Alison Klayman sits down with film editor Tobias Soar to talk about her documentary, political filmmaking, Steve Bannon and humanising evil
In a year wrought with controversy surrounding Reclaim The Night, Sara Heddi has delivered a large bill but improved outcomes for the womens’ safety march
In spirit, it’s Fargo: Alabama, in every other way. It’s a perfect dark comedy that had me falling off my seat in fits of laughter, writes Tobias Soar
Big bands are the best
Sophie Marriott isn’t a fan of the proposed changes to tuition fees
An audiovisual spectacle to behold, Apollo 11 is a documentary like no other, writes film editor Tobias Soar from Sundance London
A Certain Ratio celebrated their 40th anniversary with a two-day festival at Manchester’s coolest venue, YES
Sergio Leone’s 1968 spaghetti-western is a rough gem that hasn’t lost its charm
Urussa Malik reviews the Creative Writing Society’s new zine, ‘Truth and Other Associated Works’, edited by Calvin Cheng, Adrian Kanyoli, and Toreh O’Garro
Malik-Johnson only attended 12.5% of his meetings
The Mancunion review Fatima Abid’s performance in her first and only year as Students’ Union General Secretary, in the year when she pioneered the GMSA
Jennifer Kent leaps over the dreaded “sophomore slump” in her highly-anticipated brutal tale of revenge, Tobias Soar writes
One Officer spent 41% of the total Exec budget
Tobias Soar — Despite its underwhelming visual presentation, Corporate Animals is a hilarious dark comedy which might make you squirm in your seat
Camden-born band Couples bring their thunderous tracks and eccentricity to hometown venue Camden Assembly for another Sunday night session with Benumu
The Augar Review also says the threshold for repaying student loans should fall
Irish singer-songwriter Dermot Kennedy brings driving beats, catchy hooks and poetic lyrics to a sold out show at Manchester’s Albert Hall
Joe Carroll speaks to Cameron Dale, a recent participant of BBC Three’s Porn Laid Bare, a documentary showing the real side of pornography industry
