If you don’t know, get to know! ‘Savage X Fenty’ is the way to go.
Move over all other lingerie brands and say hello to Rihanna’s fearless company: ‘Savage X Fenty’. The inclusive, contemporary, and stylish underwear brand released its third volume in late September alongside the pioneering fashion show. It offered an array of women’s stylish mesh and lace underwear sets, alongside the luxurious men’s loungewear apparel. The Mancunion’s Fashion and Beauty team takes a look at the show and statement it makes.
Diversity in the fashion industry, particularly within catwalk shows, has often come under criticism. Rihanna, however, uses the stage as a celebration of women’s bodies in her recent fashion spectacular. This so called ‘fashion concert’ encompasses plus size models, people of colour and an array of genders, sexualities, hair types and skin conditions. Models with amputations and who are pregnant also take center stage, resisting the 21st century norm of slim, tall standards.
The exciting, broad collection of models participating in the fashion show combat the giants of the lingerie world, such as Victoria Secret, or even smaller British companies like Boux Avenue. Rihanna’s demand for equality and diversity within representation of women’s bodies thus speaks directly to the exclusive and narrow-minded modeling industries. Equally, showing women’s bodies openly and confidently offers hope for the future, as this stark new fashion show is taking the reigns and setting the examples for other fashion giants!
Despite Rihanna’s achievement with her lingerie collection and subsequent pivotal fashion show, some critiques note her lack of education and perhaps naivety in the fashion industry, as only a newcomer to the fashion and beauty stage. In 2020, the fashion idol was called out by people of Muslim faith, for the use of the song ‘Doom’ by artist Coucou Chloe, which contained passages from sacred Islamic texts.
Her choice sparked controversy across the internet, leaving Rihanna only to apologise and admit her ‘careless mistake’. Shortly after her foolish blunder in 2020, Rihanna’s most recent ‘Savage X Fenty’ show was placed under spotlight too, this time however by the appearance of her models. The famous Emily Ratajkowski wore her hair in braids, triggering the conversation of cultural appropriation within audiences. Frustrating many fans with the insensitivity of the hair style, Rihanna turned a blind eye on the integral hairstyle within Black culture. Audiences have now questioned the reliability and incentive of Rihanna’s fashion shows. Are we able to forgive her for these mistakes?
The media attention Rihanna’s innovative fashion shows have gained over recent years has helped boost Savage X Fenty’s economical mark in the lingerie industry. With an all-inclusive range in 2021 (spanning from 32A-46DDD), the unique and fresh designs, paired with the selection of sizes, appeals to a vast target audience of young adults and women. Thus, Rihanna’s bold marketing strategies and her stark photographs of models easily catches the eye of the buyer.
Ultimately, Rihanna showing confident, empowered women at her shows has stunned the world. She has successfully sparked the wider acceptance of portraying different types of women’s bodies in mainstream media, whilst also creating some amazing underwear pieces!
If you’d like to check out Rihanna’s line for yourself, click here.
Ten minutes before post-punk titans Fontaines D.C. were due to be on stage, I was sitting on a bench, resigned to the fact that my name had apparently been missed off the guest list, and that I would have to console myself with a dazed meander home via the 142. Luckily, with the flash of an access-all-areas pass, the wonderful SU team had me in Academy 1 just in the nick of time. I was left with only a fleeting moment to revel in these James Bond-esque antics before a victorious Fontaines D.C. took to the stage, opening with sophomore title track, ‘A Hero’s Death.’
Photo: Robbie Beale @ The Mancunion
Between menacing guitar stabs and ‘ooo’s’ reminiscent of The Beach Boys, the whole room knew that they were witnessing a band at their highest peak yet. Despite their second and most recent album having been released over a year ago, towards the tail end of lockdown summer, the songs felt as exciting and gripping as you could hope.
It’s rare to witness a band of only two albums grow to this size and majesty, and the result is a crowd who will roar at every opening drum pattern and bass riff. Singer Grain Chatten’s frenetic, yet uptight delivery, and refusal to say anything at all between songs, were testament to a band who knew their music left nothing to prove.
There’s an intense energy to their songs, like witnessing a shark up close. It demands your full attention, triggering a fight or flight response, yet you can only gaze in awe with the knowledge of the glass barrier between you. But that glass could break.
Unhinged guitar squalls are reigned in just in time before a pounding wall of toms, cymbals and bass hits you. Each track feels like it could be shaken apart at any moment by the force of its own momentum, but they never do. The band are sounding even tighter than on their 2019 tour, giving Grian free-reign to deliver his hard-hitting sermons to an audience in rapture.
Photo: Robbie Beale @ The Mancunion
The key question is what next? Will they be, as my friend quipped, ‘the next U2’? After three sold out headlines at Manchester Academy in a row, they could certainly try their hand at an arena-sized venue. Though somehow I can’t quite picture them heading to Old Trafford. But even the Victoria Warehouse wouldn’t fit the near-7000 revellers who witnessed Fontaines D.C. in Manchester last week.
Anyway, I just don’t see them as an arena or stadium band. The incredible energy they bring to their live shows couldn’t translate one or two-hundred rows back – a huge part of their appeal comes from witnessing Grian up close.
I think the answer will lie with what musical direction they take next. More of the high-octane rave-rock of ‘Televised Mind’ (you can picture Keith Flint’s raging vocals over the top), and Fontaines D.C. could become one of the best festival headliners of the decade. More ballads a la ‘Dublin City Sky’ or ‘Roy’s Tune’, and they could have whole arenas singing along in perfect harmony. But I think, at their core, they will always be an underground post-punk juggernaut. And whatever the future holds for the quintet, I’m so glad to have witnessed them at Academy 1 on Friday night.
Football as an industry is one of the most diverse in the country. The number of black footballers is significantly greater proportionally than the UK population, and it displays mobility seen little in other sectors of society. Black British people comprise 3% of the country, but their contribution to professional football far exceeds this number, with 42% of England’s Euro 2020 squad coming from black backgrounds.
Yet, this diversity is not shared in the leadership roles, in positions such as owner or manager. It is undeniable that in recent years there has been a clearer focus in trying to root out racism from the beautiful game, and the Black Lives Matter movement has instituted uncomfortable conversations from those involved in football. However, more needs to be done, and there is no better place to start than by enhancing the number of BAME managers.
Patrick Vieira and Nuno Espirito Santo are currently the only managers with black heritage in the Premier League. Two out of 20 is a low number, but this is not exclusive to English football. In the 2018 World Cup, the only black manager out of the 32 teams was Aliou Cisse of Senegal. More surprisingly, in the 2017 African Cup of Nations only 3 out of 16 managers were black. These low numbers demonstrate a systematic problem and emphasise that the lack of black managers is more than a coincidence. It raises questions as to what barriers black managers face.
Photo: Damitry Pukalik @ Wikimedia Commons
When looking at the English game, there is “a systematic denial of talent and ambition” for BAME managers, according to Dr Steven Bradbury. Bradbury, a researcher at Loughborough University, found that only 19 of 552 senior coaching positions in English football were filled by BAME candidates. There have been suggestions of an unconscious bias against non-white managers.
When owners and directors imagine success, they picture it with a white manager. Darren Moore was sacked as the West Bromwich Albion manager in March 2019, despite the club being firmly placed in the Championship play-off positions. The West Brom owner and fans wanting him out argued Moore’s team was lacking in chemistry and form, but as talkSPORT host Adrian Durham argued, all owners see is “white managers lifting trophies season after season, therefore there is a subliminal unconscious mindset that only white is successful.”
It is much rarer for black managers to be given a chance at proving themselves in the higher leagues. There is a constant stream of old white managers who are offered jobs at a variety of clubs. Tony Pulis, Gary Rowett, or Neil Warnock will never find themselves out of jobs for very long, despite varying levels of success. It is hugely telling when looking at the difference of opportunities given to Sol Campbell versus Frank Lampard or Steven Gerrard. These players all performed at the very top level for both their clubs and for England.
However, despite a similar level of managerial experience, opportunities were plentiful higher up the footballing pyramid for Lampard and Gerrard. Lampard’s first job was with promotion challenging Derby Country, and Gerrard took the reins at Scotland’s most successful club, Rangers. In comparison, Campbell’s career as a manager started at lowly Macclesfield, who at that time were 5 points off safety at the bottom of League Two.
