Country Mile is more of the same from the Sussex Wit frontman, but that’s no bad thing when his output is so consistently excellent.

The former Razorlight frontman continues his steady decline into obscurity.

Miles Kane storms Academy 1.

“It’s hard to find an unenjoyable moment on the album, but the simplicity of the songs bites back at them.”

Thanks for sharing? More like thanks for nothing! George Bellamy reviews the latest rom-com from Keeping the Faith’s Stuart Blumberg

Lifestyle Editor Moya Crockett on why this American high school TV series, first aired in 1999, should be everyone’s new favourite show

Matt Gibney takes a trip down memory lane.

Alex Fenton looks back upon The Beatles’ penultimate studio album.

Whilst only in its second year, Dimensions establishes itself as one of the finest festivals around.

The UK Garage legend delivers a new installment of the iconic FabricLive series.

Beacons Festival delivers the goods with the lineup, but doesn’t offer a lot else.

The failures of Diana prove that trying to simply profit from a national tragedy, blindly retelling well known history, is lazy and in this case borders on emotional manipulation.

From humble beginnings throwing low-key parties down in the capital, it’s surprising how fast Eastern Electrics has morphed into a proper festival

Fresh Loaf Production’s latest film ‘Coastal Shelf’ premieres at The Cornerhouse

Melissa Blanche contends with a sea of girls at Deaf Institute to report on NME’s new favourite expose

“The Doors at their blues-rock best, and its mere existence is a miracle in itself.”

Everyday Analysis discusses United Colours of Benetton’s recent ‘Unemployee of the Year’ campaign

Annabel Herrick previews ‘Articulate’ from the Venture Arts project, at the Lowry

Odd Future’s de facto frontman returns with another half-baked studio effort

Alice Hughes’ verdict on the latest love-to-hate teen movie from Harmony Korine