Skip to main content

Lowry Articles

Review: Drive Your Plow Over the Bones of the Dead

Review: Drive Your Plow Over the Bones of the Dead

Drive Your Plow Over the Bones of the Dead, starring Kathryn Hunter, is a remarkable production, an unclassifiable story, and a visual feast
Review: Waldo’s Circus of Magic & Terror

Review: Waldo’s Circus of Magic & Terror

Waldo’s Circus of Magic & Terror tells a devastating tale whilst showcasing the most dazzling disabled talent
Review: The Beekeeper of Aleppo

Review: The Beekeeper of Aleppo

The Beekeeper of Aleppo is a beautiful but disappointing adaptation of Christy Lefteri’s novel
Ride through the air on a very fine gander to The Lowry

Ride through the air on a very fine gander to The Lowry

Mother Goose comes to The Lowry for the penultimate stop of its UK tour, starring Sir Ian McKellen, John Bishop, and Anna-Jane Casey
Musicals of Manchester: April

Musicals of Manchester: April

Find out what musicals are coming to Manchester this April!
Review: Opera North – The Cunning Little Vixen

Review: Opera North – The Cunning Little Vixen

Welcome to the forest: Opera North’s performance of Janáček’s political opera The Cunning Little Vixen was nothing short of brilliant
Review: Opera North – Tosca

Review: Opera North – Tosca

Opera North’s stunning adaptation of Puccini’s Tosca was tense and thrilling
Review: Opera North – Ariadne auf Naxos

Review: Opera North – Ariadne auf Naxos

Opera North’s adaptation of Strauss’ Ariadne auf Naxos had moments of brilliance whilst falling prey to the familiar trope of trying to do everything everywhere all at once
Review: Steel Magnolias

Review: Steel Magnolias

Steel Magnolias is a fun, feel-good and emotional exploration of female friendship, so it’s a real shame the tour has been cut short by three months
Musicals of Manchester: January

Musicals of Manchester: January

Find out what musicals are coming to Manchester this January!
Giovanni Pernice brings the Italian heat to The Lowry in not-so sunny Salford

Giovanni Pernice brings the Italian heat to The Lowry in not-so sunny Salford

Giovanni Pernice brings his new solo tour, Made in Italy, to The Lowry – where he will transport the audience from not-so sunny Salford to his breathtaking homeland
Review: The Ocean at the End of the Lane

Review: The Ocean at the End of the Lane

The stage adaptation of Neil Gaiman’s The Ocean at the End of the Lane, which is currently having its regional premiere at The Lowry, is a fantastic, fantastical exploration of family
Review: Claus

Review: Claus

Claus, a brand-new musical based on L. Frank Baum’s The Life and Adventures of Santa Claus, is a sweet story but it is unlikely to become a staple of the season
The Lowry is visited by Santa Claus this Christmas

The Lowry is visited by Santa Claus this Christmas

Claus the Musical, a brand-new musical based on L. Frank Baum’s The Life and Adventures of Santa Claus, has its World Premiere at The Lowry this Christmas
The Lowry claims its canal is an ocean

The Lowry claims its canal is an ocean

The Ocean at the End of the Lane, the National Theatre play based on the Neil Gaiman novel of the same name, has its Regional Premiere at The Lowry
Review: The Bloody Chamber

Review: The Bloody Chamber

Proteus’ circus-inspired stage adaptation of Angela Carter’s The Bloody Chamber ended its UK tour with a haunting stop at The Lowry
Musicals of Manchester: December

Musicals of Manchester: December

Find out what musicals are coming to Manchester this December!
Review: Matthew Bourne’s Sleeping Beauty

Review: Matthew Bourne’s Sleeping Beauty

Matthew Bourne’s Sleeping Beauty, his third and final reimagining of Tchaikovsky’s ballets, is entertaining but not quite enchanting audiences at The Lowry
Review: Opera North’s Orpheus

Review: Opera North’s Orpheus

Opera North’s Orpheus – a modern, Indian reimagining of Monteverdi’s Orpheus, with new music by Jasdeep Singh Degun – finished its UK tour at The Lowry
Review: Opera North’s Orfeo ed Euridice

Review: Opera North’s Orfeo ed Euridice

Opera North brought their adaptation of Gluck’s Orfeo ed Euridice to The Lowry, in a stripped-back performance that elevated the emotional power of the piece