He was successful in preventing their relegation, but his next job was not much more glamorous, becoming the manager of League One relegation battling Southend United. Campbell himself believes there are barriers against black managers, often down to a subconscious media racist bias, such as by painting him as inexperienced.
There is not only a lack of black managers but in leadership positions all across the board. There has only been one black Premier League referee ever (Uriah Rennie), and in the 2019-20 season there was only 1 BAME referee in England’s professional divisions. Nor are there any black owners. There are only 2 black board members in the Professional Footballer’s Association and the Premier League. Out of 16 members, only Bobby Barnes and Paul Elliot are black. The lack of black people in these positions prevents a diverse range of voices being represented.
This helps to create an environment where black players’ intelligence is overlooked. Understanding of the game is crucial for a manager, their physical strength is not. These subtle microaggressions portraying black players in a certain light generates subconscious perceptions which further deconstruct a level playing field for black candidates in managerial appointments.
The reality is that black people are underrepresented all throughout the British workplace, and football is merely a mirror of society. Football in England has been marred by racism, rocked by scandals such as with John Terry and Anton Ferdinand, or with Luis Suarez and Patrice Evra. There is scant punishment for racism from fans, and until the FA and Premier League truly intend to reduce discrimination with action rather than with meaningless gestures, the number of black managers will remain low.
One option is affirmative action, successful in the NFL with the Rooney Rule, which was introduced in 2003. It requires teams with managerial vacancies to interview at least 1 ethnic minority candidate for the position. After only 3 years, the percentage of African-American coaches increased from 6% to 22%. Despite its success, English football does not seem to have any intention of following suit.
Football can have a huge impact on culture and society. One needs to look no further than the recent activism of Raheem Sterling and Marcus Rashford. In this way, football has the ability to act as a spearhead in creating further equality for all regardless of ethnicity or race. The only way this will happen is if the institutions that govern football employ and take heed from black former players and individuals. Tangible strategies must follow, and only then will we see a substantial increase in black managers in English football.
The 2021 edition of the T20 World Cup is being hosted by the United Arab Emirates and Oman. Here is a quick preview and my predictions for the tournament’s final Super12s. Only one can be victorious on the 14th of November, but who will it be?
Indi Samarajiva @ Flickr
Group 1
West Indies
Tournament Best Performance: Winners (2012, 2016)
Star Man: Chris Gayle
One to Watch:Shimron Hetmyer
How will they do? Everybody’s second team and current champions, it is always hard to predict how they will gel as a unit, but you can be sure to see fast and fun bowling alongside some humongous sixes. My prediction is that they will narrowly miss out on 2nd place to progress into the semi-finals but be entertaining nonetheless.
Australia
Tournament Best Performance: Finalists (2010)
Star Man: Aaron Finch
One to Watch: Mitchell Marsh
How will they do? For the first time since I can remember, Australia are going into a tournament with very few backers. I personally don’t believe this squad is anything special and they will struggle to progress through to the semi-finals.
England
Tournament Best Performance: Winners (2010)
Star Man: Dawid Malan
One to Watch: Liam Livingstone
How will they do? Current ODI World champions and my favourites to win the 2021 T20 World Cup. They arguably have by far the strongest batting line-up at the tournament. It will just come down to whether the aging bowling attack has enough for one last big outing.
South Africa
Tournament Best Performance: Semi-Finals (2009, 2014)
Star Man: Quinton de Kock
One to Watch: Tabraiz Shamsi
How will they do? One of the most prominent cricketing nations, and yet they have never reached a World Cup Final (in any format). Could this be their time? Possibly. Their extremely exciting bowling attack alongside the supreme Quinton de Kock, could be enough to get them through Group A and into the semi-finals where they will have the chance to finally break the curse.
Bangladesh
Tournament Best Performance: Super 8s (2007)
Star Man: Shakib Al Hasan
One to Watch: Shoriful Islam
How will they do? Yet to have a standout tournament in T20 Cricket, this could be the final chance for stars such as Shakib Al Hasan and Captain Mahmudullah to end their careers with some major silverware. Bangladesh are not without talent but I don’t think they will trouble for a semi-final spot.
Sri Lanka
Tournament Best Performance: Winners (2014)
Star Man:Akila Dananjaya
One to Watch: Avishka Fernando
How will they do? Now that the golden generation has finally all gone with Malinga recently retiring, Sri Lanka are nowhere near the side they used to be. I believe they will struggle in this tournament. However, there is a future for this team with many promising young talents.
Group 2
India
Tournament Best Performance: Winners (2007)
Star Man: Virat Kohli
One to Watch: Rishabh Pant
How will they do? With many people putting India as favourites, it’s hard to argue that they won’t have an amazing tournament. India have plenty of match winners to take them over the line but will they win it? I don’t think so. The summer’s team selection was underwhelming and uninspiring – not a good sign ahead of a tournament like this.
New Zealand
Tournament Best Performance: Semi-Finals (2007, 2016)
Star Man: Kane Williamson
One to Watch: Devon Conway
How will they do? Current Test Champions and ODI Finalists, it looks like the Kiwis are set to reach a Hat-Trick of finals. With tough group matches against India & Pakistan, it isn’t going to be easy, but with Conway’s current form I reckon they might just make it.
Pakistan
Tournament Best Performance: Winners (2009)
Star Man: Babar Azam
One to Watch: Shaheen Afridi
T Ahmad @ Flickr
How will they do? Always a difficult side to face in limited ball formats, the Pakistan squad is full of a fantastic blend of youth and experience. I can see this team being a real threat at this tournament and wouldn’t be surprised to see them steal one of the top 2 places in the group to get to the semi-finals.
Afghanistan
Tournament Best Performance: Super 10s (2016)
Star Man: Mohammad Nabi
One to Watch: Rashid Khan
How will they do: Having played more countless games in the UAE, this squad will be very comfortable with the conditions. I highly doubt that they will progress, but they definitely have the ability to pull off a shock result – I predict it will be their most successful tournament to date.
Scotland
Tournament Best Performance: First round (2007, 2009, 2016)
Star Man: Kyle Coetzer
One to Watch: Richie Berrington
How will they do? They pulled off an impressive win against Bangladesh in the qualifying to make it to this tournament, and it’s possible they’ll lose all their games. They are starting to establish themselves as a strong T20 team, however, and they may get another suprising win.
Namibia
Tournament Best Performance: N/A
Star Man: Gerhard Erasmus
One to Watch: Nicol Loftie-Eaton
How will they do? As this is their first-ever appearance at the T20 I doubt they’ll be much of a threat to any of the other teams. This is a learning experience for the squad and they will only get better from playing the bigger nations. It is possible but unlikely that the raw excitement within the team could help pull off a shock result.
After a three-year hiatus, Belgian artist Paul Van Haver, otherwise known as Stromae, has returned with a new single, ‘Santé’. Many may know him best for his song ‘Alors on dance’ released back in 2009 and its recent Tiktok revival, or else encountered him during their GCSE French days. However, his credentials far outshine these limited interactions.
For an artist with only two albums to his name, Stromae’s impact has been immense. From Cheese (2010) to racine carrée (2013), Stromae has reinvented dance music, infusing it with influences from all over the world, from his native Belgium to Africa via Cuba. The lyrics behind his music are innovative for the genre too – they are thought-provoking, topical and layered. He warned us of the trappings of social media and consumerism way back in 2013 with his song ‘Carmen’. With new single ‘Santé’ he celebrates the unsung heroes of our communities, those working long hours in demanding jobs.
Stromae is a maestro of more than just music.
His music videos ooze quality, a strong style and Stromae’s own quirky sense of humour. They are artistic vision manifested, which is understandable as Stromae’s label Mosaert is his own, co-founded with his brother, artistic director Luc Van Haver. Mosaert have helped the likes of Dua Lipa and Billie Eillish to create videos, while Stromae’s own video for ‘Tous les memes’ was a masterpiece in cynicism and humour. Focusing on attitudes of men and women toward one another. The video for ‘Santé’ is no different; it is joyous and colourful, clever and catchy and very Stromae. This vision carries through into his live performances.
As with the rest of his work, Stromae is bold and unafraid to push boundaries. The video for his song ‘Formidable’ saw him portraying a drunken homeless man in the centre of Brussels, filmed using secret cameras to capture authentic reactions from passers-by. Despite his frank conversation about social media in ‘Carmen’, Stromae has mastered this modern age. He creates exciting and innovative content (check out his ‘Stromae takes America’ and ‘Leçons’ series on Youtube, especially if you’re interested in making electronic music yourself) and he is an exciting and innovative individual.
