The Royal Shakespeare Company is launching an interactive, online play using the latest in gaming technology, based on Shakespeare’s A Midsummer Night’s Dream

Head Theatre Editor Jay Darcy interviews his friend Patrick Ralphson, a former UoM student who recently won Little Mix: The Search with his band Since September

Megan Drew accounts her experience directing a virtual play for the Drama Society’s Fringe Festival

Melanie Martinez is following her K-12 Tour – which played Manchester in 2019 – with a worldwide livestream, titled ‘Can’t Wait Till I’m Out of K-12’

UMDS is putting on a plethora of student-crafted work this week, exploring a range of subjects from race and climate change to experimentations with film7th-13th December.

Head Theatre Editor Jay Darcy begins his influencer series by interviewing influencer, student, blogger, content creator, and mental health and queer activist, Max Hovey

Drama Society is showcasing their autumn fringe festival online to provide a creative platform for their members to show off their work

Olivia Castagnetti reviews a socially distanced, concert version of Jesus Christ Superstar at Regent’s Park Theatre

Thanks to the National Lottery, Manchester Opera House is able to put on its annual Christmas pantomime! This years performance of Sleeping Beauty stars Jason Manford – with free tickets for NHS staff

Introducing a new theatre company who is taking their work onscreen to adapt and made theatre more accessible to all. Read to find out exciting and innovative events taking place such as an Immersive digital experience.

An Interview with Cecilia Alfonso-Eaton, University of Manchester Drama Society’s new inclusion officer on her values and how she is striving to ensure inclusion within the University’s drama society.

Head Theatre Editor Jay Darcy review The Believers Are But Brothers on its returns to HOME, as part of its new socially distanced theatre season

Head Theatre Editor Jay Darcy explains what the government’s new Tier system means for theatres – especially those in Manchester

Deputy Theatre Editor Dolly Busby discusses Black British theatre from the 13th Century to the last decade, reflecting on pivotal moments as well as the lack of accessible history

Find out which shows can still be attended live this season, as Head Theatre Editor Jay Darct discusses the Manchester theatres set to re-open with social distancing measures in place

Do you cry over Don’t Cry for Me Argentina? Head Theatre Editor Jay Darcy explores the hidden meanings behind notable musical theatre songs that audiences have misunderstood

Deputy Theatre Editor Dolly Busby tracks what happened to our theatres during the dark months of the national lockdown, explores how they adapted to the virtual world and questions their survival

Olivia Castagnetti reviews Andrew Lloyd Webber and Beverley Knight’s socially distanced pilot performance at the London Palladium

Theatre Editor Jay Darcy explains why we must not merely mourn Naya Rivera’s tragic death but also celebrate her terrific life

Alexia Pieretti reviews We Won’t Fall at the International Anthony Burgess Foundation