Amy Hagan reviews ‘The White Card’ a one-act play that marks award-winning poet Claudia Rankine’s first book since ‘Citizen’ and first piece of drama
Cara Conte writes about the news coverage of Shamima Begum and asks why the UK population have not been more compassionate and understanding. Should we not address what is what that made Begum feel like she needed the protection promised to her by her groomers?
Cachella Smith suggests that Liam Neeson’s excuse for his racist comments and actions is insufficient and actually racist in itself
Jay Darcy writes about the Government Shutdown in the USA over ‘The Wall’; an embarrassing example of the fallout of Trump’s outlandish policies.
With Chinese customers consuming over 33% of global luxury product, we examine how racism at Dolce & Gabbana is undeniably out of fashion.
Sophia Ashby spoke to Cara Thompson about hair politics, femininity and why only some afros are acceptable.
Anuli Changa discusses the use of the ‘n-word’ and how the double standard surrounding it’s use mean it remains both a racial slur and an example of linguistic protest.
By alienating his foreign allies and pushing his nationalist rhetoric to the extreme, Trump risks undermining the revolution he started in 2016
As we continue our theme of black history month, this week Ellie Tivey talks to UoM senior lecturer Anindita Ghosh to discuss why history classrooms around the country are severely lacking in education on colonialism and how this is affecting our understandings of the world
Tallulah Brennan argues that the racist rhetoric of the Brexit vote was motivated by the imperial nostalgia of the Baby Boomer generation.
The Serena Williams cartoon that circulated after her US Open final loss has been cleared of racism and continues to divide opinions
Jay Darcy reviews Cuts of the Cloth as part of the HOME Push Festival
Jay Darcy writes about the need for campaigns for equality with regards to oppressed or minority groups either in race, gender or sexuality to recognise their overlapping aims.
If this year’s BlackKklansman served as a solid artistic insight into the roots of modern-day racism, then George Tillman Jr’s The Hate U Give makes for a fantastic following piece about the current state of American racial tensions
Riddi Viswanathan has faced a torrid social media backlash after university opposition to Generation Identity’s sticker campaign