He’s even done a Ted talk, for god’s sake.
It’s been quiet with him away, so here’s me raising a glass and giving a little santé, the French for “cheers”, to Stromae and his welcome return.
Looking to buy into some of this season’s new trends? Whether you’re looking for Y2K Bratz dolls vibes, 90s slip dresses, or unique handmade pieces to add to your wardrobe, Depop is the place to look at. You’ll most likely find what you’re looking for while at the same time keeping the prices and your impact on the planet low. However, it can be daunting, and time-consuming to get started on the platform. But worry not, we’re here to help, we’ve selected our favourite Depop shops to look at if your wardrobe is in dire need of a makeover.
A great way to get started on Depop is to search for shops by influencers that you follow. Not only are the clothes they list often barely worn as they get a lot of clothes just for photoshoots but if you’re a fan of their style, you’re also much more likely to like their listings as well.
If you’re not looking for vintage or handmade but rather trendy pieces from this season or last, it’s the perfect place to start your research! The last three shops on this list are examples of influencers’ shops. The others are all shops we think are worth looking at. Not only are they super unique but they also have fantastic reviews and post regularly so you’re unlikely to get bored of them.
Without further ado, here’s the list of our top picks:
@Abbieaporter
The perfect mix of 90s and 00s designer pieces, there is something for everyone at this shop. A collection ranging from jeans to coats and everything in between, this is definitely a brand to follow especially after reading the reviews.
@exgirlfriendshop
An international brand with some Y2K vintage designer gems, although there is a minimum spend for the UK. Make a group order with friends or treat yourself to a bundle.
@Crystaltrevern
Photo Credit: Crystal Trevern @ Depop
Active every day and new pieces added weekly @crystaltrevern is another shop to watch. Their items can be seen on many different influencers on both TikTok and Instagram. They stock very on-trend pieces, including the vintage Dior tank that was everywhere last summer. This brand has a wide range of stock for every aesthetic.
@sugarnspiceldn
Photo Credit: Sugar n Spice @ Depop
We discovered this brand over the summer. They are based in the UK and all their items are handmade. Their collection includes mini and maxi skirts as well as cami tops that you can buy as a set or separately. They are also very active on Instagram with plenty of outfits and styling inspiration. Their lemon print co-ord was a summer must.
@meganowelsh
Megan Welsh also known as ‘Megano’ on her social media is a fashion influencer based in Glasgow. Her Depop is filled with colour and her looks take a lot of inspiration from rave and festival fashion. She is the perfect person to follow for an event outfit.
@Lydbutler
Lydia Butler can be found on both Tiktok and Instagram, she really grew in popularity over lockdown. Before becoming a full-time influencer, she worked as an assistant buyer, showing how well she understands fashion trends. The majority of her stock is from fast fashion brands and is in perfect condition.
@Sophiatuxford1
Half of the fashion and lifestyle duo, Sophia Tuxford regularly uploads on Depop. She stocks items from designer to high street often with images for styling inspiration
In the opening chapter of this gripping novel, Lala’s grandmother Wilma tells her the story of the one-armed sister. It is a cautionary tale about a girl who is too curious, and disobeys her mother. It is this parable, told to Lala when she is 13 years old, that gives the novel its title: How The One-Armed Sister Sweeps Her House.
How The One-Armed Sister Sweeps Her House is set in Baxter’s Beach, Barbados, a destination that appears to be a paradise. However, when a rich tourist is murdered early in the novel, this vision of Baxter’s Beach shatters and an uglier underside is revealed.
The reader then follows a cast of characters who are in some way related to the murder. The novel flicks between the perspectives of Lala, Wilma, Tone, a local, and the newly widowed Mira Whelan, amongst a range of periphery characters.
‘Well I bet it not so bad having one arm’ says Lala. ‘She can still do things like everybody else, she can still get a husband and some children and a house’. ‘Stupid girl,’ says Wilma. ‘How she gonna sweep it?’
The novel’s shifts in perspective and jumps in time are so unrelenting that they should be confusing, but the trajectory remains fixed and focused throughout. The pace is quick, with the novel’s crime drama aspects keeping the tension and suspense high. Despite this, at times it seems to lack cohesion, with some characters disappearing for extended periods of the text, and some flashbacks leaving me disorientated.
My investment in the characters did increase as multiple previously unknown links and connections are revealed throughout the text. The lives of the characters and their experiences of trauma are linked together much like the patterns of the hair that Lala weaves on the beach. The motif of this weaving, ‘over under over under’, is repeated throughout the novel, sometimes offering comfort to characters through its repetitive motion, but at times revealing sinister effects of correlation and inherited trauma.
How The One-Armed Sister Sweeps Her House doesn’t shy away from graphic violence. It dramatises the iterations of generational trauma, with domestic violence, violent crime and the death of a baby featuring prominently. At times the level of detail made me put down the book, an act that mirrors the tourists turning a blind eye to the real lives of the locals. This act is a privilege not afforded to the protagonists.
This novel, perhaps most importantly, is an exploration of the impossible choices women are faced with when trying to do what is best for themselves and their families. How The One-Armed Sister Sweeps Her House asks readers repeatedly to consider the ways in which women are not in control of their own bodies, and the horrifying consequences that this can have.
It’s first year. You’ve met your flat, finessed your uni wardrobe (depop flares and festival wristbands at the ready) and forgotten to phone your parents back home. That first, eye-wateringly expensive Tesco shop on behalf of said parents, is already running low. Surely you brought more drinks with you than that novelty raspberry Smirnoff and a miniature sloe gin. But before you skip over to Sainsbury’s to give them £60 of your student loan, read our list of tips and tricks. You might pick something useful up, beyond the age old New Zealand wines deal – 2 bottles of wine for a fiver. Because it’s Manchester, and because you can probably already hear a boy strumming ‘Wonderwall’ outside Oak House. Nestled amongst the tips and tricks, you might even find some Oasis puns, ready to be recycled at your leisure.
Curry Mile, Photo: Alex Pepperhill @ Flickr
Flat foodies/Don’t look back in hunger:
Do’s:
Use (and reuse) bags if you’re batch cooking to store the food- cuts down on using valuable freezer space, and buying tupperware.
Buy a flat toaster. Don’t be stuck grilling bagels for half the year.
Onions as the base of a meal will always set you right. Same with wraps.
Flat Come Dine With Me! Make friends with the neighbours, avoid their pink chicken.
Don’ts:
Steal other people’s food, drinks or pour their olive oil all over the floor to dance on – bad form and a waste.
Eat every meal in your room. Even if you’re flat’s not your cup of tea, now things are opening up there’s plenty of free spaces to hang out in Manchester, or on campus.
Only shop at Sainsbury’s. Lidl’s just down Oxford Road and always cheaper.
Hatch, Photo: Scott Salt via Creative Commons
Eating out/(Bread) roll with it:
Out with friends?
Hatch is the place to be for going out with a big group of friends. Like Escape to Freight Island (see below), it has many different restaurants and bars within it, giving plenty of choice for everyone in the group! Parmogeddon is a highlight, serving up cheesy and delicious parmos – breadcrumb coated chicken (or cauliflower) covered in cheese and bechamel sauce, originating from Middlesbrough. A deep fried piece of Northern history.
Cafe?
Deep in the tunnel of exam season, Brewdog can be a lifesaver. The Deskdog deal means for £7 you have access to unlimited tea and coffee in the day, and a pint to see you on your way at the end. Feelgood Cafe, run by two wives and boasting a great playlist, is a burst of fun in the Northern Quarter. FUEL in Withington also has a fantastic atmosphere, and better yet- turns into a bar at night.
Date night?
Lockdown dates consisted of a rainy walk around Platts park, at best. Now, Manchester is your oyster. Close to Owens Park, and with reliable warm/low lighting, HAUS is a good pizza/pint bet, whilst Wolf at the Door, a £1 bao bun and taco restaurant in the heart of the Northern Quarter, will impress without breaking the bank.
Family night?
Escape to Freight Island really has the wow factor to impress parents, entertain siblings and keep you all well fed. The 22” Voodoo Ray’s pizza to share seems excessive, but works out as fairly inexpensive. Freight Island also often has events on such as the Jazz Festival.
Honourable mentions:
You really can’t run out of places to try on the Curry Mile, many of them delivering to Fallowfield for a cosy flat curry night.
