This album serves only to evidence the irrefutable fact that everything Alice Cooper has ever released sounds exactly the same

Superfood manage to produce a debut album which is both thorough and fucking fun

The album is a return to form for Bonnie “Prince” Billy

Zakk Brown finds that the title of the new Marmozets album proves accurate

James Yorkston’s 8th studio album is pretty boring, says Amna Shaddad

Innerworld is both immersive and otherworldly in even measure

“The whole album sounds like an aural iteration of some Baltic tapestry”

Katie Burns wonders if Jamie T’s sound can fit comfortably into today’s music scene

Shabab Tahsin looks at Yellowcards ninth studio album and asks if their new sound is dragging them down

Interpol’s struggle to deliver original material is clear

Reincarnate is an hour of industrial barminess and Wednesday 13-esque disarray

Songs of Innocence is the album U2 have been trying to make for over a decade

This Is All Yours does enough to silence the doubters, says Alex Daniel

Dinesh Mattu reviews the self-titled album by mysterious experimental disco duo Jungle

Daniel Johnston’s 1990 is full of profound moments of imperfection.

Life Lessons is not a departure from 2012’s deeply treasured debut Angst, but is a fitting sequel that has continued its momentum

Real Friends’ debut full length falls just short of the mark

The Black Keys attempt evolution

These tracks are about the transformation from identifying your dreams to being at the point where they become realised

There are no words strong or grotesque enough to describe the jaded horror of this monstrous album