globally) is far from over.

If you buy only one ‘lockdown book’, I recommend that Intimations be it. The royalties, Zadie Smith has announced, will all be donated to charity.

Embrace geek-chic this winter with Manchester’s best sweater vests

We never expected that this old-school jumper would be back in style, but with the curveball that has been 2020, it really does not surprise us!

Sweater vests are often considered to be the ugly stepsister of jumpers: they’re a little bit old-fashioned and reminiscent of something your grandad would wear rather than a stylish option. That is, until they were reclaimed as this winter’s new hottest trend.

Suddenly everyone is trying to put this preppy garment into practice.

Brown sweater vest with white collar and pleated skirt
Photo: Olivia Di Pede

Although this recent resurgence has seen sweater vests being stocked in many different stores and online retailers, some of these new pieces may have lost the classic essence of the 70s staple. If you want to pay homage to this retro jumper whilst still looking trendy, Manchester’s independent and vintage boutiques have got you covered with some authentic pieces.

We’ve scoured the shelves (or should we say, webpages) of many local brands so you don’t have to, and here are our favourite sweater vests for you to rock this winter.

A rainbow of retro

In this Instagram exclusive option, Evolve Vintage are selling classic sweater vests in every colour imaginable. This ’70s-obsessed brand is our go-to for authentic vintage sweater vests to wear this winter, and their massive selection is a great starting point. As per their recommendation, these would look gorgeous layered over a white shirt.

Making it modern with a pop of marble

Woman wearing marble sweater vest with cream jumper and brown belt
Photo: Neon Rose

Even though sweater vests are a ’70s trend, it doesn’t mean that you need to stay stuck in the past. If you want to bring this iconic outfit into 2020, look no further than Neon Rose’s marble knitted sweater vest. With its ‘v’ neck and boxy fit, this pays homage to the classic piece, whilst adding some fun to your fashion. They also offer this in their plus size range, which goes up to size 28, making it the most inclusive of our list.

Keep it classic with cream

Woman wearing cream vintage sweater vest and lavender trousers
Photo: Dirty Disco

Everyone needs a staple cream jumper in their collection, as the layering options are endless with this neutral piece. Dirty Disco has got us covered with their button-down wool sweater vest that offers a less daunting way to try this trend. This option is more lightweight than the others, plus you can bring it out again in the summer months to get your money’s worth.

A girly, pastel twist

Woman wearing lilac button down vintage sweater vest with shirt
Photo: Jeneral Store

We already discussed how lilac is the most surprising addition to our winter wardrobe. Well, we are seeing it in action yet again. Jeneral Store’s button-down lilac sweater vest is a cutesy option for transitioning your wardrobe and can be rocked all-year-round. The buttoned front also allows you to style it as a waistcoat if you want to mix things up.

Go bold or go home

If you’re sick of wearing neutrals this winter, why not inject a pop of colour in your wardrobe with this sweater vest?

Cow’s rainbow stripe sweater vest is a funky option that will definitely make a statement this winter, and the array of colours means you can style it with virtually anything. It’s also the warmest and fluffiest option on our list to help you brave the colder weather.

Which sweater vest will you be wearing this winter?

Covid dreams and nightmares

“She disappeared. I ran around panicking, holding a dead baby and trying to resuscitate it. But I couldn’t. I cried so much that I woke myself up,” first year Lauren tells of a uniquely disturbing nightmare she experienced earlier this year.

When the pandemic hit home in March, it left turmoil in its wake. People’s daily lives were uprooted and flipped on their heads; the night was not spared.

“I never remember my dreams because they’re typically so normal,” Lauren told me, “but this one. . . It was very vivid.”

Dream Recall

Lauren is not the only university student who has experienced new, peculiar dreaming patterns. Out of personal interest, I conducted a poll on Instagram and found that of 280 mostly university-aged people 194, or 69% percent, reported having unusually anxious, vivid, and/or strange dreams since the outbreak of Covid-19. I knew then, that there was something more to this seemingly shared phenomenon.

In fact, research teams at institutions worldwide have uncovered similar data. One study from the Lyon Neuroscience Research Center published a 35% uptick in dream recall since March, noting a tendency towards more negative dreams. A study by the American Psychological Association which sampled 3,031 adults reported an increase of 29% during the same time frame.

So, pandemic dreaming is definitely a thing; the question scientists are now attempting to answer is why.

REM Sleep

We attribute most of our dreams to Rapid Eye Movement (REM) sleep, which is essentially really deep sleeping stages. A professor of Neurology at Boston University School of Medicine, Patrick McNamara, explains that the brain processes which occur during REM sleep are actually similar to those that occur during an acid trip. Both activate nerve receptors called 5-HT2A which shut off the dorsal prefrontal cortex. This triggers a state of “emotional disinhibition” during which emotions overwhelm the consciousness. Because of this, REM sleep is the source of many of our most intense and vivid dreams.