Drunk and hungry? Kej’s it is. Turkiss’ chip kebab also deserves some love.
We’ve tried onion rings pretty much everywhere in town. The Font claims the crown here.
Tucked away by the Arndale, Cafe Metro is cheap, cheerful, and for what may seem a perfectly average cafe, serves up the best lasagna this side of the pennines.
Photo: 42nd Street Nightclub via Creative Commons
Drinks?/Feelin’ Supertonic
It’s the Euros, you’ve got flags on your faces and pride in your heart, it’s got to be…
Courtyard. One of the busiest and liveliest pubs in Manchester, Courtyard has a reputation, and deservedly so. Grab a pitcher, some mates and sink into the weekend.
It’s the middle of the afternoon in town, and all you want is a cold pint in the sun, get yourself over to…
Quarterhouse. This outdoor space in the middle of the Northern Quarter lets you soak up some rays amongst the red brick, with the best loaded fries in town. Spend your summer evenings here working on a tan or your winter one’s working on a pint.
It’s Thursday night, your hair’s washed and you’re in the mood for dancing, head to…
42s. It’s basic indie pop, communal sweat, and ruined shoes. You might devastated at being refused that next jager bomb – but the next morning be will be endlessly grateful for that glass of water you were given instead.
It’s time to leave your grimy flat behind and pretend you’re Emma Stone in that end scene of La La Land, where else but…
The Blues Kitchen. Free entry and expensive drinks, this is your chance to live the highlife. Just make sure to pre.
You really can’t be bothered to leave Fallowfield, so you’re going to…
256 or Friendship. 256 is notoriously slow service, but it’s worth it for the cheapest expresso martinis in town. The Friendship Inn is like its name. Warm, and always there.
When I applied to study in Manchester, a big pulling factor was its vibrant music scene. However, despite now being in my second year, this is my first year exploring it due to the pandemic. For a long time, I’d eagerly awaited the chance to experience The Warehouse Project for myself, and with the world opening up once more, what better way to dive back in than its annual Repercussion Festival?
Entering past the coloured windows into a room of thumping beats, I knew I was walking into a world I hadn’t entered for quite some time. Having arrived early, with the massive rooms yet to be filled, I enjoyed a little dance to myself to NTS Radio DJ Tarzsa Williams. Her garage/house set was a pleasant surprise and made the experience all the more special by the feeling she was playing just for me.
Next up was the Mancunian rap/soul act Children of Zeus; I’d first discovered them through Lenzman’s excellent remix of ‘Still Standing’. This was great foreshadowing, as I was also left still standing around after their great delay in getting to the stage. To compound matters, their microphones weren’t working. Both the audience and performers grew increasingly frustrated, and Konny Kon even threatened to leave the stage unless the tech issues were sorted.
Despite these issues eating into their set time, they came a long way towards making it up. Even faulty microphones couldn’t have stopped Tyler Daley’s voice from stealing the show with an incredible vocal range. Konny Kon seemed slightly side-lined in comparison, until a stellar finale rendition of, yes, ‘Still Standing’. However, an unsuccessful venture to get food from the festival’s retailers showed me its organisational issues weren’t confined to the stage.
In Depot Mayfield’s Archive, the legendary Soul II Soul took to the stage — violinists, bassist and drummer all under the lights. The reason behind Repercussion Festival’s name became clear: the drum dominated the room, ricocheting off the Archive’s curved walls, each stroke like a bullet. The bass was crawling down my lungs, pumping through my chest. ‘Back To Life’ concludes an excellent set asking “who’s ready to go back to 1989?”— to which the audience rejoiced.
Next in the Archive was DJ Seinfeld, who came out with a strong set lapped up by the crowd. Here, his track selection was vastly different to that of his set a week previously at Parklife, his versatility evidencing a deep appreciation of his audiences’ needs.
At the Depot (what else would you call the main stage at a former railway hub?), Jordan Rakei performed to a massive room — it’s just a shame it was so sparsely populated. The set didn’t fit the vibe; it would have been far more suited to a sunny outdoor festival. Instead, the dark warehouse had me wondering where Rakei was at Parklife a week earlier. Giles Peterson, who came next, amassed a much more active crowd, for whom he performed sensationally.
Then, DJ Shadow’s highly anticipated debut album, Entroducing, which was released 25 years ago (almost) to the day (a point stressed by the festival advertisement). Coming onto stage, DJ Shadow ‘entroduced’ himself to a delighted crowd; although, unexpectedly, his set didn’t focus on the album. It was a real privilege to attend one of his only three concerts this year. DJ Shadow is a real must for anyone who loves having a proper show put on for them, with lights, visuals, echoing bass, and pounding percussion abound.
My nine hour day-to-night experience at the festival wasn’t without its issues. However, Repercussion Festival constituted a great introduction to a fabulous venue any Manchester music fan should visit.
Bonfire Night firework displays have been cancelled in Manchester for the second year in a row over COVID-19 safety concerns.
The council has cancelled the events in light of organisational complications, but also over fears of increasing COVID-19 spread.
Usually, the events attract tens of thousands of people. The council felt that with this large scale of visitors there was no feasibly safe way for the events to be managed. It also poses a challenge to validating the Covid-status of the attendees.
Manchester City Council had originally planned to host 8 free events on the 5th of November in numerous major parks across Manchester. This included the popular student spot, Platt’s Field Park.
Despite these cancellations, the council will permit private events to go ahead.
Residents on Twitter are already expressing their concern that the cancellation of the council-run events will lead to a rise in anti-social behaviour, such as the purchasing of unsafe fireworks or the illegal construction of bonfires in public spaces.
The council has encouraged those organising private plans to do so “safely and responsibly”.
Here are some other events still going ahead in Manchester this November that are worth exploring.
We at the Mancunion have approached the local authorities in Manchester to see what their opinions are on the rise in spiking in Manchester. These are the replies we have got:
Mohammed Afzal Khan
Photo: Richard Townshend @ Wikimedia Commons
Afzal Khan, CBE is a British Labour Party politician. He currently serves as a Member of Parliament for Manchester Gorton. His constituency includes places such as Fallowfield, Levenshulme, and Rusholme, all of which have a large amount of student population. This is what he had to say:
The news of reported drink spikings in Manchester, particularly amongst the student population, is deeply worrying. Although everyone should be vigilant, these assaults are predominantly targeted at women and are a particularly insidious element of the violence against women endemic in our society. All women in Manchester should be able to enjoy a night out safely and without fear, and it is particularly revolting that people are choosing to prey on young people away from home for the first time.
It is important that Greater Manchester Police, the Universities, and venues take concrete action to protect women and support survivors. I have asked the police district commander for Manchester to provide me with an update on the the actions they will be taking. However, I am clear that ‘undercover cops’ in bars is not the way forward and does not foster trust between the police and the civilian population. It is also imperative that when the Police and Crime Bill returns to the Commons, the Government accept any amendment that makes misogyny a hate crime.
Lucy Maria Powell
Photo: David Woolfall @ Wikimedia commons
Lucy Powell is a British Labour and Co-operative Party politician. She has been a Member of Parliament for Manchester Central since 2012. Her constituency includes the Main and the North Campus of the University. She has also been made the Shadow Secretary of State for Housing. Her comment on the spiking is:
Drink spiking is a very serious crime in itself and a way for offenders to carry out other serious crimes. Victims should be able to have the confidence to come forward and know that their experiences will be taken seriously.
Victims should expect that both the Police but also the licensed bars where the offence takes place take the issue seriously and use every means at their disposal to find perpetrators and keep venues safe. This is not easy but some of the stories that people have shared about being ignored or dismissed out of hand will only make the problem worse.
I have written to the Chief Constable of GMP to ask him what steps he is taking to make sure that officers respond properly when these offences are reported.
Bev Hughes, having the title Baroness Hughes of Stretford, is a British Labour Party politician. She is Manchester’s Deputy Mayorof Greater Manchester for Police, Crime and Criminal Justice. Her comment on spiking was:
I want Greater Manchester’s streets, workplaces, schools, universities and homes to be safe for everyone. Nobody should be made to feel threatened, unsafe or intimidated in our city-region.
It is absolutely understandable that at this time, given recent events, people in Greater Manchester might have concerns or anxieties when it comes to their personal safety while on a night out in our city-region. We take the wellbeing of our residents and those visiting our cities and towns incredibly seriously. The public should be reassured that Greater Manchester Police works hard to keep our citizens safe. There are also a number of safety campaigns specifically targeted at those enjoying our exciting and entertaining night time economy, such as the LGBTQ Foundation’s Village Haven and Village Angels scheme and Transport for Greater Manchester’s concerted drive to improve safety across our public transport network.
