Urussa Malik reviews The Glass Menagerie at the Royal Exchange Theatre

The Glass Menagerie, the semi-autobiographical play that catapulted Tennessee Williams to fame, is once again playing at the Royal Exchange Theatre – following their hugely successful adaptation of A Streetcar Named Desire

Urussa Malik reviews The Runway at the Martin Harris Centre

Words and Music – James Joyce and Anthony Burgess is a literature event featuring Enrico Terrinoni at the International Anthony Burgess Foundation

The Mancunion’s Theatre section reveal their favourite shows of the decade

There is an interesting moment where brown women in the public eye are caught between mimicking vitriol of white supremacy and silent complacency, Urussa Malik argues

Urussa Malik reviews a new short story collection which explores what it means to be a woman in Palestine today.

Urussa Malik reviews the Creative Writing Society’s new zine, ‘Truth and Other Associated Works’, edited by Calvin Cheng, Adrian Kanyoli, and Toreh O’Garro

Urussa Malik reviews ‘It’s not about the Burqa’ a collection of intersectional essays by Muslim women, edited by Mariam Khan

Urussa Malik reviews The Manchester Collective’s ‘Pierrot Lunaire’

Urussa Malik review’s the Creative Writing Society’s ‘Too Shy: Open Mic’ event at Chapter One Books in Manchester’s Northern Quarter.

Brudenell Social Club is treated to a night of reflection and emotion, courtesy of Welsh talent Novo Amor, writes contributor Urussa Malik.

Urussa Malik reviews Knaïve Theatre’s ‘War With The Newts’ at the Royal Exchange Theatre

Urussa Malik reviews Desiree Akhavan’s third project, The Miseducation of Cameron Post

Urussa Malik pictures Christine & The Queens’ new album as needed push for change in social norms – along with being a stunning piece in its own right.

Sally Rooney has been getting a lot of hype. Urussa Malik reads her latest novel, Normal People, to find out how such a comparatively young writer (she’s written two best-selling books by the age of 26) has been so successful.