Ella Marsden reviews the final production in the Drama Society’s MIFTA season: Chloe Weare’s Do Not Disturb
Theatre Editor Anuli Changa reviews Manchester Musical Revue’s 48 Hour Challenge Musical
Cathy Wippell reviews The Greatest Tory Ever Told as part of the Drama Society’s MIFTA Season
Theatre Editor Anuli Changa reviews this year’s Vagina Monologues presented by the Womens’ Theatre Society
Theatre Editor Anuli Changa speaks to Hannah Hauer-King, director of The Funeral Director, written by Iman Qureshi
Alexia Pieretti reviews Abandon Ship as part of the Drama Society’s MIFTA Season
Ella Marsden reviews Sleepwalk Collective’s Kourtney Kardashian at HOME
Anuli Changa reviews the incredible Barber Shop Chronicles at the Royal Exchange in association with Contact Theatre
Anuli Changa reviews Alluriat, the non-verbal underwater adventure by Forest Tribe Dance Theatre
Kayleigh Crawford reviews Scottee’s Fat Blokes at HOME
Alexia Pieretti reviews Caryl Churchill’s Love and Information, the penultimate production in the Drama Society’s MIFTA Season
We all know that theatre isn’t just what we see on stage, it’s also what goes on behind it – Kayleigh Crawford reveals all on what tech theatre is like
Alfie Clark reviews Mother Courage and Her Children in its re-imagined dystopian form, at the Royal Exchange Theatre
Jay Darcy reviews jukebox musical Motown The Musical on its touring visit to the Manchester Opera House
Kayleigh Crawford reviews RAGS, reimagined by Stephen Schwartz and David Thompson, a story of immigration, identity and hope
Theatre Editor Anuli Changa talks to Adam Szabo, Managing Director of Manchester Collective, creating “radical human experiences through live music”
Camila Florencia Rusailh reviews Amy Vreek’s comedic retelling of her struggle with endometriosis
Anuli Changa talks to writer and co-director Roman Armstrong about the process of creating The Greatest Tory Ever Told