Last month, Greater Manchester Combined Authority published our Greater Manchester Gender-Based Violence Strategy – it includes prioritising work, already under way, with the newly established Sexual Violence Action Network for Students to develop a hard-hitting campaign to challenge behaviours and attitudes and prevent sexual violence and harassment. The Strategy also commits to the launch of a sustained public awareness campaign, directed at educating men and boys, to challenge attitudes and behaviours.
Sacha Lord, Night Time Economy Adviser for Greater Manchester, has offered to meet with the organisers of next week’s Manchester protest to hear their lived experiences and learn about the change they want to see. This city-region is determined to enhance the safety of women and girls, while working to prevent gender-based violence and challenging the attitudes and inequalities that enable it.
Andrew Murray Burnham
Photo: Wikimedia Commons
Andy Burnham is a British Labour Party politician. He is the current Mayor of Manchester, and has held this position since 2017. He has previous been a Cabinet MP during Gordon Brown’s tenure as Prime Minister. On the 21st of October, 2021, Burnham spoke to Mike Sweeney on BBC Radio Manchester. Sweeney talked about the rise in drink spiking and this is what Burnham had to say:
… Just completely off the scale. I mean it this thing is about […] women and girls safety. I’ve said before, my daughters tell me some of the things that happen when they’re on nights out, and it’s just ridiculous. […] We thankfully, I’ve checked with GMP, haven’t had many reports of this. Although the worst storm was in the Fallowfield area at the time when the students were coming back to university. There were about five reports of drinks being spiked, and we have looked into that…
… Anyone listening to this and you are aware of it mate of yours or so called mate who does that: you should call them out immediately, and if they won’t stop, you go to the police, it’s as simple as that. You know, I’m aware of [this] having happened in my own sort of circles, it is just not right. I mean what kind of bloke in their right mind sees that behaviour kind of going on and says, ‘Oh well, I’ll just turn a blind eye to that.’ […]
… Words completely fail me, Mike […] This one’s for the men, this one’s for the boys: get a grip, sought this out, don’t tolerate it. You know we’ve all got moms we’ve all got sisters we’ve all got daughters. This is on us this one, not on women, this is on us…
… There’s a campaign coming next week called ‘Girls Night In,’ where women are saying we’re not going to go to clubs you know. We’re going to show that we’re not accepting this anymore. Clubs have to do more, but so do men and boys.
Sacha John Edward Lord
Photo: Sacha Lord
Sacha Lord the co-creator of Parklife festival and the Warehouse Project. Along with this he is also the Greater Manchester Night-time economy advisor. On the 22nd of October, 2021, Lord was interviewed by Anna Jameson on BBC Radio Manchester. Jameson’s radio show was talking about the surge in spiking incidents in Manchester when Lord what brought on. This is a brief of what he had to say:
… let’s not just limit it to clubs or bars or pubs, you know house parties as well we’ve seen in the press, over the last week, haven’t we, but you know pre-COVID, […] we did a listening exercise with the four universities in Greater Manchester […] we’re looking to create a safety charter, and it was including things like better lighting, more accessible transport, better support for students mental health. We want to make Greater Manchester one of the safest places in the UK to go out for a night out
… I have reached out to the protesters. I want to meet them next week and I want to engage with them to see what we can do to make sure this is completely eradicated because it’s not acceptable. And if anybody is listening to this who knows a friends or people that do this, I would strongly say you call it out, because it’s not, it’s not acceptable. It’s not a Greater Manchester issue. You know this is happening across the UK, and it must be stopped.
… I think, is a licensed objective. When you have a license, you have look out for your customer. […] People spoke on bouncers, but there are other members of staff know you have bar staff these days. Quite often you see staffing toilets so if you don’t feel right, you know, just anything at all, go to the nearest member of staff. […] They are, in most well-run venues, trained, but you know I can assure you with this being such a hot topic this week, I’m very convinced that more places will be training as well.
I think we must do everything we can, absolutely everything, you know as operators, it is our responsibility to look after people in our venues.
The Mancunion is collecting anecdotes as part of an investigation into the prevalence of spiking, drink tampering and predatory behaviour in nightclubs and bars in Manchester.
If you would like to share your story with us, to help us gather data for our report, please get in touch.
We can keep you anonymous, if you wish, and will be treating all testimonies with the utmost sensitivity.
It is no secret that the current meat industry is unsustainable.
Between the vast carbon emissions, land use and water consumption required to run industrial farms, industrial meat is becoming increasingly unpopular. This is reflected by the rise in vegan diets and the abundance of meat-alternative products available in supermarkets. But it’s not enough, and to really put a stop to this devastating industry, alternative protein sources are the future for the food industry.
Additionally, insects require less space and water than traditional livestock. They also produce much lower amounts of greenhouse gases given their size and efficient metabolisms.
The beef and bovine meat industry clearly consumes the most water during production compared to other food and agriculture. Image: Martin Armstrong @ Statista
From a nutrition point of view, insect protein is very high-quality in comparison to normal meat and fish. In other words, insects can easily supply sufficient protein levels to humans. Depending on the species, they can also be supplemental for particular amino acids. For example, palm weevils are rich in the amino acids lysine and leucine.
The consumption of insects, or entomophagy, is already a part of many cultures. Especially in Asia, Africa, and South America. This is mainly because many cultures in these regions depend on shared knowledge from ancestors or indigenous communities. The locals have a deep understanding of their environment and what organisms are edible, and perhaps more importantly, what specific nutrition they can provide.
Insect protein: tough to swallow
Switching to insect-based protein doesn’t just mean eating whole insects. I think most people would agree that having something with six legs curled up on your plate might not be the most appetising image. Luckily for us, that’s only one way of consuming them.
Crushed or powdered insects can be incorporated into foods we already know and love, like pasta sauce. This wouldn’t take away from the food at all but would increase their protein content without needing a meat supplement.
Of course, there’s always the option of “disguising” the insects in the way many vegetarian or vegan products do, by mimicking familiar meat products.
But personally, I would happily snack on a bag of crunchy, salted crickets with my next meal deal.
Are we there yet?
In May of this year, the EU voted to approve yellow mealworms as suitable and safe food for human consumption. This is a huge step in the right direction for both investment and development in the area, and for improving social perception.
For the moment, existing edible-insect companies cannot compete with the scale of the meat industry, but with advancing legislation and social acceptance there is no reason why insects can’t be the next big thing for our diets.
In October last year, the Mancunion covered the story of Henrietta Lacks. She was a black woman whose cancerous cells were taken without her consent and sold to be used in research laboratories all around the world.
These cells, known as HeLa cells, have generated millions of dollars in revenue for Thermo Fisher Scientific Inc., a biotechnology company. Up until now, Lacks’ family has not received a penny, but a lawsuit filed on the 4th October – the 101st anniversary of her death – may change that.
Who was Henrietta Lacks?
In 1951, Henrietta Lacks was receiving care for cervical cancer at John Hopkins Hospital, Maryland. Doctors took a sample of her biopsied tumour, without her knowledge or consent, and sent it to laboratories all over the world. This was within legal boundaries at the time, but nonetheless presents clear ethical problems.
In addition, Lacks’ cells were unique, and far more useful than any harvested cells had been previously. Due to a genetic mutation, they were able to divide at an unprecedented rate, leading to an unending line of identical cells that are still used in research today.
Her cells have been used to produce polio and HPV vaccines, treat Ebola and have been sent to outer space. Most recently, they were used in the development of the COVID-19 vaccines. The widespread use of the cells have made them the basis of countless patents and inventions, facilitating recognition and profits for many scientists and companies.
New lawsuit announced
Lacks’ family have now announced that they are suing Thermo Fisher Scientific Inc., a biotechnology company specialising in life science research and patient diagnostics. It claims to make $35 billion annually.
The lawsuit asks them to “disgorge the full amount of its net profits obtained by commercialising the HeLa cell line to the Estate of Henrietta Lacks.”
The family’s lawyers state that the cells were stolen from her body and the money they generated was taken from her family, many of whom experienced severe poverty. Ironically, many suffered for years from chronic illnesses without health insurance, whilst the cells taken from their mother were constantly improving medical practices.
