On the announcement that Pink will receive the BRIT Award for Outstanding Contribution to Music, Bella Fleming looks at the reasons why she is not a worthy winner
Jasmine Bennett scrutinises the latest from the world’s favourite pop queen, Ariana Grande
Jasmine Bennett returns to one of the best pop records of the 1990s in light of their reunion in a record reappraisal of Spiceworld
5 Seconds of Summer drop their pop punk roots in favour of a more polished performance that old fans might not favour, writes contributor Georgina Davidson
Rising talent Maisie Peters spares a moment to talk to Alex Stagg before her supporting slot at the O2 Ritz, on Tom Walker’s UK tour
Amidst his hectic tour schedule, Tom Walker sits down for a chat with contributor Alex Stagg before putting on an electric performance at the O2 Ritz.
Callum Lunn assesses The Story So Far’s growth in maturity evident that is upon the release of their latest album
Savage pop punk star GIRLI tears up Manchester’s Deaf Institute with a show not for the faint hearted
Zoe Kent speaks to MØ ahead of her show at Manchester’s O2 Ritz
Josh Sandy discusses the successful sophomore release from singer-songwriter Nina Nesbitt, five years after her original debut hit the charts
Issy Bolitho previews Ten Tonnes return to headline shows, bringing infectious indie-pop to Manchester’s The Deaf Institute.
Sigrid, the Scandinavian superstar in the making, shows everyone why she’s a force to be reckoned with, writes Deputy Editor, Jake Oliver
Caroline Rose in snowballing into fame after her spectacular 2018 album, but her main concern is still having a good time
Contributor Lucy Clutton-Brock gives us a rundown of The Coral’s energetic sold-out Albert Hall gig
Jake Oliver reviews the Canadian synth-pop duo Isla Den, who released their debut EP Water Sounds back in April – bringing along a sense of tranquility
Pale Waves’ debut is glittering, but fails to be overtly original or diverse
One ex-boyband member finds his own Direction in an upbeat, folksy gig that promises a bright future
California’s moody monochromatic musicians drop an extremely average third album.