Scientists have come up with a number of reasons why Covid-19 might be affecting REM sleep. The most obvious is that lockdown allows for more time to sleep, and in turn more sleep allows for more time to dream. When people work from home or not at all, commutes and early morning routines become altered or eliminated. According to Scientific American, this caused time spent sleeping in the U.S. to increase almost 20% nationwide in early lockdown between March 12 and 27.

Notably, REM sleep occurs in cycles of about 90 minutes, each cycle building on the last to become progressively more intense. By early to mid-morning, dreams are likely to present clearest and strongest. Thus, your lockdown lie-ins could be leading to deeper dreams.

Lockdown anxiety

Another viable explanation is that our dream functions are being overwhelmed by the profound anxiety and stress of the pandemic. REM sleep and dreaming are critical to our ability to consolidate experiences into memories and to regulate emotions, among other things.

When working properly, dreams tend to draw on different experiences that elicit similar emotions, integrating our experiences and emotions in ways that are often metaphoric, explains dream and nightmare researcher Ernest Hartmann. Through this process, dreams help us safely make sense of events—especially abnormal or disturbing ones.

Hartmann suggests, though, that an excess of trauma (such as, I don’t know, a pandemic) can upset this dream function, leading to recurring and realistic nightmares. Like Lauren expressed, vivid and scary dreams can easily startle us awake, and waking up in the middle of a dream only increases our chances of remembering it.

Whether an individual is affected by “pandemic dreaming” likely has to do with that person’s relationship to the trauma inflicted by Covid-19 and their ability to cope. If you are experiencing strange or upsetting dreams, or if the pandemic is negatively impacting your mental health in other ways, know there are resources available.

Mental Health Support

If you live in England, you can call 116 123 to speak to trained volunteers with the NHS. For students at the University of Manchester, counselling services are available through completing this online questionnaire and by calling 01612752864 to book an appointment. Or, if you need immediate support, you can call the University’s new confidential mental health helpline on 0800 028 3766, or message a trained advisor through the My Healthy Advantage app – you will need to download the app and register with a unique code which you can find in My Manchester.

For those who might not require professional support but would like to work on improving negative dreaming habits, there are, of course, other routes. Lucid dreaming, for example, is the practice of becoming aware of your thoughts and emotions as your dreams play out. It has been shown in some cases to help individuals gain more control over their dream states, achieving greater peace and better sleep.

Though science is still working to explain why our dreams may be changing, there are realistic ways to manage in the meantime. And, like we have done throughout the pandemic, we can always turn to one another. From my Instagram poll to studies at institutes in France and the US, one thing is certain- the numbers say we’re not alone.

Review: Aunty Donna’s Big Ol’ House of Fun

There’s no hand-holding in Aunty Donna’s Big Ol’ House of Fun, Netflix’s latest sketch comedy series. The audience is thrown straight into a ridiculous high-energy musical number about drumming, which quickly descends into violence and destruction. It crescendos with the main trio smashing bottles, chucking potted plants, and throwing themselves through their house’s walls. Until suddenly, in an instant, everything is magically fixed. It’s utterly baffling and completely nonsensical. 

And it’s amazing.

There’s a strong chance you will not have heard of them. However, over the past nine years, Australian comedy group ‘Aunty Donna’ has developed a cult following. This has been cultivated through their live tours, festival runs, and YouTube sketches. As a long-time fan, seeing them move to such a large platform was an exciting, if somewhat daunting, prospect. With six 20-minute episodes, there was a risk that their distinct fast paced and high-energy absurdism would be diluted for the benefit of viewers. What is impressive, though, is how easily they adapt to the longer format and higher production value without compromising their identity. Netflix famously takes a fairly hands-off approach to content production. This allows the group’s artistic voice to really shine through. It also means the jokes aren’t needlessly broadened to appeal to wider audiences. 

It’s also readily apparent how much effort was made to make the show rewarding for old and new fans alike. Sure, some of Aunty Donna’s Big Ol’ House of Fun’s best scenes are direct adaptations of their pre-existing work. But there are plenty of new gags in these sequences. While several of their established characters reappear, the show never expects its audience to be aware of any context surrounding them.