During a news conference, Ben Crump, a prominent civil-rights attorney working on the lawsuit asked:
“Why is it they have intellectual rights to her cells and can benefit billions of dollars when her family, her flesh and blood, her Black children, get nothing?”
Alongside a right to the profits, the family are also demanding that Thermo Fisher Scientific halt their usage of HeLa cells unless the family give their consent.
There were also hints of further lawsuits to come. Christopher Seeger, a corporate litigator working as another attorney for the family said that Thermo Fisher Scientific “shouldn’t feel too alone because they’re going to have a lot of company soon.”
It is unknown what companies will be involved, as so many corporations have profited from use of the cells over the years. John Hopkins itself denies ever making money from the cells, but accepts ethical responsibility. The lawsuit claims that Lacks was one of a number of black women receiving cervical cancer treatment at John Hopkins in the 1950s who had their cells unethically harvested by white doctors.
True justice for Henrietta Lacks is arguable unobtainable. However, the launch of this lawsuit provides a sense of hope that one day reparations will be made for this horrific historical iniquity.
In search of something to do this Halloween that doesn’t involve chucking on a pair of horns and drinking way more than intended? Celebrate spooky season differently this year – from pumpkin carving to swimming and skating, we’ve got you covered.
Here’s a list of Halloween events happening in Manchester you’ve probably yet to hear about.
25th October – Nightmare on Wilmslow Road, XLR Withington
FuseFM and MMG are putting on a nightmarish club event in Withington. Expect live music organised by Gigs and Band society and a number of talented student DJs playlisting the night! Tickets are £3 with a valid Student Id from any Manchester university and the night will start at 8 pm until 2 am, costumes and spooky vibes are strongly advised.
Photo: Nightmare On Wilmslow Road, MMG
27th October – Pumpkin Carving and Spiced Rum, The Pen and Pencil
The Pen and Pencil’s annual pumpkin carving competition is back on in Manchester’s Northern Quarter. Offering a rum cocktail on arrival, and various Kraken Rum tipples, you’ll be giddy just in time for pumpkin carving. A prize will be presented for the best-looking pumpkin and at £15 a ticket, it’s a fun event for the whole flat.
28th October – Swim in the Dark, Salford Quays
If you fancy a midnight dip, head on over to Salford Quays where you can join a group swim whilst donning your best Halloween costume, and a wetsuit of course (safety first!). You’ll be provided with your very own spooky swim cap and glow sticks to make the night more seasonal. It’s a super fun activity that’s a little different to how you might usually spend Halloween… perhaps eating the chocolates you supposedly bought for trick or treaters? Warm soup and hot drinks will be waiting for you by the water’s edge. What’s not to love?
22nd – 31st October – Scare Skate, Cathedral Gardens
If you’d rather be on the water, than in it, pop your skates on and head to Cathedral Gardens’ new ice rink, double the size of previous years. Hosting a Halloween special, the rink will include spooky songs and themed lighting. You better be a pro on ice because close behind you will lie ghoulish monsters on skates. Fancy dress is encouraged!
31st October – Blackout Dinner, 20 Stories
If you’re looking for a more elegant Halloween experience, or if fine dining is your forte, then book yourself a table at 20 Stories. Indulge in an exclusive four-course menu, served to you in their rooftop restaurant, all by candlelight and enjoy the views of Manchester.
All October – The Dunham Pumpkin Patch, Dunham Massey
Do you still need to pick your pumpkin ready to carve for the 31st? Don’t panic, Dunham Massey has got you covered. With over 20,000 pumpkins planted this year, from traditional orange to Ghost Rider pumpkins, there’s no excuse to go pumpkin-less. Head to their website to book a slot to hand-pick your very own orange friend.
October – November – Scare City Drive-in Cinema, Trafford
If you really want to be spooked this Halloween, I suggest hopping in a car to the Trafford’s Soccer Dome. Here you’ll find an immersive experience of haunting live actors, and a drive-through scare tunnel, all whilst watching your favourite horror films. The site includes a fully licenced bar and food vendors, as well as plenty of photo opportunities for you and your friends. Showings are ongoing until mid-November so there’s no need to rush.
Hopefully, these events have tickled your fancy or bubbled your cauldron, and you’re ready to head out for a spooktastic Halloween!
If you want to make sure that students have a good time at the University of Manchester and be a part of implementing positive changes, being a Part-Time Officer(PTO) can ensure that. The nominations for being a PTO are now open and here is all you need to know about it.
There are 7 different roles available to be a PTO, and around 50 positions are up for grabs. These include:
10 Liberations Officers: who represent people from LGBTQ+, BME or other marginalised backgrounds.
12 Faculty Officers: who communicate with course reps in their faculty to improve students experience.
7 Access Officers: who represent student parents and mature students, who are often categorised ‘non-traditional’ students.
6 Community Officers: who represent people living in different areas of Manchester such as Rusholme, Fallowfield and City Centre.
1 Ethic and Environmental Officer: who campaign for sustainability on campus.
1 International Student Officer: who work with the International Exec Officer to improve international students’ experience
12 NUS Delegates: who represent Manchester Students’ Union’s members at a national level, attending the NUS’ Conference.
The candidates standing for PTO will receive in-person training on the topics of public speaking, campaigning, senate and representation. Hence, this training gives students the chance to learn and advance skills in key areas.
An SU spokesperson stated, “This is a great opportunity to meet new people who resonate with your passions, gain a deeper knowledge of the Students’ Union and advocate for the issues you stand for on a campus-wide platform.”
The nominations opened up on the 8th of October and are open till the 22nd of October at mid-day. On the 22nd of October itself, the candidates will be given a briefing on what would be expected of them. Following this, on the 25th of October, the campaigning will commence and the voting would open. On the 27th of October, the students will get a chance to meet the candidates in-person and will get to ask them questions. Finally, on the 28th of October, the voting would be closed.
The results will be announced on the 29th of October on the Student Union website. If there are any queries students can email the SU’s Democratic Engagement Coordinator, Stefanie Cooper ([email protected]) or the SU elections account ([email protected]).
This is a great opportunity to participate in university affairs and can get you more invested in students’ day to day life.
Whether you are new to the university or simply haven’t found your way around the fashion scene of Manchester during the pandemic, you may be wondering where to find the most affordable and stylish outlets. With student budgets, clothing can fall pretty far down your list of necessities. However, there are plenty of outlets near you that cater for budgets of any size and will breathe a new lease of life into last year’s wardrobe.
Have you ever wanted to shop at a store filled with affordable trendy fashion whilst also saving the planet? If the answer is yes, then ‘Blue Rinse’ is the shop for you. This hidden gem offers sustainable vintage clothing, meaning their clothes will be unique and more environmentally friendly than the big brand names. You can also request ‘niche’ hand-made items that will make your wardrobe totally one-of-a-kind. Whilst prices vary, it is still highly likely that you will be paying half the money you would in larger retail stores. If you are into edgy, retro designs with modern days twists then you will love Blue Rinse.
3. Cow Vintage: 61 Church St, Monday-Saturday: 10AM-6PM, Sunday: 11AM-5PM.
Inside Afflecks, this online and in-store brand offers bucket hats, reworked clothes, and totes; featuring fashion from big-name brands. Cow Vintage offers slightly more expensive options than many of the shops on this list, with prices ranging from £17-260 (although most outfits are nowhere near the top estimation). However, the prices seem warranted when considering the range of unique and quality pieces. If you’re hoping to spend less, their frequent discount sales featuring a tonne of great bargains are worth waiting for!
As a sister store to the Cow Vintage/We are Cow brand, the store unsurprisingly shares the same array of bold colours and styles to suit every taste and budget. The Thrift Shop offers incredibly affordable clothing, with tees costing £6 (the equivalent of most Primark ware), jeans for only £15, and bags for £4. They also provide special discounts on multiple purchases. Their Instagram page also offers an insight into their goals, as supporters of the sustainable fashion movement, which opposes the mass consumption and waste of clothing adding to the world’s pollution levels.
Punk’d Image provides alternate clothing with a range that spans the genres. A gorgeous world of emo, gothic, fantasy, sci-fi, and band-related clothing bursts through the retail store. Most clothing ranges from around £5-50, only occasionally reaching the steep-end. So whether you are into Green Day and Nirvana, or love skeletal designs, the store will most likely take your fancy. Highlights include the Adidas-themed Demogorgon T-shirt and an ‘Evil Friends’ tee featuring cartoony depictions of major horror antagonists.
