Sam James reviews and interviews comedy legend, and University of Manchester alumnus, Ben Elton

Anna Jin reviews Lady of Jazz at Hope Mill Theatre

Alexia Mieretti reviews 24 Hours of Peace, Neil Bartlett’s 24-hour show at the Royal Exchange Theatre

Kayleigh Crawford reviews The Escape Act – A Holocaust Memorial

Alexia Pieretti interviews Anthony Missen, the co-artistic director of Company Chameleon

The Marriage of Kim K is an award-winning, Gogglebox-inspired Kardashian musical, playing at the Lowry in November

Dolly Busby reviews PLAYLAND, the last play written by Athol Fugard under Apartheid

Evie Appleson and Theatre Editor Jay Darcy interview BenDeLaCreme and Jinkx Monsoon, ahead of their show, All I Want for Christmas is Attention

Dolly Busby reviews Gameshow’s Nuclear Future, the portrayal of family in a post-nuclear apocalyptic landscape

Theatre Editor Jay Darcy reviews the jukebox musical On Your Feet!, which tells the story of Emilio and Gloria Estefan, at the Palace Theatre

Sam Bronheim reviews Christopher Wheeldon’s Cinderella (English National Ballet)

Ana Maria Ortiz reviews Avenue Q at the Palace Theatre

Sophia Hadji-Michael and Theatre Editor Jay Darcy review Dada Masilo’s radical reimagining of the classic ballet Giselle

Bayse Genc reviews Javaad Alipoor’s “Rich Kids: A History of Shopping Malls in Tehran”

Kayleigh Crawford reviews Class, Scottee’s final solo show at HOME

Cara Conte reviews Zoonation’s Olivier Award-nominated Some Like it Hip Hop

Ella Broadbent reviews The Lovely Bones, the stage adaptation of the best-selling novel of the same name

Rosemary Russett reviews Reckless Sleepers’ Negative Space at the New Adelphi Theatre

Alexia Pieretti attends the preview event of Avenue Q at Oscars Bar

Cara Conte reviews the stage adaptation of The Exorcist