Alexia Pieretti reviews Abandon Ship as part of the Drama Society’s MIFTA Season

Ella Marsden reviews Sleepwalk Collective’s Kourtney Kardashian at HOME

Anuli Changa reviews the incredible Barber Shop Chronicles at the Royal Exchange in association with Contact Theatre

Anuli Changa reviews Alluriat, the non-verbal underwater adventure by Forest Tribe Dance Theatre

Anuli Changa reviews Wise Children on its touring visit to HOME, an adaptation of the Angela Carter novel by Emma Rice

Anuli Changa speaks to cast member Emmanuel Ighodaro about Inua Ellams’ Barber Shop Chronicles at the Royal Exchange Theatre in association with Contact Theatre

Cathy Wippell reviews MUMS’ Night at the Opera, including: L’enfant et les Sortileges and the staged premiere of Weir’s Armida

Alexia Pieretti reviews Swish Swish, a story of strong women and friendship, as of the Drama Society’s MIFTA season

Jay Darcy reviews jukebox musical Motown The Musical on its touring visit to the Manchester Opera House

Kayleigh Crawford reviews RAGS, reimagined by Stephen Schwartz and David Thompson, a story of immigration, identity and hope

Theatre Editor Anuli Changa talks to Adam Szabo, Managing Director of Manchester Collective, creating “radical human experiences through live music”

Anuli Changa talks to writer and co-director Roman Armstrong about the process of creating The Greatest Tory Ever Told

Sam Bronheim reviews Sabrina Mahfouz’s adaptation of Malorie Blackman’s Noughts and Crosses at The Lowry

Amy Hagan reviews We Have Sinned, new student writing as part of the Drama Society’s MIFTA Season.

Scarlett Spicer reviews The Full Monty at the Manchester Opera House

Kayleigh Crawford reviews Sass Holmes’ A Place, as part of the University of Manchester Drama Soicety MIFTA season