Skip to main content

music
8th April 2011

Guilty Pleasure – Ke$ha

Ke$ha has been one of the rising stars of 2010, most notable for her “sing-talk” method and catchy songs, but being seen as a “metalhead”, it seems almost unspeakable that I enjoy listening to her music. The lyrics may make very little sense whatsoever, yet Ke$ha contributes a large amount to the writing of her songs, as opposed to many other pop stars who rely on professional song-writers to compose their hits.
Categories:
TLDR

Ke$ha has been one of the rising stars of 2010, most notable for her “sing-talk” method and catchy songs, but being seen as a “metalhead”, it seems almost unspeakable that I enjoy listening to her music.

The lyrics may make very little sense whatsoever, yet Ke$ha contributes a large amount to the writing of her songs, as opposed to many other pop stars who rely on professional song-writers to compose their hits. After all, the lyrics are what make the songs so memorable, even if at points it’s grammatically incorrect.

From ‘We R Who We R’ to ‘Blah Blah Blah’ featuring 3OH!3, everybody has to know of or heard one of Ke$ha’s songs at one point. However, the draw is that they are the sort of songs that get stuck in your head, which probably is why people can’t stand it anymore. But, for me anyway, it’s a total change from the music I generally listen to.
Even with me not being an advocate of Auto-Tune, ‘Tik Tok’ still manages to be heavily auto-tuned and remain something I can listen to without wanting to deafen myself.

Above all though, she has a dollar sign in her name. You’ve got to like her.

James Birtles


More Coverage

The club night series celebrates its twentieth anniversary in Manchester. Here’s how it ace its jam-packed autumn/winter programme
The legendary electro-punk group return to a rainy Manchester for their third performance in under two years
The legacy Salford venue is set to be taken over by the owners of a nightclub next door as BASTION. Users online voiced issue about a supposedly AI launch poster, and a smoothing over of The White Hotel’s diverse gig programming
The Manchester quartet’s debut album is heartwarming and deftly imperfect, pioneering a new era of British indie music outside the capital