In the latest instalment of ‘Art in Mancunia’ we present Ellie Johnson, whose photography examines the historical connotations of bread with feminine domesticity
Saoirse Akhtar-Farren reviews the ‘Big Screen, Little Screen’ event, including the work of Robert Vas, which makes up part of Jewish History month, and reflects on the importance of such events in our current political climate which has seen increasing hostility towards minority groups
Bella Jewell meets with Joshua Coombes to discuss the first stop of the Light & Noise exhibition, an event which pairs with TOMS and Centrepoint Manchester to shine a light and make some noise about homelessness
Jack Greeney visits the SU Steve Biko exhibition, and contemplates the University’s history of divestment with regards to current divestment campaigns
A swarm of worker bees cover our city, from street signs to paving slabs to the Manchester University crest, the Manchester Bee is everywhere. But how many of us really know the history behind the bee?
Lily Rosenberg reviews Selfridges latest campaign, ‘State of the Arts’, a show which attempts to make art more accessible, highlighting the link between art and fashion, yet she believes fails to execute a truly effective installation
Eva Gerretsen explores the work of Politics and International Relations student Emmanuel Anie-Akwetey, whose photographs are a dip in a pool of colour, a journey through the city you thought you knew
In this instalment of Artefact of the Week, Angus Dickson looks at the bizarre Vimto monument on Granby Row, considering its place in Manchester’s history, and how it continues to evoke a distinctly mancunian pride
In this instalment of Art in Mancunia, Saoirse Akhtar-Farren reviews Priya Ray’s ‘Absence’ Project: a photographic series exploring loss and life after bereavement
Eleonore Meningaud reviews ‘The Binary Exhibition’, a show at Partisan Collective which aimed to underline the duality of the subject through language, dialect, and how we are often torn between the sight of two realities
Jackelyn Howell and Bella Jewell reflect on an evening of enlightening discussion and performance with The Chanteuse; from Piaf, to Modiano, the singer brought the raw emotion of french music to the Students’ Union
Saoirse Akhtar-Farren interviews Lawrence, a volunteer for the Jewish Historical society, prior to a talk on Jewish television
How we can have such a harmonious relationships with such beautiful landscapes, when for others it is the most disastrous place on earth? Rosie Plunkett tackles this challenging question in her most recent landscape photography project
Saoirse Akhtar-Farren reflects on Manchester born Chris Ofili’s ‘The Holy Virgin Mary’, which featured in Charles Saatchi’s exhibition ‘Sensation’ in 1997, in relation to challenging the nature of art and conventional reverence associated with religious imagery.
In keeping with the political atmosphere of the Students’ Union elections, Bella Jewell explores Manchester’s history of left-wing politics in this instalment of Artefact of the Week, looking to the desk on which Karl Marx and Friedrich Engels formulated the socio-economical theory Marxism
Some of his works are inspired by those in the Manchester Art Gallery
We are all artists. Whether we realise it or not, we demonstrate our creative instincts in things that we do every day. Convinced? Let Theo Bennett explain
In this instalment of Artefact of the Week, Bella Jewell looks to the new Emmeline Pankhurst Statue; only the second statue of a female in Manchester… does this mark a moment of change in the representation of women?
