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Pressure from development felt by independent venues in…
UK Universities accused of paying private firm to ̵…
University plans to hike rent despite £87 million surpl…
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A Chat with STAT
Ode to Oak: The end of an era
“They completely think we’re monsters”: An interview wi…
Opinion
Is Neurodivergence becoming a trend?
Identity and fast fashion: A story of overconsumption
A community of quacks: Social media and its harmful obs…
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Data colonialism and monopoly: The dark side of the eco…
The seven stages of grief: Scientific or social?
All-nighters are killing your ability to learn
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‘Asylum isn’t the objective’: Sudanese students challen…
Rising demand sees nearly half of Work Experience bursa…
Jewish students describe life on campus amid rising ant…
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Manchester United’s Jim Ratcliffe problem
Women’s football still isn’t being taken seriously R…
From one pint to an ultra-marathon: Meet ManchesterR…
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Study visa ban: ‘Misleading’ data used by H…
Should Reform UK be shown the door or given the floor…
Nobody loves Reform: What I learnt from door-knocking i…
Rusholme demonstrations celebrate Syrian liberation
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It’s okay to drop out
I HATE THE 2026 ‘REBRAND’
Frugal chic: “The art of having ‘enough’”
Food & Drink
The best cafés in Manchester to study in this exam season
Shoryu student deal review: I’ll take this over a meal deal any day
Albert’s Schloss St Patrick’s Day bash: a review
It’s women’s history month: the importance of female friendships
3, 2, 1… Pose! 100 years of the Photo Booth
Forever isn’t guaranteed — but that doesn’t mean you shouldn’t try
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Call it what it is: Jhumkas or vintage accessories?
Threads of Osmosis: bridging the gap between fashion and politics
Identity and fast fashion: A story of overconsumption
It’s okay to drop out
21st May 2026
The phrase ‘dropping out’ often feels synonymous with ‘failing’
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Lola Young at O2 Apollo: A triumphant return for a true…
Review: Slam Dunk Festival at twenty years old
Pressure from development felt by independent venues in…
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The Kneale Inheritance & New Voices in Horror: Head…
Music from the Margins & Sex Murder Art: Headpress&…
Manchester Literature Festival: Douglas Stuart in conve…
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The Layers Beneath Un-Fair-Ground Exhibit at Whitworth…
All that went down in the art world, so far: Art market…
Review: HOME, Roots in the Sky
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Next to Normal review: UMMTS’s final show of the…
The Manchester Revue: Reviewing the Revue
What lies beneath: UMDS’ Divine Wave combines fam…
Finding Emily (2026): Alicia MacDonald’s homage to Manchester and British rom-coms
15th August 2026
Alica MacDonald's Finding Emily proves an inventive spin on the rom com for a modern audience thanks to a strong sense of place – and UoM's campus
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Finding Emily (2026): Alicia MacDonald’s homage t…
Review: Ice Cream Man (2026) puts a scoop-shaped crater…
‘Film is like a fluid glass of water. It changes…
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“SNL UK Is Born!”
‘Mock the Week’ is Back!
Taskmaster Series 20 review
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Opinion: The problems with the gaming industry
How casual game design philosophy changed over time
Exit 8 review: when a game adaptation soars
Finding Emily (2026): Alicia MacDonald’s homage to Manchester and British rom-coms
15th August 2026
Alica MacDonald's Finding Emily proves an inventive spin on the rom com for a modern audience thanks to a strong sense of place – and UoM's campus
Read more
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Autumn Fringe 2024
Autumn Fringe 2024 Articles
Five disparate personalities united through adversity: UMDS’ Pour Me review
Culture
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Theatre
Pour Me, the penultimate play of UMDS’ Autumn Fringe, makes for an AA tragicomedy
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