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MANIFF 2020: Loop

Loop is an unoriginal take on time travel films and is better suited to the teenage audience of streaming services than film festivals, writes Michal Wasilewski

Manchester Film Festival 2020’s Narrative Shorts 2 were political, satirical and, at times, heartwarming, writes Harley Weng U Pun

Alexia Pieretti reviews dark comedic social commentary The Shadows, performed at the King’s Arms as part of the Drama Society’s MIFTA season

Alexia Pieretti reviews a live-streaming of Monster/Monstrum, which was performed at NIAMOS Art Centre as part of the Drama Society’s MIFTA season but live-streamed in the wake of the coronavirus crisis

Photo: George Kvizhinadze @ Flickr

And Then We Danced is a deeply emotional, subtle romance which avoids preachiness and pretentiousness by conveying its message through music and dance, writes Michal Wasilewski

MANIFF 2020: Mosley

The documentary, screened as part of Manchester Film Festival, on the son of the former leader of the British Union of Fascists offers a slightly one-sided insight into his life, writes Katie Swift

Up From the Streets has a broad focus, but succeeds in creating a thoroughly enjoyable introduction to the musical history of New Orleans

Chris Thomas’ Let’s Roll is a hilarious and heartwarming look at resilience and overcoming adversity surrounding the infamous Gloucester cheese rolling competition

Ahead of the 16th Edition of Kinofilm Festival Manchester, head film editor Tobias Soar attended the Spanish Shorts screening

Manchester International Film Festival opens with Traumfabrik, a romantic love story that forms part of the festival’s German Film section, writes Zofia Gryf-Lowczowska

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