5. LIEF: Afflecks, Oldham St.
LIEF is an amazing fashion store offering both the traditional shopping experience and a sustainable swap shop running every Saturday. Here you get the opportunity to exchange something old from your wardrobe and get something new from their outlet. LIEF describe themselves as a place “for conscious queens, bargain hunters, and fashion and vintage lovers alike”, where there is “something for everyone, all shapes and sizes, all styles and all ages”. So why not spice up your wardrobe with something different and support a fashion process that will help the environment.
6. AngelMarketplace (Online)
A unique, chic boutique filled to the brim with affordable hidden gems and vibrant edgy fashion. Their designs range mainly around the £20-30 mark meaning you can get stylish halters, cropped or tie-dyed pieces, and more for an affordable price. They describe themselves as a “Y2K Inspired clothing brand. Think satin halter tops, figure-hugging co-ords, mesh dresses and hella cute statement bags. Fun, cute and made to make you feel like the 2000s pop princess you are!”. Their Instagram, Facebook and ASOS page exhibit a wide variety of outfits sure to impress.
For More:
Check out the great catalogue by BLINK-SL0W – JADE COOPER, filled with ethical, affordable places to shop for jewellery clothes or a manicure. Stores include ‘Nuclear Planet’, ‘Tiar’ and ‘Not Just Trash’.
Special thanks to suggestions from the Manchester Student Group!
Lucy Deakin is a Manchester based singer. Featured on NME’s list of the top 100 emerging artists of 2021, releasing new music, and touring with Manchester indie giants Larkins, she’s had a stellar year.
We caught up with her fresh off the release of her recent track ‘2009’.
How did you get your start in the music industry? Have you always wanted to sing?
I’m a massive pop stan – I always say my start in the music industry was down to Disney because I used to be obsessed with Hannah Montana and High School Musical. I had a Nintendo Wii and used to play SingStar, which pretty much taught me how to sing because I was tone deaf beforehand!
So did you ever have any formal voice training or was it literally just SingStar that got you where you are today?
Genuinely when I was younger, SingStar! And then I went to university and I studied music, so I had some training. But basically Nintendo should own my career…
You’ve had a pretty exciting year – your album has been released this month, you’ve had Miley Cyrus give you her approval, you’ve toured with Larkins and you’re consistently getting played on Radio One – you’re doing pretty well! How does it feel?
It’s just nice to be able to go out and play shows again! I basically started my career online during the pandemic – I’d only done one support slot ever, pre-COVID, so I was really, really new to playing live. I did quite a few shows this summer, and it just inspired me so much. It showed me why I wanted to do this even more than I already did. It is the dream to be able to earn money off something you love, and performing is so, so fun. So that’s breathed some new life into it for me and shows me that it isn’t all online!
During the pandemic, it was interesting to connect with people, but not get to play any shows or not get to meet anyone was really difficult. Especially with the behind the scenes stuff – shooting videos and artwork etc. So it’s nice that the world’s going back to normal again!
Photo: Lucy Deakin – Official Press shot
So you mentioned you’d studied music at uni. Was that something you always wanted to do?
I studied it because I wanted to meet more people who had similar interests to me, to find people I want to work with. And I knew I wanted to do a solo project, I just didn’t know what I wanted to sound like, so it felt like the logical next step for me.
I’m very grateful I did it as I got to meet some of the people who have produced all my stuff so far. Karl, for example – I met him at uni, and we work a lot together.
Speaking of Karl – he helps produce your music, so tell me a little bit about your artistic process. How do you and Karl work together? How would one make a Lucy Deakin record?
So, I always have a big playlist of inspirations, particularly stuff from the past and also what I’m listening to now. I go on Spotify and I search through all the pop playlists, and find people to inspire me. I found Upsahl this year, who I think is one of the coolest breakout pop artists right now. Baby Queen is also amazing. And Maggie Lindemann, her new EP is so so good. There’s loads of pop female artists I’m obsessed with at the moment.
So yeah – I find inspirations old and new, make a playlist. And then I’m really good at concepts and have an idea, so 2009 for example, I just knew I wanted to write a song about the year 2009. It stands out for me. So I just put together a playlist of inspirations and films and movies and artists I loved at the time, and went into the studio. This time, it was Josh from Larkins and Karl and we did the whole project as a three.
Your song ‘How to Lose a Guy’ is based on the film How to Lose a Guy in 10 Days. Do you get a lot of inspiration from media like films and TV?
Yeah, I love music documentaries and they’re a big way to re-inspire myself if I’m feeling a bit disconnected. I’ll put on a documentary or a film, or an old album I used to listen to growing up. Britney [Spears] and McFly I use a lot, and Avril Lavigne – people who I loved growing up. I love to re-listen because it gives you a fresh perspective on how you want modern music to sound now.
Lucy Deakin features on Manchester label ‘Scruff of The Neck’s’ impressive roster
Would you say you mostly get your inspiration from media? Or are there some things that you’re inspired by in real life? You’ve got quite a lot of songs that are about the ends of relationships and breakups and things like that, so I’m just hoping for your sake that they’re not all based on life experiences!
Oh no! I’ve taken inspiration from different things which have happened to friends and things like that – I listen to what people have said, and put things together. I get an idea from relationships and situations I have been in, or someone I know or something I’ve seen on TV, and pick different points from it. But then some of them are quite true… It depends on the song.
Has anyone ever recognised themselves or a situation they’ve been in from one of your songs?
I don’t think so. I think people have made speculations and a lot of the time they’ve asked me and they’ve been wrong.
You mentioned a few artists already – Britney Spears, Avril Lavigne and McFly – but are there any other artists you look up to for inspiration?
Miley Cyrus is my number one, Kim Petras, and I think anyone who’s following me on any social media knows that I love Charlie XCX. The majority of people I listen to are solo female artists. I don’t know whether I’m just drawn to a strong woman at the front, but I feel like that’s how I always wanted it to be. I always knew I wanted it to be me on my own, just because everyone who I love and majority of them are strong women at the top.
You’ve had a bit of an image change recently – looking at your Spotify you can see there’s been a massive difference in album covers, quite pink and quite bright at the beginning and then more recently with dark colours and more edgy visuals. Was that a deliberate thing?
Yeah! Initially, I was doing a lot of pink. I don’t know whether it’s because I was doing the whole ‘female pop’ thing or if I felt like I needed to do that to fit in. But particularly with this new project, I was mood boarding what I wanted the look to be, what I wanted the sound to be, but then with all the pictures I got together they didn’t reflect me at all. I just wanted to make sure that it was a progression from the last project, trying to separate it out as much as possible. This girl called Jess was helping me with my styling and she was amazing – she banned me from using pink for a while. But it was all intentional, yes, and I’m so glad I did it.
How important do you think image is for an artist compared to the music you make? Is your persona an integral part of your job?
100%. I think it helps further what you’re trying to say or what the genre is even more. If you look at Lady Gaga – one of the queens of pop in the 2010s era – the meat dress and the outrageous outfits and all of that stuff all helped just amplify everything she was doing musically. And Miley Cyrus’ Bangerz era, the way she dressed, and she cut her hair quite drastically, it all just mirrored how everything changed for her as an artist. It just amplifies what’s going on musically, I think. Those two people specifically, I took massive inspiration from as well, just being bold and going out there and just doing it.
So from a deeper feminist perspective, do you think that’s something that you feel like you have to do as a female artist? Have a recognisable aesthetic that’s just as important as the music?
Yes, 100% and I think it’s sad it’s that way. Generally, a lot of male musicians will go out wearing jeans and a T-shirt for every show – they don’t have to worry about how they look. There are exceptions, but the majority will have just natural-colored hair and a casual outfit, whereas I feel like it’s just expected that I’ll wear something dressy onstage, or Arian Grande for example.
On the flip side, though, I’m not complaining because I love to get to wear something different or something super, super bright or out there, which I wouldn’t usually do. It’s really exciting to be able to do that.
What are your thoughts on using social media as an artist? Have you found it’s been a positive space or more negative?
I think I go through waves. It’s quite difficult to be creative and put out content and interact with people and have enough things to post but also try and get in the studio and write stuff and also taking space for yourself to feel inspired. I think it’s very difficult to do all of that at the same time and do it well. But for the majority it has been a positive space.
How have you felt about being played on Radio One?
