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Ode to Oak: The end of an era
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Is Neurodivergence becoming a trend?
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Canal Street: The Village of Angels
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Rusholme demonstrations celebrate Syrian liberation
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It’s okay to drop out
I HATE THE 2026 ‘REBRAND’
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Call it what it is: Jhumkas or vintage accessories?
Threads of Osmosis: bridging the gap between fashion and politics
Identity and fast fashion: A story of overconsumption
It’s okay to drop out
21st May 2026
The phrase ‘dropping out’ often feels synonymous with ‘failing’
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The Layers Beneath Un-Fair-Ground Exhibit at Whitworth…
All that went down in the art world, so far: Art market…
Review: HOME, Roots in the Sky
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Next to Normal review: UMMTS’s final show of the…
The Manchester Revue: Reviewing the Revue
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The Manchester Revue: Reviewing the Revue
3rd June 2026
A deep dive into the University of Manchester's comedy society
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“SNL UK Is Born!”
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“SNL UK Is Born!”
‘Mock the Week’ is Back!
Taskmaster Series 20 review
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FromSoftware design: How Elden Ring and Bloodborne mani…
Feature: The Legend of Zelda, orientalism, and perpetua…
Collateral damage: how layoffs are purging the potentia…
FromSoftware design: How Elden Ring and Bloodborne manifest immersion
16th June 2026
An analysis of FromSoftware's detailed, sprawling worlds, and just what makes them feel so immersive
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Blue,yellow ,red
Written by
Lucy
on
25th September 2024
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