Darkside play the Ritz on March 27th

They’re past the debut of indie teenage angst, the suprise folk and an unexpected electronic tangent – now what?

Released January 1977 Sire Recrods Released barely nine months after their classic debut, The Ramones’s second record consolidated their status as pioneers of New York’s burgeoning punk rock scene and proved their early success was no accident. Leave Home – so titled because of their then-fledgling ambition to tour the world – embellished and improved […]

Familiar Mogwai tropes on Rave Tapes are mostly pleasing but occasionally a little dull

Warpaint don’t quite reach their past consistent heights

Sam Bartram considers the role of music festivals outside of Summer

A look at the forthcoming Bugged Out Weekender

Ruby Hoffman talks with The Family Rain about their debut album, highlights of last year and their fashion icon

Callahan’s understated vocals mesmerise and provide a compelling consistency

Angel Olsen’s power lies in her beautifully idiosyncratic voice

Sepultura trigger large and fierce moshpits

There is only so much to be heard of similar sounding acoustic songs

The raw emotion and honesty bleeding from this record breathes contemporary life into a seemingly dormant genre

Pangaea showcases Manchester’s musical diversity

There is certainly a ‘bigger’ aura surrounding Present Tense, than on previous work

2022NQ is well and truly pounded by Objekt

On a night of difficult circumstances, Hi Ku prove their adeptness as promoters and host a good party

Zed Bias spins an eclectic set for Swing Ting

Ben Glover looks back at the magnum opus of the most important figure in British electronic music

Lo-fi legend wigs out at Gorilla