Paul Verhoeven completes his quasi-female trilogy of sex, violence and independence, but does Isabelle Huppert’s Oscar-nominated performance get dragged down in the seething violence?

This subpar movie is based on the Boston marathon bombings

An ordinary film about the extraordinary

Power to the people, stick it to the man

Stick to the Assassin’s Creed video games, because the film is a disappointment

Allied is the epitome of Hollywood classic cinema

I, Olga Hepnarova is an emotionally charged insight into the mind of a mass murderer

First time director, James Schamus, has a welcome case of beginners luck with the triumphant Indignation

JK Rowling begins a new era of magic with the highly-anticipated prequel

As a couple stare into the midsts of a divorce and a precarious living situation, an exploration of human complexity and emotion dominates Joachim Lafosse’s latest release

The four time Academy Award winning satirical classic

“Language is the cornerstone of civilisation”

The Greasy Strangler relies too heavily on contrived plot and crude imagery to succeed as a comedy

Under The Shadow breaks away from the over-used tropes of horror to create a refreshing but terrifying cinematic experience

A documentary about the African culture and society, the arts, filmmaking and of course… the man himself

The bestseller does not live up to the high expectations

This new spin on zombie films is not able to meet the full potential of the original stimulating story

Eloïse Wright explores how gentrification and the domestic home are presented in Ira Sachs’ Little Men

Linklater’s latest film celebrates American masculinity in all the wrong ways

GMFF founder Simon Powell presents the World Premiere of his first feature length film at the Greater Manchester Film Festival