Skip to main content

music
8th April 2011

Live: Mogwai @ Academy 1

Returning to Academy 1 in support of their seventh album, the wonderfully-titled Hardcore Will Never Die, But You Will, post-rock veterans Mogwai deliver a stirring, two-hour set that spans their entire career. They showcase a whole host of tracks from the new record, opening with the chirpy and upbeat ‘White Noise’, with ‘Mexican Grand Prix’, ‘I’m Lionel Richie’ and new single ‘Rano Pano’ also aired, the latter brilliantly blending grinding guitars with subtle synths. This is a band capable of conveying an incredibly wide range of emotion in their music, which is all the more remarkable when you consider that the vast majority of it is purely instrumental.

Categories:
TLDR

Mogwai
Academy 1
26th February 2011
4 stars

Returning to Academy 1 in support of their seventh album, the wonderfully-titled Hardcore Will Never Die, But You Will, post-rock veterans Mogwai deliver a stirring, two-hour set that spans their entire career.
They showcase a whole host of tracks from the new record, opening with the chirpy and upbeat ‘White Noise’, with ‘Mexican Grand Prix’, ‘I’m Lionel Richie’ and new single ‘Rano Pano’ also aired, the latter brilliantly blending grinding guitars with subtle synths. This is a band capable of conveying an incredibly wide range of emotion in their music, which is all the more remarkable when you consider that the vast majority of it is purely instrumental. This is perhaps best demonstrated in ‘Mogwai Fear Satan’, a classic cut from their 1997 debut, Mogwai Young Team, which goes from quiet and introspected to searing and euphoric at the drop of a hat. These Glaswegians are responsible for some of the finest use of the quiet/loud dynamic since Pixies and Nirvana.

Mogwai are well-known on the live circuit for playing some of the loudest shows this side of My Bloody Valentine and tonight they vindicate such a reputation – the bass, particularly, was room-shaking to the extent that I wouldn’t be surprised if the building is no longer structurally sound. As the sprawling feedback outro of ‘My Father My King’ is finally cut short fifteen minutes after the curfew, Mogwai have not only exceeded their advertised set length and (probably) legal decibel levels, they’ve also exceeded themselves. With a dazzling light show, incredibly tight musicianship and a superbly-paced setlist, they might not yet have reached the pinnacle of live performance, but on this evidence they’re certainly approaching it. And fast.

Joseph Goggins


More Coverage

Ahead of the release of second album Nobody’s Coming To Save You, the Dublin five-piece talk Irish music, playing gigs in Manchester skateparks and how they found out The Spice Girls’ Mel C is a secret fan

Boomtown Fair 2026 was the festival’s biggest iteration yet as it successfully diversified and grew into new genres while still keeping a space for its bass music roots

The London alt-rock sensation returns with a sixth album that sees her trying out a new nineties-inspired direction, but falls frustratingly short

If you’re into music, you came to the right city. From jangle pop to Chinese cloud rap, our music editors write about their Freshers’ gig recommendations