From pub crawls to Freshers' events, drinking can feel unavoidable, and sobriety can feel isolating. Here's how to miss out on the hangovers, not the fun
Alica MacDonald's 'Finding Emily' provides an inventive spin on the rom-com for a modern audience thanks to a strong sense of place – and UoM's campus
If you’re interested in film or a student looking for the cheapest place to see the latest blockbuster, Film Editor Sophie Potton has you covered
Kate Ireland reviews Bryony Kimmings’ I’m a Phoenix Bitch at HOME
Rosemary Russett reviews Company Chameleon’s The Shadow at HOME
Kayleigh Crawford reviews Out of Order at HOME
Alexia Pieretti interviews Anthony Missen, the co-artistic director of Company Chameleon
Bayse Genc reviews Javaad Alipoor’s “Rich Kids: A History of Shopping Malls in Tehran”
Kayleigh Crawford reviews Class, Scottee’s final solo show at HOME
Claudia Langley reviews Pizza Shop Heroes at HOME as part of Orbit Festival
Phosphoros Theatre, a refugee theatre company, bring their new show to Manchester
Patience Kanjira reviews Red Dust Road, the stage adaptation of Scots Makar Jackie Kay’s memoir
Anuli Changa talks to Lily Sykes, director of ‘The Maids’ at HOME Theatre: discussing neoliberalism, feminism and more
Georgia Carney reviews We Are Ian, part of Orbit 2017
Izzy Lewis reviews How To Win Against History, the final performance in HOME’s Orbit Festival 2017
Bourgeois & Maurice’s flamboyant neo-cabaret takes over HOME as part of Orbit 2017
A caravan plays host to an exploration of social mobility in 21st century Britain as part of Orbit 2017
Theatre Editor Sophie Graci chats to the company behind Edinburgh Fringe hit We Are Ian, now part of HOME’s Orbit Festival 2017
Sex and violence are inexorably linked in Scottee’s memoir of working class masculinity, reviewed by Theatre Editor Sophie Graci. Part of Orbit 2017
The politics of the EU are explored through the relationship between two performers in Eurohouse, reviewed by Anna Merabishvili. Part of Orbit 2017.
The destruction of an ancient city inspires the breakdown of a relationship in Palmyra
Anna Merabishvili reviews the touring production at HOME.
The Mancunion’s Theatre editor Brogen Campbell talks to writer Lizzie Nunnery about her play ‘Narvik’
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