Though Aunty Donna’s performers (Broden Kelly, Zachary Ruane, and Mark Samual Bonanno) mostly multi-role, they are also joined by impressive guest stars. Executive Producer Ed Helms makes a hilarious appearance as himself, and other highlights include cameo appearances by ‘Weird Al’ Yankovic, Karan Soni, Michelle Brasier, and Jack Quaid. Perhaps most entertaining is The Boys’ Antony Starr, who subverts his well-known ‘Homelander’ persona by playing a meek ‘stray man’ taken in by Bonanno.

Admittedly, the show is definitely not perfect. As with any sketch series, there are the occasional scenes which simply don’t work. Some premises that start well definitely outstay their welcome. Each episode also follows a very loose narrative, which at times feels somewhat extraneous and occasionally threatens to distract from the comedy. It’s also worth warning that if absurdist humour has previously not impressed you, this won’t change your mind at all. It is unapologetically packed with anti-jokes and extremely immature humour. It is sure to push away just as many viewers as it attracts. Those who are in tune with this style of comedy, however, will find these flaws to be fairly minor. These comedy lovers will certainly be able to look past them to enjoy the show.

It certainly won’t be for everyone, but Aunty Donna’s Big Ol’ House of Fun’s unrelenting energy and absolute chaos makes streaming it easily some of the most fun to be had on Netflix in recent times.

4/5.

Aunty Donna’s Big Ol’ House of Fun was released on Netflix on the 11th of November.

A relaxing afternoon with Palace

Palace, the band behind the hits ‘Heaven Up There’ and ‘Veins’, have created yet another emotional masterpiece. Their new EP, ‘Someday, Somewhere’, has been released containing new songs for eager fans to sink their teeth into. Their mellow tones and soft instrumentals transport listeners through an experience of emotional discovery, one which is truly unforgettable.

The band is composed of Leo Wyndham, Matt Hodges, and Rupert Turner. Frontman Leo explains how they created the band for fun, until some fans explained how much they connected to Palace’s music. The band thought: “Maybe we were on to something,” and started to develop their iconic and honest style as their career advanced.

Their sounds and influences

Leo also highlighted how studios like the ‘Arch’ in Tottenham influenced their sound and first EPs.

This was a beaten up old studio, where “there used to be an old crack den. It was a place, where the equipment was half-broken.” This was the birthplace of their first EP. He describes how the “cragginess of that building really seeped into the rawness and honesty of the music,” helping them to develop this sense of vulnerability, the imperfect, the rough, and the raw qualities throughout their music.

One of the most engaging aspects of their EP’s sound is their ever-engaging instrumentation. Their songs are dominated by the soft percussion, transcendent guitar melodies, and the vulnerably delicate vocals. These elements build and fade, reflecting a state of mentality or emotion through both the sound and content of their songs.

Indeed, Leo describes the new EP as “a real emotional journey”.

From the way the instruments are hit to the mellow sounds, the EP conveys the experiences and the stories from their lives, delving into the fragility of love and the reality of love ending, as well as mentally trying to work out ways of staying afloat. This makes the EP a powerful and connective embodiment of life and love, creating a “stripped back and intimate” performance that anyone can “really connect with.”

This is a must-hear for 2020, a year of emotion creating and a similar need for intimacy, quenched by an emotive EP.

The impact of COVID-19

COVID-19 has caused problems for Palace and the music industry alike, closing venues and preventing arena touring. However, Palace continue to provide comfort to anxious audiences around the world.

As I interviewed Leo, the impact of COVID-19 on the band became apparent, as they were forced to uptake a new approach to musical collaboration. For instance, the single ‘I’ll Be Fine’ was “recorded totally separately”, with Leo, Rupert and Matt sending recorded instrumentals rather than collaborating in person.

Lockdown also led to interesting instrumental experiments, as Matt even resorted to playing on pots and pans in the absence of his drum kit. Despite their initial fear that the process was not gonna work, the EP proves their ingenuity as a band; they continue to create beautiful music despite the barriers of lockdown.

Indeed, their new EP has allowed them to experiment with their style and abilities, whilst still maintaining an appealing and comforting rawness. Fans can also be excited to know that this EP will be followed by their third album, which will be “more experimental” and allow them to “experience different feelings” as a band. They are excited about the future, and just as eager to keep touring forever and ever as soon as they are able to.

Palace’s future

In terms of the future, the band hopes that the government will provide more aid for the music industry, as they see “the tragedy of all these amazing venues shutting down across the country.” They also hope that they will be able to return to “sweaty and crowded” gigging soon.

Palace are still going strong and hopeful for the future; their new EP is a beautiful embodiment of human emotions, and their next album will be even more successful without a doubt.

I would recommend this music to anyone wishing to listen to relaxing and heartfelt music. It’s are a great choice for those looking for a studying playlist or searching for a new band to wind down to with a calming cup of coffee.