Jack Saunders played me and then when my song came out Molly King played it on Best New Pop, and then Dean McCullough played me on the Saturday. I knew Dean from when he used to host Gaydio, one of my favourite radio stations, so I was so excited! People were like, “I’ve just heard you on Radio One on the way to all the football games!”, because it was on a Saturday. It was just a surreal thing to hear myself on there. I used to listen to Radio One on the way to and from school every day growing up, so to hear my own name on there and to hear my voice was weird.
You’ve got your own headline tour coming up this autumn – how do you feel about that? How are you preparing?
I’m so excited. I’ve never done a headline show before so it’ll be my first one at the London show. And then, obviously I’m excited to play at Yes in Manchester! I’m just so excited to finally play live with people because as I was saying before, COVID meant that I’ve not really played live, a lot of my friends have never see me do my original stuff, and I’ve also never really played for fans as well. So it’s just really exciting to do it all at once.
In terms of Manchester, you know the city quite well, so what are your favourite spots in the city?
The pizzas and the vegan fake chicken at YES are amazing, so that’s definitely a recommendation. And just next to the Arndale there’s this falafel and vegan takeaway called Aladdin’s, a little independent store on the corner. Every time I walk past I end up going in and buying something because it’s so good. And NQ64 is really fun!
Thank you so much for speaking to us. It’s been an absolute pleasure.
Lucy Deakin is playing at YES in Manchester on the 18th of November 2021.
Her Instagram is @LucyDeakin and her Facebook and Twitter are @LucyDeakinMusic.
Girls Night In campaign groups have sprung up across the country, calling for a boycott of clubs next week in protest of the continued issue of spiking.
The campaign was founded partially in response to sinister reports of spiking by injection in the past few days in Edinburgh, Dundee and Nottingham, alongside the ever-present fear of drink spiking faced by party-goers on nights out.
The exact date of the boycott next week varies form city to city, with Manchester’s campaign group opting for Wednesday 27th.
Over the past few days Girls Night In groups have cropped up across at least 25 cities all around the UK.
“Along with many cities in the UK, we are organising a boycott of all clubs in Manchester to demand that spiking is taken seriously.
“We will use the boycott to demand that Andy Burnham and Greater Manchester Combined Authority as well as club owners take spiking and sexual assault more seriously by taking tangible measures such as funding anti-spiking devices in all clubs and bars, a Good Night Out Scheme, and an awareness campaign targeted at men.”
Girls Night In Manchester branch was founded by University of Manchester SU Exec Officers, in response to the growing movement.
Alongside the boycott, some campaigners have published a petition which calls for the government to make it a legal requirement for nightclubs to search guests on entry for weapons and other harmful items.
The petition was started by Hannah Thomson, a graduate of Edinburgh Napier University. In a comment issued to Brig News, Hannah explained that her disgust at the recent development of spiking by injection is what motivated her to start the petition:
“How are we even getting needles into nightclubs like how is that happening? How are we allowing that to happen? Then I started thinking we get searched going into gigs and festivals so, why not nightclubs?”
Some campaign groups, however, including the Manchester branch of Girls Night In, have released statements encouraging people not to sign this petition for mandatory searches, in favour of more comprehensive demands for local government and night clubs.
In a post to their Instagram, Girls Night In Manchester said that they “do not endorse increasing such powers for security as it would have a negative impact on multiple sections of our community, particularly Black people.”
“We are working on lists of demands from local government and club owners, and are also working together with other Girls Night In groups on demands from national government. Please share these once they are published rather than the petition.”
Girls Night In Manchester have spoken out against the petition for increased searches by nightclub security in a post on their Instagram.
Girls Night In groups hope that their boycott of nightclubs and bars will “ensure the issue of spiking is taken seriously”.
On Instagram, organisers of the Edinburgh campaign wrote: “Girls should not have to feel unsafe and uncomfortable to go out and enjoy themselves.
“Together we can make a change.”
Girls Night In Edinburgh released a statement addressing concerns about the gendered language of the movement.
Some people have raised concerns in the comments of campaign posts about the gendered language of the Girls Night In boycott, calling the name exclusionary to those who identify as other genders, but are nonetheless affected by spiking.
In response to this, the Edinburgh group have released an apology about the name, which was chosen as a play on the phrase “girls night out”. Organisers said: “We completely acknowledge that the name fails to include people of all identities and we are deeply sorry if it comes across as exclusive.”
“We want to reiterate that, not only are all genders and people of all identities welcome to join this movement; but we hugely appreciate every single person that has united with us and supported this.”
During the boycott on Wednesday 27th October, the University of Manchester Students’ Union is hosting alternative events to clubbing, in support of the anti-spiking movement.Details to be confirmed.
Three months on from ‘freedom day,’ which scrapped the majority of Covid-19 restrictions, the UK is facing the possibility of a winter lockdown. The question on people’s minds is why is this a possibility when 75% of UK adults have been double jabbed?
Here is the rundown of the current climate, why it is a possibility, and the Prime Minister’s three-part plan to avoid a lockdown:
The situation right now:
There have been more than 86.7 million vaccinations across the UK, with first doses now offered to 12-15 year olds. This caused a significant drop in the number of cases, hospitalisations and deaths. However, recently with the onset of winter, Covid-19 numbers have been slowly and steadily rising on a national average.
The government is continually promoting flu jabs, booster jabs and the Covid-19 vaccine. Professor Chris Witty, chief medical advisor, warns that ‘winter is coming’.
With the upcoming flu season, Boris Johnson is under continual pressure to introduce a plan for the winter. Although he wants to avoid detrimental economic and social restrictions, the potential struggle for the NHS means lockdown remains a threat.
Locally, Manchester City Council has published up to date information, highlighting that in the last 7 day period (Sept 25th-1st Oct) the number of positive PCR tests have risen from 5% to 5.2%.
Based on these facts, the government has concluded that it is highly likely that seasonal flu cases will cause winter Covid-19 patients to suffer symptoms 50% worse than current cases.
As a result, Boris has unveiled a three-part plan to limit Covid-19 cases and reduce the chance of a winter lockdown.
Boris’s three-part ‘Winter Management Plan’:
The initial plan includes booster vaccines to vulnerable people and over 50s, a larger vaccine rollout, and flu jab recommendations.
Plan A: No closing of public spaces or limit on people in specific areas. Face masks will not be mandatory however Sajid Javid has recommended ‘wearing a face mask in crowded and enclosed spaces’, and meeting outdoors to ‘steer the country through the autumn and winter.’
Plan B: The introduction of mandatory face masks in public indoor settings and the controversial introduction of vaccine passports – requiring vaccination proof or a negative test to enter certain areas. This plan is in reserve due to backlash from the public and Conservative MPs.
Plan C: Either a winter lockdown or an early contingency short lockdown with the intention to maintain hospitalisations at their current level.
These steps would all need to be implemented before the process of another full-blown national lockdown.
However, despite these announced steps, current speculation has threatened to derail Plan C and the possibility of a winter lockdown. The speculation has surrounded news that Boris Johnson may repeal parts of the 2020 Coronavirus Act, which granted the government the powers to handle Covid-19 pandemic.
According to the BBC, Boris is speculated to have discussed repealing:
The power to close the economy.
The power to impose restrictions on gatherings.
Powers to restrict access to schools.
Powers to detain infectious people.
If Boris repeals the Coronavirus Act, there is little possibility of a winter lockdown. However, the government would still possess the powers to impose regulations that ‘critically protect and serve the public,’ like providing emergency NHS resources.
This speculation provides further indication that before a winter lockdown, the government will focus on vaccines as a first-line defense – supported by flu jabs and testing. Mandatory measures and restrictions remain a last resort.
What do UoM students make of this?
First-year student Ella fears the impact of another lockdown on her mental health and social life. Particularly as lectures have only just become in person and clubs reopened, the threat of a winter lockdown would damage students’ remaining university experience. However, she also commented that despite this “I don’t mind having a lockdown to keep people safe, because that is the main priority.” Ella’s opinion sums up the view of many first and second-year students, who are currently receiving face-to-face teaching.
Overall it is important to note that a lockdown is not ruled out, especially considering the constant government U-turns and the impending flu season. However, with double vaxxed numbers continually rising, the government’s winter management plan, and current manageable levels of hospitalisation, there are still many hurdles before a winter lockdown. In fact, if Boris’s Coronavirus Act repeal does go through, the process of a winter lockdown would be legally complicated.
Until then, we remain in a state of limbo regarding the future. As students, we are left to contemplate what we would do if a winter lockdown becomes reality.
