In conversation with director Jake Myers about the making of his satirical horror comedy, Kombucha.

A heartfelt Japanese goodbye to youth and praise of rebellious energy and friendship

I sat down with the mastermind behind Hundreds of Beavers, Ryland Tews, ahead of his Manchester tour dates to discuss his insane touring film.

The Roses – Divorce has never been so difficult. A story about ambition and sacrifice.

From first years to those returning to uni, Big Boys has a lot to give to help students in their first weeks away from home

Manchester is a city with fantastic film scene, so here is how to make the most of it

With the term ‘masterpiece’ thrown around far too often in the modern cinematic world, Kubrick’s Barry Lyndon prevails as the very definition of this lauded term

With his film Siko Siko, Omar El Mohandes shattered expectations – and records – becoming the second highest-grossing director in the history of Egyptian cinema

Jeanne Dielman’s 50th anniversary cinematic re-release: the ageless prison of domesticity and how to escape it

Thunderbolts* trades spectacle for soul, following a group of broken antiheroes as they battle inner demons, not just cosmic ones

For CULTPLEX’s CURSE film festival, Ben Wheatley’s ‘A Field in England’ was screened, followed by a Q&A with the film’s director

Almost ten years since our last encounter with the English rose, Bridget Jones is now back in the London dating in a delightful flick that will make you laugh just as much as it will make you cry

Get your popcorn and your predictions at the ready, and join us to discuss our Oscars picks and drops.

Edward Berger’s newest film, Conclave, out of nowhere turns voting for the next pope into a wildly entertaining thriller

Timothée Chalamet’s recent press coverage focusses on how closely he imitated Bob Dylan in A Complete Unknown, but is that really worthy of an Oscar?

Companion is a film that has been on my radar since late last year when I first saw an advert for it on social media. Horror is quite possibly my favourite genre, I really enjoyed Barbarian, and when I saw that this film was made by the same “unhinged” minds, I knew it was one […]

Oscar contender The Brutalist is a gigantic film that almost entirely resists buckling under it’s own weight

Bridget has survived being debated-over in the 2010s to become one of our favourite heroines; we like her just as she is

Join us in commemorating David Lynch’s legacy through a chronological exploration of his unparalleled filmography

With the recent releases of A Complete Unknown and Better Man, where do these new titles stand next to some of the best and worst biopics?