Film

The Mancunion evaluates whether Chantal Akerman’s 1975 film, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, is truly the best film of all time

Everyday in Kaimuki screened at MANIFF23, some aspects of the film were enjoyable but ultimately, the film was underwhelming

Carlota González-Adrio’s debut feature film is accompanied by a live Q&A for the 2023 ¡Viva! Spanish and Latin American Film Festival

It seems that once again the Academy Awards have let down female directors by failing to nominate a single one; here’s what we have to say about it.

The Mancunion had the pleasure of speaking to Olan Collardy, Director of Photography on Raine Allen-Miller’s Rye Lane

Is Netflix’s latest romcom ‘Your Place or Mine’ the latest in a series of flops for the streaming service?

Liminal spaces in film and television create an immersive experience for audiences

The Didsbury Fictional Film Club is a new organisation dedicated to screening unique movies to residents of Greater Manchester

Working Title’s latest romantic comedy leaves much to be desired

This polarising and experimental horror film is slow and spreads its scares carefully, but its gut-wrenching frights and the sustained stomach knot you get while watching make it all worth it in this ambient horror experience

In her directorial debut, Luis De Filippis explores families at their worst and best through a tender slow cinema lens

Bend It Like Bollywood, a film from the mind of our Theatre Editor, Jay Darcy, comes to the BBC

Will Everything Everywhere All at Once sweep the night? Does Top Gun: Maverick stand a chance? What about Elvis? Here’s some final predictions for the Oscars 2023

The Dos and Don’ts of the Oscars acceptance speech in preparation for this year’s ceremony

Both quirky and heartwarming, this mockumentary/stop-motion hybrid delivers profound musings on loss, community, and change, with a healthy dose of laughs on the side