Kayleigh Crawford reviews Opera North’s Street Scene, which is based on the play of the same name, at the Lowry
Sam Whitehouse reviews UMDS’s Gorgon Westley’s Railway Circus, which was performed at the Peer Hat as part of the MIFTAs
Alexia Pieretti reviews dark comedic social commentary The Shadows, performed at the King’s Arms as part of the Drama Society’s MIFTA season
Lily Rosenberg and Theatre Editor Jay Darcy review Vogue Ball of Atlantis at Manchester Academy
Tara Bharadia explains why fans of the original film will love the musical adaptation of Back to the Future
Ellie Klouda reviews Nut at the SU Theatre, which is part of UMDS’ MIFTA season
Francesca McClimont reviews Bourgeois and Maurice’s Insane Animals at HOME Theatre
Rosemary Russett reviews Queer Lady M at Waterside Plaza
Anna Jin interviews the award-winning playwright Winsome Pinnock ahead of her play Rockets and Blue Lights
Alice Porter reviews ‘How To Keep Up With The Kardashians’, a UMDS production on body image and pop culture
Anna Jin reviews UOM Shakespeare’s society’s adaptation of King Lear at the Students’ Union Theatre
Alexia Pieretti reviews a live-streaming of Monster/Monstrum, which was performed at NIAMOS Art Centre as part of the Drama Society’s MIFTA season but live-streamed in the wake of the coronavirus crisis
Sam McElhattan reviews Augmented at the Royal Exchange Theatre
Theatre Editor Jay Darcy, Ana Maria Ortiz and Alan Cook review the worldwide premiere of the musical adaptation of Back to the Future, starring Tony winner Roger Bart, at the Opera House in Manchester
Sam Bronheim reviews Birmingham Royal Ballet’s Swan Lake at the Lowry
Kayleigh Crawford reviews Super Duper Close Up at the Royal Exchange Theatre
Alexia Pieretti reviews Indigo at the King’s Arms
Cara Conte reviews Ghost Stories at the Lowry
