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Review: The Shadow

Review: The Shadow

Rosemary Russett reviews Company Chameleon’s The Shadow at HOME
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Review: Out of Order

Review: Out of Order

Kayleigh Crawford reviews Out of Order at HOME
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In conversation: Anthony Missen of Company Chameleon

In conversation: Anthony Missen of Company Chameleon

Alexia Pieretti interviews Anthony Missen, the co-artistic director of Company Chameleon
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Review: Rich Kids: A History of Shopping Malls in Tehran

Review: Rich Kids: A History of Shopping Malls in Tehran

Bayse Genc reviews Javaad Alipoor’s “Rich Kids: A History of Shopping Malls in Tehran”
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Review: Scottee: Class

Review: Scottee: Class

Kayleigh Crawford reviews Class, Scottee’s final solo show at HOME
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Review: Pizza Shop Heroes

Review: Pizza Shop Heroes

Claudia Langley reviews Pizza Shop Heroes at HOME as part of Orbit Festival
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Preview: Pizza Shop Heroes

Preview: Pizza Shop Heroes

Phosphoros Theatre, a refugee theatre company, bring their new show to Manchester
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Review: Red Dust Road

Review: Red Dust Road

Patience Kanjira reviews Red Dust Road, the stage adaptation of Scots Makar Jackie Kay’s memoir
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Interview with ‘The Maids’ director Lily Sykes

Interview with ‘The Maids’ director Lily Sykes

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Anuli Changa talks to Lily Sykes, director of ‘The Maids’ at HOME Theatre: discussing neoliberalism, feminism and more
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Review: We Are Ian

Georgia Carney reviews We Are Ian, part of Orbit 2017
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Review: How to Win Against History

Izzy Lewis reviews How To Win Against History, the final performance in HOME’s Orbit Festival 2017
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Review: How To Save The World Without Really Trying

Bourgeois & Maurice’s flamboyant neo-cabaret takes over HOME as part of Orbit 2017
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Review: Mobile

A caravan plays host to an exploration of social mobility in 21st century Britain as part of Orbit 2017
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Interview: In Bed With My Brother

Theatre Editor Sophie Graci chats to the company behind Edinburgh Fringe hit We Are Ian, now part of HOME’s Orbit Festival 2017
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Review: Bravado

Sex and violence are inexorably linked in Scottee’s memoir of working class masculinity, reviewed by Theatre Editor Sophie Graci. Part of Orbit 2017
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Review: Eurohouse

The politics of the EU are explored through the relationship between two performers in Eurohouse, reviewed by Anna Merabishvili. Part of Orbit 2017.
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Review: Palmyra

The destruction of an ancient city inspires the breakdown of a relationship in Palmyra
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Review: People, Places & Things

Anna Merabishvili reviews the touring production at HOME.
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Interview: Lizzie Nunnery

The Mancunion’s Theatre editor Brogen Campbell talks to writer Lizzie Nunnery about her play ‘Narvik’
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