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Live review: The Night Café

Live review: The Night Café

Laissez-faire indie down to a T
Live review: Kodaline

Live review: Kodaline

Kodaline brought the Irish folk to Manchester

Live Review: PVRIS

Pvris came to the Apollo Manchester to play the biggest show of their career so far.

Live Review: Liam Gallagher

Did what it said on the tin… unadulterated brilliance, as you were

Interview: DMA’S

‘Liam Gallagher came to our gig…he’s into it’ DMA’S’ Johnny chats about stepping things up for the second album

Interview: Jordan Allen

Jordan Allen chats crazy girls, the prospect of an album and a love for Kurupt FM

Why you should see City Calm Down tomorrow

The Melbourne four-piece play Soup Kitchen on Tuesday 28th November

Event Review: Blue Monday – Bombay Bicycle Club DJ Set

Jamie MacColl took to the decks for another groovy episode of Antwerp’s best-loved indie event

Album Review: Jessie Ware – Glasshouse

Jessie Ware’s third album promises a new and exciting era for the singer, but is she able to deliver what she has done so easily in the past?

Live review: Jordan Rakei

A methodological approach to disappointment

Album: Diet Cig — Swear I’m Good At This

Personal and political blur together in an infectiously energetic debut album that appropriately develops the pop-punk duo’s sound, writes Joe Casson

Album: Laura Marling – Semper Femina

Rebekah Shaw on Laura Marling’s mature and emotional exploration of feminine experience, identity and the problems with love

Live: Cosmo Calling

Cosmo Calling are buoyed by a receptive audience and play a bright, enjoyable set, writes Callum Oliver

Review: The Shins — Heartworms

The Shins’ latest record will be a welcome return for their dearest fans, but others will find another record to add to the backend of a summer Spotify playlist, Christian Hurry writes

Live: State Champs

Is pop punk dead? Meg Roberts takes a trip down memory lane at the State Champs’ gig

Album: Real Estate — In Mind

Subtly finetuning their sound, Real Estate have delivered a poignant and succinct album that expertly blends sunny guitars with contemplative lyricism

Album: Peter Silberman — Impermanence

On his first solo venture, the Antlers frontman strips his distinguished sound down to gorgeous melodies and stark guitar

Album: The Orwells — Terrible Human Beings

Their consistency is remarkable, but on album number three The Orwells’ determinedness to stick to their guns sees them shoot themselves in the foot, writes Callum Oliver

Preview: Amber Run

Amber Run come to the Academy on Thursday the 23rd, let Emily Pite tell you why you should be there too

Feature: In conversation with Laura Marling

Rebekah Shaw speaks to Laura Marling about femininity, creative production, and moving on from LA at the folk musician’s first student conference