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UK Universities accused of paying private firm to ̵…
University plans to hike rent despite £87 million surpl…
Student visa ban: Home Office denies students from conf…
Features
A Chat with STAT
Ode to Oak: The end of an era
“They completely think we’re monsters”: An interview wi…
Opinion
Is Neurodivergence becoming a trend?
Identity and fast fashion: A story of overconsumption
A community of quacks: Social media and its harmful obs…
Science & Tech
Data colonialism and monopoly: The dark side of the eco…
The seven stages of grief: Scientific or social?
All-nighters are killing your ability to learn
Investigations
‘Asylum isn’t the objective’: Sudanese students challen…
Rising demand sees nearly half of Work Experience bursa…
Jewish students describe life on campus amid rising ant…
Sport
Manchester United’s Jim Ratcliffe problem
Women’s football still isn’t being taken seriously R…
From one pint to an ultra-marathon: Meet ManchesterR…
Politics
Study visa ban: ‘Misleading’ data used by H…
Should Reform UK be shown the door or given the floor…
Nobody loves Reform: What I learnt from door-knocking i…
Rusholme demonstrations celebrate Syrian liberation
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Lifestyle
Lifestyle
It’s okay to drop out
I HATE THE 2026 ‘REBRAND’
Frugal chic: “The art of having ‘enough’”
Food & Drink
The best cafés in Manchester to study in this exam season
Shoryu student deal review: I’ll take this over a meal deal any day
Albert’s Schloss St Patrick’s Day bash: a review
It’s women’s history month: the importance of female friendships
3, 2, 1… Pose! 100 years of the Photo Booth
Forever isn’t guaranteed — but that doesn’t mean you shouldn’t try
Fashion & Beauty
Call it what it is: Jhumkas or vintage accessories?
Threads of Osmosis: bridging the gap between fashion and politics
Identity and fast fashion: A story of overconsumption
It’s okay to drop out
21st May 2026
The phrase ‘dropping out’ often feels synonymous with ‘failing’
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Culture
Music
Interview: In conversation with Leif, Manchester’…
‘Now’s The Time’: Jon Onabowu on goin…
“If a horror film was a DJ set”: Bad Revue…
Books
The Kneale Inheritance & New Voices in Horror: Head…
Music from the Margins & Sex Murder Art: Headpress&…
Manchester Literature Festival: Douglas Stuart in conve…
Arts
The Layers Beneath Un-Fair-Ground Exhibit at Whitworth…
All that went down in the art world, so far: Art market…
Review: HOME, Roots in the Sky
Theatre
Next to Normal review: UMMTS’s final show of the…
The Manchester Revue: Reviewing the Revue
What lies beneath: UMDS’ Divine Wave combines fam…
The Kneale Inheritance & New Voices in Horror: Headpress’ 35th anniversary extravaganza
19th June 2026
Two events of the day - the work of Nigel Kneale and student-made short horror film The Shedding
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On Screen
Film
Exit 8 review: when a game adaptation soars
Resident Evil and the adaptation accuracy debate
“SNL UK Is Born!”
TV
“SNL UK Is Born!”
‘Mock the Week’ is Back!
Taskmaster Series 20 review
Games
How casual game design philosophy changed over time
Exit 8 review: when a game adaptation soars
Resident Evil and the adaptation accuracy debate
Exit 8 review: when a game adaptation soars
19th June 2026
Japanese indie horror flick Exit 8 has arrived on the big screen in the UK, leaving a mark as one of the finest videogame adaptations to date
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Exit 8 review: when a game adaptation soars
Film
,
Games
,
On Screen
Japanese indie horror flick Exit 8 has arrived on the big screen in the UK, leaving a mark as one of the finest videogame adaptations to date
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Resident Evil and the adaptation accuracy debate
Film
,
Games
,
On Screen
As Resident Evil returns to the big screen with an untold original story by Zach Cregger, why do fans seem so afraid of the movie trying something new?
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Reclaim the Night 2026: An outside view
Features
Reclaim the Night is a student-run march. But what does it mean to onlookers?
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Mercy review: 2026’s first sci-fi malfunction
Film
Mercy is the latest piece of insufferable, pro-AI messaging, muled through the most ‘January’ movie of the century
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Is 2026 the new 2016?: Nostalgic escapism in a digital age
Opinion
Why are we so desperate to revive 2016? More importantly, what does this say about our reluctance to accept the present?
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